"So What" Live: A Dorian Masterclass
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- Опубликовано: 25 авг 2024
- "So What" Miles Davis Live at the Robert Herridge Theater • Miles Davis - So What ...
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Those analysis-based lessons are very much appreciated, and this one on modal jazz is no exception.
Thanks, glad to hear that!
Been listening to Kind of Blue at least once a week for nearly 50 years. It is the perfect album that never grows old. The one person that made the comment calling it ‘extremely boring’ must just be a soulless human.
Just an awesome lesson high caliber knowledge thank you Mr Richie,thank you so much
Thanks Hector, glad you enjoyed it!
I liked the staff across the bottom of the screens. Works well.
Great lesson, this is a really helpful level of instruction. Thanks Richie.
You're welcome ...so glad it was helpful!
Nicely done! I learned a lot!
Thanks Mike, so glad to hear that!
Thank you so much!
You're very welcome!
Cool brother!!
Excelent..
Hi ritchie we have meet each other a long Time ago in Paris as i was playing a the jazz club « the villa » and you came to my house where we talked about the late great pat martino many thanks for your channel and your dedication to learn the fine art of playing jazz guitar
Hi Gilles, Yes, I remember! It's great to hear from you, hope you are well and still busy playing jazz!
@@RichieZellon thanks for your answer I have put a link in the comments to a video I have made as a tribute to pat martino I would be very happy if you could listen regards
@@gillesclement I would love to but I can't find the link you are referring to.
TOO COOOOL, RICHIE ---- Got a lite?
Lol careful to not drop that amazing guitar. Thanks again for the lesson
Shows how little you need if you know what you're doing. 👍
To use so little melodically and to hold interest is pure genius
Thanks Ritchie great class, cant wait till I get paid!! Any analysis on Coltrane's" My favorite things"
Thanks! No analysis on My Favorite Things", just chord melody: ruclips.net/video/XqhvlDy8IxQ/видео.html
@@RichieZellon ok gracias!
garcias! More thing, do you think Miles' greatest concern was overall rhythmic texture of the whole band, not just his part, if that makes sense.
@@jonathanlechman Absolutely...rhythm/groove/swing comes first!
What exactly defines a call vs answer? Is it simply the ordering, namely, call comes first and then answer? Or is there also melodic elements that differ between them, such as using more extensions and unstable tones in the call and resolving to the root and using other tones like the 6th which have a resolving feeling in dorian as well?
As a salsa dancer, I'm All about that (4)&.
Great lesson. What would be the harmony/chords under the D Dorian Eb Dorian solos? Are they inversions of Dmin7/Ebmin7 or are there other diatonic chords used within the mode?
Dm7 and Ebm7
@@RichieZellon Ah. How come it’s Ebm7? In diatonic world it would be Em7. Is this a common progression in modal Jazz? Im7-bIIm7?
@@bezziano57 dm7 and em7 for d dorian and ebm7 and fm7 for eb dorian.
@@RichieZellon Ahh thanks 🙏🏻
@@RichieZellon Hi again. Is it predominantly Im- IIm in modal progressions? Like in the D dorian phrases and solos, the chords you say would be Dm7-Em7 that are played under the solo. Or would the harmony be a little more adventurous? Or, is the idea to keep it minimal when playing accompaniment?
I think you've been to Bali...
Sorry, don't get it...
First
Extremely boring, 2-chord music. Miles was good when he actually played some interesting notes over interesting chord changes - with Charley Parker.
R u serious?
People have different tastes that for sure.