You virtually can play that: playing the tremolo, jumping fast to the chord and coming back inmediately to the tremolo. With the pedal in a fortissimo ultra bass context, the continuous bass effect is assured. In the third pulse I'd play the chord first and the G tremolo inmediately after.
The point is to provide us with what we need to go perform it ourselves. If you want a real feel, request a piano playing channel like Rousseau to play it.
@@CaptainSuzySparrow Oh really? What you need to go perform it yourself is an accurate score and an extremely well developed piano technique as well as good musicianship. How does a dead, mechanized performance give you any of that? The only thing this horror provides is a glimpse of the score 8 measures at a time.
@@gtimny It's a guideline, not step-by-step instructions on how to interpret the music and add emotion. It's not like a computer recording inhibits you from imagining how to do that.
I came here to listen, but I agree that it provides no help. Listening to a performance of the original 1812 Overture along with the piano score would be much more useful.
When your computer nearly crashed 0:30
Thank you so much for this arrangement. I am arranging it myself for my school band!
This is a superb arrangement! I especially love what you did around 5:25 and shortly after. It is spot on!
Many thanks.
Could you make the .sib file available please? Thankful!
Can we please have the sheet music? I already have the Stepan Esipoff arrangement but this is better. Awesome!
+Amy Camilleri now available! drive.google.com/file/d/0B7kSvQuWaoRtZklMS1k3S0Q5UjQ/view?usp=sharing
Me too, cuz I need 2 weeks or more in FL Studio 12 to decrypt the sheet music.
At measure 363 (14:28), the 2nd and 3rd count left hand chords cannot be played over the bass tremolo figs. Other than that, it's great!
saw that too and screwed my eyes really hard, as i was imagining playing this
You're completely right about that! Now I realize it should have been written as an ossia staff as opposed to another voice.
You virtually can play that: playing the tremolo, jumping fast to the chord and coming back inmediately to the tremolo. With the pedal in a fortissimo ultra bass context, the continuous bass effect is assured. In the third pulse I'd play the chord first and the G tremolo inmediately after.
3:31 this is what you came here for
What is the original source of that melody?
PereMersenne i know I’m late but do you mean what the theme is based off?
PereMersenne like what piece did Tchaikovsky use to make a melody out of to put in this piece?
@@oldsport1092 Yes please
Pretty manageable. Where can I get this?
+FishingtonBurpPuzzle now available! drive.google.com/file/d/0B7kSvQuWaoRtZklMS1k3S0Q5UjQ/view?usp=sharing
I find your lack of cannon weak to Motherland
10 years gulag.
yes same XD
+Wookie's Leopardess (SarahReeman) 15 years, gulag for motherland.
Bob Bobbins 😂😂😂😂😂
+Wookie's Leopardess (SarahReeman) 20 years of gulag. Family shall be shot for glorious workers' victory.
sheet available now! drive.google.com/file/d/0B7kSvQuWaoRtZklMS1k3S0Q5UjQ/view?usp=sharing
se lo puede transportar a Re mayor?? es para una orquesta infantil...desde ya muchas gracias!
14:59
6:31 & 6:35 LH chords playing F natural instead of F# .When the computer can’t bring out the melody above the accompaniment. Great job otherwise.
How did you get this?
I came for 12:29
Christ! These computer generated performances are AWFUL! Yes, you get the notes but there is no human feeling at all! What's the point? Just noise.
The point is to provide us with what we need to go perform it ourselves. If you want a real feel, request a piano playing channel like Rousseau to play it.
@@CaptainSuzySparrow Oh really? What you need to go perform it yourself is an accurate score and an extremely well developed piano technique as well as good musicianship. How does a dead, mechanized performance give you any of that? The only thing this horror provides is a glimpse of the score 8 measures at a time.
@@gtimny It's a guideline, not step-by-step instructions on how to interpret the music and add emotion. It's not like a computer recording inhibits you from imagining how to do that.
I came here to listen, but I agree that it provides no help. Listening to a performance of the original 1812 Overture along with the piano score would be much more useful.