Wunderschöne Aufführung dieses einzigartigen und perfekt komponierten Doppelkonzerts mit seidigem Ton der Solovioline und mildem Ton des Solocellos sowie gut phrasierten und perfekt vereinigten Tönen anderer Instrumente. Der intelligente Maestro dirigiert das ausgezeichnete Orchester im veränderlichen Tempo und mit perfekt kontrollierter Dynamik. Das ist Philip Glass!
Magnifique, quelle belle découverte, j'avoue et j'ai honte, je ne connaissais pas ce monsieur Philip Glass. Je suis agréablement conquise. Merci France musique.
Bonjour, merci pour votre message. Nous vous invitons à regarder cette vidéo pour en savoir plus sur Philip Glass : ruclips.net/video/ebZCUh-KjPM/видео.html Très bonne journée !
On peut écouter cette musique dans cette interprétation sans fin. C’est un classique. S’y exprime, comme souvent chez Philip Glass, une sensibilité tragique puisée aux tréfonds de l’âme européenne.
It is so amazing! What wonderful musicians to play it! Love this concert very much. I wish I could be at the theater to enjoy it there. Again, wonderful cellist, violinist, orchestra, director and music! 100!
Ici en Belgique, on recevait bien France-Musique, mais c'est devenu sinon impossible, en tout cas parfaitement inécoutable depuis bien des années. La répartition actuelle des fréquences FM est une catastrophe.
I attended this concert in Paris, it was extraordinary! After the concert Gidon Kremer and Giedre Dirvanauskaitė had an encore . I tried desperately to find out what it was. Can anyone help me?
Il utilise toujours le même schéma harmonique pour la grande majorité de ses compositions, pareil pour le schéma rythmique, alors je veux bien qu'il ait une signature, tout les grands compositeurs en ont eu une mais il n'y a pas de subtilité derrière à un point où un novice penserait que chaque morceau se différencie peu d'un autre de sa composition.
Both concertos are wonderful violin and this one , but for some reason this double concerto is better, at least for me.By the way the escore is extremely hard , especially in the rhythmic part.
Don't soloists learn concertos any more? Thought that was the whole idea of a concerto. Members of the orchestra read from the music but the soloists don't. I wish Brahms had been in the audience. 🙂
Tries to avoid every pre-existing motif in the repertoire. As for the viral toe-tapping…it’s now copied to warm up banal compositions everywhere these days.
ugh - what a deadly, horrible, and extremely dull piece - and for heaven's sake could Glass had at least given the soloists an interesting melody to play when the orchestra is silent ? - everything sounds disjointed and without focus - of course we have to bring up the triangle, snare drum and wood block to wake us up every now and then, only to hear a sequence of equally dull harmonic shifts played over Glass' typically sterile and predictable rhythmic pitter patter
@@caseywlamb8066 ha ha - i don't like or dislike something based on what other people think - i am an expert on what i think and i value my own judgment
Val Lamon 😂 I love Philip Glass ''pitter patter'' and I don't need the triangle, snare drum and wood block to wake me up. p.s. And I am not an uneducated person in art and music. 😂
@@Marcus_Sylvester oh isn't it fun disagreeing and fighting with people about classical music ? ha ha - kinda makes one appreciate how people fought back in the old days about Stravinsky's Rite of Spring !
Maybe try thinking out side the box for once…? Glass is making a statement, he is creating concert music without following any tradition. He is using a new combination of instruments and making something so different then what anyone has ever created.
Avec Arvo Part, une des rares raisons de ne pas désespérer de la musique d’aujourd’hui. Un très grand compositeur qui m’aide à vivre.
This music is unbelievable. I am so happy that I have found it here...
Sublime , carrément sublime
ce double concert est d'une beauté inouie ♥♥
Wunderschöne Aufführung dieses einzigartigen und perfekt komponierten Doppelkonzerts mit seidigem Ton der Solovioline und mildem Ton des Solocellos sowie gut phrasierten und perfekt vereinigten Tönen anderer Instrumente. Der intelligente Maestro dirigiert das ausgezeichnete Orchester im veränderlichen Tempo und mit perfekt kontrollierter Dynamik. Das ist Philip Glass!
Magnifique, quelle belle découverte, j'avoue et j'ai honte, je ne connaissais pas ce monsieur Philip Glass. Je suis agréablement conquise. Merci France musique.
Bonjour, merci pour votre message. Nous vous invitons à regarder cette vidéo pour en savoir plus sur Philip Glass : ruclips.net/video/ebZCUh-KjPM/видео.html Très bonne journée !
Giedre, fantastiškai groji 😍
🤩
😍😍😍😍😍😍😍😍😍😍😍😍😍😍
❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️
Aciu! 🥰
Definitely Glass is the one of the biggest genius of your time, widely admire in the future,
Philip Glass, Sofia Gubaidullina, Arvo Part - proud of Modern Musical Culture.
Philip Glass is one of the Greatest Composer in history of MUSIC.
Совершенно верно, согласен с Вами. Он велик и среди гениев!
On peut écouter cette musique dans cette interprétation sans fin. C’est un classique. S’y exprime, comme souvent chez Philip Glass, une sensibilité tragique puisée aux tréfonds de l’âme européenne.
Thank for sharing this video with us
Thank you for watching !
@@francemusiqueconcerts
You are welcome
Philip Glass has a high sense of drama and his music has a wonderful meditation quality to it. 👍 👍 💖
It is so amazing! What wonderful musicians to play it! Love this concert very much. I wish I could be at the theater to enjoy it there. Again, wonderful cellist, violinist, orchestra, director and music! 100!
Unmistakably Philip Glass.
Philip Glass never learnt the fundamental lesson about composition - "Don't compose the same work twice!"
So there shouldn't be any 'Variations on a theme'?
@@michaelthoseby4682 I wish he would write countless scores again.
Merci France musique, de permettre la réécoute de cette œuvre fantastique !
Ici en Belgique, on recevait bien France-Musique, mais c'est devenu sinon impossible, en tout cas parfaitement inécoutable depuis bien des années. La répartition actuelle des fréquences FM est une catastrophe.
Magnifique !
Merci pour votre commentaire.
Amazing…...a new sound but I can still recognize Philipp Glass
This piece is so mysterious
Oh belle découverte fantastique
Very good performance.
Que ferait-on sans l'oreille fabuleuse de France Musique
Une oeuvre magnifique que je découvre.
Sublime 🎉et lumineux 🎉
God bless You Tube!
Bonjour,
Merci beaucoup pour ce très beau concert !
Chaleureuses salutations !
Jean-Charles Bourquin
exceptionnel! Magnifique!
Love it! Thanks for the great performance and for uploading.
Dulce meditación.Una caricia para el alma.
Brilliant! Thank you for sharing!
Merci
I attended this concert in Paris, it was extraordinary! After the concert Gidon Kremer and Giedre Dirvanauskaitė had an encore . I tried desperately to find out what it was. Can anyone help me?
Giya Alexandrovich Kancheli (b.1935)
Rag-Gidon-Time
Gidon Kremer (violin), Giedrė Dirvanauskaitė (cello)
Giya Alexandrovich Kancheli (b.1935)
Rag-Gidon-Time
Gidon Kremer (violin), Giedrė Dirvanauskaitė (cello)
좋다
Love it 21:49 freaked out
👌 👌
👌👌
How can I find her in heart of glass
Why does Mikko Franck conduct from next to the podium and not on the podium?
11:39 15:04 15:20 16:41
17:33 17:42 18:02
17:47
Il utilise toujours le même schéma harmonique pour la grande majorité de ses compositions, pareil pour le schéma rythmique, alors je veux bien qu'il ait une signature, tout les grands compositeurs en ont eu une mais il n'y a pas de subtilité derrière à un point où un novice penserait que chaque morceau se différencie peu d'un autre de sa composition.
NOT HIS BEST PIECE, BUT THERE ARE EVEN WORSE ONES...
Good comment. Sets one to think
02:42 :When the idea of the killing someone becomes an action.
jesus christ
11:38
Both concertos are wonderful violin and this one , but for some reason this double concerto is better, at least for me.By the way the escore is extremely hard , especially in the rhythmic part.
Don't soloists learn concertos any more? Thought that was the whole idea of a concerto. Members of the orchestra read from the music but the soloists don't.
I wish Brahms had been in the audience. 🙂
Je suis un ananas
mdr c quoi ce commentaire random
IIFirenII d’accord!
Me too! And we don’t belong on pizza!
bruh she really coughed over my favorite part😐
That's what she said 😂😂😂😂😂
Tries to avoid every pre-existing motif in the repertoire. As for the viral toe-tapping…it’s now copied to warm up banal compositions everywhere these days.
ugh - what a deadly, horrible, and extremely dull piece - and for heaven's sake could Glass had at least given the soloists an interesting melody to play when the orchestra is silent ? - everything sounds disjointed and without focus - of course we have to bring up the triangle, snare drum and wood block to wake us up every now and then, only to hear a sequence of equally dull harmonic shifts played over Glass' typically sterile and predictable rhythmic pitter patter
@@caseywlamb8066 ha ha - i don't like or dislike something based on what other people think - i am an expert on what i think and i value my own judgment
Val Lamon
😂 I love Philip Glass ''pitter patter'' and I don't need the triangle, snare drum and wood block to wake me up.
p.s. And I am not an uneducated person in art and music. 😂
@@Marcus_Sylvester oh isn't it fun disagreeing and fighting with people about classical music ? ha ha - kinda makes one appreciate how people fought back in the old days about Stravinsky's Rite of Spring !
@@VallaMusic
That's the fate of geniuses. 😉
Maybe try thinking out side the box for once…? Glass is making a statement, he is creating concert music without following any tradition. He is using a new combination of instruments and making something so different then what anyone has ever created.