Ustad salamat ali khan jitna tiyar gawayiyan na suna na dekha....kisi ma ne janna nahi. Itni tiyari aur utnay hee Sur main rehna, possible hee nahi. He's the best....baqi sab apni apni mehnat kartay hain aur apni khushboo detay hain... Par Salamat ali khan jaisa koi nahi.
Ustad bade ghulam ali khan saheb, ustd ameer Khan saheb, ustd Abdul kareem khan Saab,aur ye do sitaron jaisa koyee nahi hoga. Allah in sab ko jannath naseeb kare inka contribution sangeeth jagath ko bohath bada hai ye sangeeth ke chahnewale Janet hain.
I heard from my grandfather about the great Ustad Salamat Ali Khan and Ustad Nazakat ali khan those great maestros from Pakistan sung all important and difficult raagas of ancient India.
" MIYAN " - A special title of respect offered by Govt. Of Pakistan to the great Tabla Maestros - Ustad Miyan Qadir Boqks , Ustad Miyan Ahmedjan Thirakwa , Ustad Miyan Shaukat Hussain Khan ( the best and with perfection in Tabla accompaniment with ustadji Salamat Ali Khan and Ustad Nazakat ali khan ) .
Ye wo moseeki hai jisay rooh ki ghaza kha gya hai,,,,,,,,,,,,,,,,, Best ever Darbari I listened no one compete these two legendary singers May Allah rest their souls in Heaven,,,
this is a fine example of how extradordinary classical music can get. Nazakat ji and salamat ji has blown me out with this performance. By far the best darbari I have heard. Salamat ji has a voice which reverberates like lightening in overcast sky. Spellbound performance.
@@engr.h.mbasirijaz1249 Its a result of rigorous riyaz and training. Practicing each notes with steadiness and vibrations with amazing consistency 15 to 16 hours a day.
@@trainloverrishi3190 these taans sound different from what I have heard from bade Fateh Ali Khan(patiala ghrana) or bade ghulam Ali Khan (patiala shagird)....... someone told me that BGAK used taans from lungs & ustad salamat taans are from throat ......I think these different ghranas artist uses different type of taans Can u explain what is difference between taans of BGAK and ustad salamat ?
@@engr.h.mbasirijaz1249 Ustad Salamat ji was blessed with such a voice. The texture, frequency allowed him to sing such ultra fast taans. Ustad bade fateh ali khan performed more of the style of ustad bade ghulam Ali Khan of patiala gharana. If you see, Ustad nazakat ji used to sing the steadier part and the vilambit part well, while salamat ji was master in drut (fast) section. They followed Sham Chaurasia gharana, and were directly In the lineage of mian chand and mian suraj khan, who were contemporaries of mian tansen. Ustad fateh Ali khan ji had a more stable and matured approach towards a raga. Whether Nazakat and salamat ji had the more flamboyant style. Well, all were legendary in their own aspects
An absolutely mesmerising rendition of one of the most difficult raag to execute. I mean the fact of the matter is pretty simple, in terms of the emotional aspect this version is by far the most evocative and definitely in my opinion second to none! Ustads SAK & NAK were a uniquely dynamic combination of gayaks...
I now realise on hearing the rendition of raaga Darbari performed by Ustad Salamat Ali Khan and Ustad Nazakat ali khan accompanied Tabla by Ustad MIYAN SHAUKAT HUSSAIN KHAN and Ustad MIYAN QADIR BOQKS from Pakistan that how perfect they sung at their time.
I am impressed with the style of rhythm ( layakari ) of great rendition of raaga Darbari performed at Kolkata at their younger time they came here in 1954 I heard from my grandfather . Thanks for uploading for us .
Darbari Kanada or Shuddh Kanada came from Carnatic music and was introduced to King Akbar by Miya Tansen. An ancient raga that continues to enthrall. The reflective interpretation of this raaga by these brothers is soothing and startling at the same time.
I have recently discovered that Both of these great classical singers influenced Glenn Spearman the Famous Jazz instrumentalist and a great oet called Nathaniel Mackey too have been overwhelmed by these singers.
Dear Siraj, We are listening to this now. It is very, very nice. The singing is unusual, with a slow rhythm. Thank you for sharing this here! Kindest wishes, mo'in
Tarana in Persian language "Yar-e-man bia bia. Dar Tan tadim, Ta-nan Ta na dim, Tom Ta Na Na Na Antara: Ba labam raseeda jaanum Fu bia ke zinda maanum Pas azari ki man na maanum, Ba cheh kar khahi amud. Which means "O love, come soon, come at once. Come and enter my body, for I am yours, come Antara: My life hangs on my lips, Come thou that I may live again for if thou shall come when I am no more, to what avail shall it be.
No, Adibumbus, this is not the tarana (yar-e-manzil beya...) which has the antara consisting of a sher from a ghazal by Khusrau. It is a bara khyal ("Hazrat Turkomaan...") followed by a chhota khyal. Anyhow, the singing is peerless.
Man kunto maula, Fa Ali-un maula Man kunto maula. Dara dil-e dara dil-e dar-e daani. Hum tum tanana nana, nana nana ray Yalali yalali yala, yalayala ray Man tunko maula...... "Whoever accepts me as a master, Ali is his master too." (The above is a hadith - a saying of the Prophet Mohammad (PBH). Rest of the lines are tarana bols that are generally meaningless and are used for rhythmic chanting by Sufis.) i guess he sings this
No one can match such heavenly divine rendition of Darbari Kanada. This was specific to Ustad Salamat Ali Khan, such a gem he was!
I CANNOT STOP CRYING
Ustad salamat ali khan jitna tiyar gawayiyan na suna na dekha....kisi ma ne janna nahi. Itni tiyari aur utnay hee Sur main rehna, possible hee nahi. He's the best....baqi sab apni apni mehnat kartay hain aur apni khushboo detay hain... Par Salamat ali khan jaisa koi nahi.
❤❤❤
Ustad bade ghulam ali khan saheb, ustd ameer Khan saheb, ustd Abdul kareem khan Saab,aur ye do sitaron jaisa koyee nahi hoga. Allah in sab ko jannath naseeb kare inka contribution sangeeth jagath ko bohath bada hai ye sangeeth ke chahnewale Janet hain.
I heard from my grandfather about the great Ustad Salamat Ali Khan and Ustad Nazakat ali khan those great maestros from Pakistan sung all important and difficult raagas of ancient India.
Wah wah ustad nazakat Ali Khan !! Ustad nazakat jaisa gawaya Ni dekha or koi.....Jo inke style me aisa gaa saka ho
Most sureela and melodious vocalist ever in classical gayiki
Currently seperated. Never eradicated. The soul of South Asia is forever alive in this.
2023 07 21. After this music slamat ali AMAR ho gaye.This is The Finest ❤
I'm stunned 😯....
I have no words to say...
" MIYAN " - A special title of respect offered by Govt. Of Pakistan to the great Tabla Maestros - Ustad Miyan Qadir Boqks , Ustad Miyan Ahmedjan Thirakwa , Ustad Miyan Shaukat Hussain Khan ( the best and with perfection in Tabla accompaniment with ustadji Salamat Ali Khan and Ustad Nazakat ali khan ) .
Ye wo moseeki hai jisay rooh ki ghaza kha gya hai,,,,,,,,,,,,,,,,,
Best ever Darbari I listened no one compete these two legendary singers May Allah rest their souls in Heaven,,,
Waah ustaad ji waah. Jannat to yahi mil gayi aapki bandish sun ke
this is a fine example of how extradordinary classical music can get. Nazakat ji and salamat ji has blown me out with this performance. By far the best darbari I have heard. Salamat ji has a voice which reverberates like lightening in overcast sky. Spellbound performance.
I couldn't understand his type of taan till now and how are they so fast ?
@@engr.h.mbasirijaz1249 Its a result of rigorous riyaz and training. Practicing each notes with steadiness and vibrations with amazing consistency 15 to 16 hours a day.
@@trainloverrishi3190 these taans sound different from what I have heard from bade Fateh Ali Khan(patiala ghrana) or bade ghulam Ali Khan (patiala shagird)....... someone told me that BGAK used taans from lungs & ustad salamat taans are from throat ......I think these different ghranas artist uses different type of taans
Can u explain what is difference between taans of BGAK and ustad salamat ?
@@trainloverrishi3190 ustad salamat said he used to do ryaz 8 hrs a day and some days 10-12 hrs also
@@engr.h.mbasirijaz1249 Ustad Salamat ji was blessed with such a voice. The texture, frequency allowed him to sing such ultra fast taans. Ustad bade fateh ali khan performed more of the style of ustad bade ghulam Ali Khan of patiala gharana. If you see, Ustad nazakat ji used to sing the steadier part and the vilambit part well, while salamat ji was master in drut (fast) section. They followed Sham Chaurasia gharana, and were directly In the lineage of mian chand and mian suraj khan, who were contemporaries of mian tansen.
Ustad fateh Ali khan ji had a more stable and matured approach towards a raga. Whether Nazakat and salamat ji had the more flamboyant style. Well, all were legendary in their own aspects
Ten years since this was uploaded, and I'm so glad I found this, thank you for uploading!
An absolutely mesmerising rendition of one of the most difficult raag to execute. I mean the fact of the matter is pretty simple, in terms of the emotional aspect this version is by far the most evocative and definitely in my opinion second to none! Ustads SAK & NAK were a uniquely dynamic combination of gayaks...
True descendants of Miyan Taansen, Shyam Chourasi Gharana!!! god bless them for this food for soul!!!
Aisa gana Nahi suna Ustad salamat ali khan the great
I now realise on hearing the rendition of raaga Darbari performed by Ustad Salamat Ali Khan and Ustad Nazakat ali khan accompanied Tabla by Ustad MIYAN SHAUKAT HUSSAIN KHAN and Ustad MIYAN QADIR BOQKS from Pakistan that how perfect they sung at their time.
I am impressed with the style of rhythm ( layakari ) of great rendition of raaga Darbari performed at Kolkata at their younger time they came here in 1954 I heard from my grandfather . Thanks for uploading for us .
Great classical singers. Raag Darbari can never be better than sung by these soulful singers.My salute to them!!!
A mesmerising exposition of Darbari Kanada by two of the greatest classical singers of days gone past.
They are all-time greats and none like them will ever descend on this planet. Unparalleled legends.
They say no religion. But I would say art has no religion. These two are gifted souls. I thank Almighty. " voh jaane vaale ho sake to lout ke aana".
Simply fantastic !! Never heard Darbari like this. Mesmerizing.
superb performance in Indian subcontinent.its great that Sarangi accompaniment is perfectly matching.
Thanks for uploading great works of masteros in Hindustani classic. Hail their struggles and their masters who moulded such great personalities.
Heaven
Darbari Kanada or Shuddh Kanada came from Carnatic music and was introduced to King Akbar by Miya Tansen. An ancient raga that continues to enthrall. The reflective interpretation of this raaga by these brothers is soothing and startling at the same time.
I have recently discovered that Both of these great classical singers influenced Glenn Spearman the Famous Jazz instrumentalist and a great oet called Nathaniel Mackey too have been overwhelmed by these singers.
there is no one else on this planet
No words , just listening to.
Worth listening again and again
this is divine. Allah, Shiva, God, whatever u want to call it
Kharach khupach sundar
Jabardasta !!!
ye he duniya main sangeet ki asli pehchaan
Very nice
This is real Music
waah
There is a saying- music begins and ends with salamat Ali khan
Full marks for sarangi player
Super 💐💐💐💐
Wah. subhan Allah
👍💝👏🌘🎆
There is a nirvana in every sur.
Mirza Nadeem Baig.There is nirvana in every sur.
great
🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻
superb performance in Indian subcontinent.
Can anyone help with the lyrics of first bandish the vilambit part
this tarana was writen by amir khusrau
Unique!
Fabulas!
masterly
Dear Siraj,
We are listening to this now. It is very, very nice. The singing is unusual, with a slow rhythm.
Thank you for sharing this here!
Kindest wishes,
mo'in
This is divine singing...can anyone help me with the lyrics?
can anybody help me with vilambit bandish lyrics?
Does anyone know the name of the last section of this Raag? "Yo le mun de ah"
Dave Stokes its yare man ba a ! Bandish by Ustad Amir khan
Tarana in Persian language "Yar-e-man bia bia.
Dar Tan tadim,
Ta-nan Ta na dim, Tom Ta Na Na Na
Antara:
Ba labam raseeda jaanum
Fu bia ke zinda maanum
Pas azari ki man na maanum,
Ba cheh kar khahi amud. Which means "O love, come soon, come at once.
Come and enter my body,
for I am yours, come
Antara:
My life hangs on my lips,
Come thou that I may live again
for if thou shall come when I am no more,
to what avail shall it be.
@@bethshanclassicstudio3397 thank you
@@alihassan9212 thank you
@@abhinavrathore3856 thank you
No, Adibumbus, this is not the tarana (yar-e-manzil beya...) which has the antara consisting of a sher from a ghazal by Khusrau. It is a bara khyal ("Hazrat Turkomaan...") followed by a chhota khyal. Anyhow, the singing is peerless.
Man kunto maula,
Fa Ali-un maula
Man kunto maula.
Dara dil-e dara dil-e dar-e daani.
Hum tum tanana nana, nana nana ray
Yalali yalali yala, yalayala ray Man tunko maula......
"Whoever accepts me as a master,
Ali is his master too."
(The above is a hadith - a saying of the Prophet Mohammad (PBH).
Rest of the lines are tarana bols that are generally meaningless
and are used for rhythmic chanting by Sufis.)
i guess he sings this