listen to the tune: jaronlopez.bandcamp.com/track/adrift open.spotify.com/album/5ZTT8lsTZNZ1ydMMBUn0Km?si=odvwdc_qSpaieJ-gaYue-Q&context=spotify%3Aalbum%3A5ZTT8lsTZNZ1ydMMBUn0Km download midi: www.patreon.com/jaronlopez
Dude I’m such a sucker for #11 chords. They just never fails to evoke a moody mysterious, introspective feeling that I find so powerful. Anything with that 7/11 shape in the right hand just hits different.
Major 7th and 9th chords are what do it for me. Though probably because the first weird chord I ever learned was a 9th chord from that one John Mayer song.
Superb - Probably one of the most well executed music theory videos, - or music lessons, - I've ever witnessed, and I'm almost 60. Honestly, extremely inspiring stuff, - much appreciated, keep them coming,.. please love to ALL, feel no hate
Great video. I'm a newbie in the music theory world so I can't really grasp 80 percent of what's going on, but the slow pace, the focus and the cool vibe of the whole thing is super inductive to learning ❤ Thanks a lot mate for making those vids!
The ‘sitcom’, neighbor opens door and “this is the power…”. Perfect. Subscribed. The split screen made by ADD brain lock in. As a guitarist, non-reader (gasp) who lives with odd tunings I heard AND learned what I lean towards melodically. Your even , intentional delivery is great. Only suggestion‽. Make more videos. Thanks for some rare, quality work.
You’re really spilling the tea, super encouraging that you came as a recommendation on my feed. I don’t have a RUclips channel but I’m a full-time teacher. The fact that people can access this continent for free is insane
This reminds me of good eats but for music with all information and creative cuts. Ty man you gave me a new view on how to craft bass and simple melodies
This sounds so much like Gran Turismo's golden era menu music. And this is a huge compliment, it was one of the most elegant soundtracks available out there.
Fantastic video, super informative yet super accessible, but also I just love your visual gags and the way you deliver your lines lol. Just great stuff
Make more chords videos! It’s really helpful I really struggle with making those types of harmonies. Could you maybe make a video focusing on song structure and different ways to make it more dynamic by changing progression or other aspects
I really love this series and hope that you continue it. I think this is an understudied or at least undercommunicated aspect of music theory and I think mastering it would really unlock the range of musical expression I currently compose with. I love the way you break down your decision making and explain why you made choices the way you did. It helps teach patterns of thought rather than formulas. Ultimately as musicians we need to learn our own judgement and watching others illuminate their thought processes teaches us how to refine our own judgement. I do have a specific question that could perhaps inspire the next video for this series: How did you decide to start with Bbmin11 and Amaj7#11? A naive listing of every chord tone here would be: Bb, Db, F + Ab, C, Eb; A, C#, E, G# + D# If we erase the upper extensions (since there is largely infinite freedom for how we want to color the top ends of chords), we are left with a Bbmin and Amaj palette to start with: Bb, Db, F, A, C# (Same pitch Db but replacing a different scale degree), E. When I look at this I don't see an obvious tonal center guided by a diatonic interpretation (I believe this is the whole point!). Indeed the clash in interpretation of the C# in the A chord and the interpretation of the Db in the Bbmin chord practically demand that there is no sensible diatonic interpretation here. So if there is no diatonic way to understand these chords together, I'm wondering if there is another framework for choosing two chords that "work" together (for some alternative definition of work). Or is it that you can almost always make *any* two chords work as long as they share enough common tones to glue them together? I've often heard in jazz contexts that you can really make any chords work together by massaging them properly, and I feel like maybe the secret to the massaging was revealed in this video with the common tone gluing, and moving the clashing tones out of the way. Would love for you to explore some of the structure for why these chords work well together, and maybe do a video of "pushing it too far" where we can see you test the limits of nondiatonic chord combos. Absolutely stellar channel, I feel like no other content on the web I've ever seen has taken such complex subjects of music theory and presented them in a way that makes it accessible. Thank you.
1st of all i loved the video, thank you so much. After that said, am I the only one who cant stop thinking about how Jaron looks and speaks as the radio broadcaster from northern exposure?
incredible video !! i dont really understand a whole lot of theory and while i do implement it within my tracks im not using it to its full potential. this was really well thought out and easy to understand, great stuff
I stumbled across this video, and now I’m a subscriber… thank you for clarifying scales and scale modes for me…. I’m about to binge your channel and practice. Thank you again 🙏🏾 I truly appreciate your content
6:47 No because you have no third, however you have a second, since you have a seventh and a sixth, that would be a 13sus2 chord, an F#13sus2 to be precise.
Hi ..I really enjoyed this presentation ..been working with the key of B flat and struggling but happily struggling ..this pres clarified a lot for me. Thanks good information 👍🎵🏅
Really nice work, I’ve been looking for this kind of explanation since a long time, the way you managed to put it out is very on point congratulation !!
Hi, just wanted to say i ve been subscribed for a bit and this just Hits the Spot. The Edition is perfectly Suited for my attention span and i find the content so engaging that i m sitting on my piano playin along and vibing
I'm not really good at music theory, so when you said B flat minor 11 I tried making that chord from just the name. managed to that. then saw how you inverted the chord and moved the root note an octave down to function as a bass note. seeing how easy it was to use this technique to create other chords I wrote a little progression and started a short looped beat. crazy how one single chord can inspire so much
listen to the tune: jaronlopez.bandcamp.com/track/adrift
open.spotify.com/album/5ZTT8lsTZNZ1ydMMBUn0Km?si=odvwdc_qSpaieJ-gaYue-Q&context=spotify%3Aalbum%3A5ZTT8lsTZNZ1ydMMBUn0Km
download midi:
www.patreon.com/jaronlopez
Dude I’m such a sucker for #11 chords. They just never fails to evoke a moody mysterious, introspective feeling that I find so powerful. Anything with that 7/11 shape in the right hand just hits different.
On jazz jam sessions, ending the song with a ♯11 gets you a penalty flag for clichés :)
Major 7th and 9th chords are what do it for me. Though probably because the first weird chord I ever learned was a 9th chord from that one John Mayer song.
Them slurpee chords be nice
@@JimManeri Your use of the correct sharp symbol hasn't gone unnoticed.
Real
This is insane.. I have no words to say to give my thanks other than thanks.. holy crap
Superb
- Probably one of the most well executed music theory videos, - or music lessons, - I've ever witnessed, and I'm almost 60.
Honestly, extremely inspiring stuff,
- much appreciated, keep them coming,.. please
love to ALL, feel no hate
Speak no evil
i wanna sit down with this person and have a beer, they seem so open-minded and respectful. Thank you!
agreed
“This is the power that bass and bass players wield” had me 💀💀💀. Thanks so much brother.
Great video. I'm a newbie in the music theory world so I can't really grasp 80 percent of what's going on, but the slow pace, the focus and the cool vibe of the whole thing is super inductive to learning ❤ Thanks a lot mate for making those vids!
Seconded!
This video is way more impressive than it needs to be. You went crazy on the editing and scene introductions
The ‘sitcom’, neighbor opens door and “this is the power…”. Perfect. Subscribed. The split screen made by ADD brain lock in. As a guitarist, non-reader (gasp) who lives with odd tunings I heard AND learned what I lean towards melodically. Your even , intentional delivery is great. Only suggestion‽. Make more videos. Thanks for some rare, quality work.
You’re really spilling the tea, super encouraging that you came as a recommendation on my feed. I don’t have a RUclips channel but I’m a full-time teacher. The fact that people can access this continent for free is insane
you're amazing, I'm sh*t at music theory, but you manage to explain this in a way that even I can understand, thank u
love the whole tone of this video.. intriguing, informative, calming & a little subtle humour.. masterful stuff
Man your videos are so high quality, informative and easy to understand
The quality of the video alone deserves a subscription
5:54 why does this feel like you killed off my favorite character
haven’t even finished the video, i am subscribed and i have notifications on, bro SOLID stuff. This is exactly what i need.
Commenting so I can watch this later in the studio
dude the editing is off the charts!
Just wanted to say the videography and editing is absolute fire my guy
Yeah, it must have taken ages to do all those angles - I noticed too!
thanks man! This is one the best theory videos ive watched
Thank you for this, this has to be one of my favourite tutorials I've seen on the Tube
This reminds me of good eats but for music with all information and creative cuts. Ty man you gave me a new view on how to craft bass and simple melodies
This sounds so much like Gran Turismo's golden era menu music. And this is a huge compliment, it was one of the most elegant soundtracks available out there.
I will listen to some of you vids over and over. This is the music i listen to and finally someone explains it well. Mad props
I appreciate the fact you calling out the full name of the chord!!! this is a vibe!!! you in my style!!!
Fantastic video, super informative yet super accessible, but also I just love your visual gags and the way you deliver your lines lol. Just great stuff
Thank you for all that you do. You are very appreciated and I hope you see this. Stay well
Make more chords videos! It’s really helpful I really struggle with making those types of harmonies. Could you maybe make a video focusing on song structure and different ways to make it more dynamic by changing progression or other aspects
very underrated content, exactly what people need
I feel like the Lydian mode is what I have been looking for my entire life 😍
Bro please don’t stop making tutorials you explain good
I love your videos. Thank you man.
now i know why shook ones sounds so good
Holy shit, this is the kind of channel I've been looking for.
the tone of your piano
i really appreciate these videos bro
I really love this series and hope that you continue it. I think this is an understudied or at least undercommunicated aspect of music theory and I think mastering it would really unlock the range of musical expression I currently compose with. I love the way you break down your decision making and explain why you made choices the way you did. It helps teach patterns of thought rather than formulas. Ultimately as musicians we need to learn our own judgement and watching others illuminate their thought processes teaches us how to refine our own judgement.
I do have a specific question that could perhaps inspire the next video for this series:
How did you decide to start with Bbmin11 and Amaj7#11?
A naive listing of every chord tone here would be: Bb, Db, F + Ab, C, Eb; A, C#, E, G# + D#
If we erase the upper extensions (since there is largely infinite freedom for how we want to color the top ends of chords), we are left with a Bbmin and Amaj palette to start with: Bb, Db, F, A, C# (Same pitch Db but replacing a different scale degree), E. When I look at this I don't see an obvious tonal center guided by a diatonic interpretation (I believe this is the whole point!). Indeed the clash in interpretation of the C# in the A chord and the interpretation of the Db in the Bbmin chord practically demand that there is no sensible diatonic interpretation here. So if there is no diatonic way to understand these chords together, I'm wondering if there is another framework for choosing two chords that "work" together (for some alternative definition of work). Or is it that you can almost always make *any* two chords work as long as they share enough common tones to glue them together?
I've often heard in jazz contexts that you can really make any chords work together by massaging them properly, and I feel like maybe the secret to the massaging was revealed in this video with the common tone gluing, and moving the clashing tones out of the way.
Would love for you to explore some of the structure for why these chords work well together, and maybe do a video of "pushing it too far" where we can see you test the limits of nondiatonic chord combos.
Absolutely stellar channel, I feel like no other content on the web I've ever seen has taken such complex subjects of music theory and presented them in a way that makes it accessible.
Thank you.
Love the bass line
Loved the video. Detailed and clear. Enjoyed the video as well. Please make more. Have subscribed
1:36 That sounds really cool!! and great Explanation! 1:28
1st of all i loved the video, thank you so much. After that said, am I the only one who cant stop thinking about how Jaron looks and speaks as the radio broadcaster from northern exposure?
You way of explaining the theory here is so so so good. Thank you! The penny is starting to drop for me on modes thanks to your videos :)
Sick keyboard, sick editing, sick way of explaining
First time I see one of your videos.
Hands down.
Subscribed.
bro great content man, really inspiring, keep it up
incredible video !! i dont really understand a whole lot of theory and while i do implement it within my tracks im not using it to its full potential. this was really well thought out and easy to understand, great stuff
Hi Jaron, it's a new level of your videos, so cool!
amazing. the snoring throughout the video had me on edge tho..
I’m so happy I found your channel, but so sad I didn’t find it sooner
Thank you
Man you just putted so much word on thing I was doing with just the feeling and the love of creating ambiguous things, this is a 10/10
Masterful tutorial. So well laid out and structured. Thank you Jaron
Thanks for the videos, bro. You’ve quickly become one of the most informative channels I’ve found. Great stuff.
Thanks a lot for this. Great explanation!
All of it, amazing!
Music theory that came into life, love it 🥰
such a sick video. super helpful. thank u!
Just started to folloW you! I really enjoy your work! thank you for this channel
thank you! this is so informative and very much helpful for my project! and how your look vibes so cool dayammmmm
Stellar video!! Thanks for explaining 🙌
I stumbled across this video, and now I’m a subscriber… thank you for clarifying scales and scale modes for me…. I’m about to binge your channel and practice.
Thank you again 🙏🏾 I truly appreciate your content
Amazing Bob James vibe
So musical and so clearly explained - thanks!
6:47 No because you have no third, however you have a second, since you have a seventh and a sixth, that would be a 13sus2 chord, an F#13sus2 to be precise.
You're good at explaining this stuff
Great lesson! Amazing visuals and explanations. Your charts and animations were so perfectly executed. Thank you!
Top shelf content !!
Plus The editing is perfect !
Thanks! Glad you dig it!
Fantastic content, thank you!
Thanks Techno Shamanism!
this video is done so well
That video was insanely good.
I dig the sounds!
Wow. Sounds amazing!
7:27 stroboscopic effect on the string
Daam, man. That good
Astonishing video -- the substance is super useful and well explained, and the form is extremely cool. Congratulations and thank you for sharing!
dude you are amazing, loved it!!! thank you so much for this video !!!!!!!!
Hi ..I really enjoyed this presentation ..been working with the key of B flat and struggling but happily struggling ..this pres clarified a lot for me. Thanks good information 👍🎵🏅
Jason Schwartzman's body double is a person of many talents.
Great video, very well made!
Really nice work, I’ve been looking for this kind of explanation since a long time, the way you managed to put it out is very on point congratulation !!
Hi, just wanted to say i ve been subscribed for a bit and this just Hits the Spot. The Edition is perfectly Suited for my attention span and i find the content so engaging that i m sitting on my piano playin along and vibing
I'm not really good at music theory, so when you said B flat minor 11 I tried making that chord from just the name. managed to that. then saw how you inverted the chord and moved the root note an octave down to function as a bass note. seeing how easy it was to use this technique to create other chords I wrote a little progression and started a short looped beat.
crazy how one single chord can inspire so much
insane videodude, keep it up!
God bless you brother! Thank you for sharing your wisdom! Beloved, Jesus loves you all
The bass tone is chefs kiss. I see it’s fretless. Are you doing any other processing on it? What model is that?
So dope. so well explained. so much theory I am understanding because of this.
This is great. Well done!
Great vid, many thanks. Good blend of what you might play, and why.
WOW. Just Wow
The production quality of this video is astonishing 🤍
I think imma love this channel I newly found!!
Music Theory meets your favorite clothing shop type of music!
love this!
Um....insta-sub. Just the right level for me. This was amazing.
Amazing video, more in this series please.
Amazing content, keep going 🙏🏼💎
this video is insanely insightful and inspiring thank you sir!!! please make more
nice man love ur content
fantastic video sir
The articulation in your videos are a Wow! 💕...
Credits 👏👍💚
Great Content, Had to sub!!
Brilliant and cool presentation... I feel this is applied in Soft Machine 7 Carol Ann... or at least the vibe is very similar.
Genius
reminds me of "Once Upon A Daydream", a b-side by The Police from 1981 ;)
love that content .
Again, really like your explanation of all of these theories, it's kind of like a mind fk, just amazing.