I love her rendering, it's relaxed, meditative yet light when the music calls for lightheartedness, she manages to blend the staccato bits with tasteful legato!
YES. One of the many great Bach pianists (Tureck, Gould, Schiff, Richter, Fischer). I particularly like the gentleness and elegance she brings to appropriate moments though she does not lose sight of the grander and more spiritual aspects.
Tic the boxes...articulated AND legato - wonderful. phrase-shaping within the one long phrase of the piece - wonderful. I could go on and on. Thank you to FirstPublicChannel for this entrance to a new and exciting world.
She was certainly greatly celebrated in the Soviet Union, which made up a very large part of the world. I would assume she also would have been very well known in Eastern Europe given the politico-ideological orientation of that part of the world during the time Nikolayeva did the bulk of her work.
Exactly my point...Soviet artists at the time were not exactly traveling freely across the globe during the cold war, and the SU was not a big part of the world when we consider China, North & South America, Canada and the rest of Southeast Asia. That is partly why Horowitz left. I wish Tatiana had too...
She really plays triplets and fourplets (16ths) different although occurring at the same time, I would think Bach convention was to interpret even 8ths when single "pickup" note as 16ths when the overall picture is dotted eighths. There is a Goode (and Levitt) recording on YT with a fresh tempo and logically flowing rhythm.
Having said that, there is the danger that she gets a little too meditative, over interprets Bach, letting her personality get in the way of the purity of the music. I'm sure Bach is looking down from heaven & smiling at all the ways we play his music!
Jiehao Tan :: I think Bach as virtuoso (he was) would ask his sons to play this fast, to learn speed. (But it sounds good in slower tempi, too). Actually Bach wouldn't have played it on piano but on cembalo, clavier or maybe pipe organ, but it sounds much better on piano.
I love her rendering, it's relaxed, meditative yet light when the music calls for lightheartedness, she manages to blend the staccato bits with tasteful legato!
1- Preambulum, 00:00 2- Allemande, 02:05 3- Corrente, 08:20 4- Sarabande, 10:18 5- Tempo di minuetto, 16:30 6- Passepied, 19:07 7- Gigue, 21:13 (Partita n° 5 en sol majeur, BWV 829)
Admirable, always interesting and "alive" interpretation
Wonderful performance! She has all the clarity of Glenn Gould, but none of his annoying mannerisms.
YES. One of the many great Bach pianists (Tureck, Gould, Schiff, Richter, Fischer). I particularly like the gentleness and elegance she brings to appropriate moments though she does not lose sight of the grander and more spiritual aspects.
Wrong ,there are very few great Bach pianists & richter is not one of them 😊😊😊😊😊
@@williamsackelariou1860 Why?
Thanks for the upload!
One tiny remark: It's in G major (in stead of minor as you said in the title) ;-)
Nice relaxed tempo for the gigue that works very well with all the counterpoint.
Слушая Татьяну Николаеву получаю истинное наслаждение прекрасным исполнением всех произведений в ее исполнении
Tic the boxes...articulated AND legato - wonderful. phrase-shaping within the one long phrase of the piece - wonderful. I could go on and on. Thank you to FirstPublicChannel for this entrance to a new and exciting world.
Should be in G Major.
Superlative performance, if she was born in the USA she would have been world famous, just like Gould.
She was certainly greatly celebrated in the Soviet Union, which made up a very large part of the world. I would assume she also would have been very well known in Eastern Europe given the politico-ideological orientation of that part of the world during the time Nikolayeva did the bulk of her work.
Exactly my point...Soviet artists at the time were not exactly traveling freely across the globe during the cold war, and the SU was not a big part of the world when we consider China, North & South America, Canada and the rest of Southeast Asia.
That is partly why Horowitz left.
I wish Tatiana had too...
Gould was born in Canada and did not become famous until his performance in Soviet Union. You don't know shit.
Gould was Canadian.
Great pianist!
G Major...
My favorite interpretation of the Allemande. She plays it like a Sarabande.
She really plays triplets and fourplets (16ths) different although occurring at the same time, I would think Bach convention was to interpret even 8ths when single "pickup" note as 16ths when the overall picture is dotted eighths.
There is a Goode (and Levitt) recording on YT with a fresh tempo and logically flowing rhythm.
Иоган Бах был бы восхищён ее исполнением своих произведений!!
Having said that, there is the danger that she gets a little too meditative, over interprets Bach, letting her personality get in the way of the purity of the music. I'm sure Bach is looking down from heaven & smiling at all the ways we play his music!
バッハの作品の中でこのAllemandeが一番好き
Un esecuzione molto originale che si aggiunge a quella di Gould
I think she is the only one that competes with Gould...
Gould's tempo in the courante is crazy
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This is the most clear and intelligent comment in music that I have ever read
So fast
Jiehao Tan :: I think Bach as virtuoso (he was) would ask his sons to play this fast, to learn speed. (But it sounds good in slower tempi, too). Actually Bach wouldn't have played it on piano but on cembalo, clavier or maybe pipe organ, but it sounds much better on piano.
@@donaldaxel It does not sound better.