This is the hundreth time I see this gorgeous, rich, glorious production and I never ever have got tired of watching it, especially the superb role of the Marschalling sung by the magnificent and superb soprano Anne Schwanewilms. FOR EVER AND EVER MY WARMEST CONGRATULATIONS
Although I am not a fan of the staging, and some of the "interpretations"/changes in the directions, this is the one that has touched me the most in terms of the expressions of the 3 protagonists. So many moments brought tears to my eyes. Especially from Anne Schwanewilms! What an actor, what insight!
Yes absolutely!!! She is incredible I have only watched the first act so far. Her facial expression, body language and her singing are sooo detailed and complex, she looks so real! And the monologue :,)
Una extraordinaria y superlativa producción, sin la fanfarria de teatros como el Met, Covent Garden o Paría, con maravillosos intérpretes, especially Anne Schwanewilms as the Marschalin. CONGRATULATIONS
I'm not an opera enthusiast but I have a strong "thing" for Der Rosenkavalier. It's the only opera I've repeatedly heard/seen along my long life so I can´t avoid seeing all the videos posted in RUclips. This one is good, specially the 1st act. But most of the others I've seen are not so good. Goes from mediocre singing, bad acting, ridiculous sets and costumes, you name it. After seeing (heard) this version I bow to Anne Schwanewilms and specially to Anke Vondung that makes an almost perfect Octavian. But I couldn't avoid comparing this version with the Carlos Kleiber one filmed in 1994 that still win hands down! Sophie von Otter, Felicity Lott and Kurt Moll are unbeatable, the sets and the acting are magnificent and I think that we will never see nothing with this quality level in the future, if we have one. If you are interested try to find a DVD (what is that, some will ask!) or some other video/sound support with this production, You won't regret the effort.
![Oscar Maydon x Fuerza Regida - Tu Boda [Official Video]](http://i.ytimg.com/vi/_ymicn0_GYc/mqdefault.jpg)
This is the hundreth time I see this gorgeous, rich, glorious production and I never ever have got tired of watching it, especially the superb role of the Marschalling sung by the magnificent and superb soprano Anne Schwanewilms. FOR EVER AND EVER MY WARMEST CONGRATULATIONS
I hope this stays online for ever.
It s awful
@@sassonelmare well I’m glad I can have my own opinion.
It's you I love.
Ah, Strauss. You know how to pull at the heartstrings.
Maki Mori timbre is so good. Crisp and delight to ear
She's precious! But what's up with her teeth??
Bravi tutti! Herzlichen Glückwunsch nach Dresden für diese Interpretation!
Although I am not a fan of the staging, and some of the "interpretations"/changes in the directions, this is the one that has touched me the most in terms of the expressions of the 3 protagonists. So many moments brought tears to my eyes. Especially from Anne Schwanewilms! What an actor, what insight!
Yes absolutely!!! She is incredible I have only watched the first act so far. Her facial expression, body language and her singing are sooo detailed and complex, she looks so real! And the monologue :,)
english subtitles are precious. this libretto is one of the best ewer written.
Großartig! Bravissimo! Tolle Stimmen! Ein absolutes Meisterwerk!
Ahhhh amazing and the orchestra 😍
Ich liebe ihren Octavian sooo sehr. Für mich ist sie wirklich bester Octavian. Warum kann sie so schön singen? Nur wenn sie singt, hab ich Gänsehaut.
Una extraordinaria y superlativa producción, sin la fanfarria de teatros como el Met, Covent Garden o Paría, con maravillosos intérpretes, especially Anne Schwanewilms as the Marschalin. CONGRATULATIONS
Maravillosa. Qué delicadeza tan exquisita y sublime. Un ¡BRAVO! para todos desde España.
so sweet and lovely and beautiful ...... Presentation of the Rose !🌹Both are wonderful.
That’s fantastic…😭😭😭This masterpiece!!
Rydl, one of the best Ochs of all time
Nah
Incredible! A wonderful experience.
Masterpiece of opera😻😻😻😻😻Octavian is fantastic and charming 🎉
Great Performances, thanks for sharing !!!!
I'm not an opera enthusiast but I have a strong "thing" for Der Rosenkavalier. It's the only opera I've repeatedly heard/seen along my long life so I can´t avoid seeing all the videos posted in RUclips. This one is good, specially the 1st act. But most of the others I've seen are not so good. Goes from mediocre singing, bad acting, ridiculous sets and costumes, you name it. After seeing (heard) this version I bow to Anne Schwanewilms and specially to Anke Vondung that makes an almost perfect Octavian. But I couldn't avoid comparing this version with the Carlos Kleiber one filmed in 1994 that still win hands down! Sophie von Otter, Felicity Lott and Kurt Moll are unbeatable, the sets and the acting are magnificent and I think that we will never see nothing with this quality level in the future, if we have one. If you are interested try to find a DVD (what is that, some will ask!) or some other video/sound support with this production, You won't regret the effort.
Bravo , sehr wundervoll
1:24:35 presentation of the rose,
3:12:50 final trio
I would love to have German subtitles, too!
Ich hätte sehr gerne auch deutsche Untertitel! =)
Einfach umwerfende Oper!
It's so beautiful.
Timpani excerpt: 3:03:35
The scene of the rose is the best one I have ever seen beats that even Karajan’s
Ahahahaha
Lovely!
48:34 it’s incredible how Rydl’s low notes have improved
Der Rosenkavalier, suite, TrV 227d
00:01:39 - 00:04:41 Debut
01:23:23 - 01:24:42 Chiffre 12
01:26:24 - 01:30:45 5 avant chiffre 18
01:52:06 - 01:52:50 Chiffre 26
02:12:39 - 02:13:38 4 apres chiffre 30
02:13:55 - 02:16:33 Chiffre 34
02:17:09 - 02:18:33 Chiffre 44
01:19:03 - 01:19:27 Chiffre 48
03:12:52 - 03:18:47 Chiffre 49
03:19:25 - 03:19:50 Chiffre 61
03:23:32 - 03:23:49 4 avant chiffre 62
03:24:25 - 03:24:41 Chiffre 62
03:03:36 - 03:05:13 6 apres chiffre 62
Did anyone else notice someone (I assume the conductor) humming along at 3:18:22 or is it just me? :D
that's hilarious! :D
Excellente réalisation !
Acte II : 1:18:21
39:03 flute solo
39:08 45:05 2:21:27
< 1. Aufzug >
4:09 Ziffer 11
4:46 Ziffer 12
6:38 Ziffer 18
6:57 Ziffer 19
9:00 Ziffer 27
9:46 Ziffer 30 Allegro
10:32 Ziffer 37
14:58 Ziffer 59
17:54 Ziffer 81
18:12 Ziffer 83
21:05 Ziffer 102
25:41 Ziffer 122
28:20 Ziffer 135 schnelles Walz
29:29 Ziffer 143
30:28 Ziffer 149 Presto
41:38 Ziffer 238
43:37 Ziffer 246
45:28 Ziffer 253
49:53 Ziffer 271 Heiter bewegt.
51:39 Ziffer 277
56:26 Ziffer 289
57:41 Ziffer 296
58:39 Ziffer 300
1:01:01 Ziffer 307
1:05:11 Ziffer 317
< 2. Aufzug >
1:18:44
1:20:39 Ziffer 9
1:23:05 Ziffer 19
1:23:39 Ziffer 22
1:24:18 Ziffer 25
1:28:53 Ziffer 33
1:31:16 Ziffer 39 Leicht bewegt
1:32:54 Ziffer 48
1:33:38 Ziffer 53
1:35:06 Ziffer 62 Moderato mosso
1:37:22 Ziffer 71
1:44:53 Ziffer 98
1:48:26 Ziffer 115
1:52:06 Ziffer 129
1:52:43 Ziffer 133
1:53:30 Ziffer 135
< 3. Aufzug >
2:21:04
2:38:55 Ziffer 110
Wow! Thank you!
Start at 0:00
No way
48:49 / 55:03 / 1:00:58
2:21:05 / 2:35:52
39:45 4. Horn solo (w. 1. and 3., celli)
1:46:10
1:56:20
1:58:10
3:03:28
1:24:30
What does the soprano playing the Marschallin do between the end of Act 1 and her appearance at the end of Act 3?
48:48
1:16:05
あらい
Was für eine optisch hässliche Inszenierung
45:01 flute solo
3:16:15