admirable memory and accuracy. what we often hear in the greats? is "the quiet hand", a close intimacy with the mechanics of sound production. throwing hands histronically, flinging fingers as if randomly? now this is a choice. why would our hands ever be positioned under the keyboard? as musicians we can assist our relationship to our instruments only via our fingers' carresing attacks . with a relaxed posture - from chi to feet to ass, to torso, shoulders, elbows; then supple wrists and fingers in prepared, relaxed positions relative to the mechanical requirements of our instrument - we may approach the Great Tradition
admirable memory and accuracy. what we often hear in the greats? is "the quiet hand", a close intimacy with the mechanics of sound production. throwing hands histronically, flinging fingers as if randomly? now this is a choice. why would our hands ever be positioned under the keyboard? as musicians we can assist our relationship to our instruments only via our fingers' carresing attacks . with a relaxed posture - from chi to feet to ass, to torso, shoulders, elbows; then supple wrists and fingers in prepared, relaxed positions relative to the mechanical requirements of our instrument - we may approach the Great Tradition