Amazing breakdown. Your instructions was clear and concise with no rambling or fluff! Would love to see a similar grade for us Davinci resolve users! Wishing your channel much success! Keep up the great work!!
I learned a lot! Thank you so much man as I have struggled in this area for a lot of my projects especially not being a professional colorist who also uses premiere and not davinci resolve.
@@mikeeljordanswan7798 I'm using a7siii but I bought fs7 luts ..will it work well on my a7siii with this grading or should I just purchase one for a7siii please
Hey... I have a question if you use adobe for post processing... I just got a fx30 a few weeks ago & was introduced to the feature "auto detect log" that works for SLOG footage... every time I import my log footage in adobe its slog and very much so still looks SLOG.. but in properties it reads out to me as a REC.709 clip (not auto bringing me into rec.709 as the feature is being promoted) The only way to quickly get it out of log is to interoperate the footage and bypass it over to slog3... I can't help but think something is wrong with my fx settings wise although I can't think of a reason... ive tried regular slog3...slog3 with cine... I've went into picture profile 1 and set them as logs outside of the traditional log screen... nothing I do seems to work & I can't for the life of me understand why... I'm praying someone can help me understand what's going on to a certain extent because its driving me nuts thinking something is either wrong with adobe or my fx30...
First you should apply the Leeming LUT Pro: best corrective LUT in the business (for us mortals, that is). Then play with the "cinematic look". I seriously doubt you have a pro calibrated monitor that's why you need basic color corection.
Yow bro, u did it man, thank you so much. I will buy Sony fx30 soon and buy the luts packages. Thank you dear!!
Nice breakdown, man! I recently switched to Sony too, and I found this video super helpful. Keep up the great work, brother! 👍
This was really helpful, thank you 😊
Thanks for sharing your grading process. That’s a goal for me.
No problem at all man and thanks for all the support you've given.
Thanks so much for the tutorial it was very simple and easy to follow along!
Amazing breakdown. Your instructions was clear and concise with no rambling or fluff! Would love to see a similar grade for us Davinci resolve users! Wishing your channel much success! Keep up the great work!!
Good job my guy!!!
Thanks, Roman.
Hey mikeel really loved you content ❤
I learned a lot! Thank you so much man as I have struggled in this area for a lot of my projects especially not being a professional colorist who also uses premiere and not davinci resolve.
Interesting I never that of stacking luts on top of phantom luts !
dude this was such an amazing job on this grade new sub here looks so damn cinematic !
Thank you! Finally a Premiere Pro tutorial 😭🙌🏾🙌🏾🙌🏾
Thanks, I appreciate that. I hope that this helps.
Thanks for sharing your process, well explained and informative!
Yo bro you killing it
Thanks, Kale. Now we just gotta get you to start making content, bro, lol.
good workflow bro, looks amazing, but and if you have any drone footage in between? what's the workflow to match DJI D Log? thanks
Yo! Thanks for sharing this! It helps a lot.
Hey :) What the difference between the included: Slog3 to WDR Pre-LUT.cube from the PhanomLuts and the MediaOnQ Cinetone?
Bro nice! We need the best export settings
Solid. Learned a lot!
Also question. Can the Cinetone luts be used on the a7iv?
Yea, you can absolutely use these for the a7iv as long as you buy the a7siii pack.
Thank You for this material! It help me a lot. Can You add one more time Resaturate Lut? because it expired, please :)
were you over exposed in slog 3? amazing video.
I used false colors to expose, and I think for some situations, it was between +1.3 and +1.7.
Hi Mikeel! New subscriber here! What picture profile settings do you use to achieve that color?
Slog 3 and S gamut3.cine
@@mikeeljordanswan7798 Do you change anything about saturation? It seems to me that slog 3 is saturated, or has not had any changes
How do you mean? Like when you export? My S-Log 3 has no changes to it that I notice.
Mike, sorry for this question.
Is it depends on which lens you're using to get this look or any lens??
I have the Sony sigma 30mm 1.4
Any lens should work.
Thank you bro
@@mikeeljordanswan7798
Please I got the phantum luts for FS7 but I'm using a7siii ...will it still work perfectly
I think you would have to buy the specific luts he sells for the fs7.
@@mikeeljordanswan7798 I'm using a7siii but I bought fs7 luts ..will it work well on my a7siii with this grading or should I just purchase one for a7siii please
Hey... I have a question if you use adobe for post processing... I just got a fx30 a few weeks ago & was introduced to the feature "auto detect log" that works for SLOG footage... every time I import my log footage in adobe its slog and very much so still looks SLOG.. but in properties it reads out to me as a REC.709 clip (not auto bringing me into rec.709 as the feature is being promoted) The only way to quickly get it out of log is to interoperate the footage and bypass it over to slog3... I can't help but think something is wrong with my fx settings wise although I can't think of a reason... ive tried regular slog3...slog3 with cine... I've went into picture profile 1 and set them as logs outside of the traditional log screen... nothing I do seems to work & I can't for the life of me understand why... I'm praying someone can help me understand what's going on to a certain extent because its driving me nuts thinking something is either wrong with adobe or my fx30...
Hi did you figure it out? I am having the same problem.
🔥🔥🔥
I appreciate that. 🙏🏽
DOPEEE
Thanks man
I make a cooking video. I saw your video interestingly. Any color grading tips for food videos?
I would make the color grade brighter for sure. I saw some of your videos, and it looks like you're on the right track.
First you should apply the Leeming LUT Pro: best corrective LUT in the business (for us mortals, that is). Then play with the "cinematic look".
I seriously doubt you have a pro calibrated monitor that's why you need basic color corection.
Goofy
Hi Mikeel! New subscriber here! What picture profile settings do you use to achieve that color?
It was shot in S log 3.
@@mikeeljordanswan7798 Do you have a specific settings in slog3?