Emmanuel Pahud and Ulla Miilmann plays Orfeo ed Euridice by Gluck
HTML-код
- Опубликовано: 2 окт 2019
- Full free flute lesson at www.playwithapro.com/video/on... Learn flute online with Pahud.
Emmanuel Pahud and Ulla Miilmann plays a famous piece for flute - namely Orfeo ed Euridice by Christoph Willibald Gluck.
Learn about the use of vibrato and about adjusting to the correct levels while playing a duet and simply enjoy this heavenly beautifull music. 
Видеоклипы
Oh this is beyond beautiful. I'm so thankful that this masterpiece of music and performance has been presented to me. Listening to these notes transcends me to another world of nature, spring, breeze, belonging, freedom and peace, art and culture, the world I imagined to live. It inspires me to try to make that life I miss so much and long for. 🌄🌳
LOVE is screaming from the screen!
This piece sounds so much nicer with two flutes playing instead of one. I love this piece with flute and piano but it sounds unbelievable with two flutes
What a beautiful sound Ulla Miilmann!!
They way that she looks him is cute. She admires him 😭😍🤭 beautiful piece by the way
I wish the world were as beautiful as this piece. What have we become?
Flute is a pleasant escape and a reminder that we can make the world more beautiful by what we do.
God made this beautiful world, but the coming of sins destroyed it.
Therefore God sent Jesus, He died on the cross and shed his blood to wash away the sins and destroyed the works of devil, recovering this terrible world in him.
thank God and thank him created the flute.
That depends on waht u mean by world,if people arn't included,then this piece represents the world perfectly 😇
@@loveooppuuu Sweet comment! Amen!
@@euphoriaashoor7348 Except that man is the highest part of God's creation: God made the world to bless man with and sustain us, but we've -- and you know the rest -- used it for selfish purposes.
I like the connection one can feel between the both.
Beautiful. The visual interaction was enjoyable to take in. Music and performance is God's wonderful gift.
Can't stop listening to it...😍
Such a ravishing piece of music, and the best two flutists to play it. I love this over anything i’ve heard from either of them, and I love both their work.
I love the pure, focused color of Miilmann’s sound. It’s not as fat of a sound but it has a wonderful quality to it. Pahud’s tone is virile and robust, Miilmann’s is delicate and enchanting. Miilmann has excellent breath control and can play long phrases- her Prelude to the Afternoon of a Faun is all in one breath and incredibly beautiful. Her Daphnis et Chloe is my favorite. Utterly sensitive playing.
Cosa dire! Grazie per questo fantastico linguaggio non verbale ma dell' Anima
Quelle idée géniale d'avoir fait de cette pièce archiconnue un dialogue entre deux flûtes. Ça fonctionne au delà de toute attente, sans changer une seule note à la partition 😇
So beautiful! The strenght and the tenderness together...
Emmanuel is simply the best
Pahud has such a relaxed embouchure and makes it look so effortless. The woman brings back the corner of her lips which I’m constantly told not to do. Yet she has an amazing sound! Beautifully done!
The embouchure doesn’t affect as much of the sound as most flutists think. The sound comes more from inside and how you use your air/resonate. There is nothing necessarily wrong with pulling your corners back, unless it is a symptom of a lot of tension, like in the jaw or further down. Many people play beautifully with completely different embouchures! Denis Bouriakov plays with his embouchure on the side, for example.
Oh for the love of god, just enjoy the music already....
I think everyone has slightly different lips and jaw line and I recently found that you need to do what you can do to make beautifully refined sound. She isn’t pulling her lips up and tight though. I’m trying to perform this song and found that this duet makes for identifying the phrasing and rise and fall in each. This duet actually adds a lot to the narrative behind the song! Brought me to tears actually when they come together to play the end ( not sure if it’s shown in this video, but you can find it in line)
So beautiful! The estrenght and the tenderness together...
I don't have words . Pure beauty! Soul
How I wish I could play the flute like these guys.It's absolutely beautiful.
Me too, keep practising, we can always have fun trying.
Practice, practice, practice...
@@0sieja Thank you.
@@danmcglaun1 You are right.
Anyone can. It take 1% talent and 99% discipline.
Absolutely Beautiful, God bless
Ulla has such a wonderfully soft sound.. I love it
She's amazing 🤩
0:38 ... he looked directly into my soul :o
Wow. Absolutely beautiful.
Ho i brividi e non solo... Meraviglioso! 💚
Podría escucharlo por horas y horas . Maravilloso !!
Yes! I love the flute!!
How very expressive and truly beautiful.
Superbe duo
Music can give this kind of feeling...how amazing it is😄
Beautiful music making. Solid technique to achieve such a great tone.
wonderful interpretation. Perfect !!
Лёгкость при исполнении результат изнурительных репетиций. Ни кого напряжения и́ натуги на лице и шее исполнителя-мужчины. Лишь умиротворение. Значит его техника дыхания виртуозна. Фантастика! Благодарю! Всем мира из гостеприимной России.
MERAVIGLIOSA musica.... Bravi gli interpreti ❤️❤️
Linda peça! Ainda não conhecia... 👏🏻👏🏻
This is magnificent
A very moving performance.
Celestial!
MARAVILLOSO..GRANDES FLAUTISTAS!
Einfach wunderschön!!!
Bravo! Amazing!
just marvelous...
Maravilhoso!!!!!!!
Show Show !
heavenly!
Magnifique!!!
Meraviglios🧚♂️🦋💙
Amazing!
Божественно, Ulla сколько эмоций ❤
Guau....bello. Masters!!!!!!
Truly magical outstanding 🌹🌹
sublime.
Gorgeous
Os próprios espíritos abençoados a tocarem tão divina melodia!
Wow, absolutely heavenly! The beauty of this performance is just incredible. In particular, as soon as I heard the first note on Miilmann's flute, I felt her breath and phrasing in the rhythm, and I was thrilled to sense Rampal's presence once again. I've been a fan of Rampal's flute for over 40 years because he played with such spirit and heart. Since he passed away, I haven't come across any flutist quite like him. However, today I rediscovered that magic. I can feel the spirit and heartful melodies in every single note. So grateful for your music!
너무 아름다워서 눈물 흘릴 지경 ㅠ.ㅜ
Brilliant 😇
Stunningly beautiful phrasing. Wow.
Glad you like it!
Wow! How beautiful!
Thank you! 😊
Liquid gold
Great!
Emmanuel Pahud-волшебник,в мире флейты.
Дуэт -брависсимо!!!!
Perfect...
Hope I play this piece like that in my nsymma and front of the judge hope I do beyond and getting better each day and year
Ulla Miilmann should be credited on the title as well
she has been credited :) Thanks for letting us know!
@@playwithapro Thank you so much!!
Sublime
But the title is misleading. Pahud isn't teaching anything here, he is playing along with another brilliant flutist.
If you are listening, he is teaching...
@@PhilFogle First I said 'hey that's Ulla' she don't need no lessons But I read your comment and I think your right
@@acyutanandadas1326 You're wrong. That IS actually Ulla and she needs no lessons any more. But she is not playing the lead flute in this piece, thats why she is listening and having her attention on Emanuel. But don't confuse following the lead player i a piece with needing to learn. No!
@@tobiasherrmann4719 Gotcha
@@tobiasherrmann4719 Everyone needs lessons. Especially you.
Quelle merveille
I brividi ✨
Qué bonito.
uffff so beautiful
Incantevole
😍😍❤️🎶
yes, dolcissimo...
❤️❤️❤️❤️❤️
wow
💕
❤️💖❣️
I have to try to separate the beauty of Pahud's playing with his physical beauty...it's tough!!!
Hey, do you know where I can find the flutes duet sheet music? I found just the original one (flute-piano)
I would like too know either.. I searched but could not found it ☹️
like lovers.......
Mozart avait dit: "qu'est ce qui sonne plus faux qu'une flûte? : 2 flûtes" je trouve cela drole, mais ce couple s'en sort très bien
Oahu’s has a mic, what kind?
What is the name of this piece of phrase. I know its Gluck and Orfo n Euridice, but does is the phrase have a name? Are there other video's of this piece?
Dance of the blessed spirits.
Une partition pour lire Gluck à ce niveau la? serieux?
Guapos
I wonder What kind of flutes do they play.
Haynes flute ;)
On this video E. Pahud is playing on his Brannen and sheridan headjoint.
Does anyone know why Pahud lifts RH 1 and RH 4 and reapplies them to articulate the 2nd Bb at 0:35? I'm a professional level flutist of almost 33 years, and I'm not aware of the need for it...?
He probably just didn’t like the position of the flute in his right hand and adjusted it - there’s really no musical need to refinger the note
1:36 a 1:49 sin respirar
💋💋🥰🥰
Why does Pahud keep using the 1+1 Bb here? Isn’t it way less efficient than just using the thumb Bb for this piece, because it has no B naturals or any other notes for which you’d need to use thumb B natural?
Actually, the score does have a few B naturals.
The same way he sometimes add Right hand 3rd & 4th finger for High C (even adding Left Hand 4th finger); it kinda changes the resonance ever so slightly, adds some darkness (which I think Pahud loves), centreness & stability to the note. see 2:57
At 1:54 & also 1:59, even for a downbeat middle A, he added a Right hand 2nd finger to ground the A in the downbeat vis-a-vis the A from the previous bar (you can even hear the key pop sound exactly on the beat).
Pahud does these things all the time and usually lands an extra key (on top of the standard fingering) EXACTLY on the execution of the note on the beat.
I believe I know why - What I call these "just in time" downward fingerings (if you are a flute player you would totally understand what I am about to say:)
As a flute player myself, apart from the very subtle changes in resonances of middle A, Bb, B, C or C# by adding some right hand keys, I can imagine Pahud lands this right hand keys (or any finger for that matter) as a way to execute a "downwards" motion on the beat to help align the articulation and sound to the right timing, as opposed to fingers lifting (to result in middle A, Bb, B, C or C#) in an "upwards" fashion. Note that flute players have to typically LIFT fingers to play middle A, Bb, B, C & C# because these notes required only 3 or less Right-hand fingers (for C#, only right hand pinky is engaged and even balancing/holding the flute may become an issue). This is roughly analogous to upbows and down bows for the string players. (I think) Downbows for string players as well as engaging fingers downwards for flute players (I believe) helps in adding groundedness to the sound & precision to the articulation. It's like the flute player is engaging not just the air and tongue, but also fingers (in a downwards fashion, not lifting upwards fashion) to execute the note precisely. It is very common to use right hand keys for C# because not only do they stabilise the sound, it even physically stabilities the flute by engaging more fingers to hold the flute.
This is what I believe is happening.
In summary, (I think) Pahud does these "just in time" downward fingerings exactly on the beat to help ground it precisely to its right timing & sound. And because there are so few fingers used for middle A, Bb, B, C, C#, he simply just adds these extra "downward fingerings" and execute them exactly on the beat :). I believe he doesn't execute the standard middle A, Bb, B, C, C# fingerings exactly on the beat because that would be too risky an endeavour. He did however executed a "just in time" downward fingering for middle F in 2:01 by keeping his right hand fingers in position well ahead of time but snaps his right hand index finger exactly just in time the middle F speaks.
He does it every time everywhere
See also 0:18 in ruclips.net/video/eChLCFAGyx0/видео.html
Also the slow movement of Mozart flute quartet ruclips.net/video/5idGOzDmk4o/видео.html
To the extent that he also wants to, alongside with downwards finger actions, use his legs to stomp the downbeat to start the passages in Bach's Polonaise from Suite No. 2 ruclips.net/video/t8pMS1zZ8SI/видео.html
Andreas Blau even suggests using this method to help in starting the low D for the notoriously tricky entry for the fast flute solo of Beethoven's Leonore Overture No. 3, see 5:48 in this video ruclips.net/video/bEypQpjSPls/видео.html
The masterclass for the fast passage of the flute solo starts from 5:00
This is what I believe is happening.
All we would need to make this even more amazing is to have Clara Andrada De La Calle
Correggete il titolo Phaud è bravo ma Ulla Miilmann è strepitosa, ascoltatela da primo flauto nella Sinfonia n. 2 di Rachmaninoff
Обязательно послушаю. Спасибо
ok
yay
pre-covid
Немного торопливо в некоторых местах. Из мелодии пьеса становится танцем
...Die ist doch "scharf" auf den... aber nebenbei spielen se' echt gut....
schon der 1. Ton zeigt die völlige Überlegenheit von Pahud's Können....
まるでフルートで会話してるみたい！
偉そうな振りをやめてくれない？
amy porter and emmuael pahud !
it's Ulla Miilmann ;)
So, free means 2.99$ 😡😠
Basically free
@@v0id0e that's not the point. There was a promotion, when the masterclass was free (cost 0 money). However the website charged money.
@@alhdgysz i see, that's kinda bullshit
free means free: www.playwithapro.com/video/online-flute-lesson-with-pahud-and-glucks
@@playwithapro wow, you took the liberty to answer a one year old comment. Congratulations!
I've checked, the problem has been solved since I wrote that salty comment...
However that does not grant you the right to write in that tone! Acknowledge your mistake or be quiet.