استاد نوری ممنون نکاتی در مدتی کوتاه از شما یاد گرفتم که بعد از بیست سال بهترین نکات و کار امد ترین نکات بود .خصوصا ئر مورد نحوه صحیح مضراب .امیدوارم این اموزشها تداوم داشته باشد و همیشه سلامت باشید .چون واقعا کسانی هستن که عاشق تار اند ولی امکان و یا هزینه کلاس را ندارند .ممنون از اینکه نتیجه سالیان سال تجربه ای را که به زحمت بسیار به دست آوردید به رایگان می بخشید.
Mersi Armin jan, Omidvar budam oon ghate Dokhtarake julide ostad vaziri ro ke ba ham dar Hannover zadim ro mishod inja bezaram, amma darigh az keifiate zabte dustan!!, take care
@BukurDava Thank you so much for your nice comment and happy to hear that this music could bring you joy and happiness. Keep in touch, I will upload more stuffs very soon. Best, Ali
@pirsok1 , for this kind of eshareh you should only use your mezrab, which actually in this case means that you gently start riz on Mi and then finish your last mezrab on Re koron on Zard. Another good way to make that Eshareh sound is to use your 3rd finger and hit it on Zard to make that sound on Re koron. I usually combine both!, best ali
Many thanks Afsoos jan for your nice comment. Yes, that is mine, but for me it is more like a form than an invariable piece (ghate). So, I play this form in different modes and even in chahargah, I may go to Hessar and other gooshe, as well.
You channel brought me so much happines this evening !! Thank you a lot for your improvisations...i`m an fan of persian traditional music. Thank you once again !
@shedmeraked Hi there, the name of this book is " Radif Mirza Abdollah" by Dariush Talaei, published by "Farhang Moaser" Press. I have the Persian version, but I think there is an English version, too. Take care
@Qwerti60: She is a true young master of Tar and Setar!, Of course, I know her. Her playing style is different than mine, and because of fast movements, there is normally little space for using the natural resonance of the bowl. BTW, she is fantastic!
@pirsok1 Many thanks for your comment. I did not understand your question!, If you mean the scale of chahrgah, what I played in this video is Chahargah Do (C), and the scale is Sol (G), La (A) koron, Si (B), Do (C), Re (D) koron, Mi (E), Fa (F), Sol (G) Fingering could be very different based on the melody or goosheh you play and your hand positions in upper, middle or lower neck. I explained some of the common fingerings in one of my videos, that can be used for charahgah scale, too. regards
@pirsok1 , Sorry! now I understand what you mean!!! You should play it completely on Zard, Si with your 1st, Do with your 2nd and Re Koron with your 3rd finger. This fingering would give you a better sound when you make an eshare from Re k to Do on Zard with Tak riz, compare to what you might get from sefid. Best, ali
@pirsok1 Well, Talei's book is 1000 times better than Douring. Just see how he wrote each gooshe, line by line using those brilliant symbols for different techniques, very clean and easy to read. i strongly believe that you need to learn Radif through listening then use the books for fingering and mezrab. And Talaei book is the best in my opinion.
well, happy to hear that you eventually found the right way. It is not easy but you can play Eshare on 2 notes on different strings by smooth transition of mezrab or just using your fingers, which is somehow different with what you need to do on one string. Which Book do you use for practicing radif ? if by any chance, you could have accessed to Ostad Dariush Talaei book, then you might never have had such problems. I think this is the best source for Radif for Tar and Setar players. Best, ali
@SanDiegoTarSchool hello there' may i know the name of talaei's book? thank you, greetings from israel. (by the way if you could mention the name of the publication it would be great). thanks again.
درود بر شما دوست عزیز و سپاس از پیغامتون در مورد ضبط خانگی سازهای ایرانی و تجهیزات مورد نیاز متاسفانه من اطلاعات چندانی ندارم اما وسایلی که استفاده می کنم رو برای شما در زیر فهرست می کنم: Microphones: Shure SM 57 & SM81 - AKG C214 - MXL 3000 Audio interface: Focusrite Forte (works with both PC and MAC) Software & Digital Effects: Garage Band (MAC) and Studio One (PC) (studio one has a free version, working very well) البته باید با سیستم خودتون اونقدر کار کنید و تنظیمات رو عوض کنید تا به صدای دلخواه برسید که بسته به سلیقه هر کس میتونه بسیار متفاوت باشه، به عنوان مثال استفاده از ریورب و یا باقی دیجیتال افکت ها رو بعضی ها می پسندند و بعضی دیگه ترجیح میدن که از هیچ افکتی استفاده نکنند، به هر حال با تجهیزات بالا و قدری تمرین میتوانید با کیقیت مناسبی صدای سازتون رو ضبط و ویرایش کنید شاد باشید علی
استاد نوری ممنون نکاتی در مدتی کوتاه از شما یاد گرفتم که بعد از بیست سال بهترین نکات و کار امد ترین نکات بود .خصوصا ئر مورد نحوه صحیح مضراب .امیدوارم این اموزشها تداوم داشته باشد و همیشه سلامت باشید .چون واقعا کسانی هستن که عاشق تار اند ولی امکان و یا هزینه کلاس را ندارند .ممنون از اینکه نتیجه سالیان سال تجربه ای را که به زحمت بسیار به دست آوردید به رایگان می بخشید.
سپاس بیکران. پاینده باشید.
Mersi Armin jan, Omidvar budam oon ghate Dokhtarake julide ostad vaziri ro ke ba ham dar Hannover zadim ro mishod inja bezaram, amma darigh az keifiate zabte dustan!!, take care
@BukurDava Thank you so much for your nice comment and happy to hear that this music could bring you joy and happiness. Keep in touch, I will upload more stuffs very soon. Best, Ali
Thanks for your nice comment, looking forward to meeting you!
@Qwerti60: many many thanks for your kind comment, in fact, the instrument and the sound system were both excellent, as well. It was not just me!
neshastam ba zarbit tombak zadam hal kardam tanha ..tanha...
thank you very much mr. nouri for your quick response . i appreciate it greatly.
have a wonderful day.
Fantastic! I think such video recordings should be a great outlet for this art despite the low number of views. Hope to see more!
Great , relax and clear playing . Thank you for posting . I ejoyed it very much .
I like to come and see you at Tar School .
@pirsok1 , for this kind of eshareh you should only use your mezrab, which actually in this case means that you gently start riz on Mi and then finish your last mezrab on Re koron on Zard. Another good way to make that Eshareh sound is to use your 3rd finger and hit it on Zard to make that sound on Re koron. I usually combine both!, best ali
Many thanks Afsoos jan for your nice comment. Yes, that is mine, but for me it is more like a form than an invariable piece (ghate). So, I play this form in different modes and even in chahargah, I may go to Hessar and other gooshe, as well.
Thank you, I salute you, too.
Mersi shabnam jan, Dar zemn Ostad ham khodeti!
You channel brought me so much happines this evening !! Thank you a lot for your improvisations...i`m an fan of persian traditional music. Thank you once again !
@goodcyrus
Thanks so much Cyrus jan for your nice comment. I really enjoy watching your educational videos, as well. Keep posting!
Best
Ali
@shedmeraked
Hi there, the name of this book is " Radif Mirza Abdollah" by Dariush Talaei, published by "Farhang Moaser" Press.
I have the Persian version, but I think there is an English version, too. Take care
@Qwerti60: She is a true young master of Tar and Setar!, Of course, I know her. Her playing style is different than mine, and because of fast movements, there is normally little space for using the natural resonance of the bowl. BTW, she is fantastic!
sepaas arah jaan az lotfe shoma, shad bashin
@pirsok1 Many thanks for your comment. I did not understand your question!, If you mean the scale of chahrgah, what I played in this video is Chahargah Do (C), and the scale is Sol (G), La (A) koron, Si (B), Do (C), Re (D) koron, Mi (E), Fa (F), Sol (G)
Fingering could be very different based on the melody or goosheh you play and your hand positions in upper, middle or lower neck. I explained some of the common fingerings in one of my videos, that can be used for charahgah scale, too.
regards
Mersi Sanam Jan.
@pirsok1 , Sorry! now I understand what you mean!!!
You should play it completely on Zard, Si with your 1st, Do with your 2nd and Re Koron with your 3rd finger. This fingering would give you a better sound when you make an eshare from Re k to Do on Zard with Tak riz, compare to what you might get from sefid. Best, ali
@Qwerti60: got you!, thanks again!
دمت گرم
@pirsok1 Well, Talei's book is 1000 times better than Douring. Just see how he wrote each gooshe, line by line using those brilliant symbols for different techniques, very clean and easy to read. i strongly believe that you need to learn Radif through listening then use the books for fingering and mezrab. And Talaei book is the best in my opinion.
well, happy to hear that you eventually found the right way. It is not easy but you can play Eshare on 2 notes on different strings by smooth transition of mezrab or just using your fingers, which is somehow different with what you need to do on one string. Which Book do you use for practicing radif ? if by any chance, you could have accessed to Ostad Dariush Talaei book, then you might never have had such problems. I think this is the best source for Radif for Tar and Setar players. Best, ali
@SanDiegoTarSchool hello there' may i know the name of talaei's book?
thank you, greetings from israel. (by the way if you could mention the name of the publication it would be great).
thanks again.
What is the name of Talei's book?
فقط اگر امکان دارد در ابتدا و یا خاتمه اجراهای زیبایتان به دستگاه و گوشه و کوک هم اشاره بفرمایید
Salam , lotfan rahnamae befarmaeed az che brand microphone baraye sedabardari tar estefade beshe behtar javab mide ? Lotfan moshakhasat kamel ro age momkene befarmaeed ba sepas
درود بر شما دوست عزیز و سپاس از پیغامتون
در مورد ضبط خانگی سازهای ایرانی و تجهیزات مورد نیاز متاسفانه من اطلاعات چندانی ندارم اما وسایلی که استفاده می کنم رو برای شما در زیر فهرست می کنم:
Microphones: Shure SM 57 & SM81 - AKG C214 - MXL 3000
Audio interface: Focusrite Forte (works with both PC and MAC)
Software & Digital Effects: Garage Band (MAC) and Studio One (PC) (studio one has a free version, working very well)
البته باید با سیستم خودتون اونقدر کار کنید و تنظیمات رو عوض کنید تا به صدای دلخواه برسید که بسته به سلیقه هر کس میتونه بسیار متفاوت باشه، به عنوان مثال استفاده از ریورب و یا باقی دیجیتال افکت ها رو بعضی ها می پسندند و بعضی دیگه ترجیح میدن که از هیچ افکتی استفاده نکنند، به هر حال با تجهیزات بالا و قدری تمرین میتوانید با کیقیت مناسبی صدای سازتون رو ضبط و ویرایش کنید
شاد باشید
علی
+Ali Nouri sepasgozaram jenab noori aziz🙏🏻
Khahesh mikonam,
Shad bashin
Hi Ali do you have social media ? can I follow you on there?
sepaas az lotfe shoma dooste aziz
ریزاشم خوب نمیزنه متاسفانه
اولش آدمو دیونه میکنه از بس میره رو بم
neshastam ba zarbit tombak zadam hal kardam tanha ..tanha...
neshastam ba zarbit tombak zadam hal kardam tanha ..tanha...