* You don't need more gear or genius mixing skills * Make your arrangement dynamic * Don't put too many sounds in the same frequency range * Make room for your vocals * Layer your main sound
Ok everyone, I wish i could write all the supporting evidence I have to say this but no one is going to read anything that would take that long. So here's the finishline. After 20 years I feel sure this is the secret "thing" no one can put their finger on, a person can ignore it, as many people do, but if anyone explores it and gets weird with it, it will change their life and they'll begin to get the best recordings of their life. I'll try to keep it short so bear in mind this concept isn't little and I didn't just pull it out of my butt one day. This is indirectly related to recording but nothing else will improve recordings more so I'm going to go there: It relates to everything in this video but I want to connect some dots. The obvious thing is emotion. The number of videos that talk about making music and don't say a single word about emotion should disturb us. Everyone knows that music is connected to emotion. Everyone knows performing music is better when it comes from a place of emotion. I'm sure that if you are in your emotions, that are connected to the song you're making, you'll even pick better samples. The reason we love the voice and spend so much time with the vocal track is that it's the sound source with the shortest distance (by far) for emotions to travel to where they can escape the body with an entire language of emotions to express. Here's the reason it's the obvious and the most hidden thing at the same time: No one seems to realize emotion is a skill. We can practice music for years and never practice emotion, so we can write this insane guitar part that no one can get into and we don't understand why. We can connect with our instrument but not with our heart so we don't understand why someone who is half is talented is twice as well-liked. People wrinkle their noses when you try to talk about emotional development like they run you out of town if you keep it up with your sappy frilly feely talkin'. We don't generally think about how becoming more emotionally intelligent can improve our music. We may believe the vulnerability and shame that may come from exploring emotions will derail us. We can think of a perfect take as powerful and perfect, that "I can't get too emotional, I have to think about everything like my breath control, staying in the pocket, listening to the click, staying in key perfectly, etc." We think and think and think and forget to feel. You can practice and sound emotional and it may sound good but, you're replicating emotion you heard instead of having it. I'll say this until I'm in the ground: any literature that helps you understand, process, emotions will help you make better music. Books that focus on emotional literacy will send your songwriting to the moon. Words will pour out like you're possessed. When you analyze music through the lens of emotion instead of skill you'll finally understand things you didn't before and it will hit you in waves and waves of "holy shit that's why I like _____ even though _____." We like things we connect with emotionally. If you like that off-key note or that missed guitar chord it's because that "mistake" had a context that gave it a noticeable feeling, and you connected with that feeling. Top Tip: if you like something that seems like many might define as a mistake in a song: analyze how it was delivered in context, why it struck you, what kind of emotion happened, and don't forget the answers. Write them down. When you like a mistake of your own find out why, and refine it. This is one way to build a signature style. The only thing skill is for is to emote better. To have more techniques to describe emotions in more detail. If you're understanding of how you feel is limited, it doesn't matter how good you are at the instrument: you have the tools to support the fine details that you don't know how to locate. That's like having a billion dollars worth of digging equipment and no map of where to dig. Bad approach: "I am going to illustrate the idea that I once had an emotion with my voice" Good music: "I'm going to let an emotion out with my voice." Arrangements and performance follow emotion as well. Good arrangements are more emotional. Good takes are more emotional. Expressing the emotion as much as possible is the only thing that really matters for recording your songs. When I love a song it's because of how it feels to listen to. If they are expressing emotion successfully it doesn't matter how talented they are or how good the recording is. I'd rather listen to an ok singer get big emotions out and be out of tune than a showcase of perfect control. Remember that too: 100% control: no emotions 100% emotion: no control you want to have enough control to get through it but ride that line of losing control. Chase that line down. The more you do it the closer to your emotions you will get because the more you will learn to go deeper into emotion while keeping control. It is a muscle to exercise and a skill to master. If you find a way to growing in your emotional connection and ability to control enough, to feel even more when you perform - you'll never find a skill to work on that improves your music more. This is super long and I left out tons of info that probably answers a lot of criticism and skepticism but this is basically what has felt like the key to all things music for me and probably always will. To close this all out, consider this: If you achieved just the bare minimum of skill in writing, playing, performing, and recording, then just went hard getting your feelings out better than anyone for the rest of your life - there is no comparison to how much better your material will be than if you did the opposite. You literally won't be able to get your feelings out better than anyone without all the skills flowing alongside. You'll learn because you need it. you need to get what's inside of you into the air, and skills will always climb with you to achieve that. You''ll write a lyric and say "that's not it and I MUST FIND IT!" instead of, "sure that works. next line." Emotions, on the other hand, will never follow your skills. You'll never learn all your modes then look up and way, "oh wow I finally understand all my feelings when that thing happened 3 years ago!"
This is a good a read. Worth mentioning as well, once you play with emotions and the emotional delivery and writing of a song/track, the more you do it the more you'll find yourself flowing into a flow state. It's a beautiful state to be in.
yessss music is feeling before it is sound, its self expression!!! Music Theory is not self expression its just math and science. You gotta be able to tell stories through music or else its pointless. Theres no rules to art, its all really just opinion at the end of the day. You cant prove a song sounds "good or bad" or that something sounds "better or worse " than something else, cuz its all just opinion
As soon as you mentioned the "if only I had better gear" (toolbox fallacy), that ad with the producer saying "if I had this when I was 20 I would have been a millionare". An interesting coincidence.
@@urm9.m no such thing as *random* coincidence. If you break the word down and define it literally, events co-incide all the time, but not without reason.
I like your style of just giving genuinely good advice without a million jump cuts and without trying to be endlessly quirky and funny... refreshing. Thank you sir!
@@chrisstout8451 your best tool is your ears. Start your mixes quiet and slowly increase everything til it balances out. A bad mix is the most common issue.
I like that your first point was basically “not knowing enough music theory”. Voicing and development is essential and even studying some basic theory will be a game changer for people without a more traditional music education
One thing I really want to be more mindful of is playing midi instruments on the keyboard instead of drawing midi or dragging midi chords from folders etc. If you're just starting out and wondering why your stuff is missing that feeling (ie: sounds like a fisher price toy) this is the answer in a lot of cases. I got a new piano vst today and just dragged chords in and I was pissed cause it didn't sound magical. But once I actually played the keyboard with my hands, it sounded great. Velocity dynamics and human errors are what give music life. Humanizing instruments has been the most impactful thing I've learned to implement, bar none. This comes naturally when your productions are based on recording physical instruments, but if you're just getting started with a DAW and MIDI, this is one of the first things you need to know.
Amen to that. Just told a friend who used to quantize everything that. It took time before I discovered what difference the timing makes. Its not just about emulating a real musician.. It's about the groove and the feel. I don't see YT producers talk enough about this.
@@skippyzkIf you manipulate timing and velocity there is no difference. You can use your mouse if you know how you want it to groove, but it's easier to find that by playing the keyboard.
@@skippyzk Sure! Me too. My point wasn't that playing is the only way, but there is just no way to 100% replicate the feel of actually playing the instrument. And the tedious hours you spend trying to make your midi perfectly imperfect could be better spent learning and recording the instrument. Not to mention it is way harder to feel connected to your music and flow with it when you have to interrupt the momentum of creativity to make those velocity/delay tweaks etc. Again, there is a time and place for both methods, but my personal experience has been constantly leading me towards caring more and more about human connection to the music. And recording imperfect passes of keys, guitars, drums, etc. is the best way I've found to feel that level of connection. ymmv
actually one of the best videos about real music production on RUclips songwriting, sounds/performances, arrangement, vocals = 99% of the job listeners will cope with a bad mix they won't cope with a bad song or a bad performance
"The most important thing is musicianship." Preach brother.. I'm fairly new to producing but have 30 years of studying saxophone and, before that, drums. I've been amazed at the amount of people who say they are serious about producing but have no interest in learning about the craft of being a musician. Pro tip: If you are serious about making music, music theory and musicianship is not optional!
So true!! I’ve been teaching myself music theory and especially key signature and the circle of fifth and I believe it makes my time way easier getting into production with an understanding of key signature, harmonies, etc !
I agree 100% with everything stated. However, I want to add that very often, our own ears decieve ourselves. After working and mixing the same track for 4 hours, you can't even differentiate what sounds good and what doesn't. I like to rest my projects for a few days, work on something else, and then come back at it with fresh ears. Most of the time, I can then objectively listen to my track and identify problems, because I have less emotional attachement to it.
I appreciate the fact that there are so many of you out there that just want to actually HELP home producers. That's amazing all on it's own. Thank you for helping people, so that the possibility of more good music can exist more prevalently.
Some more tips to remember: If you put shit in, shit will come out... Less is always more. In order to break the rules you have to know them first... Mute tracks instead of solo (to find the problem) Hope this helps
I really appreciate your honest, imperfect presentation. Your passion and way of explaining is perfect. The only vid Ive seen on the subject where you never even showed a screen shot of a DAW. You didnt need to. I feel like I learned more in this vid than the last 20 I have listened to. Hope that all makes sense. Thanks!
On point! People fall for gear and plugins and all sorts of marketing trickery when a lot of times 80% of the "sounding good" can be achieved with good songwriting/arrangement. Everything else in my opinion is seasoning. All those effects, vsts and technique will only work if you have a good arrangement.
Why doesn't this man have so much more credit. This deserves so much more attention thank you so much sir this is really the BEST channel I've come across and I've only been watching you for a day this channel is just a must have to produce music in a great way thank you so much. Best part about it is it's free. Great tips thank you so much
Panning all the instruments across is essential. Even doubling a guitar track and panning it left and right, and slightly have them off time will create a powerful stereo sound. EQ, compression should be used as needed, and a peak limiter is also important.
Just a note. This does work, but it's 100x better to record two separate guitar tracks. Doubling the same track and adding delay is an amateur hack and is very obvious. (I'm not insulting - I'm all for amateur hacks!! :-) )
@@JonValtandtheEvilRobots I agree, two takes is better for almost all scenarios. When I said "even," I meant, even doubling a single into stereo is better than having a mono track in the middle. I'd say that's 100x better. It has it's place in the tool box, I doubled a single guitar track into stereo for an acoustic guitar/vocal soloist, worked very well.
@@CollaborationNation You're certainly right, and I have definitely used this hack myself. Just writing this for anyone who is earlier in their journey. It's a great tip, but once you track 2 guitar tracks, it's like omg level, not even the same thing at all, as you know! :-)
Guys, you know that most people listen on their big JBL *mono* speaker, or even i usually use my phone speaker? It has to be mono-compatible. Don't make it all about panoramics.
Thank you! I’ve been doing this for 30+ years and new “Producers” laugh and give me crap when I try to teach them the exact same thing. I’m glad you made this video. For being such a young man, you really have a massive understanding In arranging and sound which most of us know are the basis of production. Thank you so much for this and I wish you continued success in all you do. 😊🙏🤘
This is actually some really great, refreshing advice. I think people tend to forget that production is just about smoothing off sharp corners rather than completely rebuilding the source material, and if you take the latter approach of COURSE you’re going to make it a complete nightmare for yourself. If you start with well-recorded material that’s naturally well-separated because it’s sensibly arranged you’re just adding polish, and production becomes so much more rewarding and pleasant. Over the course of producing my own music, I’ve found that by FAR the greatest thing more than anything else by a huge margin that’s improved my mixes is just making sure what’s underneath all the plugins doesn’t sound like shit in the first place.
I totally agree with what you said about arrangement. Too many "producers" nowadays pay no attention to the arrangement through the song. It's always just making a sick beat and looping 4 chords over and over again. My thing is that you can have a very simple chord progression to begin with but try to add variations to it. Even just using inversions or adding a 7th or 9th to chords would make it sound richer. But because DAWs are so powerful these days a lot of "home producers" never spend the time on music theory. They just learn the basic progressions and put no thought into it. Asking them to write a good harmony would be too much. For some reason in modern pop music people don't care about harmonies/melodies anymore. It's always just the beat. A song with a good arrangement never gets old because of the many different elements you can hear in it.
I always find that thickening sounds by doubling parts with different instruments or soft synths is a great way to fill out your stereo image. Mixing isn't the answer to making a song great. It should sound amazing before hand, mixing is the polish!!
Also might not work for what you want but iZotope has a vst that is a vocal doubler. Which I've used a few times to save me some time in re-recording. I usually only use it on the 2nd layer take of vocals. www.izotope.com/en/products/vocal-doubler.html
This is great and very true stuff. Having done a bunch of song recordings with various bands, it is very clear to be that we, and I, never understood what arrangement and composition really is. We could write songs, but then we jumped from essentially songwriting, via tracking, straight to mixing! No figuring out the dynamic flow, and often drowning out vocals with fat guitars or synths in the wrong octave. :-) Great stuff - I just subscribed
Spot on. As with anything involving generating something from nothing, success comes at the beginning. With software, the design is key. No code should be written until the application is designed. Same is true in architecture and construction. As it is also with the development of tools, carpets, clothing, cars, planes, anything. You have to put in the work up front to ensure the output is sound. Music is no different. You must be able to play your instrument or sing, first and foremost. Then, you capture that sound as pristinely as possible; your part has to fit within the greater whole for any moment in time, and you have to have a map of that time passage from 0 to end. Nothing says you can't tweak as you go or that the output has to resemble the input (though you need to have intended it that way from the start), but there's no way to fix a crappy performance or recording with hardware or software. Really appreciate your insights. You seem really young to be a pro, but you know your stuff (watched your vid of pro with GarageBand vs. begginer with Logic - awesome). I am a hack at home as a hobbyist and have been frustrated time and again, and it's always the case that the better sounding tracks were better conceived with thought put into the sum of the parts up front. Also nothing replaces practice, rehearsal, and experience.
This is fantastic! Yeah all of this is really goood. And I appreciate that. I've been kinda raised doing this. Started writing at 10yr/old and producing at 14. So been doing it for a long time and basically eat, sleep, drink this stuff
@3:15 - he's so right. I'm a computer geek, so I (like many others) thought I could VST and Plugin (ie. SPEND) my way into something that sounded good. Turns out it's not the mix, it's not the interface, it's not the mic. It's the natural sound of the room and the arrangement.
Just discovered Nathan's videos. I have been recording for over 30 years and his advice is spot on. All of it !! Especially his directions on arrangement, performance and quality of source. Great performances and arrangements mix themselves...and that is a fact! I will be looking forward to reviewing all your videos! Thanks!
One thing I learned about mixing is when I loaded Ocean Eyes in logic and disabled everything in mixer the song still sounded fine. Of course effects are big part of it, but arrangement is what makes it.
This is a very good list for a check on yourself for every production. We can all get lost in the weeds sometimes. It's the curse of creative excitement
First be pro level sesion player 5 versiopns on your the guy i new 5 versions off the arangment i ON GUITAR n the BLINK OFF AN EYE he was Scottish no 1 new who he was Except ........ ATB Great Q
Personally I feel like variations within the production, since it’s a creative thing, that it takes time to get right. I used to do EDM tracks that were 6 minutes long but really boring cause it was so repetitive. Over time I started to get structure and variation because I listened to lots of music and tried replicating the structure. When it comes to the variation, I’ve always been a fan of things like melodic bridges which are little melodic elements that help transition between one section and another
Highly appreciate your knowledge on production and the way you convey it! It helps us immensely!🎼💯 Also, some points in your video gave me a boost that I already emphasize on the arrangement part haha. Thanks to your trustworthy guidance!
bro im literally sitting here arguing in my head with what ur saying cuz its so hard to hear but ur right lol. i forget that not everyone gets excited by the beat and i dont leave space for them vocals. good shit! ur videos have been very helpful so far dawg
Shameless plug for Nathan's course: I've been a musician for 20+ years and Nathan is an absolutely incredible teacher. His Producer Accelerator course is a must buy for anyone looking to speed up their learning process. ***Note: I'm not making a cut from this shout out, I'm just a very satisfied student.**
Classic advice Nathan, thanks. This is by far one of the best takes on music anywhere. You can watch all the gear vids you want, but this is of the utmost. "Garbage in, garbage out". My new goal is now -6 instead of -3db. I hated the sound of my voice until I heard that Hendrix did also. Now I let 'er rip! Respect, fam.
Great video, Nathan! The "no space left for the vocals" problem is a big one. What I currently do is I try to record good scratch vocals and I almost never mute it when building the arrangements and selecting sounds, because it doesn't make sense to have them work well on their own: they need to support the vocals. This thought process helps a lot with mixing as well because you already start the mixing process with vocals having the right space.
Yep! Love that approach. I do the same and I actually usually start adding harmonies in pretty early even if it's gonna be redone just to get a really good sense of the production
I agree with you totally! Though there are times that when I complete the arrangement, i make sure that the arrangement can still stand on its own without the vocals 😁
i'm in my 3rd year on electronic music production and still feel my mixdowns arnt 100%, in the music i make (DnB) were taught to have sections such as build ups, drops and breaks so i feel like not everyones problem is structure in itself. rate your vids highly
I have being doing this for a good many years and you are read right about the dynamic arrangement. I am accurately aware of it and sort of dread it when it comes to doing it. What I try to strive for is an arrangement that doesn’t sound linear, which results in flat, but more random and three dimensional. To do this I think you have to avoid the standard even bar structure, 16 change 32 change 64change.
The most important info in this video is what you take up in the end. Your gear and your capacity with the mix is just the last part of making good music. Putting the energi on the melody and the lyrics is a very fine time investment! 😇
just discovering this channel as i surf youtube trying pick up as many tips as i can for my first ever cover i’m recording, wanting to eventually do some of my own music but learning Logic and production skills, I subbed and can’t wait to watch more videos and learn.
I get tired of hearing youtubers ramble on all these things to do right before they get into the video like, "please like subscribe turn on bell notifications so you wont miss any blah blah blah" but you ask so kindly to subscribe so for getting right into your video, I subscribed. you bring a lot of value to an audience that is the future of music. Thank you for you content bro!
another important thing, to stay consistent u need to rest properly, dont overwork yourself. stop for 10 min even sometimes and come back witha fresh feel
Gang choir! I did a track years ago with a "drunken gang" choir. I took my lead vox and duplicated it like six times. Then I screwed around with their pitch a little and a slight nudge of the clip back or forward in the arranger. Good times!
I know this is my second time commenting on your videos but I'm just so blown away!! I can't believe I didn't find you earlier omg, I just wanna know where your millions of subs are man
Man your the best instructor I've ever seen that help and encourage young Music producers like me. Can't wait to save some money and sign in to your "Producer accelerate program"...... God bless you Nath❤️
I'm agree with him 100%. My major problem is sometimes about there's no vocal part left to put into some of my songs. Because so much things going on tracks. My formula is creating the idea first (raw without any DAW) then interpret them into your production. Then BOOM!
A thing that helped me with my anguish about how I sound was simply thinking "oh well, of course this song i heard in itunes sound better than mine, i have a home studio not a sweeden mixing room with 3 audio engineers to place my mics and set my amps and other 5 professional producers surrounding me to help." when i putted that up in my mind i started to get way more satisfied with how i sound. all tho its not how i want to sound yet. Other thing is to get inspired by other home studio owners and not the big audio engineers and huge artists that have access to them, aim lower.
I’m not that good but I can give some advice on introducing new elements like he speaks about at 3:40. It doesn’t need to be a new melody or harmony or any change at all just add a new instrument but the trick is automate the volume down on the instrument that has already been playing a lot. Your brain can still hear it clearly in the mix then lower the next one and so on. I forgot what the effect is called but essentially Cos the listener knows the sound you can lower it’s volume in a mix and still perceive the sound as clear. It also works if you’ve only played a sound for few bars. Problem is as producers we listen to the same bars over and over again so your better of deciding with fresh ears with one listen through as a new listener. So leave a track for a few days and work on another.
Thank you for letting me know that I am at least on the right track. I have more interest in the creative side. The technical side is fun but some things work so well you need little fixing! That’s how I’m trying to approach this. I’m getting some pretty decent feedback. Bless you, Nathan.
New subscriber here. I'm also a new user of Logic Pro X, and your videos have been a big help in understanding and getting the most out of this new environment. I've always been fairly unhappy with my final tracks, so in addition to a new DAW that is leaps and bounds better than what I was using before, you're providing some really good insight here from a production standpoint. Your expertise is much appreciated!
There are plenty of genres where the vocal is not the main element, I’d dare to say. But overall, the recommendation to leave enough room for it is pretty good.
I started making music in mobile, in the beginning I always focused more on production, melodies, chords stuff like that but later on I started to see more important on mixing and learn more technical side ..tbh it's destroying creative side of production, it's important but still if the main idea is not good no matter if CLA mix your track with fancy studio it won't matter. Anyway, great video mate!
Thats why I never mix while creating. Have sounds you like "ready to go" and then don't think about the mix, you can fix that later.. focus on capturing the vibe you're going for.
This is very true, Sometimes I barely have to mix if I am picking great sounds, It stays under my desired mixing frequency and I’m like Oh Shit! It’s Mixed Great Already! 😄
1) Better dynamics (make your songs more interesting and not boring, a wave, a story) 2) Less focus on mixing, problems usually lie in other spectrum (but mixing is still important) 3) Arrangement is not well developed. Overloading frequincies (typical is in the low mids) 4) We need more uniqueness. Percussions/drums are the best for that. 5) Great source (how you capture things) + performance 6) Vocal production. It needs space. Dont be afraid to take things out if they get in the way. 7) You need layers of vocal (double, tripple, pitching, octave up, octave down). That's common standard now. Vocal is tge main thing if you dont have vocal production you are not in the game. None of that has to do anything with gear or mixing.
Great stuff. The equipment thing is just crazy. Everyone should watch get back documentary on the Beatles. It's very long and I sat and did a few things on phone while it played looking up and listening and it was so obvious the total lack of gear and equipment taped microphones kids playing at their feet the way ideas came together. Everyone should watch that. Arrangement as you said I'm trying to learn it and thanks for emphasizing it here cause in the back of my mind I really wondered. I'm focusing on that craft now thanks again
Just subscribed after watching your bussing video. I appreciate you man. Thank you for ACTUALLY explaining things. There are lots of these tutorial videos but most of them are monkey see monkey do vs your actual explanations. Not everyone's a teacher but you do a great job. Thank you.
Thanks for the tips!!! Because people learn differently, visual aide in your DAW would have been super helpful, since your are talking about production.
Great topic and very nice switch up from the usual how to save your mix tutorials! I have always stressed with Artists that mixing starts during the writing process‼️‼️‼️
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* You don't need more gear or genius mixing skills
* Make your arrangement dynamic
* Don't put too many sounds in the same frequency range
* Make room for your vocals
* Layer your main sound
You just saved a lot of people 15 minutes of useless RUclips watching
@@virtualchorus1289 I wouldn't call it useless--the list is more of a supplement to the video 😉
Thanks, skimmed through before downvoting and tried to figure out what the key learnings are or if there are any.
Thanks 👑
Put simply!
How one sounds pro? Experience. How do you get experience? Make amateur level mistakes. ...
Repetition is the father of learning
Yh ...u are right..
I remember Seamless R saying something like"you gotta make ALOT alot alot of projects/ crap before you can get to where you want to be!
@@Sulcrit Thats what i experience with my music as well, wise words. Quantity before quality
This is so true and also soak up every useful information you can gather and apply it.
my prods sound amateur because im an amateur.
infinite iq
Same
Well said fellow amateur
Same lol, plus, I’m only using GarageBand...
Me too.
Ok everyone,
I wish i could write all the supporting evidence I have to say this but no one is going to read anything that would take that long. So here's the finishline. After 20 years I feel sure this is the secret "thing" no one can put their finger on, a person can ignore it, as many people do, but if anyone explores it and gets weird with it, it will change their life and they'll begin to get the best recordings of their life. I'll try to keep it short so bear in mind this concept isn't little and I didn't just pull it out of my butt one day. This is indirectly related to recording but nothing else will improve recordings more so I'm going to go there:
It relates to everything in this video but I want to connect some dots. The obvious thing is emotion. The number of videos that talk about making music and don't say a single word about emotion should disturb us. Everyone knows that music is connected to emotion. Everyone knows performing music is better when it comes from a place of emotion. I'm sure that if you are in your emotions, that are connected to the song you're making, you'll even pick better samples. The reason we love the voice and spend so much time with the vocal track is that it's the sound source with the shortest distance (by far) for emotions to travel to where they can escape the body with an entire language of emotions to express.
Here's the reason it's the obvious and the most hidden thing at the same time: No one seems to realize emotion is a skill.
We can practice music for years and never practice emotion, so we can write this insane guitar part that no one can get into and we don't understand why. We can connect with our instrument but not with our heart so we don't understand why someone who is half is talented is twice as well-liked. People wrinkle their noses when you try to talk about emotional development like they run you out of town if you keep it up with your sappy frilly feely talkin'.
We don't generally think about how becoming more emotionally intelligent can improve our music. We may believe the vulnerability and shame that may come from exploring emotions will derail us. We can think of a perfect take as powerful and perfect, that "I can't get too emotional, I have to think about everything like my breath control, staying in the pocket, listening to the click, staying in key perfectly, etc." We think and think and think and forget to feel. You can practice and sound emotional and it may sound good but, you're replicating emotion you heard instead of having it. I'll say this until I'm in the ground: any literature that helps you understand, process, emotions will help you make better music. Books that focus on emotional literacy will send your songwriting to the moon. Words will pour out like you're possessed. When you analyze music through the lens of emotion instead of skill you'll finally understand things you didn't before and it will hit you in waves and waves of "holy shit that's why I like _____ even though _____." We like things we connect with emotionally. If you like that off-key note or that missed guitar chord it's because that "mistake" had a context that gave it a noticeable feeling, and you connected with that feeling. Top Tip: if you like something that seems like many might define as a mistake in a song: analyze how it was delivered in context, why it struck you, what kind of emotion happened, and don't forget the answers. Write them down. When you like a mistake of your own find out why, and refine it. This is one way to build a signature style.
The only thing skill is for is to emote better. To have more techniques to describe emotions in more detail. If you're understanding of how you feel is limited, it doesn't matter how good you are at the instrument: you have the tools to support the fine details that you don't know how to locate. That's like having a billion dollars worth of digging equipment and no map of where to dig.
Bad approach: "I am going to illustrate the idea that I once had an emotion with my voice"
Good music: "I'm going to let an emotion out with my voice."
Arrangements and performance follow emotion as well. Good arrangements are more emotional. Good takes are more emotional. Expressing the emotion as much as possible is the only thing that really matters for recording your songs. When I love a song it's because of how it feels to listen to. If they are expressing emotion successfully it doesn't matter how talented they are or how good the recording is. I'd rather listen to an ok singer get big emotions out and be out of tune than a showcase of perfect control. Remember that too:
100% control: no emotions
100% emotion: no control
you want to have enough control to get through it but ride that line of losing control. Chase that line down. The more you do it the closer to your emotions you will get because the more you will learn to go deeper into emotion while keeping control. It is a muscle to exercise and a skill to master. If you find a way to growing in your emotional connection and ability to control enough, to feel even more when you perform - you'll never find a skill to work on that improves your music more. This is super long and I left out tons of info that probably answers a lot of criticism and skepticism but this is basically what has felt like the key to all things music for me and probably always will.
To close this all out, consider this: If you achieved just the bare minimum of skill in writing, playing, performing, and recording, then just went hard getting your feelings out better than anyone for the rest of your life - there is no comparison to how much better your material will be than if you did the opposite. You literally won't be able to get your feelings out better than anyone without all the skills flowing alongside. You'll learn because you need it. you need to get what's inside of you into the air, and skills will always climb with you to achieve that. You''ll write a lyric and say "that's not it and I MUST FIND IT!" instead of, "sure that works. next line." Emotions, on the other hand, will never follow your skills. You'll never learn all your modes then look up and way, "oh wow I finally understand all my feelings when that thing happened 3 years ago!"
I needed to hear this, thank you!
This is a good a read. Worth mentioning as well, once you play with emotions and the emotional delivery and writing of a song/track, the more you do it the more you'll find yourself flowing into a flow state. It's a beautiful state to be in.
@@imakeshapesnstuff absolutely! Emotional connection is key to flow.
Well said. It is applicable to art in general, and as I also draw/paint it is really relatable for me.
yessss music is feeling before it is sound, its self expression!!! Music Theory is not self expression its just math and science. You gotta be able to tell stories through music or else its pointless. Theres no rules to art, its all really just opinion at the end of the day. You cant prove a song sounds "good or bad" or that something sounds "better or worse " than something else, cuz its all just opinion
As soon as you mentioned the "if only I had better gear" (toolbox fallacy), that ad with the producer saying "if I had this when I was 20 I would have been a millionare". An interesting coincidence.
Hitboy😂😂😂😂😂😂😂😂😂😂😂😂
Theres no such thing as a coincidence
@@urm9.m no such thing as *random* coincidence. If you break the word down and define it literally, events co-incide all the time, but not without reason.
@@derek_underwood Dude its a meme
It's amazing that ik exactly what ad you're talking about
I like your style of just giving genuinely good advice without a million jump cuts and without trying to be endlessly quirky and funny... refreshing. Thank you sir!
I’ve always thought my songs would sound a lot better if I had other people write, sing, play, mix and produce them.
It’s all in the mix bud
thats what you thought.... me myself... try and try until I die🤣
Just mix how you think those people would mix them. Produce how they would produce, or how you would want them to produce.
Let’s just say my own material isn’t like most other stuff. It’s not that it’s way out there, it’s just not pop type stuff.
@@chrisstout8451 your best tool is your ears. Start your mixes quiet and slowly increase everything til it balances out. A bad mix is the most common issue.
I like that your first point was basically “not knowing enough music theory”. Voicing and development is essential and even studying some basic theory will be a game changer for people without a more traditional music education
Depends on the music.
That recommendation about not overloading the low mids just saved a track of mine. Thank you.
Digger ich bin anders der King ja jetzt chill mal Kollege ich mach das seit 2 Wochen und die Beats gehen mies ab also halt mal dein maul
@@maxk4277 lol
@@maxk4277 ja safe man
One thing I really want to be more mindful of is playing midi instruments on the keyboard instead of drawing midi or dragging midi chords from folders etc. If you're just starting out and wondering why your stuff is missing that feeling (ie: sounds like a fisher price toy) this is the answer in a lot of cases. I got a new piano vst today and just dragged chords in and I was pissed cause it didn't sound magical. But once I actually played the keyboard with my hands, it sounded great. Velocity dynamics and human errors are what give music life. Humanizing instruments has been the most impactful thing I've learned to implement, bar none. This comes naturally when your productions are based on recording physical instruments, but if you're just getting started with a DAW and MIDI, this is one of the first things you need to know.
Amen to that. Just told a friend who used to quantize everything that. It took time before I discovered what difference the timing makes. Its not just about emulating a real musician.. It's about the groove and the feel. I don't see YT producers talk enough about this.
I don't agree with this. I've gotten great results just using my mouse. You do need to manipulate velocity and stuff though
@@skippyzkIf you manipulate timing and velocity there is no difference. You can use your mouse if you know how you want it to groove, but it's easier to find that by playing the keyboard.
@@skippyzk Sure! Me too. My point wasn't that playing is the only way, but there is just no way to 100% replicate the feel of actually playing the instrument. And the tedious hours you spend trying to make your midi perfectly imperfect could be better spent learning and recording the instrument. Not to mention it is way harder to feel connected to your music and flow with it when you have to interrupt the momentum of creativity to make those velocity/delay tweaks etc. Again, there is a time and place for both methods, but my personal experience has been constantly leading me towards caring more and more about human connection to the music. And recording imperfect passes of keys, guitars, drums, etc. is the best way I've found to feel that level of connection. ymmv
@@AlmostHomeSounds Well said.
actually one of the best videos about real music production on RUclips
songwriting, sounds/performances, arrangement, vocals = 99% of the job
listeners will cope with a bad mix
they won't cope with a bad song or a bad performance
"The most important thing is musicianship." Preach brother.. I'm fairly new to producing but have 30 years of studying saxophone and, before that, drums. I've been amazed at the amount of people who say they are serious about producing but have no interest in learning about the craft of being a musician. Pro tip: If you are serious about making music, music theory and musicianship is not optional!
So true!! I’ve been teaching myself music theory and especially key signature and the circle of fifth and I believe it makes my time way easier getting into production with an understanding of key signature, harmonies, etc !
BS
I agree 100% with everything stated. However, I want to add that very often, our own ears decieve ourselves. After working and mixing the same track for 4 hours, you can't even differentiate what sounds good and what doesn't. I like to rest my projects for a few days, work on something else, and then come back at it with fresh ears. Most of the time, I can then objectively listen to my track and identify problems, because I have less emotional attachement to it.
I appreciate the fact that there are so many of you out there that just want to actually HELP home producers. That's amazing all on it's own. Thank you for helping people, so that the possibility of more good music can exist more prevalently.
Some more tips to remember: If you put shit in, shit will come out... Less is always more. In order to break the rules you have to know them first... Mute tracks instead of solo (to find the problem) Hope this helps
Good!
well said
I appreciate this, I’ve watched one of your videos about arrangements. I compose my music on my iPhone 📱
I really appreciate your honest, imperfect presentation. Your passion and way of explaining is perfect. The only vid Ive seen on the subject where you never even showed a screen shot of a DAW. You didnt need to. I feel like I learned more in this vid than the last 20 I have listened to. Hope that all makes sense. Thanks!
On point! People fall for gear and plugins and all sorts of marketing trickery when a lot of times 80% of the "sounding good" can be achieved with good songwriting/arrangement. Everything else in my opinion is seasoning. All those effects, vsts and technique will only work if you have a good arrangement.
Why doesn't this man have so much more credit. This deserves so much more attention thank you so much sir this is really the BEST channel I've come across and I've only been watching you for a day this channel is just a must have to produce music in a great way thank you so much. Best part about it is it's free. Great tips thank you so much
Panning all the instruments across is essential. Even doubling a guitar track and panning it left and right, and slightly have them off time will create a powerful stereo sound. EQ, compression should be used as needed, and a peak limiter is also important.
Just a note. This does work, but it's 100x better to record two separate guitar tracks. Doubling the same track and adding delay is an amateur hack and is very obvious. (I'm not insulting - I'm all for amateur hacks!! :-) )
@@JonValtandtheEvilRobots I agree, two takes is better for almost all scenarios. When I said "even," I meant, even doubling a single into stereo is better than having a mono track in the middle. I'd say that's 100x better. It has it's place in the tool box, I doubled a single guitar track into stereo for an acoustic guitar/vocal soloist, worked very well.
@@CollaborationNation You're certainly right, and I have definitely used this hack myself. Just writing this for anyone who is earlier in their journey. It's a great tip, but once you track 2 guitar tracks, it's like omg level, not even the same thing at all, as you know! :-)
@@JonValtandtheEvilRobots Agreed! 2 separate tracks. Different tones, even better!
Guys, you know that most people listen on their big JBL *mono* speaker, or even i usually use my phone speaker?
It has to be mono-compatible. Don't make it all about panoramics.
"I don't want to be so harsh as to say why does it suck"
Underbelly literally naming his channel "You suck at producing"
Underbelly is too precious to be mad at
his channel? you mean his thumbnail?
And the coolest thing I noticed about him is that his label is named "We suck at producing".
Ooookay, so check it
@@tzetzo_tzetzov wowzers!
Thank you! I’ve been doing this for 30+ years and new “Producers” laugh and give me crap when I try to teach them the exact same thing. I’m glad you made this video. For being such a young man, you really have a massive understanding In arranging and sound which most of us know are the basis of production. Thank you so much for this and I wish you continued success in all you do.
😊🙏🤘
This is actually some really great, refreshing advice. I think people tend to forget that production is just about smoothing off sharp corners rather than completely rebuilding the source material, and if you take the latter approach of COURSE you’re going to make it a complete nightmare for yourself. If you start with well-recorded material that’s naturally well-separated because it’s sensibly arranged you’re just adding polish, and production becomes so much more rewarding and pleasant.
Over the course of producing my own music, I’ve found that by FAR the greatest thing more than anything else by a huge margin that’s improved my mixes is just making sure what’s underneath all the plugins doesn’t sound like shit in the first place.
I totally agree with what you said about arrangement. Too many "producers" nowadays pay no attention to the arrangement through the song. It's always just making a sick beat and looping 4 chords over and over again. My thing is that you can have a very simple chord progression to begin with but try to add variations to it. Even just using inversions or adding a 7th or 9th to chords would make it sound richer. But because DAWs are so powerful these days a lot of "home producers" never spend the time on music theory. They just learn the basic progressions and put no thought into it. Asking them to write a good harmony would be too much. For some reason in modern pop music people don't care about harmonies/melodies anymore. It's always just the beat. A song with a good arrangement never gets old because of the many different elements you can hear in it.
I always find that thickening sounds by doubling parts with different instruments or soft synths is a great way to fill out your stereo image. Mixing isn't the answer to making a song great. It should sound amazing before hand, mixing is the polish!!
Mastering is the polish.
The Mixdown is the most important aspect of a tune.
I never considered your point about layering vocals to create that 'mainstream' texture, rather than a single line! I'll think of that next time. :)
For sure! I've got a video on doubling vocals too that'll help you most likely in that vein
Also might not work for what you want but iZotope has a vst that is a vocal doubler. Which I've used a few times to save me some time in re-recording. I usually only use it on the 2nd layer take of vocals.
www.izotope.com/en/products/vocal-doubler.html
This is great and very true stuff. Having done a bunch of song recordings with various bands, it is very clear to be that we, and I, never understood what arrangement and composition really is. We could write songs, but then we jumped from essentially songwriting, via tracking, straight to mixing! No figuring out the dynamic flow, and often drowning out vocals with fat guitars or synths in the wrong octave. :-)
Great stuff - I just subscribed
It is really nice to hear the truth and only the truth sometimes!!!
Spot on. As with anything involving generating something from nothing, success comes at the beginning. With software, the design is key. No code should be written until the application is designed. Same is true in architecture and construction. As it is also with the development of tools, carpets, clothing, cars, planes, anything. You have to put in the work up front to ensure the output is sound. Music is no different. You must be able to play your instrument or sing, first and foremost. Then, you capture that sound as pristinely as possible; your part has to fit within the greater whole for any moment in time, and you have to have a map of that time passage from 0 to end. Nothing says you can't tweak as you go or that the output has to resemble the input (though you need to have intended it that way from the start), but there's no way to fix a crappy performance or recording with hardware or software. Really appreciate your insights. You seem really young to be a pro, but you know your stuff (watched your vid of pro with GarageBand vs. begginer with Logic - awesome). I am a hack at home as a hobbyist and have been frustrated time and again, and it's always the case that the better sounding tracks were better conceived with thought put into the sum of the parts up front. Also nothing replaces practice, rehearsal, and experience.
This is fantastic! Yeah all of this is really goood. And I appreciate that. I've been kinda raised doing this. Started writing at 10yr/old and producing at 14. So been doing it for a long time and basically eat, sleep, drink this stuff
@@NathanJamesLarsen er du go til at mixe
@3:15 - he's so right. I'm a computer geek, so I (like many others) thought I could VST and Plugin (ie. SPEND) my way into something that sounded good. Turns out it's not the mix, it's not the interface, it's not the mic. It's the natural sound of the room and the arrangement.
i have to say out of all the "amazed", "surprised" and "disappointed" thumbnail faces I've seen over the years, your looks actually legitimate.
Just discovered Nathan's videos. I have been recording for over 30 years and his advice is spot on. All of it !! Especially his directions on arrangement, performance and quality of source. Great performances and arrangements mix themselves...and that is a fact! I will be looking forward to reviewing all your videos! Thanks!
All this was crazy helpful. Already adding some of these tips and it’s made all the difference. Especially dynamics!
Wonderful!! So glad this help you Phil!
Definitely didn't click off the video because I don't just like this guy, I freakin' love you bro, thanks for the guidance!
Thanks so much! That's awesome man. 🙏🙏🙏🔥🔥🔥🔥
One thing I learned about mixing is when I loaded Ocean Eyes in logic and disabled everything in mixer the song still sounded fine. Of course effects are big part of it, but arrangement is what makes it.
This is a very good list for a check on yourself for every production. We can all get lost in the weeds sometimes. It's the curse of creative excitement
Composition, inspiration, uniqueness, hooks, arrangement arrangement arrangement
The percussion tip to make certain parts more dynamic really blew my mind haha so simple but never thought of it
can you do an arrangement video showing how to make variations within the production?
Yes I'd love to do that!
@@NathanJamesLarsen thank you!😊
First be pro level sesion player 5 versiopns on your the guy i new 5 versions off the arangment i ON GUITAR n the BLINK OFF AN EYE he was Scottish no 1 new who he was Except ........ ATB Great Q
Pleeease
Personally I feel like variations within the production, since it’s a creative thing, that it takes time to get right. I used to do EDM tracks that were 6 minutes long but really boring cause it was so repetitive. Over time I started to get structure and variation because I listened to lots of music and tried replicating the structure. When it comes to the variation, I’ve always been a fan of things like melodic bridges which are little melodic elements that help transition between one section and another
Good advice, I've been a Sweetwater customer for decades. No one does it better!
Dude I think you explain things awesomely. Hats off brother 👍😀
Enjoy watching your videos,I'm 17 and still figuring out how I should do it... This really helps..
Highly appreciate your knowledge on production and the way you convey it! It helps us immensely!🎼💯
Also, some points in your video gave me a boost that I already emphasize on the arrangement part haha.
Thanks to your trustworthy guidance!
Wow - thank you for this comment! 🙏🙏🙏
bro im literally sitting here arguing in my head with what ur saying cuz its so hard to hear but ur right lol. i forget that not everyone gets excited by the beat and i dont leave space for them vocals. good shit! ur videos have been very helpful so far dawg
Shameless plug for Nathan's course: I've been a musician for 20+ years and Nathan is an absolutely incredible teacher. His Producer Accelerator course is a must buy for anyone looking to speed up their learning process. ***Note: I'm not making a cut from this shout out, I'm just a very satisfied student.**
Classic advice Nathan, thanks. This is by far one of the best takes on music anywhere. You can watch all the gear vids you want, but this is of the utmost. "Garbage in, garbage out". My new goal is now -6 instead of -3db. I hated the sound of my voice until I heard that Hendrix did also. Now I let 'er rip!
Respect, fam.
Great video, Nathan! The "no space left for the vocals" problem is a big one. What I currently do is I try to record good scratch vocals and I almost never mute it when building the arrangements and selecting sounds, because it doesn't make sense to have them work well on their own: they need to support the vocals. This thought process helps a lot with mixing as well because you already start the mixing process with vocals having the right space.
Yep! Love that approach. I do the same and I actually usually start adding harmonies in pretty early even if it's gonna be redone just to get a really good sense of the production
I agree with you totally! Though there are times that when I complete the arrangement, i make sure that the arrangement can still stand on its own without the vocals 😁
i'm in my 3rd year on electronic music production and still feel my mixdowns arnt 100%, in the music i make (DnB) were taught to have sections such as build ups, drops and breaks so i feel like not everyones problem is structure in itself. rate your vids highly
I have being doing this for a good many years and you are read right about the dynamic arrangement. I am accurately aware of it and sort of dread it when it comes to doing it. What I try to strive for is an arrangement that doesn’t sound linear, which results in flat, but more random and three dimensional. To do this I think you have to avoid the standard even bar structure, 16 change 32 change 64change.
Why are you underated man..this is super life changing man
This makes alot of sense. As far as sound dynamic, I'm lost. I'm just a simple man, trying to produce some music.
The most important info in this video is what you take up in the end. Your gear and your capacity with the mix is just the last part of making good music. Putting the energi on the melody and the lyrics is a very fine time investment! 😇
just discovering this channel as i surf youtube trying pick up as many tips as i can for my first ever cover i’m recording, wanting to eventually do some of my own music but learning Logic and production skills, I subbed and can’t wait to watch more videos and learn.
Thanks a bunch! Super happy to hear that!! 😎🙏
Just found this channel and I love the way you Transport Information, it’s really intriguing and understandable, thank you!
Thank for confirming and clarifying some of the common mistakes . I knew most of it but still nice to know that im doing it right.
The quality of the content is the most important thing.
Mans is so smart. This video is really really insightful
Appreciate that Adam! 🔥🙏
Arrangement, arrangement, arrangement! Good stuff!
I get tired of hearing youtubers ramble on all these things to do right before they get into the video like, "please like subscribe turn on bell notifications so you wont miss any blah blah blah" but you ask so kindly to subscribe so for getting right into your video, I subscribed. you bring a lot of value to an audience that is the future of music. Thank you for you content bro!
Wow that is awesome - thank you so much!!
I dont even have a midi keyboard
and I never bought any samples but I get really good feedback right now and I love a lot of the tracks im working on
another important thing, to stay consistent u need to rest properly, dont overwork yourself. stop for 10 min even sometimes and come back witha fresh feel
Gang choir! I did a track years ago with a "drunken gang" choir. I took my lead vox and duplicated it like six times. Then I screwed around with their pitch a little and a slight nudge of the clip back or forward in the arranger. Good times!
Thank you! 🙏This is what needed to hear right now!
Very good advice my friend
Love the end. The STATIC MIX is the KEY to a fantastic mix!
I know this is my second time commenting on your videos but I'm just so blown away!! I can't believe I didn't find you earlier omg, I just wanna know where your millions of subs are man
Wow thank you so much!! Appreciate that! Well, we'll get there 😎😎
My advice: collaborate 👍🏼 big producers have a whole team working in a single song, there’s no shame on getting help from your connections
These videos are so helpful! Thanks for these bro!
Man your the best instructor I've ever seen that help and encourage young Music producers like me. Can't wait to save some money and sign in to your "Producer accelerate program"...... God bless you Nath❤️
Thanks awesome! Thanks Joel! And I'll look out for you application!
Thanks, man! ...this video has a lot of valuable takeaways,
I am gonna be considering them when I am producing.
👍🔥🔥
I'm agree with him 100%. My major problem is sometimes about there's no vocal part left to put into some of my songs. Because so much things going on tracks.
My formula is creating the idea first (raw without any DAW) then interpret them into your production. Then BOOM!
Great vid Nathan! Very jam-packed with gems and gold!
Keep it up, brother!
About vocals. Its best to bus your melodic instruments and synths and apply sidechain eq to give space for the vocal.
youve said what many people in the industry fail to explain thank you, great video!
A thing that helped me with my anguish about how I sound was simply thinking "oh well, of course this song i heard in itunes sound better than mine, i have a home studio not a sweeden mixing room with 3 audio engineers to place my mics and set my amps and other 5 professional producers surrounding me to help."
when i putted that up in my mind i started to get way more satisfied with how i sound. all tho its not how i want to sound yet. Other thing is to get inspired by other home studio owners and not the big audio engineers and huge artists that have access to them, aim lower.
You are totally my new mixing and philosophy senpai!
Thanks Nathan, awesome vids... Greetings from the Netherlands !
I’m not that good but I can give some advice on introducing new elements like he speaks about at 3:40. It doesn’t need to be a new melody or harmony or any change at all just add a new instrument but the trick is automate the volume down on the instrument that has already been playing a lot. Your brain can still hear it clearly in the mix then lower the next one and so on. I forgot what the effect is called but essentially Cos the listener knows the sound you can lower it’s volume in a mix and still perceive the sound as clear. It also works if you’ve only played a sound for few bars. Problem is as producers we listen to the same bars over and over again so your better of deciding with fresh ears with one listen through as a new listener. So leave a track for a few days and work on another.
Thank you for this! Very helpful
@@SteeVane your very welcome
Thank you for letting me know that I am at least on the right track. I have more interest in the creative side. The technical side is fun but some things work so well you need little fixing! That’s how I’m trying to approach this. I’m getting some pretty decent feedback. Bless you, Nathan.
New subscriber here. I'm also a new user of Logic Pro X, and your videos have been a big help in understanding and getting the most out of this new environment. I've always been fairly unhappy with my final tracks, so in addition to a new DAW that is leaps and bounds better than what I was using before, you're providing some really good insight here from a production standpoint. Your expertise is much appreciated!
There are plenty of genres where the vocal is not the main element, I’d dare to say. But overall, the recommendation to leave enough room for it is pretty good.
I started making music in mobile, in the beginning I always focused more on production, melodies, chords stuff like that but later on I started to see more important on mixing and learn more technical side ..tbh it's destroying creative side of production, it's important but still if the main idea is not good no matter if CLA mix your track with fancy studio it won't matter.
Anyway, great video mate!
Thats why I never mix while creating. Have sounds you like "ready to go" and then don't think about the mix, you can fix that later.. focus on capturing the vibe you're going for.
Love your outlook on music and production, and your videos are always incredibly helpful. Thanks a lot, man ✌️
Thanks a bunch! Appreciate it. 😎🙏
Clearly you are a Master.
Thank you so much for giving us so many important details about this. god bless you bro!Youre the man!
This was great. I need to work on my arranging... it's a whole other skill set, needs work! Great vid man
Just saved this video in my "videos I come back to from time to time" playlist..
Such a great vid, man!! Subbed..
Thank You Nathan. I got beats I made on yamaha keyboard. But poor quality on how beats sounds. Valuable information You teach.
Thank you so much Nathan this has really helped now I need to put it all into pratice.
This is very true, Sometimes I barely have to mix if I am picking great sounds, It stays under my desired mixing frequency and I’m like Oh Shit! It’s Mixed Great Already! 😄
Good recording technique, knowledge of signal flow, and acoustic treatment and gain staging with tasteful processing
1) Better dynamics (make your songs more interesting and not boring, a wave, a story)
2) Less focus on mixing, problems usually lie in other spectrum (but mixing is still important)
3) Arrangement is not well developed. Overloading frequincies (typical is in the low mids)
4) We need more uniqueness. Percussions/drums are the best for that.
5) Great source (how you capture things) + performance
6) Vocal production. It needs space. Dont be afraid to take things out if they get in the way.
7) You need layers of vocal (double, tripple, pitching, octave up, octave down). That's common standard now. Vocal is tge main thing if you dont have vocal production you are not in the game.
None of that has to do anything with gear or mixing.
Great stuff. The equipment thing is just crazy. Everyone should watch get back documentary on the Beatles. It's very long and I sat and did a few things on phone while it played looking up and listening and it was so obvious the total lack of gear and equipment taped microphones kids playing at their feet the way ideas came together. Everyone should watch that. Arrangement as you said I'm trying to learn it and thanks for emphasizing it here cause in the back of my mind I really wondered. I'm focusing on that craft now thanks again
Just subscribed after watching your bussing video. I appreciate you man. Thank you for ACTUALLY explaining things. There are lots of these tutorial videos but most of them are monkey see monkey do vs your actual explanations. Not everyone's a teacher but you do a great job. Thank you.
Super super appreciative of this!! I'm really striving to do my best to really focus on more than "here's a tutorial on EQ"
Really love your content! Learning a lot of new stuff! Thank you very much! keep up the good work!
Bro, you are CORRECT!
You have such an amazing and lovely and powerful voice! It's very soothing as well.
Good and valuable advice. Thanks!!! We need ANGRY PRODUCERS who give honest advice.
Thanks for the tips!!! Because people learn differently, visual aide in your DAW would have been super helpful, since your are talking about production.
Great topic and very nice switch up from the usual how to save your mix tutorials! I have always stressed with Artists that mixing starts during the writing process‼️‼️‼️
This should have way more views... You're so on point it's crazy lmao! Subscribed.
Thank you so much for making such great valuable content I'm srsly considering signing up for your course now