MINOR CONVERSION Theory (Pat Martinos Approach)

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  • Опубликовано: 12 окт 2024
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Комментарии • 17

  • @JazzgutsVGvanKampen
    @JazzgutsVGvanKampen 10 месяцев назад +4

    What you say is true, Dm75- is the same as Fmi6 ( first inversion) and F dorian fits perfectly. Than altered over G7( alt) to Cmi. Sounds great 👍

    • @plantdemic3935
      @plantdemic3935 4 месяца назад

      It’s all Eb in different form being rootless etc 😂

    • @JazzgutsVGvanKampen
      @JazzgutsVGvanKampen 4 месяца назад

      @@plantdemic3935
      Altered over G7 is Ab melodic = as bes ces des es g getting more alterations ( but if you want you can play Es right true)

  • @pieter3842
    @pieter3842 2 месяца назад +2

    the guys mimics are hilarious, thanks for the advice

  • @titosmith7942
    @titosmith7942 10 месяцев назад +1

    Yep, good info! For a long time, minor 7th arpeggios with some chromaticism have just set well under my fingers as a way in to improvisation.

  • @menamgamg
    @menamgamg 11 месяцев назад +4

    Woaaah learned a lot from this! Thank you :D

  • @voronOsphere
    @voronOsphere 5 месяцев назад

    Great Lesson! You had me at "Martino." Thanks!!! Subbed!

  • @nickfanzo
    @nickfanzo 11 месяцев назад +3

    Martino have some great books on this

  • @Mezurashii5
    @Mezurashii5 11 месяцев назад +3

    Yeah, but how do you choose the root note of the minor scale? Just use the one where the chord is diatonic?

    • @Guitarmin98
      @Guitarmin98  11 месяцев назад +1

      Yeah! They are all related! A Dm7b5 is the same as an Fm with the 6th in the bass.

  • @Mr.S369
    @Mr.S369 7 месяцев назад +1

    Of course, D m7 b5 = Fmin6, or an F min triad over D

  • @tucki666
    @tucki666 4 месяца назад

    Both in Eb scale, what’s the deal… not too complicated

  • @plantdemic3935
    @plantdemic3935 4 месяца назад

    He didn’t write that book 😂😂😂