Great observation! Milda here exemplifies the Lithuanian Style of Ballet, which is not well recognized worldwide, but involves the synthesis of Vaganova and French schools - delicacy, unforced. lightness. At the time fo this recording Milda was a Student of Egle Spokaite in Lithuania (en.wikipedia.org/wiki/Egl%C4%97_%C5%A0pokait%C4%97), and since moved to study in Royal Ballet School in London.
Thank you. She grew significantly since the time of this video and is now at the Royal Ballet School in London (see her at 27 sec. time): ruclips.net/video/_T9RA7MOsKs/видео.html&ab_channel=TheRoyalBalletSchool
Music is by Riccardo Drigo, not Ludwig Minkus. This variation was origjnally called "L'Amour" - it was 1 of about 11 variations composed by Riccardo Drigo to supplement Mikhail Ivanov's score for Petipa's 1888 ballet "La Vestale" ("Vestalka" in Russian). A few of Drigo's variations for "La Vestale" eventually found their way into other works, and are still performed today, such as Kitri's variation as Dulcinea in the dream scene of "Don Q".
![Rare Documentary on the Bolshoi Ballet Academy [1967]](http://i.ytimg.com/vi/mrNFCTRLw90/mqdefault.jpg)
I Love the delicacy and lightness in her dance. One can experience the waltz and happy mood
Great observation! Milda here exemplifies the Lithuanian Style of Ballet, which is not well recognized worldwide, but involves the synthesis of Vaganova and French schools - delicacy, unforced. lightness. At the time fo this recording Milda was a Student of Egle Spokaite in Lithuania (en.wikipedia.org/wiki/Egl%C4%97_%C5%A0pokait%C4%97), and since moved to study in Royal Ballet School in London.
I just love her dancing so much… 😍
Thank you. She grew significantly since the time of this video and is now at the Royal Ballet School in London (see her at 27 sec. time):
ruclips.net/video/_T9RA7MOsKs/видео.html&ab_channel=TheRoyalBalletSchool
Great technique and beautiful arm movement!
Music is by Riccardo Drigo, not Ludwig Minkus. This variation was origjnally called "L'Amour" - it was 1 of about 11 variations composed by Riccardo Drigo to supplement Mikhail Ivanov's score for Petipa's 1888 ballet "La Vestale" ("Vestalka" in Russian). A few of Drigo's variations for "La Vestale" eventually found their way into other works, and are still performed today, such as Kitri's variation as Dulcinea in the dream scene of "Don Q".
Красота
Da Uz. Soglasen. She is now at the Royal Academy of Dance in London - the future is bright
👏👏👏👏🌺🌺🌺
00:19
Latvian Language is Beautiful