This was one of the pieces I used to practice on my own although it never became part of any audition. I was young and hopeful that I would grow up to become a principal in some symphony and travel all over. I thought it was so beautiful and not too confused with oddball flats and sharps or complicated fingerings, so it wasn't really so difficult to master. A very nice little journey. Colourful and yet somehow melancholy.
Un grand flûtiste que Denis Bouriakov ! Une sonorité velouté, loin du "gros son turbo" de certains, un phrasé intelligent et maîtrisé, des respirations pertinentes, une précision digitale d'horloger... Un vrai régal pour une prestation scénique de grande classe ! Bravo et merci !
How do you have the air to extend phrases beyond human capacity? I've just binge listened to hours of you - it's astounding. Yes, the lower register you produce is truly unbelievable, but your playing is beyond anyone's.
I don't know either -- other topping up whenever possible in anticipation of longer phrases up ahead. (Running, swimming, cycling . . . yogic breathing, holding breath under water at the deep end of a swimming pool. Staying well and avoiding really bad air quality are among only a few tips that I can think of.)
I'm afraid that personally I don't like this type of 'overused' vibrato. It feels like he is standing on a shaking platform or constantly being shaken by someone when playing. Too much vibrato makes my ears tired - a similar feeling when I listen to James Galway. Again only my personal opinion.
This is only my personal opinion. Regarding B W V-1030 (B minor sonata), To use grand piano on behalf of cembalo is so correct. Because this sonata is considered a kind of Trio sonata. Accordingly between the right hand of keyboard and modern flute must be completed counterpoint. In other words, The distinct conversation between flute and piano. The sounds of cembalo is too small. Therefore, that is the reason why I am recommending grand piano. 個人的な見解になりますが、B W V-1030に関しては、チェンバロよりグランドピアノの方が、いいと思います。おかげで、キーボードがどんな演奏をしているかが、モダンフルートの音にかき消されないので、はっきりわかります。 この曲は、トリオソナタの体をなしているので、キーボードの右手とフルートの旋律に於ける対位法がはっきり表現されなければなりません。 世界的に有名なフルート奏者が、チェンバロを使っているから私も、という安易な考えではなく、これからはもっと音の大きさのバランスというものを考えなければならない時代に来ていると思います。 ただ、すべてのバッハのフルートソナタが、ピアノになればいいといっているわけではありません。慎重な判別が必要でしょう。 ということで、こちらの演奏は素晴らしいものになっていることは、いうまでもありません。
I prefer it like this with modern flute and piano forte but I'm playing it on harpsichord with a flutist who uses no vibrato in the supposedly baroque style. 😉
Un grand flûtiste que Denis Bouriakov ! Une sonorité velouté, loin du "gros son turbo" de certains, un phrasé intelligent et maîtrisé, des respirations pertinentes, une précision digitale d'horloger... Un vrai régal pour une prestation scénique de grande classe ! Bravo et merci !
Also...outstanding piano accompanist.
This was one of the pieces I used to practice on my own although it never became part of any audition. I was young and hopeful that I would grow up to become a principal in some symphony and travel all over. I thought it was so beautiful and not too confused with oddball flats and sharps or complicated fingerings, so it wasn't really so difficult to master. A very nice little journey. Colourful and yet somehow melancholy.
Un grand flûtiste que Denis Bouriakov ! Une sonorité velouté, loin du "gros son turbo" de certains, un phrasé intelligent et maîtrisé, des respirations pertinentes, une précision digitale d'horloger... Un vrai régal pour une prestation scénique de grande classe ! Bravo et merci !
Brilliant. My favourite Bach Sonata for flute by my favourite flutist!
Absolutely beautiful.
love this sonata!! Beautifully and artfully played by flutist and accompanist!!
How do you have the air to extend phrases beyond human capacity? I've just binge listened to hours of you - it's astounding. Yes, the lower register you produce is truly unbelievable, but your playing is beyond anyone's.
I don't know either -- other topping up whenever possible in anticipation of longer phrases up ahead. (Running, swimming, cycling . . . yogic breathing, holding breath under water at the deep end of a swimming pool. Staying well and avoiding really bad air quality are among only a few tips that I can think of.)
He might be circular breathing
Wow! That is just beautiful!
Браво!
Puro encanto.
Здорово!
Мне очень понравилось!
Sublime!
Exquisite vibrato
I'm afraid that personally I don't like this type of 'overused' vibrato. It feels like he is standing on a shaking platform or constantly being shaken by someone when playing. Too much vibrato makes my ears tired - a similar feeling when I listen to James Galway. Again only my personal opinion.
Nice
Uma das mais belas peças de música já criadas por Homo Sapiens.
This is only my personal opinion.
Regarding B W V-1030 (B minor sonata), To use grand piano on behalf of cembalo is so correct. Because this sonata is considered a kind of Trio sonata. Accordingly between the right hand of keyboard and modern flute must be completed counterpoint.
In other words, The distinct conversation between flute and piano.
The sounds of cembalo is too small. Therefore, that is the reason why I am recommending grand piano.
個人的な見解になりますが、B W V-1030に関しては、チェンバロよりグランドピアノの方が、いいと思います。おかげで、キーボードがどんな演奏をしているかが、モダンフルートの音にかき消されないので、はっきりわかります。
この曲は、トリオソナタの体をなしているので、キーボードの右手とフルートの旋律に於ける対位法がはっきり表現されなければなりません。
世界的に有名なフルート奏者が、チェンバロを使っているから私も、という安易な考えではなく、これからはもっと音の大きさのバランスというものを考えなければならない時代に来ていると思います。
ただ、すべてのバッハのフルートソナタが、ピアノになればいいといっているわけではありません。慎重な判別が必要でしょう。 ということで、こちらの演奏は素晴らしいものになっていることは、いうまでもありません。
las clases son en moscu , xd
言っていることは理解できます。音量のバランスを言うなら、モダンフルートで演奏しなければ良いと思います。やはり、トラヴェルソとチェンバロの組み合わせがベストだと思います。
@@balaineak コメントありがとうございます。要は、モダンフルートとキーボードの音の大きさが拮抗してるいればよいわけですから、大きな音量の大きなハープシコードを使用すればいいなとも思っています。このことは、1960年ごろ対位法にうるさいグレングールドが気が付いていて、ブランデンブルグ５番、モダンフルート、ヴァイオリン、自ら弾くグランドピアノという構成の演奏で大反響を得ています。
What's this Denis - a sonata that was actually written for the flute andd not the violin?
Marvellous.
Wow it’s my mom!
Muito rápido... Mas ainda sim incrível.
I prefer it like this with modern flute and piano forte but I'm playing it on harpsichord with a flutist who uses no vibrato in the supposedly baroque style. 😉
From a modern instrument interpretation I expected much worse. Great work!
7 YEARS PASSED , ARE YOU ALIVE?
@@wolfgangvanchopin4093 damn right lol i forgot i wrote this totally
@@theskoomacat7849 No way you replied!! Do you still play the flute?
❤
like
what grade would you say this is?
I dunno if you're in NY but if you are this is a level 6 nyssma
great interpretation. never going too lax
if they had used the harpsichord , would have been even more prettier
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Slow down please... Other than that really well done.
Linda!!! Mas o flautista podia tirar quase todo o vibrato
Schön gespielt, etwas zu schwer und dominierend Klavier, aber das liegt wohl an der Natur des Instruments - zu primitiv im vergleich mit Cembalo!
うまいけど、平凡な演奏やな。もっと冒険せな。
Un grand flûtiste que Denis Bouriakov ! Une sonorité velouté, loin du "gros son turbo" de certains, un phrasé intelligent et maîtrisé, des respirations pertinentes, une précision digitale d'horloger... Un vrai régal pour une prestation scénique de grande classe ! Bravo et merci !
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