My head is a tangle with all this helpful information!!! Im someone who probably wants my cake and to eat it too. I'd love not to have to wait for pure oils to dry, and the fumes of thinners/solvents have to be avoided at all costs for me. -This has been a FANTASTIC, IN DEPTH run down of everything an oil painter would need to consuder. As I said, my mind is a tangle 😊, and I have much to think about and consider. Thank you SO MUCH for all this VALUABLE INFORMATION, and how in depth you went in explaining things. I will obviously have to go back over this video again. Thank you. 😊❤
I must say that I hope one day to have as much knowledge about paint’s as you! Really admire your and appreciate all you have imparted to us, especially the work you have put in to this talk. Thank you for your time
Thank you for a brilliant presentation! Hoping for more of these in other mediums, like acrylics and gouache 😊 One question, I see you recommend alizarin crimson in the beginning for the starter palette, but isnt this pigment fugitive? I have seen other artist use them as well, is the problem only with watercolour?
Incredible lesson thank you so much! I have one question. I use burnt umber and it dries like a acrylic ! what can I put into it to slow the dry time down ?
Hi Allen, thanks for your kind words, I will pass them along to Lisa. This is quite common for burnt umber. We would suggest adding some linseed oil to the paint, or if you want the paint to have an even slower drying time you can add sunflower oil. We hope this helps. Thanks, the Jackson's Team
Becoming more and more rare that creators take to time to cover their topic properly, and take the time to do that. Well done for bucking this horrible trend. Earned another sub. ETA Could have done with a bit more on alkyd paints - which are basically oils with a modified medium. I think you undersold them by saying they were good for under-painting - once you have become familiar with their behaviour they are good for everything, and since they don't have many of the problems of traditional oils, some would say they are actually better all round. Indeed many many users of trad oil use Liquin (the alkyd medium) to help them.
One question, the oil sticks, for fat over lean, are they best for the finishing touches?or can they be used diluted like tubes for underpainting? Thank you!
Hi Kirsten, thanks for your question. The possibilities of using oil sticks are pretty much endless. Oil stick marks can be thinned out or blended with turpentine or linseed oil and mixed with regular oil paint from a tube. More can be read about oil sticks here: www.jacksonsart.com/blog/2019/05/16/oil-stick-vs-oil-pastel/ . Our best, The Jackson's Team
31:37 Just cut it open! I do this with my watercolour, even the roller can't get every last bit. The Shoulder of the tube buckles out with use making it concave on the inside. Also there's colour in the joints. I might come off as miser but those things are b*** costly!
Hi Rosemary, thanks for your question. Oil sticks can be used with water soluble oils. More can be read about oil sticks here: www.jacksonsart.com/blog/2019/05/16/oil-stick-vs-oil-pastel/ . Best, The Jackson's Team
What a great comprehensive introduction to oil painting!
My head is a tangle with all this helpful information!!! Im someone who probably wants my cake and to eat it too. I'd love not to have to wait for pure oils to dry, and the fumes of thinners/solvents have to be avoided at all costs for me.
-This has been a FANTASTIC, IN DEPTH run down of everything an oil painter would need to consuder. As I said, my mind is a tangle 😊, and I have much to think about and consider.
Thank you SO MUCH for all this VALUABLE INFORMATION, and how in depth you went in explaining things. I will obviously have to go back over this video again.
Thank you. 😊❤
I must say that I hope one day to have as much knowledge about paint’s as you!
Really admire your and appreciate all you have imparted to us, especially the work you have put in to this talk. Thank you for your time
She has the most pleasant voice, i could listen to her read the phone book. Please make more educational videos with her 🎉
What a wonderful person you are, I could listen to you for a whole day and not get bored. Thanks !
So helpful. Answered all the questions I had. Am now going to give oils a go. Thankyou
Outstanding overview! Well done! Thank you! Wish I had this when I first started.
This is so helpful and your lovely to learn from, very factual and helpful everything you say, thank you very much for the video💗
This guide to painting in oils in wonderful, inspiring, practical and so much more, many thanks
Fabulous video. So helpful. Thank you.
EVERYTHING you need to know …nice job!
Very informative and helpful for beginning artists.
Brilliant presentation. You answered all of my questions.
Excellent
Very comprehensive for a beginner - thank you.
great quality video! RUclips needed this :)
Brilliant presentation! You answered all of my questions.
Thank you for a brilliant presentation!
Hoping for more of these in other mediums, like acrylics and gouache 😊
One question, I see you recommend alizarin crimson in the beginning for the starter palette, but isnt this pigment fugitive? I have seen other artist use them as well, is the problem only with watercolour?
For a crime it didn't commit.
So helpful
Thank you
You are my favourite art materials provider. I just wish you could find a way to deliver Flake White to México 😅
Flake white has a lot of lead. Very toxic….
Incredible lesson thank you so much!
I have one question. I use burnt umber and it dries like a acrylic ! what can I put into it to slow the dry time down ?
Hi Allen, thanks for your kind words, I will pass them along to Lisa. This is quite common for burnt umber. We would suggest adding some linseed oil to the paint, or if you want the paint to have an even slower drying time you can add sunflower oil. We hope this helps. Thanks, the Jackson's Team
Wow
Becoming more and more rare that creators take to time to cover their topic properly, and take the time to do that. Well done for bucking this horrible trend. Earned another sub.
ETA Could have done with a bit more on alkyd paints - which are basically oils with a modified medium. I think you undersold them by saying they were good for under-painting - once you have become familiar with their behaviour they are good for everything, and since they don't have many of the problems of traditional oils, some would say they are actually better all round. Indeed many many users of trad oil use Liquin (the alkyd medium) to help them.
One question, the oil sticks, for fat over lean, are they best for the finishing touches?or can they be used diluted like tubes for underpainting? Thank you!
Hi Kirsten, thanks for your question. The possibilities of using oil sticks are pretty much endless. Oil stick marks can be thinned out or blended with turpentine or linseed oil and mixed with regular oil paint from a tube. More can be read about oil sticks here: www.jacksonsart.com/blog/2019/05/16/oil-stick-vs-oil-pastel/ . Our best, The Jackson's Team
@@JacksonsArtSupplies thank you for that! Can't wait to try..
31:37 Just cut it open! I do this with my watercolour, even the roller can't get every last bit. The Shoulder of the tube buckles out with use making it concave on the inside. Also there's colour in the joints.
I might come off as miser but those things are b*** costly!
Can I use the oil sticks with water soluble oils?
Hi Rosemary, thanks for your question. Oil sticks can be used with water soluble oils. More can be read about oil sticks here: www.jacksonsart.com/blog/2019/05/16/oil-stick-vs-oil-pastel/ . Best, The Jackson's Team
New sub! Liked 😲😁🙏😄
Can I just use a pallet knife instead of a mueller?
50:39 I don't have a fridge!
здравствуйте я могу закачать себе карандаши в россию через ваш сайт?
why your mouth making mich mich sound so annoying .