Some composers, Penderecki stated, had "forgotten about music" and were composing "notes only," while he wanted to compose "music with a human face" and distance himself from his peers and imitators.
That's a noble goal, but without someone as talented as Arto to actually play those notes, it's all meaningless drivel. Also, who was imitating Penderecki?
Krzysztof Penderecki (1933-2020) is more than a reflection of an era. It’s a phantom asteroid who returns to set his sights on sound art. A decadent wave laden with paradoxes from which obscurantism and the irrational escape, hypnotic factors defying vulnerable souls in search of the infinity. This sound architecture is an translucid and short tunnel that leads to light, or perhaps, in chaos¯\_(ツ)_/¯
Obscuridad y temblor... mayúscula obra. Gracias por la puesta. Aquellos posteadores que escriben puras idioteces mejor será que no pasen por aquí. Esto es arte y cultura.
The new music Tonal Scale is as thus: 12 7 5 2 3 : 1 4 5 9 14 Not 12 with 7 & 5 BUT 14 with 9 & 5 [2^(1/14)] These are the Tonal Scales growing from f (by cycles of fifths): All Scales build from the first mode: equivalent to Lydian f White keys are = & Black keys are | 12 with 7 & 5 [2^(1/12)] =|=|=|==|=|= {1,8,3,10,5,12,7,2,9,4,11,6} 1thru7are= 8thru12are| 7 with 5 & 2 [2^(1/7)] ===|==| {1,3,5,7,2,4,6} 1thru5are= 6&7are| 5 with 2 & 3 [2^(1/5)] =||=| {1,3,5,2,4} 1&2are= 3thru5are| Now evolving up the other end 5 with 4 & 1 [2^(1/5)] ==|== {1,3,5,2,4} 1thru4are= 5is| 9 with 5 & 4 [2^(1/9)] =|=|=|==| {1,8,3,7,5,9,2,4,6} 1thru5are= 6thru9are| 14 with 9 & 5 [2^(1/14)] =|=|===|=|===| {1,12,3,14,5,7,9,11,2,13,4,6,8,10} 1thru9are= 10thru14are| Joseph Yasser is the actual originator of the realization, that scales develop by cycles of fifths. www.seraph.it/blog_files/623ba37cafa0d91db51fa87296693fff-175.html www.academia.edu/4163545/A_Theory_of_Evolving_Tonality_by_Joseph_Yasser www.musanim.com/Yasser/ The chromatic scale we use today is divided by 2^(1/12) twelfth root of two Instead of moving to the next higher: the 19 tone scale 2^(1/19) nineteenth root of two I decided to go all the way down and back up the other end: So 12 - 7 = 5 & 7 - 5 = 2 & 5 - 2 = 3 Now we enter to the other side: 2 - 3 = -1 & 3 - -1 = 4 & -1 - 4 = -5 & 4 - -5 = 9 & -5 - 9 = -14 ignoring the negatives we have 1 4 5 9 14 Just follow the cycles how each scale is weaved together, as shown above. Each scale has its own division within the frequency doubling, therefore the 14 tones scale is 2^(1/14) fourteenth root of two
Bold words. Some of us appeciate composers like Penderecki, Schnittke, Pettersson et al., just as much. I wonder whether you have the same tenacity outside of the classical idiom.
CONCERTOS PARA VIOLONCELO DE LA ERA DEL ESPANTO | CELLO CONCERTS FROM AN HIDEOUS ERA Me puedo imaginar a participantes de un rito oscuro amando a esta música como se amaba a Beethoven o Brahms... por momentos me da ganas de maldecir y, en otros, dejarme llevar y decir "qué impresionante". | I can imagine participants of a dark rite loving this music as Beethoven or Brahms were loved ... at times it makes me want to curse and, at others, let myself be carried away and say "how impressive".
tbh I listen to a lot of metal stuff also. but a lot of those artists who wear do that whole gothic thing with the facepaint and black leather and spikes outfits and that whole evil attitude are usually nowhere near as evil and violent in their music as guys like these. and they did it all without the looks or satanic lyrics.
RemorfChuket (I know this comment is old) Music is an amazing way to portray emotion, the way that this music is played conveys such murderous and evil intent because that is what it's made for. The composer more than likely made it with great emotion in mind.
![Six Hundred Strike [EPIC: The Musical] Full Animatic](http://i.ytimg.com/vi/zov6NXIAuow/mqdefault.jpg)
Some composers, Penderecki stated, had "forgotten about music" and were composing "notes only," while he wanted to compose "music with a human face" and distance himself from his peers and imitators.
That's a noble goal, but without someone as talented as Arto to actually play those notes, it's all meaningless drivel. Also, who was imitating Penderecki?
RIP Krzysztof Penderecki,
forever goat, and G.
Rest in peace
00:00 Nr.1
17:56 Nr.2
53:13 viola and chamber orchestra
The first concerto fills me with so much anxiety, and yet I can't stop listening to it.
This actually seems to reflect various changes in nature
One of the best "album-videos" of the entire RUclips. Thanks.
Krzysztof Penderecki (1933-2020) is more than a reflection of an era. It’s a phantom asteroid who returns to set his sights on sound art. A decadent wave laden with paradoxes from which obscurantism and the irrational escape, hypnotic factors defying vulnerable souls in search of the infinity. This sound architecture is an translucid and short tunnel that leads to light, or perhaps, in chaos¯\_(ツ)_/¯
🤔Close, but no banana. "Translucid-ish", I'd have thought!?
Obscuridad y temblor... mayúscula obra. Gracias por la puesta.
Aquellos posteadores que escriben puras idioteces mejor será que no pasen por aquí.
Esto es arte y cultura.
A masterpiece !
Thanks for uploadin'
Thank you so much for uploading this!
stunning
They are so fantastic I dig it
A Penderecki no se le va una. Cada concierto para cello es una belleza.
I would love to hear the rest of this piece but I got to go to bed now 🌷❤️
The new music Tonal Scale is as thus: 12 7 5 2 3 : 1 4 5 9 14
Not 12 with 7 & 5 BUT 14 with 9 & 5 [2^(1/14)]
These are the Tonal Scales growing from f (by cycles of fifths):
All Scales build from the first mode: equivalent to Lydian f
White keys are = & Black keys are |
12 with 7 & 5 [2^(1/12)] =|=|=|==|=|= {1,8,3,10,5,12,7,2,9,4,11,6} 1thru7are= 8thru12are|
7 with 5 & 2 [2^(1/7)] ===|==| {1,3,5,7,2,4,6} 1thru5are= 6&7are|
5 with 2 & 3 [2^(1/5)] =||=| {1,3,5,2,4} 1&2are= 3thru5are|
Now evolving up the other end
5 with 4 & 1 [2^(1/5)] ==|== {1,3,5,2,4} 1thru4are= 5is|
9 with 5 & 4 [2^(1/9)] =|=|=|==| {1,8,3,7,5,9,2,4,6} 1thru5are= 6thru9are|
14 with 9 & 5 [2^(1/14)] =|=|===|=|===| {1,12,3,14,5,7,9,11,2,13,4,6,8,10} 1thru9are= 10thru14are|
Joseph Yasser is the actual originator of the realization,
that scales develop by cycles of fifths.
www.seraph.it/blog_files/623ba37cafa0d91db51fa87296693fff-175.html
www.academia.edu/4163545/A_Theory_of_Evolving_Tonality_by_Joseph_Yasser
www.musanim.com/Yasser/
The chromatic scale we use today is divided by 2^(1/12) twelfth root of two
Instead of moving to the next higher: the 19 tone scale 2^(1/19) nineteenth root of two
I decided to go all the way down and back up the other end:
So 12 - 7 = 5 & 7 - 5 = 2 & 5 - 2 = 3
Now we enter to the other side:
2 - 3 = -1 & 3 - -1 = 4 & -1 - 4 = -5 & 4 - -5 = 9 & -5 - 9 = -14
ignoring the negatives we have 1 4 5 9 14
Just follow the cycles how each scale is weaved together, as shown above.
Each scale has its own division within the frequency doubling,
therefore the 14 tones scale is 2^(1/14) fourteenth root of two
Genial composer
Mastet of direct expression on human ultra auditoria 🌞
Bold words. Some of us appeciate composers like Penderecki, Schnittke, Pettersson et al., just as much. I wonder whether you have the same tenacity outside of the classical idiom.
master of the dissonant orquestal clasical !!!
Orchestral my dear, "orchestral"
@@MegaCirse Merci, my dear professeur de gramática.
This music is the BOSS.
I did not know that Bruce Springsteen had dipped in there!
Sublime!! Sublime!!
Très exaltant j'aime bien .
fantastico
powinno byc fantastycznie.Szanowna Pani.
special
Intense "Matrix" concerto!!!! I love this concerto!
MODERNA SENSIBILITA'. SI NASCOLTA VOLENTIERI
59:35 oh my god
CONCERTOS PARA VIOLONCELO DE LA ERA DEL ESPANTO | CELLO CONCERTS FROM AN HIDEOUS ERA Me puedo imaginar a participantes de un rito oscuro amando a esta música como se amaba a Beethoven o Brahms... por momentos me da ganas de maldecir y, en otros, dejarme llevar y decir "qué impresionante". | I can imagine participants of a dark rite loving this music as Beethoven or Brahms were loved ... at times it makes me want to curse and, at others, let myself be carried away and say "how impressive".
18:09 Mr. Doctor made a reference in Devil Doll
Penderecki vs black metal jajajajaj two entirely different things... enjoy both
tbh I listen to a lot of metal stuff also. but a lot of those artists who wear do that whole gothic thing with the facepaint and black leather and spikes outfits and that whole evil attitude are usually nowhere near as evil and violent in their music as guys like these. and they did it all without the looks or satanic lyrics.
RemorfChuket (I know this comment is old) Music is an amazing way to portray emotion, the way that this music is played conveys such murderous and evil intent because that is what it's made for. The composer more than likely made it with great emotion in mind.
I do not understand why there is only the second concerto and not the first one and why there is a concerto for viola.
The third piece is arranged for the cello
Ain't nothin' but a G thang, baybee...
This is a great soundtrack for first world problems 🤣 brilliant !
That's pop music.
14:45
46:20
1:08:20
The Exorcist.
No melody가 음악인가? '소리의 변화'로만 들린다. 아름다움을 찾으라고?
Second concerto is so boring... First one is amazing!