Time Is Running Out-Daniel Weidlein Jazz Quartet Cover (OPB MUSE)
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- Опубликовано: 10 сен 2024
- A jazz quartet rendition of the MUSE song "Time Is Running Out" arranged by saxophonist and composer Daniel Weidlein.
Performed live in Ramo Recital Hall at The University of Southern California's Thornton School of Music on April 20th, 2012.
Featuring:
Daniel Weidlein-Saxophone
Brandon Bae-Guitar
Corbin Jones-Bass
Harry McKenzie-Drums
Filmed by Audrey Rosenberg
Recorded by Alex Chaloff
Mixed by Daniel Weidlein
Muse + Jazz = Musical Perfection
That's really cool! I was just thinking "hmm, that one song would sound really fun in a jazz arrangement", and there it is, sounding really close to how I imagined it!
🙏🏻
So cool. I am getting in deep into jazz so I decided to find songs I like in jazz version to listen to jazz even more... And this absolutelly gonna be one of them.
Boy... this is good
La mejor banda de todas + el mejor género de todos = lo mejor de lo mejor
Sencillamente bello
muchísimas gracias!
This is wonderful !!
The Dark Knight Thank you!
Thanks man!
great!
great playing guys SALUD
Thanks, Eliel :)
nice work guys! i'm amused ;)
Nice pun :D
I spy Harry Mack!
Good eye! The man does it all!
Could you cover hysteria...pleaseee 🙏🙏
Can I ask a honest question without seeming too naive or rude... Does anyone find that some to a lot of the time, technically advanced jazz musicians taking "out of the box" soloing to a place that on comparison just isn't as pleasing to the ear as staying closer to natural scales but finding beautiful resolutions and more "simplistic" shapes?
I play lot's of old school jazz, the standards, not much contemporary so I'm most likely biased and also not very advanced experience wise so if someone could give me insight be appreciated.
I appreciate your addendum here-I don’t take your comment as rude as you’re asking a genuine question, however I did take exception to you framing it as an objective (rather than subjective) question initially.
There’s a lot of validity to what you’re asking, and I am a big fan of more traditionally melodic jazz (please check out my albums and you’ll hear that melody is very important to me). However, I believe that what you call “out of box” soloing is the natural evolution of the music that keeps it from being a stagnant art form. And furthermore, there are varying degrees of “out of the box.” For example, a tritone substitution would have sounded incredibly chaotic and outside the box in the 40s, but that’s now a fairly consonant sound to most jazz musicians ears. We learn to adapt our ears and understanding over time.
To me, what makes for a great solo is not so much about what notes are played, but rather what emotion is conveyed. Over a jazz ballad, I want to hear somebody capture the moment with a great melody and agree that certain out of the box soloing might not be appropriate (but I can also think of wonderful exceptions to that if it’s led by emotion rather than showmanship). On the video above, I’m playing over a repetitive vamp that’s pulled from a prog-rock tune. To play a traditionally “beautiful” melody would have been missing the emotional point to me. Instead, creating musical and dynamic tension that can be released in the next section of the tune, or the next phrase of the solo, is what playing “out of the box” is all about.
Hope that makes a little bit of sense. Cheers.
Thanks man!