There has been a 5 days clear skies in Sydney. Vivid is on so it is great… and cold for us at this time of year. I trust all is going well in London at pres.
Is there anyway to remove cloud shadows going in and out on a building in post? or is it best to just capture on a day where the light is super consistent?
I've tried shooting hyperlapses recently and here's my question: what mode will you choose to avoid the flicker and under/overexposed shots when it's sunny, but there are many clouds which block the sun from time to time? I used the Av mode, so all the shots are well exposed, but there's a flicker. I do use the LRTimelapse, but it's deflicker didn't help since the composition is always changing and the program measures the whole frame. With the manual mode there's a risk to get overexposed and underexposed shots. So, how do you deal with that?
Just shoot in Manual and trust in the dynamic range of the RAW files to adjust the exposure where needed, you can use LRTimelapse to keyframe bits of your sequence and then push and pull the exposure, or just let the shot go darker or brighter, because that's how we experience the scene in real life anyway!
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5:07 - shoot at the sunrise when the majority are sleeping 😉 and the light during the golden hour is beautiful, that's my tip!
Oh dang! My FIRE EMOJI IS LIT
Same weather here in Seattle WA in the USA. Only expecting 2 inches of rain by tomorrow night, man you gotta love the spring time weather haha.
There has been a 5 days clear skies in Sydney. Vivid is on so it is great… and cold for us at this time of year. I trust all is going well in London at pres.
Thanks for the hyperlapse tips.
Is there anyway to remove cloud shadows going in and out on a building in post? or is it best to just capture on a day where the light is super consistent?
awesome
Here in Minnesota we have a few fluffy clouds and a few whispy clouds. But it looks like they are clearing up by sunset...
Matt why on earth would you leave beautiful sunny Australia for grey UK?? I know I know the girl
I've tried shooting hyperlapses recently and here's my question: what mode will you choose to avoid the flicker and under/overexposed shots when it's sunny, but there are many clouds which block the sun from time to time? I used the Av mode, so all the shots are well exposed, but there's a flicker. I do use the LRTimelapse, but it's deflicker didn't help since the composition is always changing and the program measures the whole frame. With the manual mode there's a risk to get overexposed and underexposed shots. So, how do you deal with that?
Just shoot in Manual and trust in the dynamic range of the RAW files to adjust the exposure where needed, you can use LRTimelapse to keyframe bits of your sequence and then push and pull the exposure, or just let the shot go darker or brighter, because that's how we experience the scene in real life anyway!
It's been hazy since a week😐 I miss clouds
Btw great tips sir!
One more thing sir, have you changed the appartment again or this vid is from Paris?😅
Good eye haha, more info soon!
@@MatthewVandeputte okay sir☺️
6:27 my wife is always there for me :P