Noise Gates & Expanders, How and When to Use them in Voiceover | Tips from a Pro VO
HTML-код
- Опубликовано: 16 сен 2023
- A guide and tutorial on how and when to use Noise Gates and Expanders in Adobe Audition and more broadly for voiceover recordings as a talent.
Buy me a coffee:
➡️www.buymeacoffee.com/jaymyers...
Voiceover Coaching:
➡️www.jaymyersvoiceover.com/coa...
My Recommended Starting Gear:
➡️Rode NT1 Bundle: geni.us/jYq4A
My Interface:
➡️Apollo Solo: geni.us/LXbkB
My Favorite Mics:
➡️Neumann U87ai: geni.us/WmJI2
➡️Neumann TLM 103: geni.us/NvigA
➡️Earthworks ETHOS: geni.us/lFBYg
➡️Sennheiser MKH-416: geni.us/1Hh4c
➡️Shure KSM 32: geni.us/lFBYg
Other channels and talents I've found helpful:
➡️ / podcastage
➡️ / @audiouniversity
➡️ / boothjunkievo
➡️ / @inthemix
-----------------------------------------------------------------------------------------------------------------------
Music provided by Epidemic Sound
#microphone #reveiw #VoiceOver #tutorial #howto #Voiceacting #professional #audio #audioengineering #audiobooks #recording
It might help in explaining a gate if you were to remake that recording with the door to your booth open - to introduce a noise floor high enough to need the effect. Then it could be seen and heard. That would also make it possible to demonstrate the impact of a fast-acting gate in contrast to one which responds gently.
Nice video, tks!
You bet!
it was perfect, very simple to and professional! thank you so much!
Thanks Jay! Love your videos!
Thanks for taking the time to say so Chris! Means a lot :)
Cool. Thanks for sharing.
Thanks Jay! Just to make sure I understand, As far as the noise gate and the Expander, I would use either or..right? I wouldn't use them together...right? Also, I was able to purchase an AKG P220. Not a Rode NT 1 but I think it'll work hopefully,
Congrats on the new mic! Yeah that should work just fine :)
Per your question, yeah I'd probably start using one or the other just so you can get a sense of how it changes your recordings. Once you're comfortable with using one you could certainly try using both if you'd like--though it's not necessary.
@@jaymyersvoiceover Thanks!
Is a downward expander for low noise removal the same?And does that get applied near the very end before normalizing as a final process? Getting alot from your videos trying to best audio for what I have
Glad you find the videos helpful!
If you're asking regarding a specific plugin called "downward expander for low noise removal" then yes they will likely function similarly.
When you apply it in your chain is up to you and what you find gives you the best results. Personally, I like to work subtractively first--meaning any processing that takes sound/information OUT of my audio I do up front. Which would include a gate/expander.
Hi! I use a different DAW for recording (Nuendo) but just wanted to ask a question or two.
I don't use too much processing on my recordings just because I like that transparent sound, so I end up editing a lot of noise out manually. With that being said:
1. What's your opinion on using a Gate/Expander during the tracking process as opposed to post-processing? Would that save more time?
2. How much processing *should* you do for auditions? I hear of people using at most: Declicker/Denoiser/etc/Gate - EQ - Compressor and that's my usual FX chain, but I'd love to hear your thoughts
Sure! Here are my thoughts:
1. For gates/expanders, generally I only apply them in post so that I can maintain the RAW recordings if the client wants the audio unprocessed. There are some projects where if one is confident with the gate in tracking, I could see that being a good option to save time, but it's so easy to apply in post that I prefer safe than sorry.
2. For auditions, I think the amount of processing is project-dependent. When in doubt and in most cases less is more (as you said), but if you're confident with post-production and can make subtle tweaks (i.e. more compression for commercials vs natural sound for audiobooks, etc.) then you might find it helpful in giving clients a better idea of the "end product."
@@jaymyersvoiceover Very insightful stuff here, and I realized that I should probably go for making chain presets based on the type of project I'm doing (mostly character voices with a little commercial work).
I do have one last question though- for auditions/final work, would you recommend a more transparent compressor, or something warm like a vintage-styled compressor?
@@antto_333 Great question! and I think it really comes down to personal preference as well as a number of other variables (your voice/mic/room/etc.). If you feel it'd benefit from a warmer tone, go vintage!
The only caveat here being if a client wants one over the other.
@@jaymyersvoiceover Thanks for the advice! You're awesome.
@antto_333 🥰