Amazing video!! Questions, 1) i see that you enabled the 32bit flow on the receiver side.... what does this do? does that mean the audio itself on the video file will be 32 bit flow? or will there be an extra file on the receiver produced to be synced up in post? 2) can i use 32bit flow on the mics directly themselves without the receiver? is the WAV file recorded produced by default 32 bit flow? 3) how do you actually manipulate the audio? is it as simple as just adjusting the volume of the clip on premiere to + or - db? or do you need to go through a specific process
Thank you! I'll do my best to answer your questions. 1) As far as I know the only way to enable 32-bit float on these mics is to enable it via the receiver. Once that is enabled everything is recorded in 32-bit float until you disable the option. With the receiver connected to my camera the audio is recorded in 32-bit float attached to the mp4 video. The receiver isn't actually storing any file. If you enable a local copy on the transmitter, it will also record in 32bit float. In that case you'd have your normal MP4 audio/video and a second copy of audio only directly on the transmitter. 2) Yes, enabling 32bit float will cause the mics (transmitters) to record their audio locally in 32bit float. I can't think of a reason to ever not record in 32-bit float with the exception being you'll have a little bit shorter battery life, but it is insignificant for what I record. I think it's still upwards of 6 hours of recording time. 3) It really is as simple as adjusting the gain on the file in whatever editor you choose. There is no special processing required. I do most of my audio work directly in Premier Pro, it's as simple as that. It has made my life so much easier.
Thanks for the comment. No when 32-but float is turned on every file is automatically saved in that format. There won’t be different file. Just import that file into Final Cut and adjust the volume like normal. You’ll be able to see how much additional range the file has for raising or lowering the output.
i am so sick of clicking on a video to try to learn how to turn on a feture, like 32 bit...and some dude goes off on why you really want 32 bit float. I know why I want it. I need to know how to turn it on.'ffs.
You're blessed with the knowledge that many of my viewers lack. Several people have asked me what 32-bit float is and why they need it. My ability to read minds and understand exactly what everybody's specific questions are is suspect at best. So, to answer your specific question on the DJI Mic 2 receiver, you need to swipe down from the top, go to transmitter settings, swipe to "32-Bit-Float-Recording," tap on it and toggle it off. That's all there is to it. It is now off for both receivers. I hope that helps, and I appreciate that you took the time to comment.
I have heard that from some people. I think that comes down to personal preference. I learn away from too much on the treble end, I think because I have trouble hearing that. Have you experimented with a preset to push the sharpness?
Are you currently using the DJI Mic 2? Thoughts on them?
I just bought one yesterday
Let me know what you think. I have been really impressed.
@@mattreviewsstuff ok sir
very helpful, thanks for this
Glad it was helpful! Thank you for taking the time to leave a comment.
Amazing video!!
Questions,
1) i see that you enabled the 32bit flow on the receiver side....
what does this do? does that mean the audio itself on the video file will be 32 bit flow? or will there be an extra file on the receiver produced to be synced up in post?
2) can i use 32bit flow on the mics directly themselves without the receiver? is the WAV file recorded produced by default 32 bit flow?
3) how do you actually manipulate the audio? is it as simple as just adjusting the volume of the clip on premiere to + or - db? or do you need to go through a specific process
Thank you! I'll do my best to answer your questions.
1) As far as I know the only way to enable 32-bit float on these mics is to enable it via the receiver. Once that is enabled everything is recorded in 32-bit float until you disable the option. With the receiver connected to my camera the audio is recorded in 32-bit float attached to the mp4 video. The receiver isn't actually storing any file. If you enable a local copy on the transmitter, it will also record in 32bit float. In that case you'd have your normal MP4 audio/video and a second copy of audio only directly on the transmitter.
2) Yes, enabling 32bit float will cause the mics (transmitters) to record their audio locally in 32bit float. I can't think of a reason to ever not record in 32-bit float with the exception being you'll have a little bit shorter battery life, but it is insignificant for what I record. I think it's still upwards of 6 hours of recording time.
3) It really is as simple as adjusting the gain on the file in whatever editor you choose. There is no special processing required. I do most of my audio work directly in Premier Pro, it's as simple as that. It has made my life so much easier.
@@mattreviewsstuff hey matt, thank you so much for your amazing and detailed reply 🙏🙏🙏 subscribed and love the content! Keep it up
Thank you! I'll do my best!
LOVE the video! Keep up the great work. This is awesome!!!
Thank you! I’ll do my best. If there is something specific you would like to see feel free to drop another comment.
perfect explained on point without bla bla. thank you!
Thank you for the feedback. I’m glad it was useful.
So when the 32 bit is ‘on’ will it have a separate file we need to add to our editing in final cut pro? I hope someone can help 😇
Thanks for the comment. No when 32-but float is turned on every file is automatically saved in that format. There won’t be different file. Just import that file into Final Cut and adjust the volume like normal. You’ll be able to see how much additional range the file has for raising or lowering the output.
i am so sick of clicking on a video to try to learn how to turn on a feture, like 32 bit...and some dude goes off on why you really want 32 bit float.
I know why I want it.
I need to know how to turn it on.'ffs.
You're blessed with the knowledge that many of my viewers lack. Several people have asked me what 32-bit float is and why they need it. My ability to read minds and understand exactly what everybody's specific questions are is suspect at best. So, to answer your specific question on the DJI Mic 2 receiver, you need to swipe down from the top, go to transmitter settings, swipe to "32-Bit-Float-Recording," tap on it and toggle it off. That's all there is to it. It is now off for both receivers. I hope that helps, and I appreciate that you took the time to comment.
It isn't as sharp as rode mics even go 2 have brighter sound
I have heard that from some people. I think that comes down to personal preference. I learn away from too much on the treble end, I think because I have trouble hearing that. Have you experimented with a preset to push the sharpness?
@@mattreviewsstuff i recently have bought a unit i will test it out and tell