Interview with the afro-punk-electro-rock band Nova Twins (2020).
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- Опубликовано: 27 фев 2020
- INTERVIEW - Amy and Georgia, a.k.a. Nova Twins, talk to Stone Alone about their debut album, and many other topics related to friendship, big sounds, music industry or better world... Produced by Jim Abbiss (Arctic Monkeys, Kasabian, Adele...), the album called Who Are The Girls? is a remarkable depth of sound via a myriad of bass and guitar pedals - a secret recipe they have tweaked and refined over the years, whilst dogmatically avoiding any synthesisers in the process. Refusing to conform to any template, the duo fuse bass-heavy, grimey punk, taking inspiration from artists as divergent in style as N.E.R.D., The Prodigy, Missy Elliott and Skunk Anansie. As such, the best friends have turned rock on its head, injecting their songs with boundless energy, barely controlled rage and heavy riffs. Always dressed head-to-toe in designs they’ve made themselves, Nova Twins are capturing a unique moment in time with their genre-bending methods, capturing fans of all demographics with a riotous attitude and boundless resilience.
INTERVIEW - Amy et Georgia, alias Nova Twins, se confient à Stone Alone à l'occasion de la sortie de leur premier album, en plus d'évoquer de nombreux sujets, de leur amitié, aux solutions pour améliorer le monde, en passant par l'industrie musicale... Produit par Jim Abbiss (Arctic Monkeys, Kasabian, Adele ...), cet album intitulé Who Are The Girls? témoigne de sonorités hallucinantes via une myriade de pédales d'effets sur la basse et la guitare - une recette secrète peaufinée et affinée au fil des ans, tout en évitant dogmatiquement tout synthétiseur dans le processus. Non sans rappeler des artistes aussi différents que N.E.R.D., The Prodigy, Missy Elliott ou Skunk Anansie, le duo fusionne hip hop, afro-punk et electro-rock, en injectant dans ses chansons une énergie sans bornes, une rage à peine contrôlée et des riffs irrésistibles. Toujours habillés de la tête aux pieds dans des créations qu’elles ont eux-mêmes fabriquées, les Nova Twins capturent un moment unique dans le temps avec leurs méthodes unique de fusion des genres. 
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787 views in almost a year. Even criminally underrated would be an underrated statement. I hope you make it big girls !!! You´re amazing as fuck !
They remind me of the early day of Dub War. Bring the noize ladies!
Really refreshing! Massive Power to you both!
I love them so much!!!
Love it!!!
Am I the only one that considers the nova twins just a more modern style of Nu Metal. They'd literally fit into the early 2000's Nu metal scene if they were around
Does any artist actually have a modern sound with no relation to a past genre? I doubt it very much ..
@@jamesnolan4412 it's all relevant to the past because it's what the artist grew up listening to
Except they're like a million times cooler than Fred Durst will ever be
Amazing band
These girls are really cool 🤘🏼🔥
Wonder if they get sick of answering the same questions.
Georgia should speak more. I could be wrong but she seems the more intelligent of the two.
It's rock that s all.. Afro punk.. Etc etc. Wtf ?!
Yeah, not really sure what that's about. Is it because they're black? Would they still be called afro punk if they were white? Why does that have to define their music?
@@LnPPersonified of course it wouldn’t be called afro punk if they were white.. idk if you’re joking or what but i feel like that’s obvious. It doesn’t define their music but being black is apart of their identity so why shouldn’t it be included?
@@emmyuwu5403 it shouldnt be included because the colour of your skin has nothing to do with the sound that comes out of your instrument. Is classical music "euro-classical" ? jazz "afro-american-jazz" ? bruh, wut
@@Rikarwb sometimes people add on racial or ethnic backgrounds to genres because people’s cultural backgrounds can influence how their music sounds, it helps you be specific when looking for certain types of music. Like if you were to look up “kpop” instead of just “pop” you’re specifically looking for pop music that’s made by Korean artists. Kpop itself sounds different from typical pop music in America, not just bc of the language but bc of pop culture there. They have different trends, styles, etc. that distinguishes the two from each other. Or sometimes even if someone’s culture doesn’t show in their music they still want their audience to know their identity. Especially when you’re black it feels important to acknowledge your race bc many music genres are dominated by white people. Im not saying this in a way to attack white people or anything but it’s hard to be noticed when you’re a poc, especially in alternative music and sometimes poc fans just want to look for artists who are also poc, hence the “afro-“ to make black musicians easier to find.
tldr; race and ethnicity can make music sound different since music is heavily influenced by culture and subgenres like afro-punk just makes it easier to find black punk artists
@@emmyuwu5403
Race does not make music sound different, ethnicity isnt the word you're looking for, its culture. It has 0% to do with your "biology", 100% to do where your musical background lies.
The prefix "afro" is perfectly valid to characterize music that is "stereotypically african" (you can find all genres being played by african people), its not to say "we have black musicians", that would be incredibly r***** since there are a lot of non black people influenced by african musical culture, and a lot of black people that never touched it.
Also, the only people who would search a music genre for a certain race are r***** people. Want afro-punk ? Go for it, but for the sound, not for races
mais c'est pas du punk, ca n'a rien a voir. Du neo metal c'est tout
It was all good until 'global warming', lol
As we bake in 2023
Thanks for the spoiler alert. I cut out early.