Vivaldi - La fida ninfa | Part 1 | ZaterdagMatinee
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- Опубликовано: 22 апр 2015
- Laat je betoveren door de uitvoering van Vivaldi's 'La fida ninfa' door La Cetra, Barockorchester Basel onder leiding van Andrea Marcon. Dit bijzondere optreden, met de Nederlandse première van het werk, vond plaats op 18 april 2015 in het Concertgebouw Amsterdam. Abonneer op dit kanaal: bit.ly/3FGTYP6
Bekijk hier alle ZaterdagMatinee video’s: • NTR ZaterdagMatinee
De vocale pracht wordt geleverd door getalenteerde solisten, waaronder María Espada, Roberta Invernizzi, Romina Basso, Franziska Gottwald, Topi Lehtipuu, Carlos Mena, Ismael Arróniz en Luca Tittoto.
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I’m so happy to have found this! I can’t thank you enough. The arias in this opera are my favorite Vivaldi’s.
Orquestra e cantores impressionantes. Eis um Vivaldi soando belo, harmônico,, com rítmo tempo e fiigurações bons de escutar.
Bellissima opera di Vivaldi e magnificamente eseguita. Magnifici Tittoto, Espada e Invernizzi.
0:08:11 Chi dal cielo, o dalla sorte
0:12:40 Dolce fiamma del mio petto
0:35:16 Alma oppressa
1:22:08
Ami la donna imbelle,
cui non dieder le stelle
alma capace d'altro che d'amor:
ma l'uom nato a gran cose
sdegni cure amorose,
ed abbia sol nel seno ira, e valor.
Amo Vivaldi, mi delizia l'alma e il cor
The Nymph is an allegory on marriage, love and the commitments of sentimental fidelity. The story takes place on the island of Naxos in the Aegean sea in ancient Greece.Vivaldi's sublime music goes beyond the limits of the text. First performed for the opening of the Teatro Filarmonico in Verona on 6 January 1732The melodrama was then staged by the Imperial Court of Vienna in 1737, in a performance given under the title The Happy Day. It was later forgotten and no longer represented until 1958 at the Théâtre des Champs-Élysées in Paris and in 1962 at the Piccola Scala in Milan directed by Nino Sanzogno. Thank you for this wonderful post.
Watched this and I must say Roberta Invernizzi is impressing. Her legato and range is so fantastic in Dolce fiamma.
Amaging concert!!!! 35:16 - 40:08 FANTASTIC!!!!!!
Vivaldi sera toujours le plus moderne des anciens !
Geweldig om het nogmaals te kunnen beleven! Hartelijk dank ZaterdagMatinee. Het was weer top! Wat een feest ondanks de tragische geschiedenis met het happy end.
1.03.00: Stunnig Aria...
Ah ch'io non posso lasciar d'amare
quel dolce foco, che 'l cor m'accende.
Son troppo belle, son troppo care
l'accese luci del mio bel sole,
e sento trarmi dov'egli vuole
da certa forza, che non s'intende.
Marvelous music and words, great performer...
What an exceptional orchestra!
OBERTURA Allegro-Andante Molto-Allegro [Sinfonía de Bajazet, RV 703, 1735]
ACTO I
Escena 1
Recitativo: "Qual mai signor, degno compeso" [Morasto, Oralto]
Aria: "Chi dal cielo" [Oralto]
Escena 2
Recitativo: "O mia diletta Sciro [Morasto]
Aria: "Dolce fiamma del mio petto [Morasto]
Escena 3
Recitativo: "Ciò ch'io ti dico è vero" [Elpina, Osmino]
Dúo: "Dimmi, pastore" [Elpina, Osmino]
Escena 4
Aria: "Selve annose [Licori]
Recitativo: "Questo dunque è 'l giori" [Licori, Narete]
Escena 5
Recitativo: "Eccoli al fine" [Morasto, Narete]
Escena 6
Recitativo: "Deh come volontier" [Elpina, Morasto]
Escena 7
Recitativo: "Egli sen va" [Elpina]
Aria: "Aure lievi, che spirate" [Elpina]
Escena 8
Recitativo: "Troppo disconverrebbe" [Osmino, Licori]
Escena 9
Recitativo: "Or ecco ch'egli è pur qui" [Elpina, Licori, Osmino]
Aria: "Alma Oppressa [Locori]
Escena 10
Recitativo: "Odi Morasto: a colei vanne [Oralto, Morasto]
Aria: "Cor ritroso, che non consente" [Oralto]
Escena 11
Recitativo: "In cor villano amore" [Morasto]
Aria: "Dimmi Amore" [Morasto]
Escena 12
Recitativo: "Vieni, gran meraviglia" [Narete, Licori, Elpina]
Terceto: "S'egli è ver che la sua rota" [Licori, Elpina, Narete]
ACTO II
Escena 1
Recitativo: "Ne la tenera etade amor provai" [Morasto, Licori]
Aria: "Il mio core a chi la diede" [Licori]
Escena 2
Recitativo: "Si di legger t'adiri?" [Osmino, Elpina]
Aria: "Egli é vano dirmi ognora" [Elpina]
Escena 3
Recitativo: "Questo non già" [Elpina, Osmino]
Aria: "Ah ch io non posso" [Osmino]
Escena 4
Recitativo: "Deh s'egli 'e vero" [Narete, Oralto]
Aria: " Deh ti piega, deh consenti" [Narete]
Escena 5
Recitativo: "O fortunata schiavitù" [Licori, Osmino]
Aria: "Amor mio, la cruda sorte" [Licori]
Escena 6
Recitativo: "Io pensar ben potea" [Oralto, Morasto]
Aria: "A mi la donna imbelle" [Oralto]
Escena 7
Recitativo: "Mio cor, non è piè tempo" [Morasto, Licori]
Pablo 님의 글 고맙습니다.
Gracias amigo.
"Aure lievi che spirate" part B makes me shiver everytime I listen to it, I am addicted.
Great performance overall. My only complaint is that María Espada didn't even try to sing the coloratura passages...
Wonderful!!!!! Thanks for uploading!!!!!!!!!!!!
Bellissima.
magnifique
Magnifico maravilloso música del cielo dolo del gran maestro y compositor VIVA VIVALDI
48m08
S'egli è ver che la sua rota
giri e volga la fortuna,
fissa ancor ne' nostri danni
rimaner più non potrà.
Tempo è ben che si riscuota
quel destin che ad una ad una
le sventure per tant'anni
contra noi vibrando va.
Todo bello, bello, increíblemente bello
16:24 6 gennaio 1732 venne rappresentata x l inaugurazione del Teatro Filarmonico di Verona fatto erigere dall Accademia veronese da Francesco Galli Bibiena che ne curò anche l allestimento.Vivaldi compose le musiche su libretto di Scipione Maffei.
Grazie ❤ x la condivisione
Natural horns!! :O
Where is Sandrine Piau?
I
In the cast of Naive Classique edition ;)
1:03:13 = RV 702
Nuostabu😊
35:16 alma oppressa
Alma oppressa da sorte crudele
pensa invan mitigar il dolore
con amore, ch'è un altro dolor.
Deh raccogli al pensiero le vele,
e se folle non sei, ti dia pena
la catena del piè non del cor.
E se folle non sei, ti dia pena la catena che vogliono imporci con il Covid, togliendoci la libertà
@@salvinom.7832 Grazie!
Chi dal cielo 08:10
That use of the hand stopping is valid in Italy of the1732 year?
No but it is in 2017 in Amsterdam.
Folies. Espagne : ok! Then, let's throw away those primitive horns and let us use a new radiant modern one!... Ah! And to the dump that bones can and let's start playing a new Yamaha low budget synth keyboard... And of course, drop away those expensive singers and players and substitute them with markets vendors!
I was there in Het Concertgebouw and did not bother about authenic practices. Just enjoyed the live concert as it was offered 15 meter in front of me. Let's be honest if you like to be authenic, the Concertgebouw from the 19th century is not a place for early music to start with.
Folies. Espagne it's not about authentic practices, dear Folies. All is about to play the instruments correctly. Two humble examples: the famous Telemann first German concerto composer for trumpet sounds great played in a modern instrument, but if you use a baroque trumpet, that concert shines in new ways you would prefer, but only if you use the techniques that belongs specifically to that instrument. 2nd example. The vibrato used in Baroque time compositions. If you attend the composer thoughts about those large vowels (like in Handel's "Eternal source" for example) your mind has 2 options: without vibrato use: "oh God! There's an angel who is taking me to the Heaven!". With vibrato: " Ladies and gentlemen: we are having turbulences in this flight! Fasten your seals tightly! ".
In other words. If you use an instrument correctly, you match composer's musical spirit and audience's desire professionally.
:-) I cannot deny that you convinced me with both examples but that might be because I hate vibrato in baroque performances and love the excitement of a difficult instrument in a live performance without thinking what the composer might have intended. The audience's desire so to say is a strong argument but that will be coloured by the expectations (experience and knowledge) of the listener.
29:12
where is Romina Basso???
in the second part..... definitely not enough of her!
She sung as Giunone... only the licenza finale :(
So, singers could sing with vibrato but string players did not use vibrato in the olden days? Odd.
violinhunter2 I think it was not that much vibrato in the singing compared to many performances of operas by Händel in the Italian opera style. I hate vibrato singing for early music but I enjoyed this performance from the beginning till the end. Perhaps because the violins were really outstanding smooth and silky as my neighbor in Het Concertgebouw suggested? .
+Giovanni Battista Vivaldi Interesting! So Marcon seems to follow the interpretation of the old days.