I tried this sequence about 2 years ago but eventually lost patience and discipline at around ~175 bpm. Not too long after that I did a heavy recording sesh and took like 3 weeks off after that and when I came back I noticed my flexibility felt better than before. I could play decent lip trills in my own practice. However, never up to the standard of playing them in a live musical setting. Now that I actually am going to have to play them in real time I’ve come back to this video. Thank God for Joey Tartell.
"Lip trill" is kind of a misnomer. It's really a tongue trill. Years ago I started with Arban's p.42 did the whole section about a year or so with my teacher. Then graduated to the Colin Lip Flexibilities. One thing about the Arban's section is since it's kind of low the partials are further apart, but it's good training for the easier higher partials which are closer together.
Claude Gordon was right. Kick the top notes louder than the bottoms, which makes the intervals feel smaller or closer together. The other way we end up moving lips up/down to hit the notes making the intervals feel further apart.
Also on intervals......Claude Gordon was right. Kick the top notes a little louder than the bottoms. This makes the intervals feel closer together. Let the air speed do the work not your lips moving up/down.
Yeah, but how exactly do you do lip trills? What do you do with your tongue? Your lips? The mouthpiece position on the lips? How are they done? Your lip trills are excellent, but there's nothing here at all on how to do them.
To paraphrase Roy Stevens you keep the teeth aperture the same as you use air to blow in the upper partial and then you trill down to the lower note instead of forcing in the upper note by closing the teeth.
![ARGENTINA vs. PERÚ [1-0] | RESUMEN | ELIMINATORIAS SUDAMERICANAS | FECHA 12](http://i.ytimg.com/vi/xtI25ENDDSY/mqdefault.jpg)
I tried this sequence about 2 years ago but eventually lost patience and discipline at around ~175 bpm. Not too long after that I did a heavy recording sesh and took like 3 weeks off after that and when I came back I noticed my flexibility felt better than before. I could play decent lip trills in my own practice. However, never up to the standard of playing them in a live musical setting. Now that I actually am going to have to play them in real time I’ve come back to this video. Thank God for Joey Tartell.
Great breakdown on this technique. Thanks Joey!
Wow gosh damn!!!! This was filled with cosmic jewels! Litteraly blew my whole approach away
literally seems like common sense stuff, it’s just most people don’t have the discipline to even do this
this teacher is gold!
"Lip trill" is kind of a misnomer. It's really a tongue trill. Years ago I started with Arban's p.42 did the whole section about a year or so with my teacher. Then graduated to the Colin Lip Flexibilities. One thing about the Arban's section is since it's kind of low the partials are further apart, but it's good training for the easier higher partials which are closer together.
Sick intro!!
nice one ! thanks for a video
Claude Gordon was right. Kick the top notes louder than the bottoms, which makes the intervals feel smaller or closer together. The other way we end up moving lips up/down to hit the notes making the intervals feel further apart.
11:16 just great !
Thank you
I like this guy
me too!
Joey what type of metronome do you use as it seems very loud- which I like. Thanks
Also on intervals......Claude Gordon was right. Kick the top notes a little louder than the bottoms. This makes the intervals feel closer together. Let the air speed do the work not your lips moving up/down.
악보도 같이 올려 주세요!
Yeah, but how exactly do you do lip trills? What do you do with your tongue? Your lips? The mouthpiece position on the lips? How are they done? Your lip trills are excellent, but there's nothing here at all on how to do them.
05:10,06:40
7:12 5:00
To paraphrase Roy Stevens you keep the teeth aperture the same as you use air to blow in the upper partial and then you trill down to the lower note instead of forcing in the upper note by closing the teeth.
is that a B&S challenger?
I'm not sure exactly what model it is but it is in fact a B&S.
How to get shakes when playing 4th parts where the partials are a lot further apart
Might have to physically shake the horn while trying the lip slur. Think 70% to 80% hand shake to 30% to 20% lip trill
Wiggly fingers "falls" at 7.30.
NEVER do that!
how come?