His complete disregard for appropriate instrumental writing and balance is startling. But it's consistent with his orchestral writing, which is much like this on a larger scale, so even more opaque. Almost impossible to play in tune under these circumstances
@@toothlesstoe I consider Sorabji the precursor to Brian Ferneyhough in many aspects. They both write idiomatically for instruments, and it's the player's part to rise to the challenge.
@@toothlesstoe On a harmonic invention level, I agree. As a performer learning to play Ferneyhough, I find the concept of it fascinating, but on a purely executive level, many details gets lost.
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
i lovesorabji and delius!
Alexander, God bless you for taping this in such good quality and for hanging onto it all these years and making it available.
Thank you SO much...may be the only surviving recording of the piece
It is!!!
I’ve looked for this piece everywhere but found nothing. This is very likely the only surviving recording of this piece
@@themoonfleesthroughclouds ther eis a new one
I love this wonderful work!
Thanks man!!!! I searched but not find it and now i find it in my recommended list.
Это прекрасно!!!
Thank you for uploading this masterpiece!
I cannot look at the first image of the video: every time i see it I can't unsee the dame da ne meme i did on it rip
sorj 😳
How on Earth did you get a hold of this recording?
It was broadcast in Philadelphia in 1982, and I recorded it.
!
@@BernardvanDierenFan well done
ol
His complete disregard for appropriate instrumental writing and balance is startling. But it's consistent with his orchestral writing, which is much like this on a larger scale, so even more opaque. Almost impossible to play in tune under these circumstances
There's no such thing as "appropriate" when it comes to musical composition, except when said composer is satisfied with the end result.
@@toothlesstoe I consider Sorabji the precursor to Brian Ferneyhough in many aspects. They both write idiomatically for instruments, and it's the player's part to rise to the challenge.
@@Kethvan
Except I find Sorabji infinitely more captivating than Ferneyhough in every regard.
@@toothlesstoe On a harmonic invention level, I agree. As a performer learning to play Ferneyhough, I find the concept of it fascinating, but on a purely executive level, many details gets lost.
okay