Dmitri Shostakovich : Symphony No. 7 in C major, Op.60 "Leningrad" 1080
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- Опубликовано: 24 окт 2015
- Nederlands Philharmonisch Orke;
I -Allegretto 00:00
II -Moderato (poco Allegretto). 30:12
III -Adagio 41:41
IV -Allegro non troppo 59:51
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sf 7-1 720p 320 kbps.mp4 410.5 MB
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Видеоклипы
Lasting over two years, the Siege of Leningrad was the most devastating genocidal conflict the world has ever seen. The sheer determination of the Soviet people is brilliantly portrayed through this 'Symphony of Remembrance and Heroism of the Leningraders'. Shostakovich's Seventh Symphony gave the listener a sense of unity against a common enemy of fascism just as much now as it did back when it received its premiere. The extensive first movement is packed full of orchestral highlights, including the renowned 'invasion march' with the haunting snare drum ostinato motif expressed throughout. The movement ends silently with the still present snare drum theme, until the light allegretto theme of the second movement is introduced. The long adagio of the third movement begins dramatically and remains dark, perhaps reflecting the horrific-beyond-imagining winter, in which was the coldest on record for a long time; during this time there were thousands of the Leningrad population that perished as a result of malnourishment, fuelled by the very strict bread rations - as well as the surviving people left with awful, ghastly memories. The fourth and final movement starts with the theme played by the first violins; this develops into a moderately fast orchestral section. The finale of the symphony is one of the greatest of all of Shostakovich's, full of anticipation, crescendos, desperation, but most of all fervour expressing the Soviet people's resistance against the Nazis. Hitler may not have given up, but those German soldiers must have been severely impacted by this symphony as much as the Soviets were as a result of the loudspeakers playing this tremendously passionate work on both sides. The symphony was the greatest artistic achievement of the war, and will likely still remain in the hearts of Russian survivors today. Not only did they eliminate fascism using force, but Shostakovich used this symphony to destroy it psychologically. I listen to this symphony eighty years on, still picturing the catastrophic siege illustrated through eighty minutes of pure Russian passion and determination - and yet I'm British. Thank you so much Shostakovich, I hope this symphony will go down the generation to remember the suffering these Russian people faced, as well as their inspirational heroism. However, most importantly, we must understand the devastating effects of this and learn never repeat such a cataclysmic conflict between two polar opposites ever again in the future of humanity.
I find myself coming back to this piece a lot these days, during the virus outbreak. This piece was written during the worst siege in history. Everyone in my life is constantly panicking every day, and all the theatres and concert halls shutting down around the world has me nervous. I keep listening to this to remind myself that art will survive.
Historical documents show it was actually conceived and mostly written before the War. So take it with a grain of salt.
of course, art isn't everything! it blooms wenn you are full and without pain of your body. Be thankful for being awake, for being able to listen to sound and birds, to the wind...things don't stay forever. Not the good and not the bad ones either.Musik is hope and beauty. Look inside of you and trust the times. they will go by...
@LeftRight m
Art might - but will the Republic?
@@AndreyRubtsovRU What documents are you referring to? Shostakovich began writing it in 1941.
The invasion march is of course the most popular part of this symphony, but thanks to the ability to follow the score I have come to appreciate what must be one of the most amazing build-ups in musical history: the finale. Take a look at 1:10:58 , two musical ideas are introduced: at measure 189 violins playing an ascending motif, while violas play a two-note rhythm. These will develop slowly for 7 minutes, with the two-note motif taken finally by full brass, calling persistently for a resolution, which is finally reached at measure 207. The bitter victory continues with the ominous ascending motif on brass, and finally, on timpani (!) just before the final chord. Absolutely breathtaking.
One of the most beautiful pieces of music ever composed. And that sharp G two bars before 208. Oh man.
Also, from 1:17:40 the trombones and trumpets reprise the opening theme of the entire symphony
Totally agreed. I think the charm of the invasion theme is that it's kind of a reinterpretation of Ravel's Bolero. Shostakovich does it better in my opinion.
I like its suspense.
If you look at the minute 1:00:10 it is also what the cellos and double basses play, in 1:01:35 the violns come in with same, and in the minute 1:05:35 also the timpani and the whole string
1 часть
ГП 0:15
ПП 1-й эл. 02:39
ПП 2-й эл. 03:15
ЗП 05:21
разработка:
тема нашествия 6:55 до 8:30
тема сопротивления 17:05 до 18:00
Предыкт 19:00
тема восхождения 19:20
реприза:
ГП 19:30
ПП 23:30
кода 26:12
2 часть
1 тема с 30:20
2 тема 31:48
Трио 1-я тема 35:05
Трио 2-я тема 36:17
1 тема 37:47
2 тема 38:14
Кода 40:25
3 часть
1 т хорал 41:55
Речетатив скрипок 42:25
2-я тема 45:35
Трио 49:17
4 часть
Вступление 59:53
Основная тема 1:01:34
Эпизод 1:06:52
Кода 1:17:28
Спасибо вам, добрейший человек!!!
Большое спасибо!!!
Самый лучший
The tempo of the "invasion theme" in the first movement is probably the slowest of all the recordings I've heard -- a rock-steady 112 bpm, give or take, without any acceleration towards the climax -- but it wasn't stodgy at all. It was performed very cleanly and with a great deal of energy and precision and intensity. The entire work was performed very well. Kudos to the maestro and all the musicians. It is not easy to play at all.
I wish everyone took it at this tempo. It feels much more like a march this way.
When a Shosta's piece is being calm... A storm will arrive soon. Have a nice day.
Thank you, have a nice day as well.
Excellent timpanist in this recording!!!
This is a symphony that shows the power of human comradery.
tra i finali più belli della storia della musica! Come si fa a non avere gli occhi lucidi dopo aver percepito il SUBLIME? Semplicemente MERAVIGLIOSO
Thank you so much for this upload!
51:18 one of the trumpets came in a bar early lol
sltflsh OWO TRUE LIKE A SILENT “bwa... (and then all together) BWAAAA!!”
Divino, Claudio, muchas gracias. Voy a escucharla dentro de 10 días, voy los tres días que se repite el concierto. No me quiero perder nada! Esto es algo especial.
1:05:35 love the woodwinds over top of the strings, so pretty
36:55 : that part really cool, a bit like Prokofiev
1:02:27 : Shosty had the groove
Listen to Shostakovich's 2nd cello concerto to blow your mind
Absolutely Brilliant!
This is the best symphony ever. Thank you Dimitri
YES!!!!
Best Symphony
@Dmitri Shostakovich lol
"Allegro non troppo" - always promises something cool :)
Came here through reading Brian Moynahan's book 'Leningrad Siege and Symphony.' The beauty in the midst of terror.
Частина 1.
- Г.П. - 0:15.
- П.П. - 02:40.
-розробка, тема нашествия - 06:55.
- тема сопротивления - 17:05.
- реприза, Г.П. - 19:30.
П.П. - 23:30;
- кода - 26:12.
Частина 2: 1 раздел 1 тема - 30:20; 1 раздел 2 тема - 31:48; трио - 35:07;
Частина 3: рефрен - 41:55; первый эпизод -45:36 второй эпизод - 49:20;
Частина 4: первый раздел основная тема - 1:01:35; эпизод - 1:06:54.
I have no words.
@@juno2884
"I have no words - besides these four" ... You: "That's seven words."
@@SelectCircle that's 11
@@lukathurinn7906 Yes - outside the context of the joke. Which ... everyone else in the world understands. : )
What an outstanding ending.
49:17 leaving it for myself because it'll get stuck on my head and I won't be able to find it
Sounds like mahler symphony no 5 first movement
This almost sounds like average life in the Soviet Union
Fire
@@dozin1 That's what always comes to mind when i hear it!
No one builds up a finish to a symphony like this man
36:18 Shostakovich
The final pages remind me a lot of the end of Rachmaninoff's 1st Symphony. The same unrelenting, in this case shriek, in Rachmaninoff's case intonement, of "Vengeance!"
1:06:04 - This theme was used in both
> Fall Out Boy's The Peonix
ruclips.net/video/5JqY-6q-RNA/видео.html
> Peter Fox's Alles Neu
ruclips.net/video/qdtLCfEcPL4/видео.html
or at least it sound very similar. So fun!
You are in fact correct.
22:57 At least it was on beat
wdym
@@aliciadalbey1201 Some guy coughed.
@@tapkaara373 it’s more like someone throw out
The build up starting at 7:02 is absolutely mind-blowing. I especially like 15:32 because it makes me think of air raid sirens. Gets better every time!
I like to think of it as Bolero but with more intensity, meaning, and emotion
@@littlewishy6432 I suspect that this piece was influenced by Bolero.
At around 7:00 a theme is heard that is like one from Bartok's Concerto for Orchestra. I think these works were written around the same time. I know that Bartok wanted to compose something then (in the USA, not long before he died) that would rival or exceed in greatness and popularity a symphony of Shostakovich's that was then popular in the US. I had thought that that was Shostakovich's 5th but now think it must have been this one. I do recall that when this theme appears in the Bartok, it soon splinters into orchestral laughter; I expect Bartok was trying to ridicule Shostakovich. For me they, Britten, and Stravinsky are the four greatest composers of Century 20. (And I think Stravinsky the least of them in the lack of consistency in his output; he was incredibly influential but a lot of his music. to my ears, seems hackneyed. IMO most of his great music was composed between 1911 and 1931 (Petrushka to Symphony of Psalms).
Richard Salisbury yes you are right to believe that Bartók was trying to ridicule Shostakovich by quoting this theme in his Concerto for Orchestra. Shostakovich actually does the same to Bartók many years later by quoting the theme of the third movement of Bartók’s Sonata (concerto) for Two Pianos and percussion in his 13th Symphony at the end of the Humour Movement (No. 2).
@@lukefoster934 Whether he realized or not, Bartok was actually ridiculing a theme which was already a ridicule. Shostakovich was quoting from Franz Lehar's "Merry Widow", the Danilo aria "Da geh' ich zu Maxim's". It was Hitler's favorite song. Dmitri knew exactly what he was doing - slowly turning a simple and banal theme into a monster.
and the rite of spring :3
This is the most careful and dedicated versions of the first movement I've ever heard. No need to rush, extremely careful to not build too quickly in volume... so masterful.
Contrast with Leonard Berstein's if you get the chance. It's... "visionary" I guess, but he just stampedes through the whole thing and speeds up tremendously. It's supposed to be a marching army!! Berstein's is a running race, lol
bernstein tends to do that with shostakovich doesnt he lmao
Good one
1 часть
ГП 0:15 до 02:40
ПП 02:40 до 03:16
разработка:
тема нашествия 06:55 до 08:30
тема сопротивления 17:05 до 18:00
реприза:
ГП 19:30
ПП 23:30
кода 26:12
2 часть
1 тема с 30:20 до 03:07
2 тема 31:48 до 32:30
Трио 35:05 до 35:29
3 часть
1 т хорал с 41:55 до 42:22
2 т ларго 43:20
4 часть
Вступление 59:53 до 01:00:11
Основная тема 01:01:34 до 01:01:52
Эпизод 01:06:52 до 01:07:44
I cannot put the ending into words....
thank you!
Sublime.
Legendary.
hihiha
1:18:22 Isn't that a theme by Bruckner? I think of the 8th symphony.
In besieged Leningrad in 1942, a hungry and cold winter. This concert from the Leningrad Philharmonic was specially broadcast in German positions. They responded with artillery shelling in impotent rage. The musicians, fainting from hunger, performed this great 7th symphony. This meant that the city lives in spite of everything in the world. And no one will strangle the spirit of the great city. YOU WILL NEVER CAPTURE LENINGRAD.
1 часть
0:15 - ГП
2:40 - ПП
6:58 - тема нашествия
17:04 - тема сопротивления
19:30 - искаженная ГП в репризе
2 часть
30:20 - 1я тема
3 часть
41:55 - тема основного рефрена
4 часть
1:01:35 - ГП
1:06:53 - сарабанда
MARAVILHOSA SINFONIA ❤
como é possível haver anúncios no meio de sinfonias??? RUclips exagera!!!
Também acho, destrói o clima
Use a extensão Adblock. É tiro e queda.
@@patricktulher vlw. Vou tentar.
1:06:12 oh my
this is probably the part that made my brother wake up after i dragged him with me to watch this performed
peter fox!
@@samuelmincarelli5051 yes
51:10 I thought that the 3rd movement sounds like Mahler a lot and then he quotes Dies Irae March from Resurrection...
Where is the part used in the end credits for Fall of Eagles?
5:22 "HEJA BAMSE, STARKAST ÄR VÅR BAMSE"
1:17:30 is that the Stargate theme?
Частина 1.
- Г.П. - т. 1; 0:15.
- П.П. - ц. 6; 02:40.
-розробка, тема навали - ц. 19, 06:55.
- тема опору - ц. 45; 17:05.
- реприза, Г.П. - ц. 52; 19:30.
П.П. - ц. 60; 23:30;
- кода - 26:12.
Частина 2: - 1 тема - 30:20; 2 тема - 31:48; середній розділ - 35:07; реприза - 37:46. Частина 3: 1 розділ - 41:55; середній розділ - 49:20; реприза - 52:40; Частина 4: 59:51; основна тема - 1:01:37; середній розділ (сарабанда) - 1:06:55.
Hello, can you please share me the score, i need it for a work and i think this is a very good edition
So how did your work go?
Who is the conductor on this recording, please ? Thanks .
1:16:36 to end is best part
35:07 I'm positive that John Williams had Shostakovich and this passage in mind when he composed the theme for Harry Potter. The physical resemblance between the composer and Harry Potter is uncanny, that must have been the inspiration for John Williams. I'm actually surprised that Twoset violin haven't spotted this yet as they had a video dedicated to suspicious film scores that a bit too much resemble famous classical pieces. They have discovered the origins of the Star wars theme too in Holst's Planets Mars.
"Discovered". It's not a secret that George Lucas was a fan of Holst and used his Planet's suite as temp tracks for Williams to imitate.
@@JoshuaKallenberg through they didn't mention Harry Potter and Shostakovich's seventh. I'm proud of myself spotting it. :) Although it was more of a coincidence. I listened to this piece and it kind of struck me on the head and the pieces fell to place. Honestly... who else listens to Shostakovich's symphonies in her spare time?
@@sage_silvestris Fair enough.
Actually, just last week I was listening to a different piece by the obscure german composer Franz Schreker called "Chamber Symphony" which had parts that immidiately reminded me of Harry Potter. Though I'm fairly certain that was just a coincidence.
Also, Saint-Saens "Carnival of the Animals", in particular the Aquarium is *very* reminicsent of a lot of Harry Potter music, to the point that if I had to guess it was used as a temp track.
I looked around to see if I could find some sources on what temp tracks Colombus used for Harry Potter, but unfortunately I couldn't find any so it's just speculation. Either way, its definitely an interesting topic! Personally doubt that the director used Schostakovich for temp tracks (as you say - who listenes to Schostakovich symphonies in their spare time!), but I wouldn't be surprised if Williams himself, as you say, was inspired by it. But, could just as well be a fun coincidence.
@@JoshuaKallenberg When I heard the theme song for the first time I thought it was based on old jewish melodies. Then I heard this symphony and changed my mind. But after that I thought about it: maybe both can be true? The origins of the symphony can be rooted in old jewish songs, it is not unheard of in the history of classical music. Although I must admit I'm not familiar with Shostakovich's family background. So as you said these all remain in the ground of speculation until John Williams proves or confute it.
@@sage_silvestris Shostakovich was something of a philo-Semite: he _loved_ Jewish music and regularly quoted klezmer and other Jewish folk melodies across many of his pieces, most famously in the finale of his Piano Trio No. 2, which postdates this symphony by a couple of years. Ergo, it would not be surprising in the least if some of the material in this mighty work was Jewish in origin.
45:35; 54:19
6:55 comunist Ravel´s Bolero :D
I am jealous that this is not my joke...!
Well done 👍
it nazi invasion start, bad joke.
6:58 - 16:18 I'd like to know what's the name of this specific part.
The "invasion theme." It depicts the German invasion of the Soviet Union in World War II. It's more complex than that, but that's the basic idea.
Bass clarinet solo - 38:19
14:46 Air Raid Warning Sirens?
33:19 real Shostakovich
Exposition
0:15 1st subject
2:39 2nd subject
INVASION
Theme: 6:52 Strings, 7:49 Flute, 8:39 +Piccolo, 9:26 Canon, 10:52 Brass
11:41 Canon, 12:26 Strings
13:59, 14:45, 15:32, 16:19
Inversion: 17:04, 17:59
THEME: 18:26, 19:00 Epic bass
Recap
19:27 1st Subject
23:15 2nd Subject
26:11 Coda
A: 30:20 (1), 31:46 (2), 34:38 (1)
B: 35:05 (1), 36:17 (2), 36:56 (1)
A: 37:46 (1), 38:15 (2), 40:27 (1)
A: 41:53 (1), 42:25 (2), 43:19 (1), 43:53 (3), 45:35 Theme
B: 49:17 Theme, 50:18, 50:54, 52:00 Climax
A: 52:40 (3), 54:20 Theme, 56:09 (1), 56:42 (2), 57:37 (1), 58:15 (3)
Intro 59:52
Exposition
1:01:34 Theme
Development
1:06:52 Chorale
Buildup: 1:10:54 Violin, 1:12:06 Viola, 1:14:53 Bass, 1:15:47 Horn, 1:16:36
Recap (?)
1:17:28 Theme
Hello Claudio! Do you mind sending me the score for study purposes?
Do you still need it? I have it if you want
Torterra kart I need it if the offer is still up!
@@Eliazerwrite your email and I'll send you ASAP. Once you received it, be sure to delete the comment to avoid your personal information be on the internet!
@@Eliazer Done! Sorry for taking too long but I was very busy these past two days and I didn't see your comment. Let me know if you received it without any problems!
Torterra kart no problem. Thank you so much
49:16
*Victorious Ending. *
19:22 Lawd
~30:12 1st mov.
38:15 bass clarinet solo
1:17:40
Fall out boy brought me here #thankspete
1:10:55 синтетическая реприза 🥴
6:58 Ravel's Bolero begins.
the better version though
No, this is better
38:20
makes me question what technique they're using to be able to do that
Lucas Holton Just very fast double tonguing, they’re all virtuosos.
An advertisement in the middle of the Symphony ..? - What a lack of good taste ...
16:22
1:01:35
1:05:35
7:00
Who is conducting?
@@dominicfiacco It’s Katayenko
Who is the conductor?
Oliver stones untold history of the US brought me here
0:15
1:36, "Rule Britannia" on a bad day...
6:55 разработка
vollman brought me here
Questa sinfonia fu diretta da Toscanini,da Stokowsky,da altri grandi.Certamente Shostakovitch resta grande ma un po' troppo enfatico e celebrativo.
It really would be a shame playing a cowbell at the end of this.
☭
世界中の音楽家の皆さん！ウクライナのためにこの曲を演奏して下さい。
ロシアの良識人にはプーチンがいかに愚かしい事をしているかきっと伝わると思います。
音楽の持つ力が武力より優る事を示す時です。
I'd say this music is even more horrendous than what befell Leningrad.
1 часть
ГП 0:15
ПП 1-й эл. 02:39
ПП 2-й эл. 03:15
ЗП 05:21
разработка:
тема нашествия 6:55 до 8:30
тема сопротивления 17:05 до 18:00
Предыкт 19:00
тема восхождения 19:20
реприза:
ГП 19:30
ПП 23:30
кода 26:12
2 часть
1 тема с 30:20
2 тема 31:48
Трио 1-я тема 35:05
Трио 2-я тема 36:17
1 тема 37:47
2 тема 38:14
Кода 40:25
3 часть
1 т хорал 41:55
Речетатив скрипок 42:25
2-я тема 45:35
Трио 49:17
4 часть
Вступление 59:53
Основная тема 1:01:34
Эпизод 1:06:52
Кода 1:17:28
1:17:40
14:40
Who is the conductor?
Valery Gergiev
@@MLI-qg6sz No
Katayenko
1:07:50