Fala Pessoal! Para quem tem Curiosidade sobre os Pianos do Modulo do Motif XS, segue essa breve demonstração. Em breve dos outros Bancos! @pjteclas, segue lá!
Boa noite parceiro ve se vc consegue tira uma duvida minha , eu tenho um teclado Roland Arranjador ,G1000 da certo eu ligar num modulo deste mas para sair do modulo ao mesmo tempo o som da bateria baixo guitarra todos os soms do ritmos do arranjador ao mesmo tempo , isso é possivel endereçar 12 canais ao mesmo tempo , desde de ja obrigado
Deixa eu te perguntar... tem como configurar o rack para trocar os timbres num controlador? Eu tenho um rack desse e tenho o Motif XS Editor instalado no note... tem como configurar pra trocar o timbre (igual se faz com o Ableton ou o Kontakt)?
By themselves they sound okay, but I find the expressiveness and dynamics of the concert grand to be limited. The sound is too boomy in the lower register and not articulate enough. When I pound on the keys, it gets a bit brighter and there I'd this electro piano "tine" sound. I'm used to the Steinway D samples in my Kurzweil K2600RS. That thing really plays like a piano. I've sprung for the Montage 8 and am hoping the pianos in that are much better. It shouldn't be too hard to beat 1990s technology.
@@colelewis9940 Cole Lewis I find that musical instrument tech is old even when newly released. My Korg Kronos is based on 20 year old processor design, too. Now my Kurzweil K2600RS was pretty advanced for 1995, given it has 128MB of RAM, more than my graphics editing PC at the time. But for some reason, the processing power in musical instruments of most makers lags way behind. I also have a Roland Integra-7 that is using samples from the 80s and sounds a lot like my old CM-64. Something truly advanced would be nice.
@@basspig I think guitar processors like the axe fx could be called advanced. The kronos is I would say 15 years old in design. I feel like synth design hasnt changed as much comparatively because people are happy with the sounds already for the most part.
@@colelewis9940 Having owned both the Yamaha Montage and the Kronos, I can say that I prefer the synthy sounds of the Montage much better. They are more futuristic and complex long period sounds that evolve over time and have many complex sounds mixed together in varying ratios. I cannot seem to create such sophisticated sounds with Kronos. It sounds like 70s/80s synths (excepting the Yamaha CS80, which I wish it could emulate). The Kronos is good with acoustic instruments through, especially piano and drums. It simply has the most realistic acoustic piano sound of any electronic instrument I've tried out. I like the way the effects system works and no apparent limits to number of effects, as well as ease of use. But I wish it could do realistic acoustic guitars like Montage and those spacey, complex sounds like some of the patches on Montage.
Show em…….👏🏼👏🏼👏🏼
irmão tenho um rack desses é um controlador novation , mais não sei como trocar os timbres do rack pro controlador . será que poderia me ajudar
Tem como endereçar os timbres para faders deslizantea do controlador?
Parabéns pelo vídeo.Vc consegue mudar a categoria de sons do rack através do controlador?
Show de bola
Sabe me dizer se esse módulo faz layer ???? Mistura 2 timbres ???
Amigo....tem como fazer um vídeo mostrando os kits de bateria desse módulo? Eu gostaria de comprar para mídiar em um teclado keyboard
Boa noite parceiro ve se vc consegue tira uma duvida minha , eu tenho um teclado Roland Arranjador ,G1000 da certo eu ligar num modulo deste mas para sair do modulo ao mesmo tempo o som da bateria baixo guitarra todos os soms do ritmos do arranjador ao mesmo tempo , isso é possivel endereçar 12 canais ao mesmo tempo , desde de ja obrigado
Deixa eu te perguntar... tem como configurar o rack para trocar os timbres num controlador? Eu tenho um rack desse e tenho o Motif XS Editor instalado no note... tem como configurar pra trocar o timbre (igual se faz com o Ableton ou o Kontakt)?
Também estou com a mesma dúvida.
Hola podrias hacer un video con el modo multi
By themselves they sound okay, but I find the expressiveness and dynamics of the concert grand to be limited. The sound is too boomy in the lower register and not articulate enough. When I pound on the keys, it gets a bit brighter and there I'd this electro piano "tine" sound. I'm used to the Steinway D samples in my Kurzweil K2600RS. That thing really plays like a piano.
I've sprung for the Montage 8 and am hoping the pianos in that are much better. It shouldn't be too hard to beat 1990s technology.
This rack unit is over 10 years old you know
In reality they could've built this unit in the late 90's honestly. I dont think it's advanced far beyond that
@@colelewis9940 Cole Lewis I find that musical instrument tech is old even when newly released. My Korg Kronos is based on 20 year old processor design, too. Now my Kurzweil K2600RS was pretty advanced for 1995, given it has 128MB of RAM, more than my graphics editing PC at the time.
But for some reason, the processing power in musical instruments of most makers lags way behind. I also have a Roland Integra-7 that is using samples from the 80s and sounds a lot like my old CM-64.
Something truly advanced would be nice.
@@basspig I think guitar processors like the axe fx could be called advanced. The kronos is I would say 15 years old in design. I feel like synth design hasnt changed as much comparatively because people are happy with the sounds already for the most part.
@@colelewis9940 Having owned both the Yamaha Montage and the Kronos, I can say that I prefer the synthy sounds of the Montage much better. They are more futuristic and complex long period sounds that evolve over time and have many complex sounds mixed together in varying ratios. I cannot seem to create such sophisticated sounds with Kronos. It sounds like 70s/80s synths (excepting the Yamaha CS80, which I wish it could emulate). The Kronos is good with acoustic instruments through, especially piano and drums. It simply has the most realistic acoustic piano sound of any electronic instrument I've tried out. I like the way the effects system works and no apparent limits to number of effects, as well as ease of use. But I wish it could do realistic acoustic guitars like Montage and those spacey, complex sounds like some of the patches on Montage.