fav song on the album. I'm guessing that sound towards the end of the song is Greg breaking something in the vocal booth. This song sounds very NIN inspired: love it
What a great heavy yet technical song ... love the changes that the song goes through. Definitely see this album needing multiple listens to truly appreciate it all.
Does anyone else feel that Liam has more of a presence on this than bass has previously enjoyed on Dillinger releases? Also, I honestly believe these might be Greg's best and most varied performances so far :)
I've been in serious bands, I'm 37 now, i was on stage since 15 in '92, signed 16, opened for Overkill, Souls at Zero (wrathchild america) the last disc i put out in late '09 is in a movie and in the trailer.... THE POINT IS... is that for me, it's not a fact of DEP getting soft, it's them not being DEP, or doing what they used to do - they stood out like a sore thumb, NOW OR NEVER, NJ HARDCORE SPLIT, UNDER THE RUNNING BOARD, CALCULATING INFINITY and then MISS MACHINE? I mean, bands evolve and it's good or bad, but the point is that they sound like tons of other bands now that were influenced by CALCULATING INFINITY, i mean, after MISS MACHINE which was horrible, they did some okay stuff, but even their new single, no one would be able to tell the difference between any of those albums - Ire Works, Operation Paralysis, One of us is the killer... there's ONE ORIGINAL MEMBER... it's a different band that sounds nothing like prior LINE UP and every album now sounds the same, and plus, their on stage stuff now is ridiculous. Pig Destroyer is a band that evolved in a good.... In my opinion its' like The Deftones changed and never went back to being what they were, but at least you have the line-up, the same vocalist, here you don't even have the poetry and you have a singer/screamer? Go listen to INHALE/EXHALE, THE NUMBER 12 LOOKS LIKE YOU, BRING ME THE HORIZON, ect ect, DEP NOW is influenced by DEP
If i were you, i'd go and buy their orignal stuff - "Now Or Never" and "Under the Running Board" EPs and the album "Calculating Infinity" and you'll see the brilliance in it and the difference, you have to realize, this is a completely different line up and a different vocalist and lyricist in every sense
Robert Earle Stanton You lose all credibility when you state that their albums all sound the same. There's a considerable amount of variance in the songs on this very album sound much less their back catalog. Alternatively, it seems like you want every album to be Calculating Infinity and have lumped all of their albums since into the vague grouping of "Not calculating infinity".
Dekartz I understand things evolve, 1st, i appreciated the first EP "Now or Never" to the original 3 song "Under the Running Board" - right there you have a big difference, and onto "Calculating Infinity" - i saw them prior to the release of that, what I found interesting was the complexity plus Adam Doll would write poetry,not lyricism, and it would be conveyed by a hardcore vocalist in Dimitri. As a huge "Patton" fan even I was upset at the idea of Patton working with DEP at first (because i knew Mike would write lyrics) and was skeptical of someone else doing vocals other than Dimitri - however Adam Doll worked on that album also, and as we learned, Mike Patton can do anything and did an amazing EP with "Irony is a dead scene" which was definitely a highlight... to then hire that hack who can't be Mike Patton and was blowing fireballs in the crowd and i saw him bleeding onstage and the whole act, one original member, they should have changed their name because the next album was friggin' horrible - I really try and like the band, it seems as they were once very unique that they fit in with everything now - with every album, and yes, i listen to every one, there are a couple songs here and there, however they should have changed their friggin' name - one orignal member that plays guitar and what they are has nothing to do with The Dillinger Escape Plan i loved
@@user-vj1pq6uz8m It must be boring to play the same shit every song. They clearly have a wide and varied taste in music. People say you sell out when you change your sound. i think it's precisely the opposite. A band tries to keep a "true", an original, sound to appease their old fans, which often kills authenticity and creativity.. People evolve and mature. And to kill that is the ultimate sell out; just for the fear of losing a fan base and their approval. It takes guts to say "fuck that" and try something else. That is well more rebellious than if they had just kept their same sound to keep their fans happy, and I applaud them for it.
The irony in all this is virtually every band (that hasn't broken up) in their peer group has changed drastically since they were formed: Coalesce, Burnt by the Sun, Cave In, etc. (You could make a case for Converge, I guess.) That original "mathcore/metalcore sound" is dead, though.
Don't get me wrong: I love a lot of Patton's work. But he's had a sizable share of misfires as well, particularly more recently. Not quite the god you make him out to be.
Trey and Patton found DEP, after DEP did NOW OR NEVER and UNDER THE RUNNING BOARD, and I saw them, the REAL DEP open for Mr Bungle in '99, then they put out CALCULATING INFINITY, after Dimitri quit they had no vocalist and Patton did an EP with Adam aboard, after that MISS MACHINE? that album sucked, The others there are spots, like on this, where there are great spots, this album's pretty good
Tell me, what is so bad about Miss Machine? It certainly doesn't lack the aggression of Calculating Infinity. Just listen to shit like Van Damsel and The Perfect Design. They added more vocal diversity into the equation with Miss Machine. Something they clearly lacked on Calculating Inifinity and really brought out on the EP with Mike Patton.
***** such a , for lack of better word "Gay " ending, I like that song, I own every DEP release except for the latest since i have gotten lazy, so yet, i own every one on disc, Goodbye mr brownstone - wait, that's not the line, really though, that's the problem, you, you kids don't get shit and not that tis' wrong but your generation is half... ya know?
I'm 38 years old and this band is blowing me away! Talent unreal!!!
now you are 47 ?
I just could not believe that 5 minutes would pass so fast, are you for real?!
fav song on the album. I'm guessing that sound towards the end of the song is Greg breaking something in the vocal booth. This song sounds very NIN inspired: love it
What a great heavy yet technical song ... love the changes that the song goes through. Definitely see this album needing multiple listens to truly appreciate it all.
as any complex music, to fully grasp it you need to listen it thoroughly few times atleast.
Saw them in Leeds yesterday. Omfg. The best band I've ever seen live and I've been watching bands for 20 years.
Does anyone else feel that Liam has more of a presence on this than bass has previously enjoyed on Dillinger releases? Also, I honestly believe these might be Greg's best and most varied performances so far :)
Best opening 40 seconds of a song for a very long time. My favourite song off the album.
These guys never cease to amaze me!
Amazing band. One of a kind...its not okay.
I like drinking heavily to this song and screaming the lyrics at the top of my lungs.
5 different songs from this album have been stuck in my head, for multiple days each, for the past couple of weeks. This is just the most recent.
Best on the album. Period.
the dillinger are friends with mastodon and sometimes when they are on tour together the singer of mastodon comes out and sings along with greg live!
I love all the upcoming record labels with countless great bands that are continually signed.
3:20
bloody hell. this breakdown actually hurts me.
DEP have made a collaboration EP with Mike Patton in the past. So yes, Mike Patton had something to do with DEP.
By the way, awesome song,as always!
And that ep sucked. Patton's shenanigans ruined it.
Very true peter. Dep are a band that write songs that actually evolve as you listen.
Great band.
This is the best song to walk on moon rocks. Such a incredible group of ppl. Keep doing whatever y'all want!
When people say things like dep have gone soft. You know they have never been in a serious band and know nothing about music.
I've been in serious bands, I'm 37 now, i was on stage since 15 in '92, signed 16, opened for Overkill, Souls at Zero (wrathchild america) the last disc i put out in late '09 is in a movie and in the trailer.... THE POINT IS... is that for me, it's not a fact of DEP getting soft, it's them not being DEP, or doing what they used to do - they stood out like a sore thumb, NOW OR NEVER, NJ HARDCORE SPLIT, UNDER THE RUNNING BOARD, CALCULATING INFINITY and then MISS MACHINE? I mean, bands evolve and it's good or bad, but the point is that they sound like tons of other bands now that were influenced by CALCULATING INFINITY, i mean, after MISS MACHINE which was horrible, they did some okay stuff, but even their new single, no one would be able to tell the difference between any of those albums - Ire Works, Operation Paralysis, One of us is the killer... there's ONE ORIGINAL MEMBER... it's a different band that sounds nothing like prior LINE UP and every album now sounds the same, and plus, their on stage stuff now is ridiculous. Pig Destroyer is a band that evolved in a good.... In my opinion its' like The Deftones changed and never went back to being what they were, but at least you have the line-up, the same vocalist, here you don't even have the poetry and you have a singer/screamer? Go listen to INHALE/EXHALE, THE NUMBER 12 LOOKS LIKE YOU, BRING ME THE HORIZON, ect ect, DEP NOW is influenced by DEP
If i were you, i'd go and buy their orignal stuff - "Now Or Never" and "Under the Running Board" EPs and the album "Calculating Infinity" and you'll see the brilliance in it and the difference, you have to realize, this is a completely different line up and a different vocalist and lyricist in every sense
Robert Earle Stanton You lose all credibility when you state that their albums all sound the same. There's a considerable amount of variance in the songs on this very album sound much less their back catalog.
Alternatively, it seems like you want every album to be Calculating Infinity and have lumped all of their albums since into the vague grouping of "Not calculating infinity".
Dekartz I understand things evolve, 1st, i appreciated the first EP "Now or Never" to the original 3 song "Under the Running Board" - right there you have a big difference, and onto "Calculating Infinity" - i saw them prior to the release of that, what I found interesting was the complexity plus Adam Doll would write poetry,not lyricism, and it would be conveyed by a hardcore vocalist in Dimitri. As a huge "Patton" fan even I was upset at the idea of Patton working with DEP at first (because i knew Mike would write lyrics) and was skeptical of someone else doing vocals other than Dimitri - however Adam Doll worked on that album also, and as we learned, Mike Patton can do anything and did an amazing EP with "Irony is a dead scene" which was definitely a highlight... to then hire that hack who can't be Mike Patton and was blowing fireballs in the crowd and i saw him bleeding onstage and the whole act, one original member, they should have changed their name because the next album was friggin' horrible -
I really try and like the band, it seems as they were once very unique that they fit in with everything now - with every album, and yes, i listen to every one, there are a couple songs here and there, however they should have changed their friggin' name - one orignal member that plays guitar and what they are has nothing to do with The Dillinger Escape Plan i loved
@@user-vj1pq6uz8m It must be boring to play the same shit every song. They clearly have a wide and varied taste in music. People say you sell out when you change your sound. i think it's precisely the opposite. A band tries to keep a "true", an original, sound to appease their old fans, which often kills authenticity and creativity.. People evolve and mature. And to kill that is the ultimate sell out; just for the fear of losing a fan base and their approval. It takes guts to say "fuck that" and try something else. That is well more rebellious than if they had just kept their same sound to keep their fans happy, and I applaud them for it.
They're coming back! ❤
Best dillinger album yet!
I'M SORRY WILSON!!
My name is Voit you dumbass!
Cone The SuperGopnik
...Wilson was a ball wasn't he, best supporting actor rooe in that film with Tom Hanks stranded on an island
;~)
Degas, degas.
This should of ended the album. Greg dropping the microphone and just excessive feedback. So awesome.
I'm so glad I came across this band. So sick!
My favorite fucking song off this album right here!
What a song! The changes on the song are so fucking good =)
DEP goes sludge/doom, I like.
Same. It's songs like this that make me want to make a "The liver deserves it" playlist.
loving it
One of the best songs on the CD
Like all dillinger albums!
Holy fuck! Thank you Corey Rutter for getting me into this band. Super badass!
The beginning of this song is so hype.
All Sumerian needs to do is sign Btbam and Vildhjarta and there won't be a need for another record label.
You predicted one of them!
i swear, this album is like a sequel to irony is a dead scene.
Awesome song, first half reminds reminds me heavily of 'Gently' by slipknot. Anyone else getting that?
1:07 Layne Staley?
Hahhahhha nice 🤙🏻
big up romania
Woah!
Within the ruins
kinda agree
that song gave me a head massage from the inside out
Which one? If you're referring to Brent Hinds, he actually sang on Horse Hunter (back on Ire Works), which sadly doesn't seem to be on yt
good man.
This was definitely NOT what I expected when I clicked a Dillinger link. Holy fuck I am more impressed than when I first heard of Jeff Loomis.
@240 reminds me of Alice In Chains 🤯
im sorry you're so far awaaayyyeeee
💝💝💝💝💝💝💝💝💝💝💝💝
Holy efing shit.
Fucking Crushing.
ARRRRRRGENNNTINNAAAAAAA!!!!
Put a 1.5 speed 🔥🔥🔥
Holy balls, this makes the song 2x better.
same here
The irony in all this is virtually every band (that hasn't broken up) in their peer group has changed drastically since they were formed: Coalesce, Burnt by the Sun, Cave In, etc. (You could make a case for Converge, I guess.) That original "mathcore/metalcore sound" is dead, though.
@Robert Earle Stanton
>"New Dillinger is bad"
>"...listen to Bring Me The Horizon"
Lol okay
lol ok
ouch,...
I'm glad the "beep" is here at 1:34, I thought my CD was fucked.
Holy shit 2:41 sounds just like MASTODON. Dillinger is fucking legit!
Sick and evil... O_O Awesome! \m/
best off OOUITK
title track is awesome but this is some of the best shit Dillinger did since calculating infinity
TDEP. I think it's enough!
fucking great
When are you going to start posting covers again!?
2:42 reminds me of Canana by Behold Bhe Arctopus
Fucking great stuff
3:48
YOU NEVER ... LISTEN !!!
What did Mike Patton have to do with Dillinger Escape Plan? Was he just a big influence of theirs?
lol TDEP is basically Mr Bungle on cocaine. Also Patton recorded an EP with Dillinger
3:29
my god.
TBH i feel as though this new album is the "heaviest" they've been since calculating infinity
RuspurSaysGrrrr !!
;~)
tfw you find a buy one get one free coupon for orange juice.
Reninds me of Neurosis a little bit
Can't be that shit if DEP made a similar song to them.
2:42 is when I closed my porn tabs and that isn't an easy thing to do
...what lmao
They came to Charlotte were was i 😦
wasn't Wilson a ball?
LOL. Click on the Facebook Summer Slaughter link and laugh. :D
holy shit, by 0:51, all the fucking hairs on my body were sticking straight up!
Facebook link to Summer Slaughter page is so very wrong. Lmao
Yeeeeahh 6 comment!! :D
What is it with people watching RUclips and porn at the same time
I hear Tool and Duvall-era Alice in Chains in this. Dillinger are not afraid to let their influences be known!
I just could...
No, not at all.
Don't get me wrong: I love a lot of Patton's work. But he's had a sizable share of misfires as well, particularly more recently. Not quite the god you make him out to be.
Without Mike Patton, there would be no DEP.
Whaaat kind of statement was this?? 8yrs old but still.. Without Dimitri M. There would be no DEP.
@@stevennadeau5256 he probably meant there wouldn’t be any DEP like how we know it today
Trey and Patton found DEP, after DEP did NOW OR NEVER and UNDER THE RUNNING BOARD, and I saw them, the REAL DEP open for Mr Bungle in '99, then they put out CALCULATING INFINITY, after Dimitri quit they had no vocalist and Patton did an EP with Adam aboard, after that MISS MACHINE? that album sucked, The others there are spots, like on this, where there are great spots, this album's pretty good
Tell me, what is so bad about Miss Machine? It certainly doesn't lack the aggression of Calculating Infinity. Just listen to shit like Van Damsel and The Perfect Design. They added more vocal diversity into the equation with Miss Machine. Something they clearly lacked on Calculating Inifinity and really brought out on the EP with Mike Patton.
***** such a , for lack of better word "Gay " ending, I like that song, I own every DEP release except for the latest since i have gotten lazy, so yet, i own every one on disc,
Goodbye mr brownstone - wait, that's not the line, really though, that's the problem, you, you kids don't get shit and not that tis' wrong but your generation is half... ya know?
Sam Coates what i found hilarious is Greg doing Pattons' vocals on those demos, why try?
How to Have the Wrong Opinion 101 with Prof. Robert Stanton.
null father very witty, you're not entitled to one , you have to argue for it
"turn your boat you stow away"