What I notice something different from this boss theme is that it noticeably sounds a lot less menacing than the others (not that it's a bad thing) and there's more of a sense of urgency to save or protect something which is more or less accurate for what happened in Nahida's story quest. The theme isn't as "angry" as the others even though Apep herself claims that she'll never forgive or bow down to Celestia, but moreso describes the anguish she's been through for thousands of years and deep down actually yearns for peace and rest---which Nahida thankfully gave her by the end of the quest.
That’s a really good point. Although the music definitely felt urgent, I wished they’d made the fight feel more urgent somehow (minus adding a timer). That sense of urgency is why I fell in love with the Osial boss fight.
Some pro ppl(ppl with high musical talent) say this theme is more of our theme rather than their theme... "our" and "their" here refer to us and the enemy, unlike all previous boss theme which is play as "their" theme(like the theme for that boss, by that boss), this Apep theme play as "our" theme(like the theme for us who fight the boss)... you can get better explanation(because im bad at explain thing) by visiting their channel
@@Zkr7 maybe we can sum it up with this: while other boss themes show the power, the ferocity, the authority of that boss in their domain, this boss theme shows the eagerness in the eyes of us, the Traveller, ready to take the boss down.
This battle theme sounds more intimate in a sense that the battle is more than just one of hard feelings. Someone commented it and I love how they said it. They said this track exudes grace, might, and beauty---althought it doesn't sing it in ballads. Which really makes sense
IKR I'm kinda disappointed with the third phase, Because of its lack of HP compare to the second phase. I just want to vibe with epic music while fighting it.
Sumeru's OST is just built different from the rest of the previous nations. Heck, even the city's own theme is too epic for it to be just a "city theme".
The time period and culture based inspiration carry the music as well. Each nation represents the real world culture and traditional music also. Not all games can do this. That's why in my opinion, music in genshin is phenomenal.
I really like the pattern of them using a theme to represent our feelings like how we did with saving Azhdaha and Raiden 2nd phase is the theme of Inazuma.
@@piyushverma7534 The boss themes, their phases and how epic it gets slowly represents not us but the boss themselves and their desperate struggles to defeat the traveller. In this case, it is Apep's former glory and epicness shining through her deep pain in the form of Warden of Oasis as it slowly turns green.
Hearing Monstald and Liyue music: This is so good, they cannot top this ost Hearing Inazuma music: This is perfection, they cannot top this ost Listening to Sumeru music:
It's always fire when the Photons of Fluctuation leitmotif shows up. It would be really fitting if all the Sovereigns had it in their themes when they get released later. The original rulers of Teyvat should have the leitmotif of Teyvat.
@@JosepiThe13th Dragon King is alive though (reincarnated after war, I think), according to Apep words. And Kokomi probably reincarnation of the water dragon (Constellation Sleeping Dragoness)
@@JosepiThe13th It is unknown if they're all dead. We know that Nibelung(Dragon-King) is most likely alive again and a new generation of sovereigns is rising anyways, given the hydro sovereign's prophecy.
2:18 OS notification: "Commander, our fleet has arrive at designated defence position current engaging enemy. Your primary objective is to withold this position until reinforcement arrived" 2:40 OS notification: " Commander, our reinforcement has arrived, primary objective updates to repel all enemy force within the region"
Everyone always hypes Scaramouche’s boss battle ost but I will always praise this one and put it at the top of my list for best battle soundtracks in Genshin. I just love how the first phase sounds like we have no idea what this dragon is capable of, and then the second phase is like we can’t give up now, we’ve come a long way fighting against gods in Teyvat.
After WEEKS of not playing Genshin. I caught up and fought this boss... the music blew me away. This game continues to amaze me and reignited the passion I have for the game,
I soooo adore this theme. When I hear it especially the third phase I can feel the strength of the element of nature. Nature is the strongest thing in the world and it's definately stronger than humanity. This theme is really sutable for the quest. I just imagine Nahida, Apep's story and all the tragedy of everything happened. I really want to replay Nahida's quest to feel this emotions again! This boss is my favourite because only when I fight with him I can hear this brilliant music and recall in my memory the old fantastic Nahida's quest! Flute is the best instrument in this theme btw
I really want this to play when Apep joins the fight against "celestia" or most likely the "second who came" in case it turns out Phanes/Primordial One was beaten/corrupted
This version of God-Devouring Mania is so good especially with the ending also combining that electronic segment just brings a nice touch to the theme of Sumeru.
I love this theme, and I really think it's fitting for a Guardian of one of the dragons of Teyvat. Just wish the boss was a little tankier and could do more damage. There's quite a few fights that are arguably harder than this one, when it feels undeserving. ♡
To put into perspective, his first phase has 650,000 HP, every monster in the second phase has around 100,000 (with the big ones having significantly more than 100,000), and the third phase has around 600,000. Across all 3, they have more HP combined than Raiden Shogun. Your damage is just THAT high.
This theme gives me "primordial chaos" vibes at first and "end of journey" at the latter part. 1st part - anticipation, race towards goal, danger, unfathomable force. 2nd part - high stakes, triumph, overcoming. The electronic bits in this track also is a clear allusion to adaptability of nature. We even see how Warden of Apep shoots literal double helixes.
@@luisfillipebeserra2108I think the flute sounds more 'free', in the used version it has more rigid melodies but the unused one is more free-flowing which I think makes sense with apep
Instrument 0:01 buzzing Sound from Tanpura (indian) 0:19 Bansuri (Indian Bamboo flute) 0:27 Sitar(indian) 0:27 Percussion Tabla(Indian) Is this other ver from here? 3:44 Ney(Middle east flute) Other instrument except ney from this part ,only sitar,tabla, tanpura are clear to the ears
I just want to know... How the ever loving fuck did they make an theme with more epicness than rage beneath the mountains, signora phase 2 and scara combined
rather than building up something intuitively dangerous, how the track develops sounds to me is creating a vibe of something solemn and introvert but ancient and primitive. The rhythm is beautiful but on the other hand powerful, it's almost like the great natrue itself was singing out of indignation and you find yourself amazed by that spectacular view knowing that the strength hidden behind would consume you all at a sudden.
I was under the impression this will be a theme for fleet battle. Especially between 2:04-2:55, it is like the whole fleet is shelling at the same time.
It starts with a Hans Zimmer style before going whimsical with traditional instrumentation akin to John Williams, with intensity to something similar to Joseph Trapanese's works. 1:54 has some Sarah Schachner (Call of Duty) vibes to it, especially the opening note.
I get it now. I totally get it. The first time I fought Scaramouche's Gundam I had to use Zhongli to experience the whole package with music and it totally breaks the immersion. That's why this time I used Dehya with The Bell, it was a great battle.
I'm sad that the tune at 0:26 does not have the full-blown orchestrated version of it like they teased during livestream. I'm disappointed and enraged.
If this boss had more hp on the final phase and a slightly shorter mid phase I think it would be nearly perfect, even in co-op it feels too short to enjoy the OST, you’d think by the fourth region, where most people have their characters built very well, bosses would be a bit rougher challenge wise but that’s just my personal opinion
I mean it probably is for players who haven’t been playing the game super long like probably you and me, and of course the quest versions are easier :)
@@Etherhackerlmao I understand, I’m just trying to think logically based on the fact the game is almost 3 years old and co-op exists if people are struggling terribly (even if not everyone plays co-op) Unfortunately story content never seems to have much challenge which makes sense but, even an extra 150k hp just so players can hear a bit more of the soundtrack would of been fine I think the reason I feel that way is because the music sounds way too epic in proportion to how easy it is to defeat the boss and being unable to experience the whole theme without stopping or using average characters feels like a miss for me This just seems to be the general consensus from what I’ve heard but I fully get what you mean about lower lvl players struggles The only way I can think to improve it is to merge music and gameplay and add a mini scene where the music transitions making the boss do a special attack, preventing rush kills from older players and keeping the pace together for newer players, a quick solution
All of the genshin bosses have epic themes, I think that each of them has it's own level of epicity. Like, Rage Beneath the Mountains still rocks, or Signora boss theme is still so hard. But yeah, Yung Peng Chen is really compromised in making each ost unforgettable
Never even noticed it playing ingame but at 3:28 around here, the “morse code” slowly gets louder and more prominent. It’s not spelling SOS but it seems appropriate here, given the whole mission on a “time limit” to “save” a dragon!
Decided it to have my Music volume up lead me to this song man it gave fire emblem vibes it's nice but still they'll come a time I'll mute the music again
Yesterday I learned that all the versions that people post of the "OST" of this song are actually all incorrect, seeing as how the one provided by Hoyo-Mix does not have phase 3 loop with the Chasm's version over it, nor is that loop actually in the game. That said, I do prefer having the loop with Chasm's version on top.
All traveler and Nahida fought was a single cell aka 'Guardian of the Oasis'. Nahida wasn't lying when she said Apep the Dendro Dragon Sovereign is immensely powerful. If this is the strength of Apep, Neuvillette and other surviving Dragon Sovereigns in their weakened state without their authority, just imagine how powerful they are in their prime especially when they fought against Primordial One and its Four Shades for 40 years non-stop, back then. That also explains how powerful Primordial One is. Like, help how traveler is going to do against Celestia lmao.
Well Neuvillette said he, on his own, can easily push back the Primordial sea if he has his full dragon sovereign authority.. and he not only did that, but completely defied Celestia and turned Fontainians into real humans not just Oceanids with human form.. he also powers the whole city of Fontaine with his Arkhe powers since the Oratrice is now broken.. that's how strong dragon sovereigns are.. I think Tsaritsa is trying to get hold of these powers of the dragons because the abyss is a very powerful threat and they need the power of the dragons to fight it back.. remember, Neuvillette didn't solo the Narwhal.. Childe was already fighting it for about a month and traveller fought with Neuvillette.. and the best they did was neutralize it and take away the primordial waters from it.. if it woke up it could've fought back again, but Skirk showed up and just turned the Narwhal into a ball.. meaning the power of one dragon sovereign may not be enough to fight back the abyssal powers..
Wait till they end up expanding on the first dvalin encounter where we will have actual mechanics in a 1 on 1 fight with a dragon in the air. That surely will happen at some point.
after fighting Apep, the lore dropped and turned my perspective on the "GENSHIN" (primordial gods); who the title actually meant to refer, and what their roles are, was, and will become
The bansuri at first phase gives just the right amount of sense of pressure as needed in first phase And the second phase is the gateway to heaven for ears Fights in genshin never were hard (except abyss floor 12 cause i have weak teams) but it was about maintaining fight to enjoy the music
People keep saying that, but Warden isn't just a cell. Those things it summons in 2nd phase are the "white blood cells" and Warden is the leader of them. Considering Apep entrusted the Warden to keep the Oasis safe I would not be surprised if it was as strong as a god.
@@user-rt5pv1vr5f if that were the case there'd be more than one warden after us unless really only one of his wbc's went to kill the intruder. The archive calls them all guardians, and seeing how Warden was also affected by the same "evolution" as the 2nd phase dudes, im pretty sure it's not a cell and instead an elemental being itself. Plus the name "warden" means someone who is the leading figure in a defense of some sort, like in a prison. The ones below a warden are the defenders, aka the ones he summons.
Sumeru is the only region have Song theme that Makes you bang your head harder than illegal "Stuff". This is On the different kind nd of Feels. Legally
My favorite soundtrack from the game, used to be Ashdaha's but this one just blows everything out of the water. Coincidentally, the last soundtrack composed by Yu-Peng Chen before he left Hoyomix, as far as I know.
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
I remember when the unfinished version of this song was leaked before The Chasm was even released
link? title?
cannot express how much i love this soundtrack. its always on full volume and makes me so emotional every time
my immune system after i proceed to eat my 500 year old flintstone vitamin gummies
💀💀💀
"Made in khaenri'ah"
3:38 is what i imagine what would play at the end of the game as the nations stand up to and overthrow the Heavenly Principles
EXACTLY WHAT I WAS THINKING
The way I started to ACCEND
well celestia is probably empty and heavenly principles are dead
SAME LMAO
Imagine how strong Apep is if its immune system is the weekly boss
And not just a weekly boss, but the one you need archon's assistance to beat...Dragon sovereigns are just built different.
Most probably we will not fight with apep . Coz nahida is there she want to save apep not to fight with it
@@alreadyd1d Not built too different if they flopped against the Primordial One lmao
@Antiquus Custos Then just imagine how strong the primordial one is
@@somebody3990 then imagine celestia and their scandalous schemes
What I notice something different from this boss theme is that it noticeably sounds a lot less menacing than the others (not that it's a bad thing) and there's more of a sense of urgency to save or protect something which is more or less accurate for what happened in Nahida's story quest. The theme isn't as "angry" as the others even though Apep herself claims that she'll never forgive or bow down to Celestia, but moreso describes the anguish she's been through for thousands of years and deep down actually yearns for peace and rest---which Nahida thankfully gave her by the end of the quest.
That’s a really good point. Although the music definitely felt urgent, I wished they’d made the fight feel more urgent somehow (minus adding a timer). That sense of urgency is why I fell in love with the Osial boss fight.
Some pro ppl(ppl with high musical talent) say this theme is more of our theme rather than their theme... "our" and "their" here refer to us and the enemy, unlike all previous boss theme which is play as "their" theme(like the theme for that boss, by that boss), this Apep theme play as "our" theme(like the theme for us who fight the boss)... you can get better explanation(because im bad at explain thing) by visiting their channel
@@Zkr7 and which channel is?
@@Zkr7 maybe we can sum it up with this: while other boss themes show the power, the ferocity, the authority of that boss in their domain, this boss theme shows the eagerness in the eyes of us, the Traveller, ready to take the boss down.
This battle theme sounds more intimate in a sense that the battle is more than just one of hard feelings. Someone commented it and I love how they said it. They said this track exudes grace, might, and beauty---althought it doesn't sing it in ballads. Which really makes sense
I like how weak and tired the flute sounds in 0:44, emphasizing how tired Apep is
And contrast to the last phase where it sound more alive and divine
wooo yeah baby thats what ive been waiting for
it's giving me Titanic Flute Fail vibes.
tfw the last phase music starts to get insanely epic and raises goosebumps but you defeated the boss too early :(
I had to pause for like a genuine minute on nahida's quest just to hear this because it hit me like an isekai truck
Lmafo I had c2r1 nahida and a hyperbloom team the theme didn't even get to properly start it was over too fast.
IKR I'm kinda disappointed with the third phase, Because of its lack of HP compare to the second phase. I just want to vibe with epic music while fighting it.
that's what Zhongli is for
I literally stopped to do anything , just to hear it. Nilou too stronk
Those drum beats are like a general fighting in the war using magical sword to kill everything in its path
Sumeru's OST is just built different from the rest of the previous nations. Heck, even the city's own theme is too epic for it to be just a "city theme".
The time period and culture based inspiration carry the music as well. Each nation represents the real world culture and traditional music also. Not all games can do this. That's why in my opinion, music in genshin is phenomenal.
Indian and Arabic music together really creates some amazing tunes just like their dishes.😋
@@RamanUmamah so true
idk.. ost phase 3 give me Gundam battle vibe
I don't know about that, sumeru's ost is great but I still think la signora's theme is the best.
The last phase sounds so divine
It has fire emblem ah feeling
I really like the pattern of them using a theme to represent our feelings like how we did with saving Azhdaha and Raiden 2nd phase is the theme of Inazuma.
@@piyushverma7534 it feels like our theme fighting against apep
Divine, triumph, sadness, struggles into one OST
@@piyushverma7534 The boss themes, their phases and how epic it gets slowly represents not us but the boss themselves and their desperate struggles to defeat the traveller. In this case, it is Apep's former glory and epicness shining through her deep pain in the form of Warden of Oasis as it slowly turns green.
Since now it's confirmed that Neuvillette is the Hydro Dragon, I can only imagine what the music would be if we ever fought against him.
Well I’m guessing he’ll be corrupted by Abyssal Energy and Forbidden Knowledge at that time.
@@deathwingthedestroyer3632 lucky us we deleted the forgotten knowledge with ruhkkadevata
@@mahks-pectith3179 in the Ley Lines, they’re still forbidden knowledge in the world. Like those purple ooze in the chasm.
Hearing Monstald and Liyue music:
This is so good, they cannot top this ost
Hearing Inazuma music:
This is perfection, they cannot top this ost
Listening to Sumeru music:
Listening to Sumeru music: 👁👄👁
@@minamo8649 Listening to future Natlan folk music..
I almost couldn’t fight the boss correctly because I was so enveloped in the ost. 😂❤
Listening to sumeru music: ascended to heaven
Monstadt and Liyue ost in kinda cringe up to mediocre at best tbh. Inazuma and Sumeru are way better than those two
It looks in between a fungus, an ivy, a fern and a sea dragon
yup, a fusion of multiple being
Edited:
I think its an evolved kelp from spongebob 😂
It’s also basically an immune system
It just look like a tapeworm tbh
@@haku0103 I'd say flatworm instead, but yeah
@@Rupi1234ful ohh yesss
It's always fire when the Photons of Fluctuation leitmotif shows up.
It would be really fitting if all the Sovereigns had it in their themes when they get released later. The original rulers of Teyvat should have the leitmotif of Teyvat.
Bold of you to assume the other sovereigns will appear considering the rest are dead.
@@JosepiThe13th Dragon King is alive though (reincarnated after war, I think), according to Apep words. And Kokomi probably reincarnation of the water dragon (Constellation
Sleeping Dragoness)
@@JosepiThe13th It is unknown if they're all dead. We know that Nibelung(Dragon-King) is most likely alive again and a new generation of sovereigns is rising anyways, given the hydro sovereign's prophecy.
@@JosepiThe13th we don't know that for sure, though there's a pretty good chance that it's true
@@reinhartnata47spoiler alert : nuvilette is the water dragon
2:18 This phrase reminds me of the sacrifice every time and they play it while the memories of the elemental being was talking to its child 🥲
2:18 OS notification: "Commander, our fleet has arrive at designated defence position current engaging enemy. Your primary objective is to withold this position until reinforcement arrived"
2:40 OS notification: " Commander, our reinforcement has arrived, primary objective updates to repel all enemy force within the region"
Context? 😔
Yeah the memories..
So touching and sad but also it needed to be done..
Everyone always hypes Scaramouche’s boss battle ost but I will always praise this one and put it at the top of my list for best battle soundtracks in Genshin.
I just love how the first phase sounds like we have no idea what this dragon is capable of, and then the second phase is like we can’t give up now, we’ve come a long way fighting against gods in Teyvat.
this feels like dvalin and or andrius, not too life threatening, we are just helping out instead, still epic orchestra
When i fought the weekly boss outside of Nahida's quest, i was chugging down food left and right tho
Imo more like Azhdaha since we're trying to save them
@@piyushverma7534 rnt u saving dvalin as well?
@@michaelshahoeyeah, but not andrius. Andrius is just testing us
@@piyushverma7534 we aren't saving Azdaha tho, we just tame it so it could go back to being sealed
i wish they perform this song in live orchestra version someday. i will be there no matter what
03:39 - feeling - I have tears in my eyes but I will rise above this cage, break the shackles, spread wings of fury and burn every obstacle in my way.
3:13 don't mind me
スメールの全てを詰め込んだ旋律って感じがする……戦ってる時は戦闘に集中してるからゆっくり聞けないけど、こうして聞くと本当に名曲やわ。
そうだよねー
ゲームではちゃんと聞ける前に倒しちゃう
4:13 gotta love that the iconic photon of fluctuation leitmotif will never go away in any genshin region ever
Edit: also in 2:55
It’s so awesome to hear it again!
@@saskia6148I was so happy when I heat it !
It sounds so different to me
The final phase of this piece is just such a celebration of promise and hope in the face of everything we've been through. I can't get enough of it.
they had no reason to go this hard for a fight that a lot of people never unlocked or knew existed
Legit took me 6 months to unlock, and i only went because neuvillet use it
The last phase is so epic. Sounds like this one is for us, not that immune system boss. We, stand for nature and Sumeru, are writing our own legend
Thats the perfect ‘’ nature battle theme ‘’
After WEEKS of not playing Genshin. I caught up and fought this boss... the music blew me away. This game continues to amaze me and reignited the passion I have for the game,
Had to fight this boss again with my weakest characters just to listen to that epic 2nd phase
I soooo adore this theme. When I hear it especially the third phase I can feel the strength of the element of nature. Nature is the strongest thing in the world and it's definately stronger than humanity.
This theme is really sutable for the quest. I just imagine Nahida, Apep's story and all the tragedy of everything happened. I really want to replay Nahida's quest to feel this emotions again! This boss is my favourite because only when I fight with him I can hear this brilliant music and recall in my memory the old fantastic Nahida's quest!
Flute is the best instrument in this theme btw
I really want this to play when Apep joins the fight against "celestia" or most likely the "second who came" in case it turns out Phanes/Primordial One was beaten/corrupted
But I thought phanes was the first one who came
And the second who came who married a seelie was someone else
This version of God-Devouring Mania is so good especially with the ending also combining that electronic segment just brings a nice touch to the theme of Sumeru.
just realized it sounds a lot more rainforest than desert themed. it makes sense.
Well because of Indian instrument used flute (bansuri), percussion (tabla),sitar and tanpura
Phase 3 Hit harder than celestia pillar 🥶💀
and Zhongli pillar 🥶💀
Sumeru in my opinion had the best story, bosses and music. And so far the only region that made me emotional.
Same but I also cried when melus and silver died
I love this theme, and I really think it's fitting for a Guardian of one of the dragons of Teyvat. Just wish the boss was a little tankier and could do more damage. There's quite a few fights that are arguably harder than this one, when it feels undeserving. ♡
To put into perspective, his first phase has 650,000 HP, every monster in the second phase has around 100,000 (with the big ones having significantly more than 100,000), and the third phase has around 600,000.
Across all 3, they have more HP combined than Raiden Shogun. Your damage is just THAT high.
@@sanstheskeleton679 These little guys have that much hp?
@@koteghe7600
Yes, they do
This theme gives me "primordial chaos" vibes at first and "end of journey" at the latter part.
1st part - anticipation, race towards goal, danger, unfathomable force.
2nd part - high stakes, triumph, overcoming.
The electronic bits in this track also is a clear allusion to adaptability of nature. We even see how Warden of Apep shoots literal double helixes.
Thank youuuuu i was really looking for this masterpiece
Your welcomeee 😊😁
its unfortunate that the variant at 3:13 onward is unused, but the one that is used is absolutely great
I disagree, that flute without tone after restoring apep doesn't make any sense
@@luisfillipebeserra2108I think the flute sounds more 'free', in the used version it has more rigid melodies but the unused one is more free-flowing which I think makes sense with apep
@@luisfillipebeserra2108they used two flute the starting flute is bansuri and later ney
What a masterpiece 😭
Gives me goosebumps every time
Imagine apep being another weekly boss in the future ☠️☠️☠️
That's what we've been waiting for
Traveler gonna get their ass clapped
Dull blade aint gonna be enough this time
I fear even the mighty dull blade will break...
traveler needs to regain their power first lol
Amazing music aside I love the boss' DNA/binary/double helix attack effects.
Instrument
0:01 buzzing Sound from Tanpura (indian)
0:19 Bansuri (Indian Bamboo flute)
0:27 Sitar(indian)
0:27 Percussion Tabla(Indian)
Is this other ver from here?
3:44 Ney(Middle east flute)
Other instrument except ney from this part ,only sitar,tabla, tanpura are clear to the ears
0:44 and 1:19
That Flute always make me chill
same
Don’t mind me timestamping my fave part 3:13
I just want to know... How the ever loving fuck did they make an theme with more epicness than rage beneath the mountains, signora phase 2 and scara combined
After doing this right now I can see it has soem simmilarities to the Natlan themes
rather than building up something intuitively dangerous, how the track develops sounds to me is creating a vibe of something solemn and introvert but ancient and primitive. The rhythm is beautiful but on the other hand powerful, it's almost like the great natrue itself was singing out of indignation and you find yourself amazed by that spectacular view knowing that the strength hidden behind would consume you all at a sudden.
When you defeated apep to fast and can't hear this masterpiece till the end
I was under the impression this will be a theme for fleet battle. Especially between 2:04-2:55, it is like the whole fleet is shelling at the same time.
It starts with a Hans Zimmer style before going whimsical with traditional instrumentation akin to John Williams, with intensity to something similar to Joseph Trapanese's works.
1:54 has some Sarah Schachner (Call of Duty) vibes to it, especially the opening note.
i went into this update thinking we would be fighting a powerful elemental dragon for the third time. instead, i fought it's intestinal flora
This ost gives heavy Monster Hunter vibes
It really does
Yeah
Exactly what I was thinking. Stg one of these days we're going to get Proof of a Hero 2
You talking as if the boss isn't a plant Amatsu
Yah
I love the fact that this is the first weekly boss theme that has the Photon of Fluctuation leitmotif in it.
Photon of fluctuation really makes theme instruments shine
God, that flute goes so hard.
I get it now. I totally get it. The first time I fought Scaramouche's Gundam I had to use Zhongli to experience the whole package with music and it totally breaks the immersion. That's why this time I used Dehya with The Bell, it was a great battle.
I'm sad that the tune at 0:26 does not have the full-blown orchestrated version of it like they teased during livestream. I'm disappointed and enraged.
4:14 i always hear these notes in alot of genshin music
We called it teyvat or photon leitmotif
@@alessharu3634 ohhhh interesting, thank you for the info
Yupp, every genshin battle theme has the same pattern in a different style based on the region.
That's from Xiao's demo and I also heard it in the desert battle soundtrack
@@Inferno9767 It's a leitmotif in a lot of early characters demos and in the main battle theme of every major region
My favorite part
0:27~1:01
This is officially the hardest theme i’ve ever heard in my existance
I'm surprised nobody made hour+ long version of this
Yashhhh
Not yet
Very very soon
This is just like a cell from Apep's immune system
Not apep, just its guardian. You were lucky that it didn’t ate you alive like king deshret
Considering that the fight takes place in Apep‘s body, we kinda were eaten alive.
I was looking for this ty :D
your welcome ☺
Ngl before the upd I thought this was Apep, but oh boy Apep is much more scarier and terrifying.
This is the best weekly boss theme and after it is scara theme omgmmgmgmgmgmggmmgmmgm
I love themes so much especially genshin irjeifwdjifhdwiufhdijfbwirgwdohfou
If this boss had more hp on the final phase and a slightly shorter mid phase I think it would be nearly perfect, even in co-op it feels too short to enjoy the OST, you’d think by the fourth region, where most people have their characters built very well, bosses would be a bit rougher challenge wise but that’s just my personal opinion
I mean it probably is for players who haven’t been playing the game super long like probably you and me, and of course the quest versions are easier :)
@@Etherhackerlmao I understand, I’m just trying to think logically based on the fact the game is almost 3 years old and co-op exists if people are struggling terribly (even if not everyone plays co-op)
Unfortunately story content never seems to have much challenge which makes sense but, even an extra 150k hp just so players can hear a bit more of the soundtrack would of been fine
I think the reason I feel that way is because the music sounds way too epic in proportion to how easy it is to defeat the boss and being unable to experience the whole theme without stopping or using average characters feels like a miss for me
This just seems to be the general consensus from what I’ve heard but I fully get what you mean about lower lvl players struggles
The only way I can think to improve it is to merge music and gameplay and add a mini scene where the music transitions making the boss do a special attack, preventing rush kills from older players and keeping the pace together for newer players, a quick solution
Genshin impact need a super boss version of all their weekly bosses. Like an Abyss 2.0, but with tankier weekly boss
I still can't believe this was leaked all the way back in 2.6
You're right. I thought its gonna be "the nameless yaksha's battle theme" just because it shares similarities with Xiao's theme song. 🥹😭
@@Phoenix-qw4en Um, that's not exactly Xiao's theme, it's actually the Photon leitmotif 🤓
sumeru style version of the unused chasm track, neat
Why whenever a banger boss ost come and I think it will never be surpassed, it get surpassed with literally the next coming boss ost😭
All of the genshin bosses have epic themes, I think that each of them has it's own level of epicity. Like, Rage Beneath the Mountains still rocks, or Signora boss theme is still so hard. But yeah, Yung Peng Chen is really compromised in making each ost unforgettable
Never even noticed it playing ingame but at 3:28 around here, the “morse code” slowly gets louder and more prominent. It’s not spelling SOS but it seems appropriate here, given the whole mission on a “time limit” to “save” a dragon!
This is by far the perfect soundtrack for Sumaru's final weekly boss fight.
I had the pleasure to listen to this live in an orchestra and it was epic
Decided it to have my Music volume up lead me to this song man it gave fire emblem vibes it's nice but still they'll come a time I'll mute the music again
1:53 dont mind it just for me
Yesterday I learned that all the versions that people post of the "OST" of this song are actually all incorrect, seeing as how the one provided by Hoyo-Mix does not have phase 3 loop with the Chasm's version over it, nor is that loop actually in the game.
That said, I do prefer having the loop with Chasm's version on top.
@2:30 sounds like when someone's about to make a comeback in yugioh.
All traveler and Nahida fought was a single cell aka 'Guardian of the Oasis'. Nahida wasn't lying when she said Apep the Dendro Dragon Sovereign is immensely powerful.
If this is the strength of Apep, Neuvillette and other surviving Dragon Sovereigns in their weakened state without their authority, just imagine how powerful they are in their prime especially when they fought against Primordial One and its Four Shades for 40 years non-stop, back then.
That also explains how powerful Primordial One is. Like, help how traveler is going to do against Celestia lmao.
Well Neuvillette said he, on his own, can easily push back the Primordial sea if he has his full dragon sovereign authority.. and he not only did that, but completely defied Celestia and turned Fontainians into real humans not just Oceanids with human form.. he also powers the whole city of Fontaine with his Arkhe powers since the Oratrice is now broken.. that's how strong dragon sovereigns are.. I think Tsaritsa is trying to get hold of these powers of the dragons because the abyss is a very powerful threat and they need the power of the dragons to fight it back.. remember, Neuvillette didn't solo the Narwhal.. Childe was already fighting it for about a month and traveller fought with Neuvillette.. and the best they did was neutralize it and take away the primordial waters from it.. if it woke up it could've fought back again, but Skirk showed up and just turned the Narwhal into a ball.. meaning the power of one dragon sovereign may not be enough to fight back the abyssal powers..
@@lmntsgames3848childe was fighting it in the abyss I think and the abyss time is different
Wait till they end up expanding on the first dvalin encounter where we will have actual mechanics in a 1 on 1 fight with a dragon in the air. That surely will happen at some point.
I'm sure everyone will going hype for it.
we have our protagonist fighting while flying when facing unknown god. so there will be a aerial fight in the future
The Last Phase sound sooo goodddd man
sadly it didn't make it to the official one, it's just the MIDI version, the final version is the one that uses the flute all distorted and weak
@@luisfillipebeserra2108 Damn...
lol yesterday i fought this boss fourth times only for the music
after fighting Apep, the lore dropped and turned my perspective on the "GENSHIN" (primordial gods); who the title actually meant to refer, and what their roles are, was, and will become
Its the "primordial one" that I tend to find out also. He was the one who vanquished those original ruler of seven.
This ost hits hard! I love it!!
The previously leaked version was much more dramatic while this one is more region-specific.
Yep, that’s why you don’t look at leaks because things could be different.
@@Etherhackerlmao and disappointing, don't forget that part
@@luisfillipebeserra2108 quite wrong you are
@@twashgoat get out of here
no@@luisfillipebeserra2108
*me fighting the boss with tears in my eyes while doing nahida story quest*
The bansuri at first phase gives just the right amount of sense of pressure as needed in first phase
And the second phase is the gateway to heaven for ears
Fights in genshin never were hard (except abyss floor 12 cause i have weak teams) but it was about maintaining fight to enjoy the music
Except, I killed this immune system too quickly to enjoy the music. I had to intentionally take a weak team to enjoy it fully.
You can imagine that, what you are fighting with is simply a cell of Apep, and it was sick, your mission is to rescue it.
People keep saying that, but Warden isn't just a cell. Those things it summons in 2nd phase are the "white blood cells" and Warden is the leader of them. Considering Apep entrusted the Warden to keep the Oasis safe I would not be surprised if it was as strong as a god.
@@theicecreammachineisbroken654 the second phase are elemental beings that live in ape body, the warden is probably just a cell 😧
@@user-rt5pv1vr5f if that were the case there'd be more than one warden after us unless really only one of his wbc's went to kill the intruder. The archive calls them all guardians, and seeing how Warden was also affected by the same "evolution" as the 2nd phase dudes, im pretty sure it's not a cell and instead an elemental being itself. Plus the name "warden" means someone who is the leading figure in a defense of some sort, like in a prison. The ones below a warden are the defenders, aka the ones he summons.
This OST is rocking!
Sumeru is the only region have Song theme that Makes you bang your head harder than illegal "Stuff". This is On the different kind nd of Feels. Legally
Right as i clicked nahida'a burst.. SO EPIC
Best version of sumeru's update, thank you =D
Thank you too!
I mean.. 3.1 added the desert and introduced Dottore which was one of the most hype things in the story :))
@@Etherhackerlmao I was talking about the soundtrack, since there are few videos about and are not prop edited.
0:45 my favorite part
0:44 This is what forbidden knowledge sounds like...
Kinda reminds me of xenoblade 3s soundtrack with the wind instruments basically carrying the song as the beat goes off with the wind flutes
My favorite soundtrack from the game, used to be Ashdaha's but this one just blows everything out of the water.
Coincidentally, the last soundtrack composed by Yu-Peng Chen before he left Hoyomix, as far as I know.
Nope. It's composed by Yijun Jiang (姜以君); the last weekly Yu Peng Chen composed was Scara's
its the 2:20 most beautiful battle theme in genshin . PROVE ME WRONG
Scaramouche
this reminds me of monster hunter so much
I personally just like the first theme, sounds something important that we must do, the emergency
Hmm
I love how they implementuje various instrument from the region its based from
don't know why but that last phase kinda sounds like fire emblem ost lmoa, absolute banger