I keep going back to this scene as a Twin Peaks geek, and how visceral this performance felt at the time, and the young woman's mirroring Cooper. It feels the same. And I love it!
This is a perfect abstract example of human apathy, how they just straight up picked her up and put her on the ground and not a single person cared, then she screams and still no one cares. Ruby is just a random character that has only one scene that is someone no one really should care about, yet she grabs the audiences attention in this one appearance and makes it rememberable.
Charlyne Yi is the epitome of a one scene wonder in this show. Pops up for three mins and steals the whole episode. So happy she and Lynch came together to create a classic scene for the show. That scream is bloodcurdling, haunting, and so very Twin Peaks.
I'm so happy this newest season of Twin Peaks got made. It's probably the most abstract thing to ever get released on mainstream television, but it's complete and unwavering commitment to Lynch's bizarre vision is exactly what I was hoping it would be. Whether you like The Return or not, I really think it's the most innovative thing I've ever watched in the television format. Episode 8 showing the creation of BOB, as well as the truly bizarre finale, still haunt me months and months after seeing it. Also the use of music combined with the imagery in this scene is easily one of the more memorable moments of The Return.
Brent Blayone Blayone I think The Return was genius, EPIC, masterful, surrealism art, just freaking so amazing, I hope David Lynch wins an Emmy for this!! And I hope since Showtime says Twin Peaks will always have a home that he turns his book The Dossier back into a season series as he did The Return. TV like this is a lost art
A question crossed my brain, while watching episode 8 (iirc, the one with almost no dialogue, and yes "the creation of Bob", atomic explosion etc), and still remains :(only watched this "third season" once, that has to be a factor) has the whole "The return" been all about this moment ?
@@manuel-xaxthe whole show has been about that moment: it’s that obscene, horrific explosion of man’s evil that allows JUDY to release The Black Lodge entities into reality and begin influencing reality. The White Lodge retains control most of the time, but after Beyond Life and Death (the season 2 finale), and Coop and Annie are gone, with BOB having escaped with Mr. C The Black Lodge takes back over and leads to the dark and twisted reality we see in The Return
This is my five-year-daughter's absolute favorite song. She knows all about obsidian from Minecraft and she saw an axolotl in an aquarium in New Jersey.
I think everyone tries to ascribe meaning to every character and moment on Twin Peaks, but part of the beauty of it all is that a scene like this can be just a scene, no context, no significance in relation to the larger story, just some secondary character without backstory whose plight is still interesting. Even characters who appear in but one scene are intriguing in Lynch world.
Although that is true for certain things, this is not one of them. there are things happening in this bar that connect or reference to points in twin peaks, one example being the gross chick who asks her friend if she has heard of the penguin in a suit, which is a reference to the original twin peaks, which I think its a referring to cooper or another fellow in a suit.
@@SkullModderdid this scene link to Audrey’s story, which most of The Roadhouse segments seemed to be hinting towards? I’ve always seen this as the darkness in Twin Peaks reaching a literal peak, there’s absolutely no kindness except for those from the original show (Ed, Norma, Shelley etc) and all that’s left for the kind and normal people to do is scream
@@penguinproductions8829 it's possible but I havent seen any direct evidence of linking to Audrey, at least this scene. My guess is the girl is some sort of conduit that's needed as a result of whatever has gone on with coops soul, it's possible audrey also has a similar conduit somewhere in the bar such as the girls who seem plagued by some kind of rash, some say it's a metaphor for the darkness that's creeped onto the town but it could also represent audreys split personality (2 girls) and the mental illness she's been plagued with as a result of the sexual abuse from Mr c. just a wild guess tho. it's also possible the bar is like silent hill where only the disturbed are able to experience what we see as the bar which would explain why the girl is treated as non existent aside from the guys who place her down but they could also be effected which is why they're indifferent.
Une série exceptionnelle qui prend 20 ans d’avance sur le cinéma. Le malaise et la tension qui règnent sont le reflet de notre société. Une œuvre monumentale d’un grand maître.
Xolotl was the god of fire and lightning He was also god of twins, monsters, misfortune, sickness, and deformities. Xolotl is the canine brother and twin of Quetzalcoatl, also this song rocks
She's the soul of the log. ...she was waiting for Margaret. But Margaret died, so wasn't showing. ..She isn't able to walk on her own two legs, as Margaret had always carried her, so she does the closet thing to rolling on the ground. She crawls. She turned from a log to gold, or so Margaret thought. ...she actually turned into a Ruby.
Ruby wearing glasses that reminds me of the Log Lady. Given the preceding scenes of the Log Lady passing that’s quite disturbing - her spirit crawling childlike through her new reality - discovering horrors? Also - the legs of the crowd mimicking the forest trees?
I actually thought she looked kind of like Maddie. But I read that Ruby might represent the audience and is mirroring the scene of Janey-E screaming in Vegas when Dougie electrocutes himself (notice the strobe light and how the lights are switched off = fuse blown?)
Cooper was the someone she was waiting for. If cooper went through the 15 socket in Part 3, he would’ve appeared at the roadhouse. But as Mike says to Cooper in Part 4, “you were tricked “ and he had to go through the whole journey as Dougie Jones
@@killerinfo Perhaps the log lady’s spirit was telling her to wait for Cooper. So if she were waiting for someone she didn’t know, it would make sense that she’d be sitting at the table just looking out. Then again, this is pure speculation.
I'm watching and watching it thousand times... and every time I want to press "repeat". One of the most brightest moment in new Twin Peaks for me - and that was the first time in 3 season when my mind suddenly bursted into flames - not only because of plot, but because of music first.
This is unsettling but makes a bit more sense at least emotionally given what happens with Audrey later and Laura at the end. The horror of ignoring trauma was a pretty strong theme through the whole season.
Possibly favorite scene in the series. I have a suspicion that Lynch created this about the industry and even the me too movement ignoring Charlyne Yi’s allegations of being assaulted on set by Franco. My own speculation
The Pink Room! So few people ever talk about the awesome "Pink Room" scene/ music from Twin Peaks: Fire Walk With Me. To me the Pink Room song sounds way more like another great tune played recently in the Road House, "Snake Eyes" by Trouble. Riley Lynch, son (I think, I'm too lazy to do the research so nephew/ great grandson/ non-canon tulpa may be the correct title) of David Lynch, is the frontman guitarist of that group.
Love this song. And what a performance by Charlyne Yi... I wanted to scream for her, being "removed" like some dirty dishes. She did a very, very real breaking-point freakout in this scene from Twin Peaks [wild applause!!!]
Axolotl The Veils I'm glowing bright, obsidian Axolotl, amphibian Un-elemental chemicals Got me growing six black tentacles A little nightmarish, a little maudlin Good golly go get the kid some laudanum! Salvation's more than I can afford Who needs The Devil when you've got The Lord? Oh my soul Losing control Who built this heart? Oh my God. Now Sister Maggie's coming in fleet-foot Baby's got a belly full of black soot I've got the feeling I'd better just stay put Ah she'll love you better than any real man could An accidental amphibian I'm growing giddy as a Gideon Another head for the chopping board Who needs The Devil when you've got The Lord? Oh my soul Who's in control Who built this heart? Oh my God.
One the very best gigs at the Roadhouse!
I keep going back to this scene as a Twin Peaks geek, and how visceral this performance felt at the time, and the young woman's mirroring Cooper. It feels the same. And I love it!
After NIN
ABSOLUTELY
This is a perfect abstract example of human apathy, how they just straight up picked her up and put her on the ground and not a single person cared, then she screams and still no one cares. Ruby is just a random character that has only one scene that is someone no one really should care about, yet she grabs the audiences attention in this one appearance and makes it rememberable.
Charlyne Yi is the epitome of a one scene wonder in this show. Pops up for three mins and steals the whole episode. So happy she and Lynch came together to create a classic scene for the show. That scream is bloodcurdling, haunting, and so very Twin Peaks.
yup. she probably got raped to shit after that and nothing happened to the perps. kind of show how things work.
I think that may be one of the overall themes of the season lack of empathy and chaos because of Judy perhaps
I'm so happy this newest season of Twin Peaks got made. It's probably the most abstract thing to ever get released on mainstream television, but it's complete and unwavering commitment to Lynch's bizarre vision is exactly what I was hoping it would be. Whether you like The Return or not, I really think it's the most innovative thing I've ever watched in the television format. Episode 8 showing the creation of BOB, as well as the truly bizarre finale, still haunt me months and months after seeing it. Also the use of music combined with the imagery in this scene is easily one of the more memorable moments of The Return.
Brent Blayone Blayone I think The Return was genius, EPIC, masterful, surrealism art, just freaking so amazing, I hope David Lynch wins an Emmy for this!! And I hope since Showtime says Twin Peaks will always have a home that he turns his book The Dossier back into a season series as he did The Return. TV like this is a lost art
@@IngaHicks Couldn't agree more. Lynch is our times da Vinci!
A question crossed my brain, while watching episode 8 (iirc, the one with almost no dialogue, and yes "the creation of Bob", atomic explosion etc), and still remains :(only watched this "third season" once, that has to be a factor) has the whole "The return" been all about this moment ?
Я с тобой согласен, 8 серия возвращения этот взрыв бытия, квинтэссенция сущего
@@manuel-xaxthe whole show has been about that moment: it’s that obscene, horrific explosion of man’s evil that allows JUDY to release The Black Lodge entities into reality and begin influencing reality. The White Lodge retains control most of the time, but after Beyond Life and Death (the season 2 finale), and Coop and Annie are gone, with BOB having escaped with Mr. C The Black Lodge takes back over and leads to the dark and twisted reality we see in The Return
No filmmaker conveys dread like David Lynch.
This is my five-year-daughter's absolute favorite song. She knows all about obsidian from Minecraft and she saw an axolotl in an aquarium in New Jersey.
Axolotl has also made an appearance in Minecraft! Next up, Bob...!?
@@THarshavardhanReddy Herobrine is probably an expression of Bob.
That is awesome
@@GeoffSebestaSteve’s inner demon becoming a reality once set in stone of knowing how alone he is in this big world
The music alone makes this season of Twin Peaks worth watching, and this one is no exception.
One of the very best scenes of the entire show, and that says a lot cause this is my favorite piece of media ever
I think everyone tries to ascribe meaning to every character and moment on Twin Peaks, but part of the beauty of it all is that a scene like this can be just a scene, no context, no significance in relation to the larger story, just some secondary character without backstory whose plight is still interesting. Even characters who appear in but one scene are intriguing in Lynch world.
Although that is true for certain things, this is not one of them. there are things happening in this bar that connect or reference to points in twin peaks, one example being the gross chick who asks her friend if she has heard of the penguin in a suit, which is a reference to the original twin peaks, which I think its a referring to cooper or another fellow in a suit.
@@SkullModderdid this scene link to Audrey’s story, which most of The Roadhouse segments seemed to be hinting towards? I’ve always seen this as the darkness in Twin Peaks reaching a literal peak, there’s absolutely no kindness except for those from the original show (Ed, Norma, Shelley etc) and all that’s left for the kind and normal people to do is scream
@@penguinproductions8829 it's possible but I havent seen any direct evidence of linking to Audrey, at least this scene.
My guess is the girl is some sort of conduit that's needed as a result of whatever has gone on with coops soul, it's possible audrey also has a similar conduit somewhere in the bar such as the girls who seem plagued by some kind of rash, some say it's a metaphor for the darkness that's creeped onto the town but it could also represent audreys split personality (2 girls) and the mental illness she's been plagued with as a result of the sexual abuse from Mr c.
just a wild guess tho.
it's also possible the bar is like silent hill where only the disturbed are able to experience what we see as the bar which would explain why the girl is treated as non existent aside from the guys who place her down but they could also be effected which is why they're indifferent.
This was like one of the best scenes of the season. This girl Ruby and this song.
I liked the bikers, they waited and then quietly placed Ruby on the floor, no one seemed to notice her.
Just like modern existence
Sonuvabitch! DeSean from Bloody Disgusting, right? Small world!
@@roybaty7439what
Yes!! The Veils! It was very unexpected and odd how powerful this scene was. Heartbreaking.
i like this better than the actual official video
The Log Lady died and the collective psychosis descended upon the Twin Peaks teens,the universe grows darker. No hope,no companionship,only anguish.
She was that last beacon of hope and kindness in the town, and with her and her husband’s spirit gone there’s no more hope
Une série exceptionnelle qui prend 20 ans d’avance sur le cinéma. Le malaise et la tension qui règnent sont le reflet de notre société. Une œuvre monumentale d’un grand maître.
T'as remarqué comment le public américain a du mal à voir ce que Lynch fait dégager de son œuvre ? Judy existe
I'm here because of Twin Peaks, I'm glad I'm here
Me too.
I think everyone's here because of twin peaks. This is a scene from twin peaks.
Every scream in this serial take a little piece of my soul... and I like it
One of the most underrated alternative rock bands.I just love this dark sound.And Finn Andrews' voice reminds me a lot of Jeff Buckley.
Xolotl was the god of fire and lightning He was also god of twins, monsters, misfortune, sickness, and deformities. Xolotl is the canine brother and twin of Quetzalcoatl, also this song rocks
Sounds like somebody was reading articles on 25yearslater
Best Roadhouse act/accompanying scene so far
She's the soul of the log.
...she was waiting for Margaret. But Margaret died, so wasn't showing.
..She isn't able to walk on her own two legs, as Margaret had always carried her, so she does the closet thing to rolling on the ground. She crawls. She turned from a log to gold, or so Margaret thought.
...she actually turned into a Ruby.
I do believe Ruby is somehow connected to Margaret and the log. She could be the log.
Whaaat. These theories so often make my head spin. Is this one your own? I like it.
The soul of the log is the Log Lady’s husband
Dumb.
Not only is this song epic and perfect for this scene, but her performance is so powerful it sends chills down my spine.
Ruby wearing glasses that reminds me of the Log Lady. Given the preceding scenes of the Log Lady passing that’s quite disturbing - her spirit crawling childlike through her new reality - discovering horrors? Also - the legs of the crowd mimicking the forest trees?
OH MY GOSH, THAT SCENE WAS HAUNTING BUT AMAZING. THAT CONNECTION COULD BE MADE I AGREE, WAS THE ONLY ONE WHO CRIED WHEN THE LOG LADY DIED?.
No you're not.. I don't know why but I got emotional in the last scene..
There's also a big log saw on the wall above the girl
FUCK!!!11111
I actually thought she looked kind of like Maddie. But I read that Ruby might represent the audience and is mirroring the scene of Janey-E screaming in Vegas when Dougie electrocutes himself (notice the strobe light and how the lights are switched off = fuse blown?)
Been listening to The Veils for 10 years.
And you didn't tell us.. whaaaaaaaa!!!
Cooper was the someone she was waiting for. If cooper went through the 15 socket in Part 3, he would’ve appeared at the roadhouse. But as Mike says to Cooper in Part 4, “you were tricked “ and he had to go through the whole journey as Dougie Jones
Omg
@@killerinfo Perhaps the log lady’s spirit was telling her to wait for Cooper. So if she were waiting for someone she didn’t know, it would make sense that she’d be sitting at the table just looking out. Then again, this is pure speculation.
Who built this heart?
Oh my god.
One of my favorite scenes in the whole show. Such a strange and specific set of emotions. Her scream surges like electricity.
I love 2:14 - that guitar feels like it explodes into existence!
Yes! You described the sound.
Love the dude in the booth with the arm in a sling to the left blowing a random kiss - so creepy
that piece of music is freakin' awesome, but the whole scene is pretty sad :(
It is filled with an indescribable, visceral horror which few directors can ever hope to attain, yet it is uncomplicated, but overwhelming
This WAS my 2017.
love how the song fitted the scene so well
I wish this clip would include the credits... the song continues and it doesn't leave you with just that scream that's penetrating my soul...
Love the dark sound of this song!
MORE MUSIC LIKE THIS!
Chills every time I watch it.
i keep finding myself coming back to this :)
When she started screaming it reminded me of the video to David Lynch's Crazy Clown Time.
This is how I start my day.
Oh boy
Brilliant. My favourite Bang Bang bar song alongside the one where we meet the ever charming Richard Horne
Twin Peaks bob me here.
Calling all twin peakers this is a great song!!
That scream was one of the best moments in television. Epic.
so very glad that Twin Peaks brought The Veils and I together at last.
Lynch knows his taste.
Congrats on being on Twin Peaks, guys! Great performance!
I'm watching and watching it thousand times... and every time I want to press "repeat". One of the most brightest moment in new Twin Peaks for me - and that was the first time in 3 season when my mind suddenly bursted into flames - not only because of plot, but because of music first.
This is how I feel about the direction the world is headed in. Powerful scene.
+The Veils this performance was DELICIOUS on Twin Peaks! LOOP IT!
Pure art. Thank you
I've watched this so many times and I have no clue why it's as unsettling as it is.
That's why it so unsettling. Because we're not sure why.
Dark room, dark music, night videos and said thoughts.
Lynch is a winter child.
Scenes that live rent free in your head
Fantastic song, awesome to see it at the Roadhouse!
If the whole of twin peaks was a short film, this would be it
Loved this ending!
La chica que grita,siempre en mi corazón ❤
one of the best ending and use of a great performance from the beginning to the very conclusion. Genius!
So intense. Also the amphibian parts rly feel like it's meant to parallel the body horror coming forward (frogroach) and the rash in town
great song, insanely powerful scene
This is unsettling but makes a bit more sense at least emotionally given what happens with Audrey later and Laura at the end. The horror of ignoring trauma was a pretty strong theme through the whole season.
Incredible in all aspects
Possibly favorite scene in the series. I have a suspicion that Lynch created this about the industry and even the me too movement ignoring Charlyne Yi’s allegations of being assaulted on set by Franco. My own speculation
Honestly, same.
EPIC!
i cried after watching this for the second time.
This feels like a true Lynch-improvised moment.
This scene disturbed me more than any of the others out of the series.
Sophia Burn is the most beautiful thing I've ever seen
Ese grito desgarrador del final es EPICO!! Como cansada de ser invisible.
Todos somos esa chica
The song sounds kinda (a lot) like The Pink Room.
The Pink Room! So few people ever talk about the awesome "Pink Room" scene/ music from Twin Peaks: Fire Walk With Me. To me the Pink Room song sounds way more like another great tune played recently in the Road House, "Snake Eyes" by Trouble. Riley Lynch, son (I think, I'm too lazy to do the research so nephew/ great grandson/ non-canon tulpa may be the correct title) of David Lynch, is the frontman guitarist of that group.
I said the same thin to my friend who got me watching this it has the same tone and the bass line is similar-ish
Yesss! Definitely pink room vibes.
The music is so sublime throughout the series. 💕
This is the greatest scene of television ever
This song is genius. I rarely throw that word around but damn..
This is such a distillation of the entire series and the tragedy of Laura Palmer. That's why it echoes the final scream.
this scene is so fucking nightmarish, how does lynch fuck me up like this
Love this song. And what a performance by Charlyne Yi... I wanted to scream for her, being "removed" like some dirty dishes. She did a very, very real breaking-point freakout in this scene from Twin Peaks [wild applause!!!]
I am the FBI.
You are far away
You are awake?
Very powerful scene.
Has a very Pink Room feel to it. Love El-P!
Gives me chills yet I’m in love
What a performance! What an episode! ♦️♠️
The frontman is so Saint Laurent by Hedi Slimane
Great song
The music in this series was fucking rad, all of it.
The uncanny valley! Love it!
love them!
Just saw this in TP. Absolute great track!
Axolotl
The Veils
I'm glowing bright, obsidian
Axolotl, amphibian
Un-elemental chemicals
Got me growing six black tentacles
A little nightmarish, a little maudlin
Good golly go get the kid some laudanum!
Salvation's more than I can afford
Who needs The Devil when you've got The Lord?
Oh my soul
Losing control
Who built this heart?
Oh my God.
Now Sister Maggie's coming in fleet-foot
Baby's got a belly full of black soot
I've got the feeling I'd better just stay put
Ah she'll love you better than any real man could
An accidental amphibian
I'm growing giddy as a Gideon
Another head for the chopping board
Who needs The Devil when you've got The Lord?
Oh my soul
Who's in control
Who built this heart?
Oh my God.
Thanks!
This is the best version yet.
I love you Laura
This scene plot wise seems to be entirely detached from the main story, but there’s nothing about this that isn’t absolutely brilliant.
When Dougie's self electrocution causes a ripple in the timeline...
Killer fucking chorus.
is Jeffries in a Axolotl tank?
is she acting out Dougies crawl?
There is an article that says yes. And her scream mimics Janey-E. ruclips.net/video/-ZJ__doruW4/видео.html
I'm waiting for someone, too
"What year is this?"
Seriously my favorite Roadhouse performance of The Return.
I FUCKING LOVE THIS SONG AND THIS SCENE SO MUCH [SCREAMING]
And it's so goddamned haunting!!
The Grand Finale! ∞
In Peaks S3, a pivotal narrative moment. Juxtapose to the pageant as close to closure in S2...
superb
Awesome!
J'adore !!!!!
Such A damn cool song