3 Diminished Dominant Licks That Actually Lay Well On Trombone

[@unpeople]

This is perfect… I just happen to be a trombone player, and happen to be working on diminished language, and I wandered across this video 15 minutes after it went live. It's fate!

[@jameshopkins8205]

You are a great teacher. I hear these things in solos others play but now i hear them and know what they are. Thank you.

[@Pooter-it4yg]

Quick trick if you're at sea with alt scale geography. If you know your whole tone scales (all two of them, just depends where you start) all you have to do to get the alt is split the 9th (2nd) in half - lower and raise it. You can also see the alt scale as the bottom part of the half-whole scale and the top part of the whole tone scale. The root, b9, #9, 3 and #11 are in the half-whole and the 3, #11, b13 b7 and root are in the whole tone. 3 and #11 are in both (as well as root, obviously).

[@sidneylutara9786]

Thx Shawn.❤

[@paulrodberg]

Thank you so much for “dis-covering” the hiding jewels. Your teaching is filled with generosity and and caring.

[@ShawnBellMusic]

Thanks for the kind words and for the checking out the channel.

[@francisj.opolko3728]

Thanks for this explanation!

[@jefframey9561]

Very tasty! Thank you for this❤

[@danparker8254]

These half/whole are also slide position patterns G7(b9), 4-3,5-4,5-4,5-4,4-3.

[@ShawnBellMusic]

I have honestly never thought of that before. I'm going to have to give it a try to see if I can find some ideas that take advantage of those alternates.

[@danparker8254]

And consequentially the other 2 of these scales can be manifestations with a starting points of 3-2 … and 2-1…?

[@Lucaschevasco]

Excelente! gracias!