Interesting how Beethoven recycles the same motif (turn followed by descending scale) in all of the movements -- see 0:00, 13:02, and 15:34. The main motif doesn't appear in full in the brief third movement (only in fragments) but is still memorable for its wicked humor. Beethoven seems to be poking fun at the musicians' inability to play together (14:38). Beethoven did a similar thing in the first movement of his Piano Sonata in G major, Op. 31, No. 1 where the pianist is playing chords in both hands but off the beat by a sixteenth note.
@@beaker2257 Well talking in a general way this is a beautiful melody (I understand your point and I agree), but the composing technique is motivic. Look how the first 7 bars propose only 2 kind of elements and how the ornaments in semiquaver (bars 1 and 2) is proposed again in quavers in bars 4. And if you cut all the ornaments you find a simple F major arpeggio: A-F-C-F (that is what the accompainment plays: arpeggios). A simple arpeggio but...it sounds so expressive! Isn't it brilliant? I love the way he composes.
@@jonasdaverio9369 , Leonard Bernstein said that. Tbf, this piece in particular, the melody is pretty conjunct and very simple in terms of its makeup. Not to say that makes a piece bad at all. This is a great piece!
@@inbb510 No it isn't. A good melody consists of a mixture of conjunct and disjunct passages. If you look in bars 3,5, and 7, there are large leaps, providing contrast to the melody. Define "simple." If a melody is "simple", does that make it a bad one? Also, at the start of bar 4, there is an appoggiatura, heightening the expressive affection. Perhaps look a little closer before making statements.
Looks like both violinist and pianist speedrunning this piece. In other renditions of this piece, piece goes more slowly and more calm, but I apriciate this
Definitivamente no es tempo muy acertado, elimina cierto carácter gracioso de la pieza. Más lento y acentuadas un poco más ciertas notas iría mejor. Esta pieza es de mis favoritas, pero en esta interpretación no siento esa emoción y pasión como me la imagino en mi mente.
This is a beautiful sonata. Although its meant as a violin taking on the principle role as the instrument to be the jewel with its lyrical passage. The pianist without wanting may take away the violins spotlight if the pianist is not careful.
i have always tought at their differencese this way: Mozart takes a look up on him, to the sky; Beethovens eyes, indeed, are wide open on himself. In his music we hear the human itself, both gloriousness and failness
La primera pieza Un poco más lento, con algo más de rubato en ciertos puntos, y acentuadas un poco más ciertas notas iría mejor. La primera pieza es de mis favoritas, pero en esta interpretación no siento esa emoción y pasión como me la imagino en mi mente o como la habré escuchado con otros intérpretes que ya no recuerdo.
Cgilbert my comments is that IAM listening to Beethoven now and I can still stand a say that Art Tatum could and play Classical music just as easy as the Master of Classical masters could But you know what they say about opinion: they have no boundaries with the truth so there for they are irrelevant to the universe LOL 🙃 God is good
Isn't really Alberti Bass, it's arpeggios, but yeah. I've seen actual Alberti Bass in for example Mozart string quartets, so seeing arpeggios here in Beethoven isn't surprising at all and is actually kind of expected since the right hand of the piano is playing the theme the violin was playing before.
@UCX0hd8VVkJMZjydvKpcLKsA I think it sounds even fuller if the Violin part is played on a Double Bass in Fifths Tuning (Sounding 2 Octaves lower than written).
@@lizpaperdeco Yeah. Not that there's anything wrong with Kreutzer, it's a great sonata, kind of reminds me of a Violin Concerto in terms of like how often the violin is soloist, how virtuosic the solos are, and the overall orchestral sonority of the piano. It would be nice if the Spring Sonata, which is supposedly the second most well known Beethoven violin sonata got some more appreciation though. I see something similar happening with Mozart's violin sonatas, which I would kind of expect that with Mozart because he wrote 35 total including the unfinished ones. But Beethoven only wrote 10, same number as his symphonies if you count his unfinished tenth symphony, so you would think the appreciation would be more equal and not just super dominated by Kreutzer.
@@caterscarrots3407 Yeah, Kreutzer is definitely the king of violin sonatas. I personally do like Beethoven’s violin sonatas more than Kreutzer as I like his style of composition more. They are both amazing composers though and I love both of their work! :)
What do you mean? Where did he copy this from? Music from this age sounds a bit alike because of music norms... Obviously it will follow I-IV-V-style harmony and melodies in scale. The harmony and styles were similar. If you seriously say that Beethoven just copied Mozart, then I doubt you know much at all music (especially listening to later Beethoven compositions). A lot of these things that sound very "stylistic", such as repeated chords, were pretty common and not that unique on periodic instruments.
00:00 Allegro
09:04 Adagio molto espressivo
14:33 Scherzo: Allegro Molto
15:34 Rondo: Allegro ma non troppo
Thank you!
Beautiful rendition of this wonderful composition. Having a score to follow always adds to the pleasure. Many thanks.
La dolcezza in questo brano è infinita!
Awesome!
Bravi! 🎶
Interesting how Beethoven recycles the same motif (turn followed by descending scale) in all of the movements -- see 0:00, 13:02, and 15:34. The main motif doesn't appear in full in the brief third movement (only in fragments) but is still memorable for its wicked humor. Beethoven seems to be poking fun at the musicians' inability to play together (14:38). Beethoven did a similar thing in the first movement of his Piano Sonata in G major, Op. 31, No. 1 where the pianist is playing chords in both hands but off the beat by a sixteenth note.
Just for my study purposes hehe
5:17
Also, in the third movement, the fragments form a counter-melody like "London Bridge is falling down", which is appropriate.😀
Beethoven this is a beautiful piece.And I like does diminished chords.
think of all the idiots out there saying Beethoven couldn't write good melodies... this is one of the best melodies ever composed!!!
Brian Bernstein also violin romance had really good melody
Yes, it's often said that Beethoven wrote motifs rather than melodies. This piece disproves that.
Funny because Bernstein said that... you’re not related by any chance are you? Lol
Especially the rondo.
@@beaker2257 Well talking in a general way this is a beautiful melody (I understand your point and I agree), but the composing technique is motivic. Look how the first 7 bars propose only 2 kind of elements and how the ornaments in semiquaver (bars 1 and 2) is proposed again in quavers in bars 4. And if you cut all the ornaments you find a simple F major arpeggio: A-F-C-F (that is what the accompainment plays: arpeggios). A simple arpeggio but...it sounds so expressive!
Isn't it brilliant? I love the way he composes.
Why do I love the doublestops at 5:20 so much?
I love the violin and piano duo. What a cheerful sound.
15:34 this Rondo sounds like the Rondo of his 11th piano sonata.
Indeed
Beethoven = God.
This is played at a really good tempo, never normally hear it this quick but it works very nicely!
To those who say that's Beethoven melodies aren't beautiful.
Who says that?! 😡
@@jonasdaverio9369 Leonard Bernstein
@@jonasdaverio9369 , Leonard Bernstein said that. Tbf, this piece in particular, the melody is pretty conjunct and very simple in terms of its makeup. Not to say that makes a piece bad at all. This is a great piece!
but those are mozarts melodies lol
@@inbb510 No it isn't. A good melody consists of a mixture of conjunct and disjunct passages. If you look in bars 3,5, and 7, there are large leaps, providing contrast to the melody. Define "simple." If a melody is "simple", does that make it a bad one? Also, at the start of bar 4, there is an appoggiatura, heightening the expressive affection. Perhaps look a little closer before making statements.
Looks like both violinist and pianist speedrunning this piece. In other renditions of this piece, piece goes more slowly and more calm, but I apriciate this
Definitivamente no es tempo muy acertado, elimina cierto carácter gracioso de la pieza. Más lento y acentuadas un poco más ciertas notas iría mejor. Esta pieza es de mis favoritas, pero en esta interpretación no siento esa emoción y pasión como me la imagino en mi mente.
Beautiful! Thank you for posting
The Scherzo is incredible! 😂🤩🙌🎶🎹
Very nice melody !
Brilliant staccato and legato.
9:04
10:45
12:31
13:21
The correct tempo!
Massive Schubertian vibes!
My immediate impression as well. The opening accompanying figures in F sound straight out of a Lieder of his
What about the Summer, Autumn, and Winter sonatas?
Thé sonata 10 IS Autumn
I. Need. To. Be. Able. To. Play. This. Period.
If you’ve learned piano for more than 5-6+ years this shouldn’t be that big of a burden :D I’ve been playing for 8 yrs and I really want to learn this
Also for violin if you’ve been playing for a pretty long time this should be really easy
JUST PRACTICE
Then go practice.
Then practice 40 hours a day like Ling Ling
0:45
1:26
2:04 4:21
5:02
5:34
6:09
6:46
7:20
7:54
Sencillamente, hermosas melodías para nuestros oídos, te transportan.
Gracias!!!
The rondo sounds like something would be played over early 1900s or 1910s footage of people walking around a city
Beautiful beautiful beautiful
Lovely piano and violin
0:17
3:20
3:46
3:35
01:06
I don't understand you??
same du gnom
Bravo! 👏👏👏
Gorgeous!
This is a beautiful sonata. Although its meant as a violin taking on the principle role as the instrument to be the jewel with its lyrical passage. The pianist without wanting may take away the violins spotlight if the pianist is not careful.
17:23
2:21
Best version.sometimes the frontier between mozart and beethov is a cigaret paper thick.
Beethoven iis Always comfortable with thé fact he has thé two fêet on thé floor,not Mozart
i have always tought at their differencese this way: Mozart takes a look up on him, to the sky; Beethovens eyes, indeed, are wide open on himself. In his music we hear the human itself, both gloriousness and failness
And Leonard Bernstein smoked the difference.
@@lawrencetaylor4101 wdym do you mean
So good I’m learning this does anyone have any tips on how to play it wrll
Cool
3rd movement how come the violin and piano are not playing the theme together when the sheet music demands they do so???
Played during Tahani-al-Jamil's farewell party in The Good Place ❤️
And yet somehow she didn't name-drop Beethoven.
Twoset new merch?
Yup!
1:13
Cgilbert my comments are Beet is very playful on those keys. On 96 showing his version of awesome verification as a master
I'm here after Zhang Hao played it on Boys Planet ^^'
Hope I could play it~
0:00 0:00 0:00
0:00 0:00 0:00
2:09 2:09 2:09
2:09 2:09 2:09
Bravo
❤️❤️❤️❤️ rondo
La primera pieza Un poco más lento, con algo más de rubato en ciertos puntos, y acentuadas un poco más ciertas notas iría mejor. La primera pieza es de mis favoritas, pero en esta interpretación no siento esa emoción y pasión como me la imagino en mi mente o como la habré escuchado con otros intérpretes que ya no recuerdo.
Thanks Hanno Buddenbrook
Wow
Cgilbert my comments is that IAM listening to Beethoven now and I can still stand a say that Art Tatum could and play Classical music just as easy as the Master of Classical masters could But you know what they say about opinion: they have no boundaries with the truth so there for they are irrelevant to the universe LOL 🙃 God is good
Wo sind die Refrains beim Rondo?
スケルツォのテーマ、アルフレッド・リードの「春の猟犬」でこれに似たテーマが出てきますね。意図的でも偶然的でも面白い関連だと思います。
4:35
Intro: Wow, lovely melody!
10 measures later: aaaand the violin is playing an Alberti Bass. Not lazy writing at all XD
Isn't really Alberti Bass, it's arpeggios, but yeah. I've seen actual Alberti Bass in for example Mozart string quartets, so seeing arpeggios here in Beethoven isn't surprising at all and is actually kind of expected since the right hand of the piano is playing the theme the violin was playing before.
Chopin is the definition of lazy writing, not God of Music Beethoven.
3:24 제2주제
ePic
stun XD
@UCX0hd8VVkJMZjydvKpcLKsA
I think it sounds even fuller if the Violin part is played on a Double Bass in Fifths Tuning (Sounding 2 Octaves lower than written).
Y so less views?
I know so underated!
@@lizpaperdeco I think it's because Kreutzer overshadows all other Beethoven violin sonatas.
@@caterscarrots3407 I absolutely agree!
@@lizpaperdeco Yeah. Not that there's anything wrong with Kreutzer, it's a great sonata, kind of reminds me of a Violin Concerto in terms of like how often the violin is soloist, how virtuosic the solos are, and the overall orchestral sonority of the piano. It would be nice if the Spring Sonata, which is supposedly the second most well known Beethoven violin sonata got some more appreciation though. I see something similar happening with Mozart's violin sonatas, which I would kind of expect that with Mozart because he wrote 35 total including the unfinished ones.
But Beethoven only wrote 10, same number as his symphonies if you count his unfinished tenth symphony, so you would think the appreciation would be more equal and not just super dominated by Kreutzer.
@@caterscarrots3407 Yeah, Kreutzer is definitely the king of violin sonatas. I personally do like Beethoven’s violin sonatas more than Kreutzer as I like his style of composition more. They are both amazing composers though and I love both of their work! :)
🖒
😊😅😮😮😅😅😅😅😅
Sounds like mozart
@@emmanueldavidferreira1645 i think he means it sounds more classical era like, which would make sense cuz this is early beethoven
Or Paganini
Mozart but better.
no sé bro, yo estoy aquí por un trabajo de música 👍
§
Ok I play violin and I hate people that comment civilized shit. Believe me your not like that in person.
영어를 몰라요
Poppy Playtime
M
J
J
J
:(
좀 쉽게 말해봐요
영어를 못해요
Well he tries to make it as good as Mozart, but he fails.
Incorrect. This Masterpiece is objectively better than every single Motrash's attempt at a Violin Sonata.
Its like death
mozart copycat
What do you mean? Where did he copy this from? Music from this age sounds a bit alike because of music norms... Obviously it will follow I-IV-V-style harmony and melodies in scale. The harmony and styles were similar. If you seriously say that Beethoven just copied Mozart, then I doubt you know much at all music (especially listening to later Beethoven compositions). A lot of these things that sound very "stylistic", such as repeated chords, were pretty common and not that unique on periodic instruments.
Das Sir no
Just because it sounds really classical does not mean it copies Mozart.
not even close bro
Dude... Mozart's style and Beethoven's style are completely different! Especially his Beethovens later works
8:25
5:55
ePic
2:20