how did you shoot this in camera? Did you have all manual settings and just reduce/increase the shutter to adjust the exposure as it got darker? How do you maintain a consistent exposure when shooting the sunset?
thanks Matt, I've upgraded my LRT and will give V6 a go. I've got the Miops and it has a holy grail feature, still haven't tried it yet with the D850. Need more time :) Always learning something new with your videos mate 👍
Cant wait to have enough saved up for the full commercial liscense vs just the free version, will definitely make things easier then I currently have to do with the work flow !!!
@@MatthewVandeputte Why do you synch the keyframes everytime you change the white balance/exposure of a single photo (around 11ish)? Wouldn't that make them all the same? I thought you wanted your keyframes to gradually expose brighter/have a cooler white balance, but wouldn't synching them make them all the same?
Hi, I am not photographer i saw this video on main page youtube. My Qestion why not shooting video 4k and make it fast !!! why shooting photos ?? I don't understand !!! can you make it clear for me Pls.Thanks
Ok, that was short and sweet. Thank you! Just one additional question: if I would use Lrtimelapse to deflicker and then the plugin to export in tiff (in order to maintain 16bit) and the import this tiff-sequence with Davinci Resolve and create the video there (in Lrtimelapse you need the pro license to have the option to work with 16bit etc), would that be possible? Possible drawbacks? 🤔 Well, apart from my laptop crashing.. 🙆♀️😂
The good old manual approach! Or try an external controller, but make sure to test them out properly before using. There's the timelapse+ VIEW, or the Foolography Unleashed for example
Matt, another great video packed with info as usual. A question, you mention LRT using 8bit jpegs as an intermediary to a rendered prores video file. If you render in After Effects directly from the adjusted RAW files what bit depth are we looking at in the final prores video? Also, assuming we use a REC709 profile in AE for the render what does that do to the bit depth. This s*&t puzzles me.
I know it's all very confusing! So you're correct on the JPEG front, you can't generate 10 or 12 bit files out of a an 8 bit sequence, it'll "fill the gaps" with nil information. Best is to go from your 14 bit RAW image file sequences and render them directly to an Apple ProRes 4444 video file, which supports up to 12-bit pixel depth. I recommend reading up and comparing these to have a better understanding of the prores file types: support.apple.com/en-us/HT202410
Hi Matt, you say Canon has built in exposure levelling like the Lumix, can you elaborate ? Do you mean shooting in Aperture Priority ? I know the timelapse video mode does it but then you don't get the RAW files only a finished movie file.
Yup sadly that's only referring to the Canon video mode, that being said their Av mode in photo mode with auto iso on R series cameras does seem to provide much smoother exposures for holy grails than their DSLRs
Hey Matthew, I followed along to this for my first 'test hyperlapse' (still awaiting ND filters), that has some stabilisation artefacts from DaVinci Resolve, annoyingly. QUESTION: I'm having a nightmare keeping consistent colour space + gamma from the TIFF Export from Lightroom/LRT, into Resolve, and then back into the exported video. It's much flatter in the export. Any tips? I plumped for the max bit TIFF export from LR... p.s. used your aff. link for LRT because you're videos ROCK! ruclips.net/video/Q9jRf2V6kJw/видео.html
I hope you enjoy this relaxed editing session. Any other videos you'd like to see? Let me know!
how did you shoot this in camera? Did you have all manual settings and just reduce/increase the shutter to adjust the exposure as it got darker? How do you maintain a consistent exposure when shooting the sunset?
Thank you !
“Oh hey, didn’t see you there…”
Gets me every time 😂😂😂
:D
Nice thanks Matt!
You bet!
thanks Matt, I've upgraded my LRT and will give V6 a go. I've got the Miops and it has a holy grail feature, still haven't tried it yet with the D850. Need more time :)
Always learning something new with your videos mate 👍
Cant wait to have enough saved up for the full commercial liscense vs just the free version, will definitely make things easier then I currently have to do with the work flow !!!
There's going to be another giveaway on the newsletter soon so keep an eye out for that!
@@MatthewVandeputte Keep on rockin, stay blessed !
I do use Fujifilm.
Fujifilm XT-4 has the feature.
Thank you for the video! you always inspire! Big Thank you for all your effort!
My pleasure! I'm really keen to try out the Fuji system for some timelapses, I've seen some great results with it
@@MatthewVandeputte Why do you synch the keyframes everytime you change the white balance/exposure of a single photo (around 11ish)? Wouldn't that make them all the same? I thought you wanted your keyframes to gradually expose brighter/have a cooler white balance, but wouldn't synching them make them all the same?
Its so nice to watch you edit sir
Glad you enjoy it!
@@MatthewVandeputte every bit of it❤️
Thanks!
Wow this is literally the first tip on this channel EVER. Thank you so much, Vasya!
@@MatthewVandeputte just a little drop 🤗 thanks for the content
Hi, I am not photographer i saw this video on main page youtube. My Qestion why not shooting video 4k and make it fast !!! why shooting photos ?? I don't understand !!! can you make it clear for me Pls.Thanks
You can do that as well, but you get much more postprocessing freedom and much higher image quality if you shoot frames as separate raw files.
Ok, that was short and sweet. Thank you! Just one additional question: if I would use Lrtimelapse to deflicker and then the plugin to export in tiff (in order to maintain 16bit) and the import this tiff-sequence with Davinci Resolve and create the video there (in Lrtimelapse you need the pro license to have the option to work with 16bit etc), would that be possible? Possible drawbacks? 🤔 Well, apart from my laptop crashing.. 🙆♀️😂
Yes that workflow works, just takes up a lot of hard drive space with the 16 bit tiff files
As we know qdslr dashboard / Control my camera will most likely never be available again for iOS devices. Any alternative you can recommend?
The good old manual approach! Or try an external controller, but make sure to test them out properly before using. There's the timelapse+ VIEW, or the Foolography Unleashed for example
Matt, another great video packed with info as usual. A question, you mention LRT using 8bit jpegs as an intermediary to a rendered prores video file. If you render in After Effects directly from the adjusted RAW files what bit depth are we looking at in the final prores video? Also, assuming we use a REC709 profile in AE for the render what does that do to the bit depth. This s*&t puzzles me.
I know it's all very confusing! So you're correct on the JPEG front, you can't generate 10 or 12 bit files out of a an 8 bit sequence, it'll "fill the gaps" with nil information. Best is to go from your 14 bit RAW image file sequences and render them directly to an Apple ProRes 4444 video file, which supports up to 12-bit pixel depth. I recommend reading up and comparing these to have a better understanding of the prores file types: support.apple.com/en-us/HT202410
@@MatthewVandeputte Thanks for the info and the link. Gotta keep reading.
Hi Matt, you say Canon has built in exposure levelling like the Lumix, can you elaborate ? Do you mean shooting in Aperture Priority ? I know the timelapse video mode does it but then you don't get the RAW files only a finished movie file.
Yup sadly that's only referring to the Canon video mode, that being said their Av mode in photo mode with auto iso on R series cameras does seem to provide much smoother exposures for holy grails than their DSLRs
Hey Matthew, I followed along to this for my first 'test hyperlapse' (still awaiting ND filters), that has some stabilisation artefacts from DaVinci Resolve, annoyingly. QUESTION: I'm having a nightmare keeping consistent colour space + gamma from the TIFF Export from Lightroom/LRT, into Resolve, and then back into the exported video. It's much flatter in the export.
Any tips? I plumped for the max bit TIFF export from LR...
p.s. used your aff. link for LRT because you're videos ROCK!
ruclips.net/video/Q9jRf2V6kJw/видео.html
You forgot the spitting on the sensor while cleaning 🤣🤣
hahaha
Will you marry that Lava-lamp now???😁
Gonna have to ask Amelia haha
You are a very bad teacher/demo person. You just bounce all over the place
129 likes and 0 dislikes on this video. Maybe the subject matter is simply too complicated for your smooth brain
nice! will try the new LRT on a few mavic 3 day to night sequences 👌
Excited to see it!
@@MatthewVandeputte ruclips.net/video/Pl_K6Y8_z1Y/видео.html