Live warm up and masterclass with David Cooper

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  • Опубликовано: 5 окт 2024

Комментарии • 16

  • @robraby1167
    @robraby1167 4 года назад +1

    Thank you so much for sharing your thoughts and warm-up with us! I love the technology that you are using, and thanks for the closed-captions!

  • @arseniysamsonov5483
    @arseniysamsonov5483 4 года назад

    David, thanks a lot for your videos! Absolutely love your playing and your sound 🙏

  • @JohnChenDailyLifeArchive
    @JohnChenDailyLifeArchive 4 года назад

    Love your sound, and thank you so much for your thoughts about warming up and playing

  • @lesliec5807
    @lesliec5807 4 года назад

    Nice! Thanks for your sharing! Learnt much!

  • @biagioconsoli
    @biagioconsoli 4 года назад

    Thank you very much for sharing your knowledge!

  • @bzyboy9639
    @bzyboy9639 4 года назад

    Is it possible for you to post your instagram interview with dale clevenger, my horn family missed it and it is a must watch

  • @craigsproston7378
    @craigsproston7378 9 месяцев назад

    This is not aimed personally at you but all professionals. Why can't you continue these wonderful videos post covid?

  • @carlw
    @carlw 4 года назад

    Love your work David!. Ok a real lame lame question, don't laugh, but what was the little warmup passage at the beginning? Ascending A scale by tones?

    • @avrumgolub2735
      @avrumgolub2735 4 года назад

      Concert F (Horn C)

    • @carlw
      @carlw 4 года назад

      @@avrumgolub2735 His second note was 2,3 an alternate to Bb then

    • @avrumgolub2735
      @avrumgolub2735 4 года назад

      2, 3 on the B flat Horn is the 5th harmonic on the D flat Horn and is slightly flat.

    • @carlw
      @carlw 4 года назад

      @@avrumgolub2735 you're saying he wants that Bb flat?

    • @avrumgolub2735
      @avrumgolub2735 4 года назад

      Carl Williams if David choose to finger written F on the B flat Horn, he is choosing an alternate fingering for his particular reason. BTW, I was John Barrows first “kid” student (age 12) in his New York City days. He taught in a musical way (I grew up on Maxime-Alphonse, never played Kopprasche) and taught “scientifically”. He also was not big on warm-ups.