Twosetviolin is practically monopolising the RUclips music meme game rn and jazztube needs to step up and challenge them for the meme crown Adam should lead the charge
Wait, Adam was on tour? I can't believe that my time has finally come, I was holding it in for so long, but now, I can FINALLY say it, here it goes: COME TO BRAZIL!
People are asking..."okay, but why?" Listen to the music...do you like how it sounds? If you don't like, that's fine, but it made sold out crowds in Boston, NYC, and others flip their shit when they heard it, so I think that's plenty good of a reason to do it. ¯\_(ツ)_/¯
Realtime generated knowledge rules. Encounter something new, recognize the relations in it to things you do know, and suddenly you know the thing even though you never encountered it before.
It reminds me of the jankiness when I had to learn The Mars Volta's _Cotopaxi_ to do a cover for a project. Even though I sequenced up my "band", I still had to sing that shit...11/8, then 4/4, then 9/4 (with the kick drum pounding out dotted eighth notes).
OK I’m only a minute into the video so far, but I have an unshakable feeling that them adding the 420 time signature bit was a sophisticated but subtle dig on you for being too high at your last gig with them 😂
Probably, I understood it perfectly and I was toking through the whole thing. Here's the really short answer: a quarter note is a quarter of a whole note, an eighth note is an eighth of a whole note... extend that logic and a twentieth note is a twentieth of a whole note. You need to use a tuplet to write it, but it's clearly definable with standard notation. Now make a bar that's 4 of those 20th notes. That's a 4/20 bar.
"Mom, Dad.. I need to learn all the ways to make funk music impossible to dance to, I've sent in my application to Berklee you're going to have to pay for it"
Question, how would you analyze IDM duo Autechre’s music if you’re a synesthetic? Their music is really sensory heavy, and I would like to know how you would see it.
@@Gooberjoovies I assume he does not mean the International Trumpet Guild. 😄 (I also even more stringly assume he does not mean the Deutsche Demokratische Republic.) (He probably means the Democratic Dance Republic.)
Hey Adam, I think Dream Theater does something similar on the song "The count of Tuscany" in the second part (starting at 6:59), making the tempo feels like 4/4 + leftovers of the riff
Abner Wilhelm get the feel of 4/4 and 6/4 down solid, then either add a beat or take one away when playing a riff, or even just repeat something when you mess up the timing and keep repeating it and then try to figure out what time it’s in... that’s how I started and a little over half of our songs are in odd time signatures now
You have to listen to it a bunch before it feels natural. I grew up listening to Brubeck’s Take Five, so it’s easier for me. Gonna work on a piano version of Coltrane’s My Favorite Things in 5/4 next year, using a Take Five-style left hand vamp.
Yes, you could. If memory serves, in his piece/video "world of 5 and 7" Manjunath B.C. uses this kind of offset rhythm through konokkol. Though, in his case the beat stays consistent and only the melody becomes offset by 1/20, rather than having an irregular meter as in the guys' case in this video.
You can but it's missing the modulation aspect. The original 6/4 rhythm would be counted that way but after the modulation they're treating the groupings of 5 as quarter notes, technically making them groupings of 4. That's why there was the weird group of 3.2 left over, which you'd have to speak as three syllables followed by a fifth of a syllable somehow. I think this approach would still be a viable way to learn the meter though, if you got the length of the "ta-di-gi-na-ka" ingrained well enough to the point where you could accurately keep time by only marking the "ta" and leaving the rest silent. Then you'd have to learn how to feel a 4/4 backbeat there while keeping that pulse consistent at the exact same rate but keeping the "ta-ka-di-mi" at the end at the original pace. Did any of that make sense? I'm vaguely aware of that system of counting but not well enough to know if an explanation like that is helpful to someone well versed in it. If you're familiar with polyrhythms another way to say it is that if you take a 5:4 polyrhythm you'd count the ta-di-gi-na-ka as the 5 but actually be playing the 4 instead, then at the end of the part switch back to playing the 5 but return to the downbeat after only four of the tuplets.
@@TheSquareOnes You could replace the ta di gi na ton (fives) for ta ka di mi (fours) in the modulated rhythm with matching "tas" or accented notes. But when it comes to the 3.2 sixteenths...well
I distinctly remember a Hard Times article about a Stoner Metal band attempting to write a song in 4/20. They claimed it was impossible. They were wrong.
ahhhhh god- okay so after playing with time signatures for atleast a year now i now understand how this works! and im also now quite the fan of this concept. in fact if i were the one making this modulation i would have thought of it as a bar of "4.8/4", the 0.8 being the "4/20" in the video. i might play with that 6/4 rhythm in the video as well, maybe even modulating from 5/4. anyways im rambling have fun
Adam: "Nested triplets within quintuplets! Irrational time signatures! 3.2 Sixteenth Notes!" Me: *still stuck at **0:56** trying to read that bass line* Me: "Ight imma head out"
Hey Adam ! i was wondering what microtonality is and how i could possibly incluse it in my compositions and i also wonder if you could explain what stochasticism is . Keep up the great videos !
The thing that amuses me the most here is that your band is speaking a language that few people are at all interested in and even fewer people truly understand...and you’re all so fluent that you can make jokes about “nesting a triplet in 4/20”. That means nothing to the bulk of humanity and it’s an inside joke to you guys. That’s fn amazing thank you
I created this concept over 30 years ago. I would have called this one you're covering 5:4-1. This means that I subdivide the note into 5 but only have it last for 4 of those subdivisions. I sometimes used the concept for example as 3:2-1 or 3:2+1. You just have to suddenly shift to a triplet feel (easy to conceive) but just subtract or add a third for that beat. But saying 4/20 implies there is such a thing as a 20th note. If you use 16ths, then there is no 20th note necessary, just a measure divided into 20 equal parts. The concept of the denominator being other than binary was explored by Henry Cowell, but that is only for notation purposes. In traditional notation you only need to notate it as 20:16, or more simply 4 groups of 5:4. It all depends upon whether the performer can read the score or whether he is playing solely by ear. But creating a bottom number of 20 or anything non-binary is patently silly for written music notation.
:-) That went quite a ways over my head for much of the time. Good! When you throw a stick for the dog to fetch, it's good if it flies over his head. More fun in the long term. Important point that the theory was necessary for analysis, not for construction (or from direct perturbation of the intrigue molecule that sometimes gets stuck in one's brain cavity.)
Instead of a measure of 4:4 and a measure of 4:20 can't you convey the same idea using Carlos Chavez's fractional time signature notation writing the whole thing as a measure of (4 4/5):4?
Amazing video! Really loved the groove of the tune! Someone like Thomas Ades would probably be tempted to write it as alternating bars of 4/4 and 1/5 (not so much of a ring to it, alas) - obviously, when this is written out, you don't need to nest any tuplets (visually) as they'd just be three in the space of one and the would-be 4 quintuplets would be written as plain 16th notes (as they might have been at 5:31 in this video - but I can see why you wrote it this way for demonstration purposes).
Couldn’t you also write the time signature as 2/10? Or 1/5 for that matter? Cause a 10th note would just be instead of a 16th note quintuplet, an 8th note quintuplet, and a 5th note would be a quarter note quintuplet? You could just write a measure of 4/4, and then a measure of 1/5.
jo guys sick job! and cool that it tourned out to be 420 rather than you writing it that way. a friend and I made some experimentations as well, check out our first foray into oddness: /watch?v=wqyNILzWkCI and let us know what you think!
This is the most logical way I can think of it. Have a song with a groove with 15 notes. Then play the groove in eighth note 9lets. Do a full pattern in 4/4 and that leaves 6 notes to be placed. Then to place the notes add a time signature of 6/9.
Why would you do metric modulations? Cause if every part of the measure is being changed equally, wouldn't you just pick up the tempo? I don't know if there's something I'm missing so let me know.
Arnold Schoenberg: In the future schoolchildren will whistle twelve-tone melodies. Brian Ferneyhough: In the future 30-year old jazz musicians will jam using nested triplets inside beats of four sixteenth-note quintuplets. Adam Neely: Present.
just thinking to myself..."i haven't seen a video with a fucked up time signature for a while"
ruclips.net/video/6WOZsv6v1Q0/видео.html
31/32
Thought I’d share
@@elecboy5126 pure insanity
samet here
24/20 (or 6/5) time sigs be like... "how about the 20/20 become a 4/4? then *4/20* is left"
mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm
Time signatures will never make any fucking sense to me and I don't understand why people even discuss it.
"We were watching numberphile and were like what if we applied this to music."
Top tier quote
I was so stoked for the numberphile shout out.
This channel really hits me in a niche way.
play the lick in 4/20
do do do do doo do doooo
Do-do do-do doo-do-duuuuude.
It shouldn't sound any different.
Dooo dooo dooo dooo dooo dooo dooo(bie)
Do it anyway
Neely Fans: Love your anti clickbait titles
Adam Neely in return: 69 Chords and 420 Time Signatures ;D
aint gonna like this comment cos its gonna ruin the 69 likes
N I C E
p a n g e a
we all seem to share the opinion that jazz needs more memes
RDVMusic absolutely
Jazz is just music-meme-music!
*Rick Beato left the chat*
Twosetviolin is practically monopolising the RUclips music meme game rn and jazztube needs to step up and challenge them for the meme crown
Adam should lead the charge
Pick the right breakcore song and you get all jazz shit posting
Wait, Adam was on tour? I can't believe that my time has finally come, I was holding it in for so long, but now, I can FINALLY say it, here it goes: COME TO BRAZIL!
Tá na hora
People are asking..."okay, but why?" Listen to the music...do you like how it sounds? If you don't like, that's fine, but it made sold out crowds in Boston, NYC, and others flip their shit when they heard it, so I think that's plenty good of a reason to do it. ¯\_(ツ)_/¯
It was crazy to feel when you all modulated with two drumsets. The entire song was just crazy.
5 dislikes are from people who shit their pants when they heard it
Amazing! It’s a lot to take in but listening to it, it was great!
I definitely flipped my shit when I heard it. One of the best experiences I've ever had!
I was there, and I can confirm that it was very cool
This is inadvertently an incredibly good follow-up to "Play Sober"
“In 2020 we will have flying cars”
2020:
Bro
Rudy Ayoub you didn't even need to watch the video
Bruh
Did you write this comment, bro?
Write something else
this is better and more advanced than flying cars
“Meme time signature”
Hey, if it bops, it bops.
"we were watching numberphile and decided to apply it in a musical context" ahahaha
Timestamp for anyone who's here 9:10 (esp Brady)
I’m so glad those guys watch Numberphile. It totally validated my life.
Plus the guy in the embedded video is wearing a Wintergaten Marble Machine X t-shirt.
@@michaelact no way, that's crazy
I love pretending I know what he’s talking about and feel like I’ve gained some knowledge topic when really I won’t remember anything
Realtime generated knowledge rules.
Encounter something new, recognize the relations in it to things you do know, and suddenly you know the thing even though you never encountered it before.
That's why you come back to it in the spirit of RUclips
Finally I can make a song in 4/20 with 69 chords
Am69
@@ShirubaGin fbi open up
6/9*
Also using Eb11 chords
Nice
The fact, that this tour wasn't called Sarangazer, still makes me depressed.
They had t shirts with "shubhgazer 2019" on the front!
#shubhgazer2019
Please don't get too wrapped up over it. Practice your Tupperlets instead.
Yeah, Adam, you totally need to be a guest on numberphile.
Ooh. I would love that. Go suggest it to Brady.
backing that so much !
somebody tweet brady now
PLEASEEE ! I WANT THIS SO BAD! :D
This comment has 420 likes right now, so I'm going to leave it be
Just got free guitar strings at guitar center for saying "BASS" loudly cuz the guy behind the counter was talking about Adam neeeeeely
Dude I’d have trouble with that rhythm stone cold sober
Oliver Nye lol thanks
Well I mean you are supposed to blaze it so
It reminds me of the jankiness when I had to learn The Mars Volta's _Cotopaxi_ to do a cover for a project. Even though I sequenced up my "band", I still had to sing that shit...11/8, then 4/4, then 9/4 (with the kick drum pounding out dotted eighth notes).
Mal-2 KSC bro that’s nuts
Vigilance Brandon hey nice like count
Most of this footage was taken from the MA show where weed is legal. Thought I’d throw that out there.
Shubh's music sounds pretty great to me :-)
You guys should watch any WTF Grooves videos on RUclips. Trust me, there are weird time signatures and interesting stuff to play along.
Me too
David? Wait so the composers of RUclips watch each other? :o
Slip is top tier, but I didn't manage to find others at that level. Any recommendations?
9:10 - "We were watching Numberphile and came up with it"
Unscripted gold
No one:
Adam: pi/69 time signature
it technically is possible that means each bar would be (4*pi)/69 beats long.
If Nancarrow could do it, the rest of us can too
Wouldn’t that be an infinite song tho since Pi is an infinite number?
@@dev4965 No just because each bar is irrational or repeats forever does not mean that it would be an infinite song.
You could do a 201/64, but i think a 22/7 while also being more accurate would be very interesting.
9:17 "watching numberphile and applying it in the music context"
I had a suspicion
"I'm friends with Adam Neeley and I keep telling him he should stop this"
This is the lamest Monk tune.
Amazing video!!
Ok
Nahre Sol!
@@GoviaM how did tou get that quaver next to your name?
@@1976kanthi distrokid
OK I’m only a minute into the video so far, but I have an unshakable feeling that them adding the 420 time signature bit was a sophisticated but subtle dig on you for being too high at your last gig with them 😂
Crazy that it came about organically, right?
I’m pretty sure it is lol bc if you notice at 5:24 the drummer is playing improvised nonsense I think as a nod to Adam haha
watching this on 4/20 in the month of 4/20, what a time to be alive
I didn't understand this because I'm high.
Jokes,
It's because I suck at music theory.
Love,
Cat
honestly i don't even know why I watch these videos, 90% of the time i have no idea what he's talking about
this is poetry
I lov u cat
@@arthurfranca5516 I love you too!
Probably, I understood it perfectly and I was toking through the whole thing.
Here's the really short answer: a quarter note is a quarter of a whole note, an eighth note is an eighth of a whole note... extend that logic and a twentieth note is a twentieth of a whole note. You need to use a tuplet to write it, but it's clearly definable with standard notation. Now make a bar that's 4 of those 20th notes. That's a 4/20 bar.
Was lucky enough to hear Shubh live in Mumbai-India
"Mom, Dad.. I need to learn all the ways to make funk music impossible to dance to, I've sent in my application to Berklee you're going to have to pay for it"
Canning Factory Funny. Nobody’s ever danced to anything I’ve played. Does that make me a genius?
Thought not.
Some how I didn’t notice that 4/20 time signature was a meme at the beginning and I was like “ok this is some more geeky music facts”
*“eyyyyy lmao”*
-Adam Neely
Lol timestamp?
420:69
@@DownUFO nice
@@DownUFO NICE
Question, how would you analyze IDM duo Autechre’s music if you’re a synesthetic? Their music is really sensory heavy, and I would like to know how you would see it.
Should have waited to post this on 4/20/20 at 4:20 pm
We don't have 20 months
AlsusGaming the us is backwards
AlsusGaming sorry I live in the US. We’re rebels. We use Fahrenheit, Inches, and write our dates out of order because ‘MURICA 🍻🇺🇸🦅
He missed his chance.
@@joshevans3323 twas a joke
4/20 time signature? This is the reefer madness they tried to warn us about.
“20th notes if you’re feeling saucy, but nobody would actually call them that.”
*looks at the DDR and ITG community*
That made me laugh as a drum corps enthusiast
I never thought I would see mention of DDR, ITG, and Drum Corps in the same video comment thread but here we are
@@Gooberjoovies I assume he does not mean the International Trumpet Guild. 😄
(I also even more stringly assume he does not mean the Deutsche Demokratische Republic.)
(He probably means the Democratic Dance Republic.)
Hey Adam, I think Dream Theater does something similar on the song "The count of Tuscany" in the second part (starting at 6:59), making the tempo feels like 4/4 + leftovers of the riff
I think you can just see that as regular 9/8 measures tho
I know where the pulse is, it's simple. Just look at when ppl headbang.
*laughs in speedcore*
Numberphile!
One of my favorite channels for years.
I can’t even think of how to write anything in 5/4 and people are doing this
Abner Wilhelm get the feel of 4/4 and 6/4 down solid, then either add a beat or take one away when playing a riff, or even just repeat something when you mess up the timing and keep repeating it and then try to figure out what time it’s in... that’s how I started and a little over half of our songs are in odd time signatures now
There's always the ol' 3+3+2 "5/4 clave" from the Mission Impossible theme and also every other song trying to sound like spy music!
Try counting to 5
The main theme to the Halloween film series
Living In The Past - Jethro Tull
You have to listen to it a bunch before it feels natural. I grew up listening to Brubeck’s Take Five, so it’s easier for me. Gonna work on a piano version of Coltrane’s My Favorite Things in 5/4 next year, using a Take Five-style left hand vamp.
I was there!!!
I'm technically in frame at 9:38 lol
4️⃣2️⃣0️⃣
Aberdeen how is this comment from 45 mins ago when the video is 10 minutes old
Abner Wilhelm 🧙♂️
Is there a recording of that version of slip cause god damn that sounds good
Could you also do: "Ta-Di-Gi-Na-Ka, Ta-Di-Gi-Na-Ka, Ta-Di-Gi-Na-Ka,Ta-Di-Gi-Na-Ka, Ta-Ka-Di-Mi"?
Yes, you could. If memory serves, in his piece/video "world of 5 and 7" Manjunath B.C. uses this kind of offset rhythm through konokkol. Though, in his case the beat stays consistent and only the melody becomes offset by 1/20, rather than having an irregular meter as in the guys' case in this video.
You can but it's missing the modulation aspect. The original 6/4 rhythm would be counted that way but after the modulation they're treating the groupings of 5 as quarter notes, technically making them groupings of 4. That's why there was the weird group of 3.2 left over, which you'd have to speak as three syllables followed by a fifth of a syllable somehow.
I think this approach would still be a viable way to learn the meter though, if you got the length of the "ta-di-gi-na-ka" ingrained well enough to the point where you could accurately keep time by only marking the "ta" and leaving the rest silent. Then you'd have to learn how to feel a 4/4 backbeat there while keeping that pulse consistent at the exact same rate but keeping the "ta-ka-di-mi" at the end at the original pace.
Did any of that make sense? I'm vaguely aware of that system of counting but not well enough to know if an explanation like that is helpful to someone well versed in it. If you're familiar with polyrhythms another way to say it is that if you take a 5:4 polyrhythm you'd count the ta-di-gi-na-ka as the 5 but actually be playing the 4 instead, then at the end of the part switch back to playing the 5 but return to the downbeat after only four of the tuplets.
@@TheSquareOnes You could replace the ta di gi na ton (fives) for ta ka di mi (fours) in the modulated rhythm with matching "tas" or accented notes. But when it comes to the 3.2 sixteenths...well
I distinctly remember a Hard Times article about a Stoner Metal band attempting to write a song in 4/20. They claimed it was impossible. They were wrong.
Lol that's pretty great.
4:20 This is the part you were looking for.
4:32
A = 432
Checkmate, stoners
Ha! It actually is!
This is amazing timing
It's always 4:20 somewhere.
this cannot have been deliberate!!
ahhhhh god- okay so after playing with time signatures for atleast a year now i now understand how this works! and im also now quite the fan of this concept. in fact if i were the one making this modulation i would have thought of it as a bar of "4.8/4", the 0.8 being the "4/20" in the video. i might play with that 6/4 rhythm in the video as well, maybe even modulating from 5/4. anyways im rambling have fun
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Nice
69 likes on this comment
Hey, I'm a high school music teacher, I resent that last remark lol
Adam: "Nested triplets within quintuplets! Irrational time signatures! 3.2 Sixteenth Notes!"
Me: *still stuck at **0:56** trying to read that bass line*
Me: "Ight imma head out"
They are called numbers for an unreason.
The drums sound like something Richard Christy would play
Yes... Very Spirit Crushery!
Hey Adam ! i was wondering what microtonality is and how i could possibly incluse it in my compositions and i also wonder if you could explain what stochasticism is . Keep up the great videos !
ruclips.net/video/Pn2FIQ2Ps94/видео.html
This is my favorite video on the subject.
Andy Chamberlain Music (criminally undersubscribed channel) has some fantastic videos on this.
thanks guys
The thing that amuses me the most here is that your band is speaking a language that few people are at all interested in and even fewer people truly understand...and you’re all so fluent that you can make jokes about “nesting a triplet in 4/20”. That means nothing to the bulk of humanity and it’s an inside joke to you guys. That’s fn amazing thank you
So, you are saying that half the measures are in 4/4. Easy!
I created this concept over 30 years ago. I would have called this one you're covering 5:4-1. This means that I subdivide the note into 5 but only have it last for 4 of those subdivisions. I sometimes used the concept for example as 3:2-1 or 3:2+1. You just have to suddenly shift to a triplet feel (easy to conceive) but just subtract or add a third for that beat. But saying 4/20 implies there is such a thing as a 20th note. If you use 16ths, then there is no 20th note necessary, just a measure divided into 20 equal parts. The concept of the denominator being other than binary was explored by Henry Cowell, but that is only for notation purposes. In traditional notation you only need to notate it as 20:16, or more simply 4 groups of 5:4. It all depends upon whether the performer can read the score or whether he is playing solely by ear. But creating a bottom number of 20 or anything non-binary is patently silly for written music notation.
Great! Now lets make music in 4/20 with 7 11 polyrhythm
:-) That went quite a ways over my head for much of the time.
Good! When you throw a stick for the dog to fetch, it's good if it flies over his head. More fun in the long term.
Important point that the theory was necessary for analysis, not for construction (or from direct perturbation of the intrigue molecule that sometimes gets stuck in one's brain cavity.)
2:26 Name of the song plz 🙏🏼🙏🏼🙏🏼
Instead of a measure of 4:4 and a measure of 4:20 can't you convey the same idea using Carlos Chavez's fractional time signature notation writing the whole thing as a measure of (4 4/5):4?
I like that! Makes it clearer that it's a runt beat, I think.
“I was watching Numberphile and was like ‘how about I apply this in a musical context’”
That absolute chad
Amazing video! Really loved the groove of the tune! Someone like Thomas Ades would probably be tempted to write it as alternating bars of 4/4 and 1/5 (not so much of a ring to it, alas) - obviously, when this is written out, you don't need to nest any tuplets (visually) as they'd just be three in the space of one and the would-be 4 quintuplets would be written as plain 16th notes (as they might have been at 5:31 in this video - but I can see why you wrote it this way for demonstration purposes).
6:53 he stands knowing it's his time to shine
I’ve always been a person that likes a little runt beat at the end.
Adam: nested tuplets
*Frank Zappa wants to know your location*
The Black Page Type Beat
your that smart friend who can relate everything back to weed 😂
I'm still waiting for this version to be on Spotify...
What's the name of the song which was used for the half-time example at 2:17? It sounds amazing!
PLEASE let me know - I looked through the youtube vids on Saran's channel but couldn't identify it.
@@Arkk0n Same here I also checked his spotify. Maybe it's a live only version?
That 6/4 time bass line feels like it’s trucking along with a flat tire
There is no way anyone takes 4/20 time seriously lmao
They didn't even know it could be interpreted as 4/20 before Adam explained it to them.
Michael lmao right?
Ah yes, just put a triplet in a quintuplet on 4/20 that Will work
Couldn’t you also write the time signature as 2/10? Or 1/5 for that matter? Cause a 10th note would just be instead of a 16th note quintuplet, an 8th note quintuplet, and a 5th note would be a quarter note quintuplet? You could just write a measure of 4/4, and then a measure of 1/5.
What a cool thing! It's extraordinary how all of this came out from improvisation and not "calculations"
jo guys sick job! and cool that it tourned out to be 420 rather than you writing it that way.
a friend and I made some experimentations as well,
check out our first foray into oddness: /watch?v=wqyNILzWkCI
and let us know what you think!
Amusingly, this sounds EXACTLY what I would expect a stoner trying to play would sound like.
Crazy stuff, sounds awesome though. I'm glad you made the point that the complex theory is just used to explain a cool sound they wanted to make
im stoned guys
nice. But can you play a song in 4/20 time signature with nothing but 4 20th notes at 420bpm on April 20th with a drunk feel to it?
Now we need 6/9 time signatures
I want me some 20th notes
The time signature: "4/20"
Musicians memers: "allow me to introduce myself"
This-------->
😐
My head
Nice. Love the concepts and example that it comes from!
Just a heads up Adam, video goes a little wonky at 9:00 with the score.
It also just so happened that you were high when you had to play a song with a 4/20 time signature.
I guess you could say it’s a “Nice” song
Just a SIMPLE METRIC MODULATION. For CAR BOMB!!
That has got to be the most pretentious van in existence!
Bit harsh.
@@dentoncrimescene it's just a joke, I love these guys
What it you played a measure of 4/20 and played a vi chord with an added 9th?
how long now before we get a 6/9 time signature
69/420
This is the most logical way I can think of it. Have a song with a groove with 15 notes. Then play the groove in eighth note 9lets. Do a full pattern in 4/4 and that leaves 6 notes to be placed. Then to place the notes add a time signature of 6/9.
Anybody have a video of the whole song?
EDIT: ruclips.net/video/GDex8V8I4uo/видео.html
them: music is my anti-drug
me, an intellectual:
There was a time when I thought I could catch up to Adam in music theory. This video is hard facts otherwise.
Some music breaks notation to the point that "dun-duh-da" is an easier representation of how to play it.
Much jazz. Very wow.
Why would you do metric modulations? Cause if every part of the measure is being changed equally, wouldn't you just pick up the tempo? I don't know if there's something I'm missing so let me know.
Because it's hip
"let's get into it"
Come on, you should've said, "let's blaze it" heuheuheuhuh
4/20 and 6/9: *exists*
Music memers: *_I can milk you._*
Adam, you should play with Davie504.
Arnold Schoenberg: In the future schoolchildren will whistle twelve-tone melodies.
Brian Ferneyhough: In the future 30-year old jazz musicians will jam using nested triplets inside beats of four sixteenth-note quintuplets.
Adam Neely: Present.
Question for your next Q&A:
What would a 6/9 or 7/11 time signature be?
When I searched up weed bar this wasn't what I was expecting...
It would've been funny if when you said "why did you choose 4/20" he said "you"
I think now it's time to play 3 sixth chords in 6/66 in 66.6 bpm