0:23 A Zingai (this little creature) from "Outsider" 0:30 The wheelchair from ambivalent. 0:53 The HItotsume sama eye as in "Nonsense Literature" 1:12 Hitotsume-sama mask, the Baumchuken End zingai mask and all the KuruKuru masks from "Dramaturgy" 1:24 The Rhinosaur from "Outsider" 1:25 (double) The Outsider guy (Maybe mecha eve) that I don't remember the name in the TV 1:25 The puppet of Nonsense Literature watching TV 1:26 Fukuro playing with the ball 1:33 This papers have the Bun-chan ( Nonsense Literature , KuruKuru(Dramaturgy), Pattun(Outsider), Dancer (Last Dance) and someone who's really scratched (i think that's is the Demon Dance Tokyo mc, but i'm not sure) 1:36 Letra de Nonsense Literature e Outsider (baka ni natte chū o matte/ shitara mō kowarete shimaimashita) 2:01 The same move of the zingai from Baumchuken End (1:15 in Baumchuken) 2:40 The Baumkuchen End hand (that is a mouth and legs) 2:47 Hitotsume-sama eye like in Nonsense Literature than he puts his hand like in Dramaturgy 2:58 (From トニー) The same screen of Demon Dance Tokyo (3: 06), but with a zoom out 3:58 Hitotsume-sama hand holding the book also, Tamago, the potato that appears much time in the mv, like 1:32 Boy, this is so full of references (pls tell me if I didn't see some) Thanks to everybody in the comments for the help :D
*LYRICS* Kokoni habikoru matenrou Kimi no tashikana me wo tsundekita Kanaetai mono subete ubaisaratte wa Boku wo nejimageteku Kachikan chigai kirai na aitsu wa Kokkei nante warai atte Jouhin na kotoba nose atte matte asette agaita Sesse chie wo shibotte sesse yoku wo kaite EGO ni ochite yuke Anata wa itta shoumouhinsa Dakedo watashi wa mada kangaeteru wa Itsuka mata kou yatte Odotte yatte kurenai ka Shinki wo matotta shounen shoujo Usa wo harashita YES MAN kanja Daremo nani mono demo nai mono Shinni wo shireba saigo ni naru nara sa Shita ga kawaku made hanasou ze Kyousen wo hatte jibun wo hoshinatta Kyougen wo haite maboroshi ni natta Baka ni natte chuu wo matte Shitara mo kowarete shimaimashita Junsui de toumei na shounen no sa Kanjou ni ma wo sashite yatten no sa Omoidashite omoidashite kangaete wa Tadoritsuki sae mo shinaiya Anata ga itta hontou no i wo Sekai no katasumi de kangaeteru wa Hie kitta uso sae mo Tokashite yatte kureru no nara Kodoku wo shitta sainojin to Asu wo eranda MELANCHOLY kanja Modorenai boku ni sayounara Yubi wo kuwaete naitemo muda dakara Itsukamata Saishu ressha wo matsu wa Anata no kaeri wa nai kedo Koko ni irubeki de wa nai koto Ima subete wo nomikome ya shinai kedo Tooku kara mitara anata shiawase sou ne demo Itakute itakute zenbu shiteru kara Anata wa itta shoumouhinsa Dakedo watashi wa mada kangaeteru wa Itsuka mata kou yatte Odotte yatte kurenai ka Shinki wo matotta shounen shoujo Usa wo harashita YES MAN kanja Daremo nani mono demo nai mono Shinni wo shireba saigo ni naru nara sa Shita ga kawaku made hanasou ze Soshite bokura itsuwa ni natte Ima futashikana emi wo ukabete wa Daremo shiranakatta monogatari wo ima Kimi ni hanasu kara
This is the ending chapter for the story of this boy. He has been in Dramaturgy, Nonsense Literature, and Outsider(maybe Ambivalent as well, seeing the wheelchair at 0:28). In this MV, he learns to let go and move on. He says goodbye to the people and things that have been with him on this journey(he has already said goodbye to Hitotsume-sama(one-eyed man with the tophat)). Because he has moved on, he isn't at the table in How to Eat Life. His place is where Judas is, therefore suggesting that he betrayed Hitotsume-sama somehow, as he sits where Jesus sits(making him a leader of some sort). The boy in this movie moves on from his past but revisits it. This time though he is watching and learning. Now that he knows what he did wrong, what he did right, and how he dealt with all of that, he is ready to share his story with others. This is just a theory/what I pieced together. Interpret what you want to. That is why I love Eve so much. All of his videos tell a story, and you can get many meanings out of just one video. So if you like your theory better, or someone else's, believe that. (Also, comment them. I would LOVE to see what other people are thinking. Thanks for reading, and have a lovely day. EDIT: Came back to vibe to Eve, and saw this. I know it's been a year, but THANK YOU ALL! I LOVE seeing your theories and thank you for relpying!! Love you all EDIT 2: (this is seconds later) another detail that this is the first part, is when the information sheets come up, the MC of this MV has "1" where the numbers are. (1:34)
I love your theory but just one question, if dancer (the guy in this mv) is who belongs at juda's place then where does inochi (inichi no tabekata guy) belongs? Because I've seen other theories wich say that inochi is the one who would have to be in Juda's place
the last line of this song supports this theory, "and so we become anecdotes of our own; now, with an uncertain smile, the stories no one knew about - i'll tell you them right now" suggests that this is indeed the boy and he's ready to tell the story of his life and the secrets he learned about the world he lives in (the one line in the song, "it hurts and hurts because i know everything"). the only thing going against this theory is something you used to support it in the first place, the table in "how to eat life", because sitting there close to hitotsume-sama is pattun, the boy from outsider. i did see someone point out in "how to eat life" that there was a poster advertising the capture and reward of kurukuru, the masked boy from dramaturgy, and some people have theorized he's the judas in this story, because he also seems to be the figure in that place (though as Nico Tine mentioned, people have said that inochi, the mc of how to eat life, is the judas, though with the information i just presented we see that kurukuru is the judas). this comment is getting quite long but if there's anything else you want me to clarify, just hmu :)
If you are listening with headphones of some sort, you might notice two different guitar riffs playing in each ear(left & right). Listening with only one side of your headphones will give you two different songs depending on which side you listen on. Recognizing this detail and then appreciating how they are what makes the song the magnificent piece of art it is, is what I think is the best way to enjoy this song to the fullest.
I love these kind of songs that eve makes... They always have this impression like," this is my world, I can do what ever I want," or "This is our last day, do whatever you want till our last breath" The melody is chaotic, its like its not in order or the style of the song changes overtime, yet it spreads joy at the chorus
that makes some sense; from what I can tell from the MV and what the creators have mentioned, it looks to be the story of a boy and girl in a hospital, both of who love to dance, but are suffering/recovering from conditions that make it hard for them to do so, but who learn to be happy anyways. Even if they won't be able to dance (or even live), they'll take what time they have.
Even after three years, despite all your improvement, Last Dance is still my favourite. There is something visceral about this song, something raw, despite how refined and complex it really is. It's like a glass of clear, cool, spring water, on a hot, summer day.
Eve: LAST DANCE romanji lyrics!! koko ni habikoru matenrou kimi no tashika na me wo tsunde kita kanaeta imo no subete ubaisaratte wa boku wo nejimageteku kachikan chigai kirai na aitsu wa kokkei nante warai atte jouhin na kotoba nose atte matte asette agaita sesse chie wo shibotte sesse yoku wo kaite ego ni ochite yuke anata wa itta shoumouhin sa dakedo watashi wa mada kangaeteru wa itsuka mata kou yatte odotte yatte kurenai ka shinki wo matotta shounen shoujo usa wo harashita iesu man kanja daremo nanimono demo nai mono shini wo shireba saigo ni naru nara sa shita ga kawaku made hanasou ze kyosei wo hatte jibun wo ushinatta kyogen wo haite maboroshi ni natta baka ni natte chuu wo matte shitara mou kowarete shimaimashita junsui de toumei na shounen no sa kanjou ni ma wo sashite yatten no sa omoidashite omoidashite kangaete wa tadoritsuki sae mo shinai ya anata ga itta hontou no i wo sekai no katasumi de kangaeteru wa hie kitta uso sae mo tokashite yatte kureru no nara kodoku wo shitta sainoujin to asu wo eranda merankorii kanja modorenai boku ni sayounara yubi wo kuwaete naitemo muda dakara itsuka mata saishuu ressha wo matsu wa anata no kaeri wa nai kedo koko ni irubeki de wa nai koto ima subete wo nomikome ya shinai kedo tooku kara mitara anata shiawase sou ne demo itakute itakute zenbu shitteru kara anata wa itta shoumouhin sa dakedo watakushi wa mada kangaeteru wa itsuka mata kou yatte odotte yatte kurenai ka shinki wo matotta shounen shoujo usa wo harashita iesu man kanja daremo nanimono demo nai mono shini wo shire ba saigo ni naru nara sa shita ga kawaku made hanasou ze soshite bokura itsuwa ni natte ima futashika na emi wo ukabete wa daremo shiranakatta monogatari wo ima kimi ni hanasu kara ソース・Source: www.lyrical-nonsense.com/lyrics/eve/last-dance/
@@rasheedgonzales6679 Waboku only did Eve's Tokyo Ghetto animation. Mah did this animation but according to this MV's description Waboku helped in making of the MV.
It’s been a long time since Last Dance was released, so I want another look at it now that the Eve-verse has grown bigger. People have already presented a myriad options when it comes to the background for the two main characters, ranging from Mika and the Dancer being dancing partners until either one of them or both suffered an incident to the two of them being patients who met at a hospital in order to treat their respective diseases/lesions, so I’ll focus on the specifics of their relationship as the conflict of the MV while leaving the decision of “what backstory fits them better” to the reader. For starters, there’s no arguing that the song deals to some degree with drug usage, regardless of whether you consider it to be the main theme or the song or not, but something I would like to add to all the theories about Mika-san and the Dancer (a.k.a the woman and the guy you saw in this video) trying to cope with their career-ending injuries through drugs is the possibility that the Dancer was actually on his way to physical recovery throughout the song. First of all, we only see one wheelchair pop up in this MV, and it’s in the same frame as Mika’s first appearance (0:28). Also unlike the Dancer, who is conspicuously barefoot all the time, Mika wears shoes, which is to say that she isn’t standing on her own (this could be a visual metaphor for crutches or similar aid devices). On top of that, despite the fact that both Mika and the Dancer do a great deal of spinning across the MV, many of Mika’s movements focus on her arms instead of her legs (like in 0:28 again or 1:06). We actually see at 0:32 that when the Dancer performs the arm motions as well, it’s directly to imitate what Mika-san does, and it’s right after doing so that we first see his legs collapse before Sensei picks him up. I believe this represents the pressure of having to remain at the hospital in spite of already being healed by his doctor (who manifests as his Zingai, Sensei) because he feels he needs to stay by Mika’s side and continue attending to rehabilitation with her. Sensei can patch him up on the outside so he goes back to his dancing days but he can’t cure the depression that Mika’s worsening condition and the inability to dance with her ever again caused in the Dancer. Now onto the second point, lies are an important concept throughout the song, at 2:10, the Dancer asks Mika “If you would melt even frozen lies for me then”, implying he wants them both to come out clean, however at the same time the lyrics express the contradictory opinion that lies may be for the better in the drop that plays both at the beginning and at the end of Last Dance, “If our lives come to an end when we know the true motives of others then/Let's talk until our tongues go dry”. The above implies that the Dancer and Mika’s current relationship is marked by deception and that they wouldn’t be able to stay together if any of them addressed the elephant in the room, causing the Dancer conflicting feelings because he knows it’s unhealthy but can’t bring himself to bring up the truth first (hence his proposal to just “talk until our tongues go dry” so that they can delay their separation). This begs the question of what exactly is the “frozen lie” that troubles the characters, which brings me back to the point I raised earlier, the Dancer’s recovery. The Dancer, despite being unable to dance just like Mika at the beginning, has benefitted from rehabilitation and could go back to his old career if he wanted to. Yet, the same can’t be said about Mika-san, from 2:51 onwards, the Dancer says he’ll “wait for the last train” but that in Mika’s case she doesn’t “have a way to return though”. That is to say that the Dancer wants to wait until Mika recovers too and become his partner again, despite being aware that it’s never going to happen due to her deteriorating health (we even see her lose her hair to addiction and/or illness at 3:23). However, the Dancer finally decides to leave the hospital, characterized by its patients spinning in place without purpose, and instead takes the plunge by walking on the tightrope while Mika stays behind. The spinning itself isn’t a coincidence either, the circular hand motion that the Dancer does at 1:36 it’s a shared motif across Eve’s works, featuring prominently in Literary Nonsense and being associated in that song with the idea of mindlessly dancing your problems away instead of dealing with them properly, which is exactly what we see Mika and the Dancer do throughout most of the song whenever they spin. Therefore, it’s not surprising that Eve decided to reuse Literary Nonsense ’s “If we became idiots and danced mid-air” line here. Thus, the act of stopping his spinning to move forward, despite the chance of falling from the tightrope, represents the Dancer’s determination to move on with his life no matter the difficulties after realizing that his relationship with Mika turned toxic for both on them. On one hand, “The "consumable goods" you mentioned” and similar indicate that Mika is the one who introduced the Dancer to drugs (and the green he paints on his tongue at 2:14 happens to be the same green paint always covering Mika’s hair), but at the same time the Dancer only made Mika’s situation worse by drugging himself as well, since he only enabled her addiction and worsened his own issues instead of helping her. In the end (3:30), putting aside his feelings of guilt and realizing that even if they said goodbye it was just a matter of waiting “Until we meet again someday”, the Dancer, at last, gives Mika a genuine smile instead of the uncanny one that drugs had previously plastered on his face, before the credits roll and they enjoy their eponymous “Last Dance” together. TL:DR Dancer had to accept that taking the metaphorical and not-so-metaphorical train out of the Hospital didn’t mean being a jerk and that he wasn't simply abandoning Mika out of selfishness. Other details that I couldn’t fit anywhere else; -The eyes on Mika’s shoes and the Dancer’s red nail polish could be a metaphor for how everyone around them only cared about whether they would be able to continue dancing or not, not bothering to look at anything beyond their ‘feet’. -Considering that the hospital rooms are covered with Hitotsume-sama’s eyes as well, to the point that their signature camera pose appears at 2:47 (suspiciously performed by what appears to be the Sensei’s hands, since Hitotsume’s nails are longer/sharper and the Dancer has shorter fingers), one of the other themes of the MV seems to be society’s view on the physically and mentally disabled. To be more specific, it deals with the mistreatment caused by the relentless growth and greed of modern society that only cares about a person's ability to be productive, while ignoring those who can't follow this standard due to their disabilities (At this place are overgrown skyscrapers/ Which have come and taken buds that are certainly yours), leaving all the ill people at the hospital as “yes-man patients” who have no choice but to accept the way society punishes them for their condition. However, a detail that caught my attention is that the lyrics say “With different values,/that guy who I hate,/put on a ridiculous sneer” upon showing one of the hospital's Zingai patients onscreen; Coupled with the fact that the Dancer’s Zingai , a reflection of a person’s other aspects, did the Hitotsume camera pose and that Dramaturgy treats Hitotsume as ‘the judging eye of society’ as per Goffman’s theory of dramaturgy, it’s possible that the Dancer himself dislikes his fellow patient due to what society has told him to believe and that Sensei (the ‘doctor’ who fixes him throughout the song) is the manifestation of his desire to heal and get out of the hospital ASAP. -Sensei, the Zingai in the white hood, isn’t a doctor just because of what he does for the Dancer. In Japanese, doctors are called “Sensei”, so the Dancer’s Zingai might actually be named “Doctor”, depending on what Mah intended. -Judging by the hospital motif, the soundwaves at 2:31 onwards are probably meant to resemble a heart monitor. -As shown in the beginning, the ‘hospital’ building itself is permanently spinning, which makes it shake the whole time. And I really mean THE WHOLE THE TIME, pick any random segment you would think is static at first glance (e.g 1:24) and you’ll notice the sky move through anything transparent, Mah definitely outdid himself with the details. Although in light of what spinning and dancing entail in Eve’s MVs, this most likely means bad news for the hospital… And that was it, congratulations to anyone who decided to read till the end of this! I love Last Dance, so I’m happy I finally got around to writing down all my thoughts on this Music Video, it's still the best Eve song in my opinion.
Honestly, Mah's visuals will never cease to amaze me. And Eve's originality and talent always manage to give me chills. All those references in both the video and lyrics, it's just wonderful.
1:30 to 1:50 you know that song right. Eve MV 1:35 - 1:37 literary nonsense 1:39 - 1:49 out sider At 0:00 i think the town scene from demon dance Tokyo All ref i know: 1:25 ref: Eve MV out sider(look at the TV) 1:26 ref: Eve MV dramaturgy (look at the TV) 1:27 - 1:28 ref: Eve MV literary nonsense (look at the TV) 1:33 ref: first paper= Eve MV literary nonsense Second paper= Eve MV dramaturgy Third paper= Eve MV outsider The other paper was new Character 2:44 - 2:47 ref: Eve MV literary nonsense
I think this video might be about a famous dancer who suffered from an accident and lost the ability to walk, eventually turning to LSD to try and recapture his days of dancing and fame. Towards the beginning at 0:28 we see a wheelchair, along with a masked dancer(May have been his dancing partner). We can also see him on the couch with injured legs, his feet are covered with scratches and bandages throughout the video. We can also see examples of him being famous because there are a lot of scenes where they make the camera hand gesture like they are taking a picture. They also show eyes everywhere, even towards the end when he is standing on the building with eyes all over his feet. I think the eyes on his feet resemble how the whole world had their eyes on him during the time he lost the ability to dance. This scene is also where most of the eyes appear, while the rest of the video they are occasional. I think this could represent how people only paid real attention to his dancing when he was injured. ie. people who get severely injured and cant play an instrument anymore become famous because of pity. I think the masked girl was his dance partner, and that she also took a hit from the sudden attention from the public on his injury, losing her hair due to stress. I think that the sudden loss of his ability to dance and the pity he got from strangers who never knew him drove him to take LSD to try and relive the days he could dance. Ideas are jumbled because im a crap writer, feel free to repost in a way that people can read. edit: Also at 1:34 you see the guy from dramaturgy who was a famous actor( dont know the full story behind that song). They are in a pile like they are famous celebrities who lost fame.
Wow I’m so glad I found about Eve. The first time I watched this MV I really fell in love with it all. With this type of animation and lyrics, I truly believe that every single detail has a meaning. Oh boy, it was really hard trying to make everything connect, but here is my interpretation of the video: The three main characters of this plot are the boy in black, the girl in gray, and the person in white. Like previous interpretations of this story, I think that the boy and the girl are both sick in the hospital, with the references of bloody feet at 0:22, the wheelchair at 0:30, pills at 0:37, and more. As for the person in white shown at 0:46, I think he helps the boy to recover from his illness in order for him to keep dancing with the girl in gray. (You can see that when the boy falls at 0:41, the person in white holds him up and pieces him back together). The boy, while being constantly torn apart both by his physical illness and his mental state, always shows a smile. In the very beginning of the video (0:24), you can see that he gives a warm smile and hugs another person, showing that this boy presumably likes to help other people find happiness. In this way, I think the boy wants to be the mode of support for the girl in gray, although they are both struggling. In the first chorus (1:05-1:11), both characters are hiding their face, which kind of alludes to the themes of Eve’s previous songs (finding who you really are, hiding your true self, etc.). I feel like the lyrics of the chorus: “The young boy and girl wrapped in feelings; the “yes”-man patients who cleared their sorrows; things not belonging to anyone nor nobody” all refer to the main boy and girl. (A yes-man always agrees with their superiors) It shows their lost state of mind, and their lack of sense of belonging. “If our lives come to an end, when we know the true motives of others then. Let’s talk until our tongues go dry” refers to their confusion of their identity, and how other people also hide their true feelings. By talking about everything, they feel as if they can truly understand each other. After 1:30, you can really see the deterioration of the boy. He falls into depression, and he doesn’t think it is worth living anymore; however, after seeing the girl again, he leaves/ ignores all his problems, puts on a smile, and dances with her once more. At 2:01, he moves as if he clears the way for her, like he is trying to find a way for her to dance. He also finds solitude in her, and hopes that he can clear the confusion in his head. At 2:17, “The talented who understand solitude and the melancholic patients who chose tomorrow” contrasts him with the others. He glorifies how he feels (“talented”), and believes that he can’t win his battle against his illness (“until we meet again someday”) “I’ll wait for the last train” refers to his “departure” from this world, and how both the boy and the girl feel like they “shouldn’t even be here”. At 3:10, when the boy says “because I know everything”, he knows all this because of how they talk until their “tongues go dry”. When the girl says “consumable goods” throughout the song, she might be talking about themselves, as they have no place to return to. At the end, when the girl rips out her hair, and both dancers stand on two different sides, I think that represents their new beginning (maybe in death?). For the first time in the video, they are pictured close to each other, and the boy gives a reassuring smile once more to her. There were so many references to others songs in here! At 1:35, one of the papers has the girl from Dramaturgy, and Eve also sings lyrics from Nonsense Bungaku and Outsider. I think this means that somehow, all of those characters are living in the same universe. Also, at the end, a monster (I think it’s hitosume) appears, handing off a book. I think this relates to Nonsense Bungaku somehow. Anyways, this analysis became so much longer than I expected it to be. (Essay skills paying off 💪) I know I didn’t even nearly cover everything in this video. For anyone who read the whole thing, thank you! I congratulate you for reading through an essay of me trying to make sense of the video.
I always assumed that Hitotsume was a manifestation of entropy indicated by how chaotic everything was in his presence. This MV sheds some new light on Hitotsume, turning him from a manifestation of entropy to some sort of story-teller. In Nonsense Literature, we could see him stuff books into the head of the protagonist. Due to this, it was commonly believed that the song was an interpretation of school and the nonsense that was presumably stuffed into our heads. But due to this MV, I think Hitotsume was stuffing stories and anecdotes into the guy's head instead of school-related knowledge. This is further supported by how in the end of this MV, Hitotsume passes down a book towards what I assume to be the protagonist of this MV.
Great analysis! However, I prefer to believe that the protagonist and "female" dancer is the same person, here is the evidence: at 0:21, his feet are worn-out because he wears the dancing shoes that don't fit him ; at 3:15 when the "girl" tear off the hair and shows the similar face with the protagonist, notice that the tip of the protagonist's hair remains grey; they have similar body shape and similar dancing moves. I might be wrong but according to this, I think this song is not about the "illness", it is about the conversation and compromise between the inner self and the persona, the protagonist tries to find the answer to move towards to the future. But I still don't get the meaning of "consumables", does it mean soul or body or life? If you have any idea please tell me.
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
"Last dance" 1M thank you views.
今年もありがとうございました、良いお年を。
To overseas everyone.
Thank you as always. Have a happy New Year!
よろしくお願いいたします
良いお年を✨
E ve 良いお年を！
Eveくん！素敵な曲ありがとうございます！良いお年を！
Good night!!
I'm always watching your vidio
1:30
『虚勢を張って自分を失った 虚言を吐いて幻になった』のとこで履歴書が出たとこめっちゃ共感しました。。今大学4年なのですが就活中で今まさにこんな気持ちです
このMVに入ってる他の曲MVのシーンとかまとめました
0:00デーモンダンストーキョーの始まりと近い
0:20outsiderの小さいアウ
0:46白い人の顔にナンセンス文学とドラマツルギーのシーン
0:53ひとつめさま？この後も何回か出てくる
1:10ひとつめさまの仮面？と沢山の仮面
1:23ここからファンサービス全開
1:33履歴書みたいなのに今までの主人公と生年月日や住所のような欄
そしてナンセンス文学とoutsiderのフレーズ
2:40ドラマツルギーのシーンと目玉
2:55始めと同じ風景にしれっと居る恐竜君
3:56ひとつめさまの手にナンセンス文学の間奏とZINGAIで出てきた本
細かい所はまだわかりません。
たマゴなどのキャラクターはきりがないので入れてません
色が「白黒👉ナンセンス文学」
「青緑👉ドラマツルギー」
「赤と黄色👉outsider」
これにより、この世界の色は「感情を表している」のが分かる(ナンセンスは白黒なので無感情、ドラマツルギーの青緑は悲しみや悲観のマイナス思考、outsiderの赤と黄は勢い等)
全部集まったこの曲はどうかって？知らない
有能すぎ
フル嘔吐 仕事早すぎて驚きを隠す
有名になるからコメしとこ
仕事はやっ
フル嘔吐 2:14 の舌を舐めるところがアウトサイダーでも似たようなところがありますよね！
「だけど私はまだかんがえてるわ」のところがほんとにありえないくらい好き。自分の語彙力じゃ表現出来なくて悔しい
1:39からのメロディアウトサイダーを連想させられるねぇ好き
じゅんちょん
それな
1:35からはナンセンス文学を連想したw
@@うかりチャう MVのダンスもですねw
壊してくれないか ーー＞壊れてしまいました
WS/わたすけ わかり見が深い
1:24
アウトサイダー、ドラマツルギー、ナンセンス文学の順番で背景ながれるの好き
1:25のところだな
俺も
1:32からの書類に今までの歌の人物たち出てくんの大好き
「舌が乾くまで話そうぜ」いい表現だ。
やはりEveさんから天才を感じる。
痺れる
色褪せない神曲
MVの中にドラマツルギーとナンセンス文学とアウトサイダー入ってるのなんかエモい
песня хуйня
練習用です
作詞:Eve
作曲:Eve
0:23 0:23 0:23
0:23 0:23 0:23
ここに蔓延(はびこ)る摩天楼
君の確かな芽を摘んできた
叶えたいもの全て奪い攫っては
僕をねじまげてく
価値観違い 嫌いなあいつは
滑稽(こっけい)なんて嗤(わら)いあって
上品な言葉 乗せあって待って焦って足掻(あが)いた
せっせ知恵を絞って せっせ欲をかいて
エゴに落ちてゆけ
あなたは言った 消耗品さ
だけど私はまだ 考えてるわ
いつかまた こうやって
踊ってやってくれないか
辛気を纏(まと)った少年少女
憂(う)さを晴らした イエスマン患者
誰も何者でもないもの
真意を知れば最期になるならさ
舌が乾くまで話そうぜ
1:29 1:29 1:29
1:29 1:29 1:29
虚勢を張って自分を失った虚言を吐いてまぼろしになった
馬鹿になって宙を舞って
したらもう壊れてしまいました
純粋で透明な少年のさ
感情に魔を差してやってんのさ
思い出して思い出して考えては
辿り着きさえもしないや
あなたが言った 本当の意を
世界の片隅で考えてるわ
冷え切った嘘さえも
溶かしてやってくれるのなら
孤独を知った才能人と
明日を選んだメランコリー患者
戻れない僕にさようなら
指を咥(くわ)えて 泣いても無駄だから
いつかまた
2:50 2:50 2:50
2:50 2:50 2:50
最終列車を待つわ
あなたの帰りはないけど
ここに居るべきではないこと
今全てを飲みこめやしないけど
遠くから見たら あなた幸せそうねでも
痛くて 痛くて 全部知ってるから
あなたは言った 消耗品さ
だけど私はまだ 考えてるわ
いつかまた こうやって
踊ってやってくれないか
辛気を纏(まと)った少年少女
憂(う)さを晴らした イエスマン患者
誰も何者でもないもの
真意を知れば最期になるならさ
舌が乾くまで話そうぜ
そして僕ら逸話(いつわ)になって
今不確かな笑みを浮かべては
誰も知らなかった物語を今
君に話すから
手打ちにつきなにか間違い等ありましたらご指摘お願いします
*真尋* 下じゃなくて舌では？
そーちゃん推しのしょぼん君
ありがとうございます。訂正しました。
有能！
概要欄に歌詞書いてありますよー
0:23の方が最初がちゃんと聞こえるかな？
Eveくんの曲って他のアーティストに似てるとか全くなくて、｢Eveくんしか作れない曲｣って感じがする。中毒性も強いし、いつの間にか覚えて口ずさんじゃうようないい曲ばっかりで大好きです…。
とにかくかっこいい！
2:50からsisterを感じる
確かに似てますねぇ（＾ω＾ ≡ ＾ω＾）sisterぽいかも…
絵は完璧にデーモンダンストーキョー
最終がフェイクっぽい
ボビデバビデンベッデボン
『馬鹿になって 宙を舞って』のとこ
ナンセンス文学のサビやね！
1:35
0:24ここのぎゅってするとこ可愛くてめっちゃすき
神曲だけどラストダンスという題名にくわえ、色々な曲が集まっている。最後のシーンで一つ目様の手ぽっいのから全ての物が詰まった本が人の手にわたされるのがあるからなんかナンセンス文学、ドラマツルギー、アウトサイダーの最終章みたいな感じがあってすこし寂しいな
1:34~ナンセンス文学
1:38~アウトサイダー
1:47~ドラマツルギー
もう神でしかない
Yes yes!!!!
ありがとうございます！！
すごいよね！
最初の東京のイラストや途中の緑色の恐竜とか
デーモンダンストーキョーかな……？
なんとなくな考察……1:33に色々な人の顔写真が載った書類のようなものが落ちてきて、その中に主人公の顔写真が載った書類のようなものもあります。そのあとの1:39から主人公は足が悪いことがわかり、MVの終わりに近づくにつれ主人公の足の血のようなものが広がっていっています。0:30では画面左に車イスが映っています。また、MVの色々な場面で主人公はバレエを踊っており、歌詞で「○○患者」という歌詞が出ると、主人公の目を隠すように邪魔が入っています。この事から、書類のようなものは病院の患者のカルテ、主人公は足に病気を患っており、日に日に悪化していってるのだと思います。「ラストダンス」という題名からも主人公は足の病気でこれ以上バレエを踊ることが出来ないということがわかります。そして、1:12で一つ目様の仮面が落ち、1:24でこれまでの曲のMVの一部が流れています。主人公はバレエを続くことの出来ない無念さから一つ目様(怨念)を生み出し、その後の出来事が今までの曲のMVのことだったのではないのでしょうか。勝手な推測及び長文失礼しました。
この考察すこ
上のふじりんごさんのと組み合わせると、俺の中で凄いことになってる(小並感
合ってるかどうかはさておきコメ欄にある考察で一番すきです
影薄人
人狼うまそう
Charlotte Lee 普通に笑った
曲自体も勿論大好きなんだけど、毎回映像に見入ってしまう...表現の仕方とか全部が綺麗すぎる
わいもそれで最近またハマってる
シリーズ毎に色がどんどん増えてるのがすごい
ナンセンス文学が白黒
ドラマツルギーで白黒＋青
アウトサイダーで白黒青＋赤黄
ラストダンスでフルカラー
ほんとだ、、すげえ
(：・∀・)ฅほんまや
えぇ…気づかなかった……
すご
次は実写？
0:23 A Zingai (this little creature) from "Outsider"
0:30 The wheelchair from ambivalent.
0:53 The HItotsume sama eye as in "Nonsense Literature"
1:12 Hitotsume-sama mask, the Baumchuken End zingai mask and all the KuruKuru masks from "Dramaturgy"
1:24 The Rhinosaur from "Outsider"
1:25 (double) The Outsider guy (Maybe mecha eve) that I don't remember the name in the TV
1:25 The puppet of Nonsense Literature watching TV
1:26 Fukuro playing with the ball
1:33 This papers have the Bun-chan ( Nonsense Literature , KuruKuru(Dramaturgy), Pattun(Outsider), Dancer (Last Dance) and someone who's really scratched (i think that's is the Demon Dance Tokyo mc, but i'm not sure)
1:36 Letra de Nonsense Literature e Outsider (baka ni natte chū o matte/
shitara mō kowarete shimaimashita)
2:01 The same move of the zingai from Baumchuken End (1:15 in Baumchuken)
2:40 The Baumkuchen End hand (that is a mouth and legs)
2:47 Hitotsume-sama eye like in Nonsense Literature than he puts his hand like in Dramaturgy
2:58 (From トニー) The same screen of Demon Dance Tokyo (3: 06), but with a zoom out
3:58 Hitotsume-sama hand holding the book
also, Tamago, the potato that appears much time in the mv, like 1:32
Boy, this is so full of references (pls tell me if I didn't see some)
Thanks to everybody in the comments for the help :D
Same guy
@@adoresukira54 ?
😬
Thanks for the references, I was about to type something like this, so I'm glad someone noticed all these.
Oh me to, I think the scratched one is the mc from Demon Dance Tokyo.
1:09『イエスマン患者』の
パリピっぽい動きすき
わかりみが深い
2:16も同じ動きしてるね
草
(´・д・｀)ﾜｶﾙﾜｧ…
イエスマン患者＝信者？
*LYRICS*
Kokoni habikoru matenrou
Kimi no tashikana me wo tsundekita
Kanaetai mono subete ubaisaratte wa
Boku wo nejimageteku
Kachikan chigai kirai na aitsu wa
Kokkei nante warai atte
Jouhin na kotoba nose atte matte asette agaita
Sesse chie wo shibotte sesse yoku wo kaite
EGO ni ochite yuke
Anata wa itta shoumouhinsa
Dakedo watashi wa mada kangaeteru wa
Itsuka mata kou yatte
Odotte yatte kurenai ka
Shinki wo matotta shounen shoujo
Usa wo harashita YES MAN kanja
Daremo nani mono demo nai mono
Shinni wo shireba saigo ni naru nara sa
Shita ga kawaku made hanasou ze
Kyousen wo hatte jibun wo hoshinatta
Kyougen wo haite maboroshi ni natta
Baka ni natte chuu wo matte
Shitara mo kowarete shimaimashita
Junsui de toumei na shounen no sa
Kanjou ni ma wo sashite yatten no sa
Omoidashite omoidashite kangaete wa
Tadoritsuki sae mo shinaiya
Anata ga itta hontou no i wo
Sekai no katasumi de kangaeteru wa
Hie kitta uso sae mo
Tokashite yatte kureru no nara
Kodoku wo shitta sainojin to
Asu wo eranda MELANCHOLY kanja
Modorenai boku ni sayounara
Yubi wo kuwaete naitemo muda dakara
Itsukamata
Saishu ressha wo matsu wa
Anata no kaeri wa nai kedo
Koko ni irubeki de wa nai koto
Ima subete wo nomikome ya shinai kedo
Tooku kara mitara anata shiawase sou ne demo
Itakute itakute zenbu shiteru kara
Anata wa itta shoumouhinsa
Dakedo watashi wa mada kangaeteru wa
Itsuka mata kou yatte
Odotte yatte kurenai ka
Shinki wo matotta shounen shoujo
Usa wo harashita YES MAN kanja
Daremo nani mono demo nai mono
Shinni wo shireba saigo ni naru nara sa
Shita ga kawaku made hanasou ze
Soshite bokura itsuwa ni natte
Ima futashikana emi wo ukabete wa
Daremo shiranakatta monogatari wo ima
Kimi ni hanasu kara
Thanks for the lyrics :3
I had to search a lot for the lyrics
EveさんのMVは、歌はもちろんアニメーションにも中毒性ある
わかる！！
ALBUM買っても見に来ちゃう三┏( ^o^)┛
Eveさんも世界的に有名に…何だろう、親でもないのに「こんなに有名になって…」って思っちゃう自分がいる…。
いつもどおり素敵な曲でした！MVも躍動感溢れていてカッコ良いです！！
それな
サイヤックス 本当それ。俺はドラマツルギーから見始めたからちょうどEveさんの最高潮の時だった。あの時初回限定版の文化買えば良かったって後悔してる。
そのアイコンいいなー
でもひとつ目様アイコンもいいなー
凄いわかる
2:54にデーモンダンストーキョーの東京タワーがあり、その奥にOutsiderの色をつけた怪獣(？)がいる。しかも、東京タワーの奥の街は、1:54と背景が同じ。
つまり、Eve君が作った街、全体が一つの星にある！
って考えました！
良い曲ですねー！！
可愛いうさぎさん 正確には絵はMahさんで、Eveくんはかいてないんですけどすごく綺麗な街ですよね
1:11ドラマツルギーの仮面。あと、ナンセンス文学の馬鹿になって宙を舞ってがあり、さらにサビ前のリズム(?)がアウトサイダーぽい
1:42からアウトサイダー2:47「その目に映るのは」
これってどんどん曲が出てきたらどんどん凄くなってきそうですね！！🤩
語彙力無くて申し訳ないです
3:25 足のマークのアウトサイダー
アウトサイダーの世界観大好きだからこれ見た瞬間虜になった
イケメンのバレエってなんかこう…
いいよね
このイケメンはEveさんだったりして…
瓜江
もっこりしてると..こう...下品ですけど..その〜..私も..こう..もっこりしてしまいますよね(変態)
@@almost3208 やめれ
とりあえず今回の主人公タイプ
I love Eve.
Who doesn't?
Mo Lo ME TOO
Mo Lo me too
Mo Lo Me too
We*
たまごの可愛いキャラクターほんとすき
途中で他曲の歌詞を混ぜてくるのも最高
K / Shun mkw 見つけた
@@Fukurou-MK8D- よお
1:41 ここからのどろどろパート大好き
「舌が乾くまで話そうぜ」という歌詞に惚れて、Eveさんのファンになるきっかけになった曲
いろんな曲あるけど、やっぱりこれが1番好き
同士よ
同じ
Word sense
Comparto el mismo sentimiento
自分のコメかと思うくらい共感
今回も楽しみ過ぎて7時前からEveさんのチャンネル開いて待機してた同士いますか？www
同士よ…！
同士ですwww
待ってた待ってた
もちのろん！
好き
5回くらい聴くと好きになってくる
MorutonGame 分かる…
Eveくんは遅延が上手いんだよ…トーキョーゲットーもそうだったもん
このコメントを一番上に置いておくことで
Eve初心者がたすかるな
5回以降は無限リピートしてしまう…
スルメ曲やな
この歌でEveさんが引退なんじゃないかって騒いでたのが懐かしい。
ボカロとしては最後だね
（ポケミクやプロセカへの提供を除いたら）
そんなときもあったなぁ
Eveさんの曲は最初は「ん？」ってなるけど聞くにつれて好きになってくスルメみたいな曲なんだよね
まぜ茶 噛めば噛むほどってやつ
まぜ茶 そして最終的には毎日歌ってる
わかりみが深い…
初見は微妙？って思うけどふとした時にまた聴きたくなって聴いてしまう。
この人の曲のメロディーが中毒性あるんだよなぁ…
スルメも慣れれば美味しいもんね(?)
ラストダンスとかアウトサイダー、ナンセンス文学とかのダークな感じが好きすぎる
マジ分かりみ深い…
なんかmahさんのMVの世界観が好きなんだよね♡
わかるぅ
分かりみが深すぎる
ナンセンス文学、ドラマツルギー、アウトサイダー、ラストダンス
この4つの曲は世界線が同じ説
1:33くらいのナンセンス文学とかアウトサイダー入ってるとこ好きすぎてやばすぎる
Rouaろうあ
その後すぐの
（壊れてしまいました）
もドラマツルギーのサビ前に
似ている気がします
歌詞も似てるところがあってもう、、、、 やばい
わかる
今までのあわさった感じするよね
たまんないですよねー
平成最後だからこそ全て詰め合わせたのかもしれない
5年前の曲なのに今作られたって言われても納得いくくらい神曲なのスゴすぎ
não
てかそもそもなに人やねんw
流行りがEveに追いついた
曲も好きだけど、「ラストダンス」っていう曲名も狂おしいほど好き
今思いついたわ
聴いてください
ラストヘアー
2:00の主人公がカッコよすぎる
@@あいうえお-t8k8v ？
あいうえお ?
？？？？？
何となく分かるわ……いやふつーにかっこええ
はなにんにくに見えた
DJ社長○やん
曲の所々に
「ナンセンス文学」
「ドラマツルギー」
「アウトサイダー」
っぽい所があって今までのストーリーの集大成（エンディング？）的な感じなのかなと思った
何にしろEveくん神です。Eveくんを知れて良かった。ありがとう生きる。
ラストダンスなんだから集大成かもね
ナンセンス文学ぽさは分からなかった...
@@buraishin
1:35
@@buraishin
1:27
@@-mg6458
おお...！ほんまや...！
Eveくんがいる時代に生まれてよかった。
それな×2019
それな×令和
それな×Eve
ニックネーム 一回しかねーやん
それ。この時代天才多すぎてエグい
ライブのエンディングにラストダンスを選ぶEveくんのセンスは半端じゃないと思う
海外のコメントばっか有るから[日本のEveさん]じゃなくて、[世界のEve さん]な感じが有るから嬉しい。
何か不意にスゴく聞きたくなるんだよな…
風縫 わかる！
一年前に聴きに来て、めっちゃ聞きまくって、少し離れて数ヶ月後にまた戻ってきての繰り返し…
風縫 (´・д・｀)ﾜｶﾙﾜｧ…
’’最終列車を待つわ あなたの帰りはないけど’’
ここのフレーズ寂しいけどすごく好き
分かる
こんにちは 私はカナダ人なので英語は話せますが日本語を勉強しています 私は良いですか?
@@marie-francescaenoh4264 良いんじゃね(知らんけど)
言葉選びがいい
トガちゃん？
0:45あたりからサビにかけてのベースライン良すぎる
「舌が乾くまで話そうぜ」ってなんか凄い好き
初めて聴いた時「舌が乾くまで話そうぜ」の「ぜ」で音が下がるんやろな〜って思ったら一定！？みたいで感動した。
そっからずっと好き
半音くらい上がってる気する
This is the ending chapter for the story of this boy. He has been in Dramaturgy, Nonsense Literature, and Outsider(maybe Ambivalent as well, seeing the wheelchair at 0:28). In this MV, he learns to let go and move on. He says goodbye to the people and things that have been with him on this journey(he has already said goodbye to Hitotsume-sama(one-eyed man with the tophat)). Because he has moved on, he isn't at the table in How to Eat Life. His place is where Judas is, therefore suggesting that he betrayed Hitotsume-sama somehow, as he sits where Jesus sits(making him a leader of some sort).
The boy in this movie moves on from his past but revisits it. This time though he is watching and learning. Now that he knows what he did wrong, what he did right, and how he dealt with all of that, he is ready to share his story with others.
This is just a theory/what I pieced together. Interpret what you want to. That is why I love Eve so much. All of his videos tell a story, and you can get many meanings out of just one video. So if you like your theory better, or someone else's, believe that. (Also, comment them. I would LOVE to see what other people are thinking.
Thanks for reading, and have a lovely day.
EDIT: Came back to vibe to Eve, and saw this. I know it's been a year, but THANK YOU ALL! I LOVE seeing your theories and thank you for relpying!! Love you all
EDIT 2: (this is seconds later) another detail that this is the first part, is when the information sheets come up, the MC of this MV has "1" where the numbers are. (1:34)
I love your theory but just one question, if dancer (the guy in this mv) is who belongs at juda's place then where does inochi (inichi no tabekata guy) belongs? Because I've seen other theories wich say that inochi is the one who would have to be in Juda's place
wise words, ps1 hagrid
the last line of this song supports this theory, "and so we become anecdotes of our own; now, with an uncertain smile, the stories no one knew about - i'll tell you them right now" suggests that this is indeed the boy and he's ready to tell the story of his life and the secrets he learned about the world he lives in (the one line in the song, "it hurts and hurts because i know everything"). the only thing going against this theory is something you used to support it in the first place, the table in "how to eat life", because sitting there close to hitotsume-sama is pattun, the boy from outsider. i did see someone point out in "how to eat life" that there was a poster advertising the capture and reward of kurukuru, the masked boy from dramaturgy, and some people have theorized he's the judas in this story, because he also seems to be the figure in that place (though as Nico Tine mentioned, people have said that inochi, the mc of how to eat life, is the judas, though with the information i just presented we see that kurukuru is the judas). this comment is getting quite long but if there's anything else you want me to clarify, just hmu :)
Thank you for sharing your wisdom with us today ps1 Hagrid.
Wat is judas
このイントロに心を奪われた
ほら、また好きになってしまった
これ以上神曲作らないで！！！
嘘ですバンバン神曲作ってもっと好きにならせてください！！！
Just before I gotta go to school we get a new song!! Yayyyy
落ち着け、ツンデレになるのもわかるよ
めっちゃ関係ないけど中学校の頃腐ったみかんって後輩に呼ばれてたの思い出した
@@こんちゃ-n1b すげぇ関係無いけど最近腐ったの思い出した
↑殴っていいよ！
@@夢だるま兄 あ、遠慮なくﾔﾗｾﾃｲﾀﾀﾞｷﾏｽ。
廻廻奇譚からEveくんのこと知ったのですが、ものすんごいスピードで沼に飲み込まれていく…Eveくんの中毒性のある声と、かっこいい曲と文学的な歌詞と世界観知ったらもう逃げられない。さらに喋ってる時とのギャップも知ってしまったのでもう無理です、いい意味で
私もです✌
どんな曲が出てもやっぱりこの曲は他に負けない揺るがない魅力があるよな…
If you are listening with headphones of some sort, you might notice two different guitar riffs playing in each ear(left & right). Listening with only one side of your headphones will give you two different songs depending on which side you listen on. Recognizing this detail and then appreciating how they are what makes the song the magnificent piece of art it is, is what I think is the best way to enjoy this song to the fullest.
RIP people who are deaf in one ear.
my mind just fills in the other riff because i've heard it for the past four years
my left isnt very good so i literally cant tell lol
I'm not sure they meant for two songs to be available, this is just what good mixing is.
Only realised this after buying new earbuds that arent broken on one side XD
あなたは言った⤴︎ 消耗品さ⤵︎
のアップダウン好き
0:530:530:530:530:530:530:53
0:530:530:530:530:530:530:53
0:530:530:530:530:530:530:53
0:530:530:530:530:530:530:53
0:530:530:530:530:530:530:53
Eveさんの曲は6度楽しめる
1，Eveさんの声を聴く
2，mahさんの映像を観る
3，コメント欄を見ながら聴く
（ここらへんで中毒）
4，歌詞をよく聴く
5，考察しながら聴く
6，考察を頭に入れながら聴く
つまり最高の曲ということが言いたいだけ（）
いや無限に楽しめる
7, 踊り始める
8, 傘を回し始める
9，歌う
10，歌いながら踊る
11、絵を描きながら歌う
12歌いながら宙を舞う
舌が乾くまで話そうぜのところめちゃくちゃ好き
めっちゃわかる
めちゃくちゃわかる
マジそれな
あいすのみ わからなくなさすぎる
特にくのところが好き♡
6周年！めでてえ！
これからも聴き続けます。
もうすぐクリスマス Eve ですね
上手いw
やるやんw
今日よん
元々eveは祝日の前日みたいな意味があるらしいですよ。
上手い！
やばい､今頃だけどEveさんのどの曲も中毒性というか､独創的というか､唯一無二の音楽で、、、飽きる気配が無いw
心臓を捧げよ
過去の曲を入れてくるあたりやはり神だった
正樹 でも過去の歌知ってれば知ってるほど歌うの難しいよね。これ絶対難しいよね。
出てくるキャラがかわいい
描写が細すぎて
クオリティーたかすぎ
ほんとやばいっす
それな
ただただため息がでる
2:50 ここ好き
I love these kind of songs that eve makes...
They always have this impression like," this is my world, I can do what ever I want," or "This is our last day, do whatever you want till our last breath"
The melody is chaotic, its like its not in order or the style of the song changes overtime, yet it spreads joy at the chorus
Yeh
It’s really upbeat and stuff but also has that message that you can relate to. That’s why I love Eve so much
何言ってるか分かんないけど多分いい事言ってるんだろうなぁ笑
He's songs are really catchy
that makes some sense; from what I can tell from the MV and what the creators have mentioned, it looks to be the story of a boy and girl in a hospital, both of who love to dance, but are suffering/recovering from conditions that make it hard for them to do so, but who learn to be happy anyways. Even if they won't be able to dance (or even live), they'll take what time they have.
This song never gets boring. The guitars are holy, there is no other option
Agreeded, like *agreeded*
Agreeded too
Agreeded too
agreedest
Agreed too
「馬鹿になって宙を舞って」って聞こえた瞬間、ナンセンス文学好きな曲だからなんか鳥肌立った笑
指をぐるぐる回すところも同じですね！
ジブリ映画の隠しキャラ感ある（）
それな！
あ、確かに笑
こーゆー自分コピーは大好き
Even after three years, despite all your improvement, Last Dance is still my favourite. There is something visceral about this song, something raw, despite how refined and complex it really is.
It's like a glass of clear, cool, spring water, on a hot, summer day.
Fully agree man
I agree with u
SAME SAME SAME… last dance is my all time favorite e ve song
o34u3282424234asdfwer234rsdf234sdf234sdfrt345gefsddfrfefgdfgrecgdcvxcvsdg4y54rtgdfgertertasdfgadfgsdfasdfasdfasdfasdfdasdget4qt3241 do you agree
so true
今までの曲の総まとめみたいな曲なのかな？ナンセンス文学とか今までの曲のリズムと同じ所があるのがいいね！！！！
izuki 0327 馬鹿になって宙を舞ってとか好きな歌でてきた時めちゃ痺れる
(全部好きだけどw)
Eve: LAST DANCE romanji lyrics!!
koko ni habikoru matenrou
kimi no tashika na me wo tsunde kita
kanaeta imo no subete ubaisaratte wa
boku wo nejimageteku
kachikan chigai kirai na aitsu wa
kokkei nante warai atte
jouhin na kotoba nose atte matte asette agaita
sesse chie wo shibotte sesse yoku wo kaite
ego ni ochite yuke
anata wa itta shoumouhin sa
dakedo watashi wa mada kangaeteru wa
itsuka mata kou yatte
odotte yatte kurenai ka
shinki wo matotta shounen shoujo
usa wo harashita iesu man kanja
daremo nanimono demo nai mono
shini wo shireba saigo ni naru nara sa
shita ga kawaku made hanasou ze
kyosei wo hatte jibun wo ushinatta
kyogen wo haite maboroshi ni natta
baka ni natte chuu wo matte
shitara mou kowarete shimaimashita
junsui de toumei na shounen no sa
kanjou ni ma wo sashite yatten no sa
omoidashite omoidashite kangaete wa
tadoritsuki sae mo shinai ya
anata ga itta hontou no i wo
sekai no katasumi de kangaeteru wa
hie kitta uso sae mo
tokashite yatte kureru no nara
kodoku wo shitta sainoujin to
asu wo eranda merankorii kanja
modorenai boku ni sayounara
yubi wo kuwaete naitemo muda dakara
itsuka mata
saishuu ressha wo matsu wa
anata no kaeri wa nai kedo
koko ni irubeki de wa nai koto
ima subete wo nomikome ya shinai kedo
tooku kara mitara anata shiawase sou ne demo
itakute itakute zenbu shitteru kara
anata wa itta shoumouhin sa
dakedo watakushi wa mada kangaeteru wa
itsuka mata kou yatte
odotte yatte kurenai ka
shinki wo matotta shounen shoujo
usa wo harashita iesu man kanja
daremo nanimono demo nai mono
shini wo shire ba saigo ni naru nara sa
shita ga kawaku made hanasou ze
soshite bokura itsuwa ni natte
ima futashika na emi wo ukabete wa
daremo shiranakatta monogatari wo ima
kimi ni hanasu kara
ソース・Source: www.lyrical-nonsense.com/lyrics/eve/last-dance/
Sq uat thank you!!
marianna no problem!! :>
You’re the GOAT
今20歳なんだけど今の中高生からしたらEve君が俺らのカゲプロみたいな感じなんだろうな
このダークオシャレな感じが
1ヶ月前のコメに返信ってのもなんやけど、凄いしっくりきた…
カゲプロには衝撃を受けた（当時小5）
その中高生はカゲプロがわからない(世間知らずだから？)
バズーカすき焼き 世間知らずではなく時代でしょ
バズーカすき焼き わいの周りのヤツら結構カゲプロ知ってるよ（高一）
3:35の笑顔好き
また神曲ですか！最高です
イントロとかサビとか歌詞もまた良いですね！
「馬鹿になって宙を舞って」とか
こういう風に入ってるの良き
アルバムほしい～
I dont understand how eve mv's are getting better and better when they are allready the best
'
lowkeyxd gaming obviously because its by Waboku
Idk this song and ambivalent didn t inspire me that much , i like more tokyo ghetto
@@rasheedgonzales6679 Waboku only did Eve's Tokyo Ghetto animation. Mah did this animation but according to this MV's description Waboku helped in making of the MV.
300 like's... just wow this comunity is awsome i want to thank u all for makeing my day better together with eve :)
Waboku colored this if I remember correctly
It’s been a long time since Last Dance was released, so I want another look at it now that the Eve-verse has grown bigger.
People have already presented a myriad options when it comes to the background for the two main characters, ranging from Mika and the Dancer being dancing partners until either one of them or both suffered an incident to the two of them being patients who met at a hospital in order to treat their respective diseases/lesions, so I’ll focus on the specifics of their relationship as the conflict of the MV while leaving the decision of “what backstory fits them better” to the reader.
For starters, there’s no arguing that the song deals to some degree with drug usage, regardless of whether you consider it to be the main theme or the song or not, but something I would like to add to all the theories about Mika-san and the Dancer (a.k.a the woman and the guy you saw in this video) trying to cope with their career-ending injuries through drugs is the possibility that the Dancer was actually on his way to physical recovery throughout the song.
First of all, we only see one wheelchair pop up in this MV, and it’s in the same frame as Mika’s first appearance (0:28). Also unlike the Dancer, who is conspicuously barefoot all the time, Mika wears shoes, which is to say that she isn’t standing on her own (this could be a visual metaphor for crutches or similar aid devices).
On top of that, despite the fact that both Mika and the Dancer do a great deal of spinning across the MV, many of Mika’s movements focus on her arms instead of her legs (like in 0:28 again or 1:06). We actually see at 0:32 that when the Dancer performs the arm motions as well, it’s directly to imitate what Mika-san does, and it’s right after doing so that we first see his legs collapse before Sensei picks him up.
I believe this represents the pressure of having to remain at the hospital in spite of already being healed by his doctor (who manifests as his Zingai, Sensei) because he feels he needs to stay by Mika’s side and continue attending to rehabilitation with her. Sensei can patch him up on the outside so he goes back to his dancing days but he can’t cure the depression that Mika’s worsening condition and the inability to dance with her ever again caused in the Dancer.
Now onto the second point, lies are an important concept throughout the song, at 2:10, the Dancer asks Mika “If you would melt even frozen lies for me then”, implying he wants them both to come out clean, however at the same time the lyrics express the contradictory opinion that lies may be for the better in the drop that plays both at the beginning and at the end of Last Dance, “If our lives come to an end when we know the true motives of others then/Let's talk until our tongues go dry”.
The above implies that the Dancer and Mika’s current relationship is marked by deception and that they wouldn’t be able to stay together if any of them addressed the elephant in the room, causing the Dancer conflicting feelings because he knows it’s unhealthy but can’t bring himself to bring up the truth first (hence his proposal to just “talk until our tongues go dry” so that they can delay their separation).
This begs the question of what exactly is the “frozen lie” that troubles the characters, which brings me back to the point I raised earlier, the Dancer’s recovery.
The Dancer, despite being unable to dance just like Mika at the beginning, has benefitted from rehabilitation and could go back to his old career if he wanted to. Yet, the same can’t be said about Mika-san, from 2:51 onwards, the Dancer says he’ll “wait for the last train” but that in Mika’s case she doesn’t “have a way to return though”.
That is to say that the Dancer wants to wait until Mika recovers too and become his partner again, despite being aware that it’s never going to happen due to her deteriorating health (we even see her lose her hair to addiction and/or illness at 3:23). However, the Dancer finally decides to leave the hospital, characterized by its patients spinning in place without purpose, and instead takes the plunge by walking on the tightrope while Mika stays behind.
The spinning itself isn’t a coincidence either, the circular hand motion that the Dancer does at 1:36 it’s a shared motif across Eve’s works, featuring prominently in Literary Nonsense and being associated in that song with the idea of mindlessly dancing your problems away instead of dealing with them properly, which is exactly what we see Mika and the Dancer do throughout most of the song whenever they spin. Therefore, it’s not surprising that Eve decided to reuse Literary Nonsense ’s “If we became idiots and danced mid-air” line here.
Thus, the act of stopping his spinning to move forward, despite the chance of falling from the tightrope, represents the Dancer’s determination to move on with his life no matter the difficulties after realizing that his relationship with Mika turned toxic for both on them. On one hand, “The "consumable goods" you mentioned” and similar indicate that Mika is the one who introduced the Dancer to drugs (and the green he paints on his tongue at 2:14 happens to be the same green paint always covering Mika’s hair), but at the same time the Dancer only made Mika’s situation worse by drugging himself as well, since he only enabled her addiction and worsened his own issues instead of helping her.
In the end (3:30), putting aside his feelings of guilt and realizing that even if they said goodbye it was just a matter of waiting “Until we meet again someday”, the Dancer, at last, gives Mika a genuine smile instead of the uncanny one that drugs had previously plastered on his face, before the credits roll and they enjoy their eponymous “Last Dance” together.
TL:DR Dancer had to accept that taking the metaphorical and not-so-metaphorical train out of the Hospital didn’t mean being a jerk and that he wasn't simply abandoning Mika out of selfishness.
Other details that I couldn’t fit anywhere else;
-The eyes on Mika’s shoes and the Dancer’s red nail polish could be a metaphor for how everyone around them only cared about whether they would be able to continue dancing or not, not bothering to look at anything beyond their ‘feet’.
-Considering that the hospital rooms are covered with Hitotsume-sama’s eyes as well, to the point that their signature camera pose appears at 2:47 (suspiciously performed by what appears to be the Sensei’s hands, since Hitotsume’s nails are longer/sharper and the Dancer has shorter fingers), one of the other themes of the MV seems to be society’s view on the physically and mentally disabled. To be more specific, it deals with the mistreatment caused by the relentless growth and greed of modern society that only cares about a person's ability to be productive, while ignoring those who can't follow this standard due to their disabilities (At this place are overgrown skyscrapers/ Which have come and taken buds that are certainly yours), leaving all the ill people at the hospital as “yes-man patients” who have no choice but to accept the way society punishes them for their condition. However, a detail that caught my attention is that the lyrics say “With different values,/that guy who I hate,/put on a ridiculous sneer” upon showing one of the hospital's Zingai patients onscreen; Coupled with the fact that the Dancer’s Zingai , a reflection of a person’s other aspects, did the Hitotsume camera pose and that Dramaturgy treats Hitotsume as ‘the judging eye of society’ as per Goffman’s theory of dramaturgy, it’s possible that the Dancer himself dislikes his fellow patient due to what society has told him to believe and that Sensei (the ‘doctor’ who fixes him throughout the song) is the manifestation of his desire to heal and get out of the hospital ASAP.
-Sensei, the Zingai in the white hood, isn’t a doctor just because of what he does for the Dancer. In Japanese, doctors are called “Sensei”, so the Dancer’s Zingai might actually be named “Doctor”, depending on what Mah intended.
-Judging by the hospital motif, the soundwaves at 2:31 onwards are probably meant to resemble a heart monitor.
-As shown in the beginning, the ‘hospital’ building itself is permanently spinning, which makes it shake the whole time. And I really mean THE WHOLE THE TIME, pick any random segment you would think is static at first glance (e.g 1:24) and you’ll notice the sky move through anything transparent, Mah definitely outdid himself with the details.
Although in light of what spinning and dancing entail in Eve’s MVs, this most likely means bad news for the hospital…
And that was it, congratulations to anyone who decided to read till the end of this! I love Last Dance, so I’m happy I finally got around to writing down all my thoughts on this Music Video, it's still the best Eve song in my opinion.
i love u for this, thank you ( ⚈̥̥̥̥̥́⌢⚈̥̥̥̥̥̀)💕
@@sandycheeks9126 You're welcome (＾◡＾)
I loved reading ALL of your comment. (◍ • ᴗ • ◍) ❤
ayo how u only have 4 likes
You should have more like
個人的に
ラストダンス
アウトサイダー
ナンセンス文学
が神曲すぎて毎日聴いてる
ラストダンスのmusic Videoの中にその歌のMUSIC VIDEOが映ってるシーンがあるよ！見つけられるかな？
何故ここで？
ラストダンスのコメせんの？
私はトルコ人ですが、いつも Eve の言葉を聞いていて、彼女の言葉が大好きです。
@@asunaarc808 Eveさんは男性ですm(_ _)m
@@matubokkuri_mania
はっww
ついにフルカラー
ナンセンス文学が白黒
ドラマツルギーに緑
アウトサイダーに黄色と赤
すごい、このコメ見てなかったら気づかなかった
CRAIN REOS 普通に天才
フルカラーはある種デーモンダンストーキョー？
@@liaftfrsd7805 それ
デーモンダンストーキョーはフルカラーですよね
あと、トーキョーゲットー？
それ、たぶん色は自我の目覚めを表してるんじゃないかな。
ナンセンス文学は何も考えていない有象無象の話。ドラマツルギーとアウトサイダーは目覚める最中の葛藤。そして、この曲は目覚めた故の諦観。
Honestly, Mah's visuals will never cease to amaze me. And Eve's originality and talent always manage to give me chills. All those references in both the video and lyrics, it's just wonderful.
butt
Agree!!👍👍👍👍🙌🙌🎉🎉🎉🎊🎊
1:30 to 1:50 you know that song right.
Eve MV
1:35 - 1:37 literary nonsense
1:39 - 1:49 out sider
At 0:00 i think the town scene from demon dance Tokyo
All ref i know:
1:25 ref: Eve MV out sider(look at the TV)
1:26 ref: Eve MV dramaturgy (look at the TV)
1:27 - 1:28 ref: Eve MV literary nonsense (look at the TV)
1:33 ref:
first paper= Eve MV literary nonsense
Second paper= Eve MV dramaturgy
Third paper= Eve MV outsider
The other paper was new Character
2:44 - 2:47 ref: Eve MV literary nonsense
kalam I don’t 🙁 what is it?
The parts from nonsense bungaku but the visuals look like demon dance tokyo
Eve MV
1:35 - 1:37 literary nonsense
1:39 - 1:49 out sider
Thanks !!!
Sorry 😅
毎日1回や2回は必ず見てるけどやっぱり2:51分から好きだわ
I think this video might be about a famous dancer who suffered from an accident and lost the ability to walk, eventually turning to LSD to try and recapture his days of dancing and fame.
Towards the beginning at 0:28 we see a wheelchair, along with a masked dancer(May have been his dancing partner). We can also see him on the couch with injured legs, his feet are covered with scratches and bandages throughout the video.
We can also see examples of him being famous because there are a lot of scenes where they make the camera hand gesture like they are taking a picture. They also show eyes everywhere, even towards the end when he is standing on the building with eyes all over his feet.
I think the eyes on his feet resemble how the whole world had their eyes on him during the time he lost the ability to dance. This scene is also where most of the eyes appear, while the rest of the video they are occasional. I think this could represent how people only paid real attention to his dancing when he was injured.
ie. people who get severely injured and cant play an instrument anymore become famous because of pity.
I think the masked girl was his dance partner, and that she also took a hit from the sudden attention from the public on his injury, losing her hair due to stress.
I think that the sudden loss of his ability to dance and the pity he got from strangers who never knew him drove him to take LSD to try and relive the days he could dance.
Ideas are jumbled because im a crap writer, feel free to repost in a way that people can read.
edit: Also at 1:34 you see the guy from dramaturgy who was a famous actor( dont know the full story behind that song). They are in a pile like they are famous celebrities who lost fame.
GENIOUS-
Bro just vibe with it
Holy fuck....I'm amazed
also at 1:34 it shows the guy from outsider
Why is this comment so underrated. I'm gonna ss this and post it as my story if you don't mind
癒されたい自分用
2:09 2:09 2:09 2:09 2:09 2:09 2:09
2:09 2:09 2:09 2:09 2:09 2:09 2:09
2:09 2:09 2:09 2:09 2:09 2:09 2:09
たマゴですね！
かわい。
さるでは？
0:26
えぇーじゃがいもじゃないのぉ～？
さる ですね、！
踊ってるの癒し以外の何もでもない
1:35の紙がナンセンス文学ドラマツルギーアウトサイダーの順でめっちゃ感動した(語彙力は死滅しました)
1:33
カルテに写されてることから、今までのpvの人たちはなにかの被験体なのかなって思ってる。
(ドラマツルギー参照)
この小さな箱から出らんない
収用されている施設を表してる？
んで、ナンセンス文学のアニメーション。
あの人はその施設から脱出した人と考えてる。
でも、施設での薬物等の投与の結果、副作用であんな感じの化け物(？）が周りにいるような状態の幻覚を見ているのかな？
アウトサイダーは、あの人は施設のドクター、もしくは施設の人間だと考えてる。
その薬を誤って(もしくはわざとに)自分に投与して、精神が不安定になって、訳もわからず自分の改造(？）をしたのかな？
まぁ、中学2年生のバカみたいな考察だけどね。
早哉508
いい考察だ。俺よりも脳が豊かだぞ(しみじみ)
だとしたら4枚目、4曲目のはずのゲットーの子はなんで塗りつぶされているんだろうか
早哉508 結構抽象的な意味だと思ってた。そういう考え方もあるんですね。
6周年おめでとうございます🎉
あれ？ラストダンスの背景の街…
デーモンダンストーキョーの夜景じゃねーか？
もしそうだったら感動する…
てか今までのMVに出た人達が登場するの良いよね👍
Eveさんって世界線が繋がってるのがいいですよね。他の曲にもドラマツルギーの人とかナンセンス文学の出てきているので
だんごやま
Mahさんの遊び心凄い好き()
歌詞も今までのEveさんの曲の中に出て来てるのがでてますよね!
今までの名曲たちが輝いて
何もかもが完結した感
毎回思う。
この一見雑なようで丁寧な絵いっぱいちゅき
これがあじがあっていいんだよね～
深いよね～( ´ ᵕ ` )
3:36の憑き物が落ちたようなやさしそうな顔好き
アウトサイダーのナンセンスなドラマツルギーにラストダンスを…
なんとなく言いたいことはわかる
1:09イエスマン患者のとこの動きヤバいやろ、クッソ好き1:09
いか メランコリー患者のとこもよき◎
@@なむなむ-u2e よきよきよき、尊いな？？
それななななななななな
わかるるるるるる
わかりみがカリブ海
ドラマツルギー、ナンセンス文学、アウトサイダー、ラストダンスつながりがあるきがする
目玉関係かな
いやもう最初からかっこよすぎる
んね
最初聞いた時「あ、きたわ」って
直感で分かった
これはまさか繋がっている...？！？
と思わせてくれるPVも曲調もストーリーも
お声も全部好きです
ゆめ ナンセンス文学
キチガイパワーコード あとアウトサイダーも少し？
松抹茶チャンネル 1:41とかちょっと似てる
1:33から今までの主人公？映ってますよ…！
最高のクリスマスプレゼントをありがとうございます！
曲もそうだけど、映像の進化に戸惑っている！！！！
MVに出てくる男の子と女の子と一つ目様3人のセリフが混ざり合って歌になってる感じがする。好き。
This song is indirectly announcing for us not to alter drug.
Yet this song functions as a drug.
It made me addicted.
www
I Giorno Giovanna have a dream
@@mylespacillas7886 g-giorno?
Korega, Requiem... Da
“Say no to drugs” -Giorno, probably.
Wow I’m so glad I found about Eve. The first time I watched this MV I really fell in love with it all. With this type of animation and lyrics, I truly believe that every single detail has a meaning. Oh boy, it was really hard trying to make everything connect, but here is my interpretation of the video:
The three main characters of this plot are the boy in black, the girl in gray, and the person in white. Like previous interpretations of this story, I think that the boy and the girl are both sick in the hospital, with the references of bloody feet at 0:22, the wheelchair at 0:30, pills at 0:37, and more. As for the person in white shown at 0:46, I think he helps the boy to recover from his illness in order for him to keep dancing with the girl in gray. (You can see that when the boy falls at 0:41, the person in white holds him up and pieces him back together). The boy, while being constantly torn apart both by his physical illness and his mental state, always shows a smile. In the very beginning of the video (0:24), you can see that he gives a warm smile and hugs another person, showing that this boy presumably likes to help other people find happiness. In this way, I think the boy wants to be the mode of support for the girl in gray, although they are both struggling. In the first chorus (1:05-1:11), both characters are hiding their face, which kind of alludes to the themes of Eve’s previous songs (finding who you really are, hiding your true self, etc.). I feel like the lyrics of the chorus: “The young boy and girl wrapped in feelings; the “yes”-man patients who cleared their sorrows; things not belonging to anyone nor nobody” all refer to the main boy and girl. (A yes-man always agrees with their superiors) It shows their lost state of mind, and their lack of sense of belonging. “If our lives come to an end, when we know the true motives of others then. Let’s talk until our tongues go dry” refers to their confusion of their identity, and how other people also hide their true feelings. By talking about everything, they feel as if they can truly understand each other. After 1:30, you can really see the deterioration of the boy. He falls into depression, and he doesn’t think it is worth living anymore; however, after seeing the girl again, he leaves/ ignores all his problems, puts on a smile, and dances with her once more. At 2:01, he moves as if he clears the way for her, like he is trying to find a way for her to dance. He also finds solitude in her, and hopes that he can clear the confusion in his head. At 2:17, “The talented who understand solitude and the melancholic patients who chose tomorrow” contrasts him with the others. He glorifies how he feels (“talented”), and believes that he can’t win his battle against his illness (“until we meet again someday”) “I’ll wait for the last train” refers to his “departure” from this world, and how both the boy and the girl feel like they “shouldn’t even be here”. At 3:10, when the boy says “because I know everything”, he knows all this because of how they talk until their “tongues go dry”. When the girl says “consumable goods” throughout the song, she might be talking about themselves, as they have no place to return to. At the end, when the girl rips out her hair, and both dancers stand on two different sides, I think that represents their new beginning (maybe in death?). For the first time in the video, they are pictured close to each other, and the boy gives a reassuring smile once more to her.
There were so many references to others songs in here! At 1:35, one of the papers has the girl from Dramaturgy, and Eve also sings lyrics from Nonsense Bungaku and Outsider. I think this means that somehow, all of those characters are living in the same universe. Also, at the end, a monster (I think it’s hitosume) appears, handing off a book. I think this relates to Nonsense Bungaku somehow.
Anyways, this analysis became so much longer than I expected it to be. (Essay skills paying off 💪) I know I didn’t even nearly cover everything in this video. For anyone who read the whole thing, thank you! I congratulate you for reading through an essay of me trying to make sense of the video.
I always assumed that Hitotsume was a manifestation of entropy indicated by how chaotic everything was in his presence. This MV sheds some new light on Hitotsume, turning him from a manifestation of entropy to some sort of story-teller. In Nonsense Literature, we could see him stuff books into the head of the protagonist. Due to this, it was commonly believed that the song was an interpretation of school and the nonsense that was presumably stuffed into our heads. But due to this MV, I think Hitotsume was stuffing stories and anecdotes into the guy's head instead of school-related knowledge. This is further supported by how in the end of this MV, Hitotsume passes down a book towards what I assume to be the protagonist of this MV.
Great analysis! However, I prefer to believe that the protagonist and "female" dancer is the same person, here is the evidence: at 0:21, his feet are worn-out because he wears the dancing shoes that don't fit him ; at 3:15 when the "girl" tear off the hair and shows the similar face with the protagonist, notice that the tip of the protagonist's hair remains grey; they have similar body shape and similar dancing moves.
I might be wrong but according to this, I think this song is not about the "illness", it is about the conversation and compromise between the inner self and the persona, the protagonist tries to find the answer to move towards to the future. But I still don't get the meaning of "consumables", does it mean soul or body or life? If you have any idea please tell me.
あーなるほどね…はいはい
これたぶん考察してんだろうけどわからんw
Underrated comment, glad I found this again (I've already liked/upvoted this comment back then, but suddenly my acc got somewhat hacked).
この歌聞いていつも受験勉強の疲れ取りに来てる。
疲れぶっ飛ぶよね👍
受験勉強お疲れさまです。
頑張ってね(^-^)
ナンセンス文学のコメント欄で、Eveさんが「踊りにきました」と言っていたので、これがEveさんの最後のダンスなんだなって思いました
天才かよ。
何!?まだ出して欲しいんだがなぁ,,,
私も同じ推測です…
@一ノ瀬いろは この曲の名前はラストダンス
ナンセンス文学の方でEveさんが踊りに来ましたってコメントをしているから、この曲がEveさんの最後のダンス(曲)かもしれないっていう考察じゃないですか？
曲の終わりで本を閉じてるところとか、いかにも「最後」って感じですねぇ。
その本を誰に渡したんだろう？
I got chills hearing lyrics from 'Outsider' and 'Nonsense Literature'.
Also appearances and refs to the other music videos and songs, loved that.
I DONT suppose you know where I can buy the album. Iv tried amazon but it only seems to be sold in the native country. Do they have a site?
30 millions guyss.. Letss gooo
MEE TOO, IT GIVESS ME THE CHILLSS
確かに〜
30 millions guyss
「舌が乾くまで話そうぜ」のとこの音程めちゃくちゃ好きなんだけど、同じ人居ない？
KIMA わかります！
3:34
🙋👍
めっちゃわかる！！
はいはい！
隣で寄り添ってくれるような世界観と歌詞と雰囲気と曲調が本当に好き
「舌が乾くまで話そうぜ」という歌詞が大好き
なんでこんなにEveの曲って外れないの？
それはですねぇ…なんでだ？
それはですねぇ…Eveだからだ(適当
似てるから
天才だから