@@AngPMira Well of course, when Urbie and Morrison double time it isn't this relaxed and clean though, to my ear. Incredible musicians that have inspired me so much, so it's an apples to oranges comparison, because they all have pretty different approaches. As far as fluidity with a relaxed sound playing fast, this is super impressive. Chez, Fontana, Watrous, Rosolino, and Elliot Mason are my go to guys now. (This was before I really got into them, sorry for being 3 years late on the reply)
... in this sense, most beginners in music schools, at least here in Germany with Jupiter instruments, on loan. Most people who continue with trombone or similar high-quality instruments from this range of companies will stay with Jupiter. They are completely designed for 75% of all dedicated players. Many who spent some time doing that - purely on a technical level - stay with Jupiter. Either continue to borrow, or then buy - as a possible masters - after two years or to excel in front of other players, often a - very high quality instrument - either then Yamaha, Bach or even more exclusive manufactories (completely exaggerated) A NEW INSTRUMENT, mostly in the value of a used small car. In most cases, - for their children - of course, to show off the lecture. However, this does not improve much, because you only consider it as an additional hobby and not as a vocation. Do not care to deal with the usual literature and the style of play by instrumentalists - as Harry here - until the Excess - in music for musicians - balanced. It would be better not to change for budding musicians - the trombone manufacturer, but - under instructions - his matching mouthpiece - to create that pays attention to tooth position and lip shape. My father was a professional orchestra musician (btb) + (tb) and had - after 1940 - each over 60 mouthpieces over the years - in reserve - reserved for students and also for me. Even with this diversity, I landed today - Dennis Wick London (tb) (manufacturing technology is progressing well) - and the two inherited instruments of my father (both KING (tb-Wigham) + (btb) (Duo-Gravis Silversonic) and well over 40 years old) remained very satisfied. But would not have been necessary. With - a Jupiter - my skills would be advanced. My first (and therefore) third trombone was from 1953 (KING) for 350 DM around 1967. That would have been completely sufficient for my children and children's children in jazz and dance music. Only, with professional classical music one does not need jazz trombones, which clear out a hall in the break reef. He here at the Jupiter Trombone, in this video, is also able to play on a colorful plastic trombone for today's children's pocket money in such a way that it presses each long-standing musician - like me - the beads of sweat from the scalp. Lots of text here, but it was a need
@@hoganmiller4958 yeah that's the make, but what's the model number? That's what Bone Man (a legend as far as trombone on youtube) was asking. Check out his uploads. Not sure I'd still be as into trombone without him.
wonderful playing ....shades of Frank Rosolino but lines are not as angular . Also Carl Fontana..two giants of a previous era..they live on in players like Harry.....nice to hear.
He has a great sound and he's such a clean player too.
Man, I could just listen to this guy play all day. Wish I could get my doodle-tonguing as clear and clean as his. Awesome trombonist.
Yeah, he is. I had the chance to work with him a few times when he was at GMU in Northern VA. He's a real nice guy, and a super trombone player.
Holy mackerel! What an amazing trombonist!
I loved the hop at the end
One of the cleanest players I have ever heard.
Will C boy then you better hear some Urbie green and James Morrison
Don’t forget bob McChesney too !
true
@@seabasszamarripa8252 Yup.... Once I found Bob I figured out was up. That was a little bit after this.
@@AngPMira Well of course, when Urbie and Morrison double time it isn't this relaxed and clean though, to my ear. Incredible musicians that have inspired me so much, so it's an apples to oranges comparison, because they all have pretty different approaches. As far as fluidity with a relaxed sound playing fast, this is super impressive. Chez, Fontana, Watrous, Rosolino, and Elliot Mason are my go to guys now. (This was before I really got into them, sorry for being 3 years late on the reply)
Got your Giddings and Webster designed mp, so versatile, it’s incredible
genial!!!increible trombonista
Very very nice
I'm bragging he's going to my school next week✌️✌️✌️😎😎😎
... in this sense, most beginners in music schools, at least here in Germany with Jupiter instruments, on loan. Most people who continue with trombone or similar high-quality instruments from this range of companies will stay with Jupiter. They are completely designed for 75% of all dedicated players. Many who spent some time doing that - purely on a technical level - stay with Jupiter.
Either continue to borrow, or then buy - as a possible masters - after two years or to excel in front of other players, often a - very high quality instrument - either then Yamaha, Bach or even more exclusive manufactories (completely exaggerated) A NEW INSTRUMENT, mostly in the value of a used small car.
In most cases, - for their children - of course, to show off the lecture. However, this does not improve much, because you only consider it as an additional hobby and not as a vocation. Do not care to deal with the usual literature and the style of play by instrumentalists - as Harry here - until the Excess - in music for musicians - balanced.
It would be better not to change for budding musicians - the trombone manufacturer, but - under instructions - his matching mouthpiece - to create that pays attention to tooth position and lip shape. My father was a professional orchestra musician (btb) + (tb) and had - after 1940 - each over 60 mouthpieces over the years - in reserve - reserved for students and also for me.
Even with this diversity, I landed today - Dennis Wick London (tb) (manufacturing technology is progressing well) - and the two inherited instruments of my father (both KING (tb-Wigham) + (btb) (Duo-Gravis Silversonic) and well over 40 years old) remained very satisfied. But would not have been necessary. With - a Jupiter - my skills would be advanced.
My first (and therefore) third trombone was from 1953 (KING) for 350 DM around 1967. That would have been completely sufficient for my children and children's children in jazz and dance music. Only, with professional classical music one does not need jazz trombones, which clear out a hall in the break reef.
He here at the Jupiter Trombone, in this video, is also able to play on a colorful plastic trombone for today's children's pocket money in such a way that it presses each long-standing musician - like me - the beads of sweat from the scalp.
Lots of text here, but it was a need
Wonderful playing is he related to late Bill Watterson? High range he sounds like him style also.
Leslie Penumaka do u mean bill watrous ? In that case no.
WOW!! What model trombone is that he is playing?
this is a jupiter
@@hoganmiller4958 yeah that's the make, but what's the model number? That's what Bone Man (a legend as far as trombone on youtube) was asking. Check out his uploads. Not sure I'd still be as into trombone without him.
Good to see David Wallace on drums, guess that crazy suck it money paid off. Jokes aside what a player. Unreal
wonderful playing ....shades of Frank Rosolino but lines are not as angular . Also Carl Fontana..two giants of a previous era..they live on in players like Harry.....nice to hear.