Thani... A real 🔥 firework... Astonishing.... With full of energy... Hats off to you, Sirs..! TMK maintained taalam continuously & tirelessly..! Great..!
During 2006, May be upto 2011-12 TMK was very pious ( Forehead marks), Humble, and God fearing...Then, I don't know what happened, from 2012-13 onwards he started behaving Funny, came to Concerts drunk, Sang Alapanaa in one and Keerthanais in some other unrelated raagas, In one Concert, after Thani, he sung just one more piece and said its enough for today and left the stage. And since 5-6 years he has become a Lunatic and does everything that is Anti Hindus Anti Brahmins and Anti Carnatik traditions and today no major Sabas invite him... He has become The Biggest Thorn in the Flesh of the entire Carnatik Music Circle...Too Much has gone into his head and Mind and he became a enemy of his own destiny and behaviour...🤔🙄😮😳
Its after your said period he has grown into more human, more real, started to see people as peers, left the ugli forehead marks, started to see people irrespective of their caste, creed, color or status. His handling of ragas has grown into a class apart. For those who are watching removing their colored glass it is so evident he is now the master with no one to challenge. For that you have to shed some age old beliefs.
Well, the A.I.R could have arranged a good stereophonic mikes with a turbo effect sound quality as the sound quality of this mike is not good. Atleast keeping Mani sir in the mind the A.I.R could have done this by which the tonal quality would have been more effective. Violinist Suresh padmanabhan.
TM Krishna is so funny. For all the awesome parts of the korvei he is quiet and in the bridge between the awesomeness, he will say 'oo' or 'baley'. It is sad that singers know less about the pakavaadhyams whereas the accompanists are mostly well-versed with finest of nuances of each singer.
He knows plenty. What you find awesome and what he finds awesome could be different. He also shows his appreciation in the transitional phases because he has got to focus on putting rock-solid talam during the climactic parts, and not disrupt the flow of KRM sir. I agree with your point to an extent, but there are many vocalists who are largely knowledgeable in rhythm aspects (TMK being one of them) and also there are many accompanists who do not know the music that well. So it’s not the best to generalize.
@@vishweshswaminadhan4337 does this appreciation has a name or term? In spanish Flamenco and folk music from around thr world is common to see the rest of musicians actively participaring of the solos and performance in general
@@bebilingualpty we say it Sabhaash or Bale, In fact musicians from Carnatic music industry, consider that very much inspiring on stage than a mere interruption.
would if there is no clapping sound which is irritating especially when legend plays mirudangam..vocalist should have controlled himself for not clapping very hard...there is a clapping sound from somewhere also..it's very hard and really irritating..
rsoundar Numerous titans encouraged their fellow accompanists by saying 'Bhale" etc. If you find it irritating, I must come to a conclusion that you have no clue about anything in Carnatic music in general
Ganesh Shenoy He does it often. Btw when person like Guru Karaikudi Mani is performing he is overacting. I watched this video to listen mrudangam not his bale, Sabash etc.
@@rsoundar I agree with you, the singer is an overactor. The great Mridangam Vidvaan doesn't need his stupid bale and sabash and nonsense handslaps. The whole episode was annoying. Next time he can get kudos to just shut-up listen.
@@rsoundar I think to the person in charge of the Sound is to blame here since as simple as lowering the volume leves would have been more than enough to give a good balanced sound
It was thrilling to see each n every second of that Dynamic and Power Packed Thaniavarthanam by our great great Guru Sri Karaikudi Mani Sir. Feel blessed to be on this earth with the Living Legend.
Palgat Mani, Kaaraikudi Mani, paramparam Talam, magesty, necessary rythm, beauty!! Thanks to You Tube !!
I was a witness of this thundering thani
And the dhoorth, sittin center stage as drushti
What a majestic style of playing mridangam!! Every time I hear this, it gives me the chills. Mani sir is the God of mridangam
The one and only God of mridangam
Thani... A real 🔥 firework... Astonishing.... With full of energy... Hats off to you, Sirs..! TMK maintained taalam continuously & tirelessly..! Great..!
pranamam guruji
Mani Sir truely legend
Even at the age of 60 how young he looks.. :)
Fantastic Thani ;;Most Pleasant. & Enjoyable
Guru Mani has hands from heaven,rhythem from cosmos ❤❤❤
Mesmerising thani!
Really👍 SUPERB. MJT
Excellent Saveri tani avartham
Excellent thani
Hats off to the legends...
Incredible thani!
Excellent performance
Incredible...👏🏼👏🏼👏🏼✨✨✨🙏🏼
Great Tani with many pleasant surprises.
Krishna was original 8 yes ago,now completely new Era not required for sangeetham
Genius ..great maestro..
great music...really emotional ....thank you
super mani sir excellent
THank you! Great tani!
my favourite. fantastic musician
During 2006, May be upto 2011-12 TMK was very pious ( Forehead marks), Humble, and God fearing...Then, I don't know what happened, from 2012-13 onwards he started behaving Funny, came to Concerts drunk, Sang Alapanaa in one and Keerthanais in some other unrelated raagas,
In one Concert, after Thani, he sung just one more piece and said its enough for today and left the stage. And since 5-6 years he has become a Lunatic and does everything that is Anti Hindus Anti Brahmins and Anti Carnatik traditions and today no major Sabas invite him...
He has become The Biggest Thorn in the Flesh of the entire Carnatik Music Circle...Too Much has gone into his head and Mind and he became a enemy of his own destiny and behaviour...🤔🙄😮😳
U are right
Its after your said period he has grown into more human, more real, started to see people as peers, left the ugli forehead marks, started to see people irrespective of their caste, creed, color or status. His handling of ragas has grown into a class apart. For those who are watching removing their colored glass it is so evident he is now the master with no one to challenge. For that you have to shed some age old beliefs.
Amazing !!👌👌💐💐
Anantha namaskaaramulu
🙏🙏🙏
amazing
Fantastic
❤️ Legend!
Magnificent!!!!
VERY NICE
11:36 favorite
Well, the A.I.R could have arranged a good stereophonic mikes with a turbo effect sound quality as the sound quality of this mike is not good. Atleast keeping Mani sir in the mind the A.I.R could have done this by which the tonal quality would have been more effective. Violinist Suresh padmanabhan.
Rip legend💐
ബെസ്റ്റ്, ആവർത്തനം,
Is there a link to watch full concert?
super!
ありがとう from インド
ഘടം
TM Krishna is so funny. For all the awesome parts of the korvei he is quiet and in the bridge between the awesomeness, he will say 'oo' or 'baley'. It is sad that singers know less about the pakavaadhyams whereas the accompanists are mostly well-versed with finest of nuances of each singer.
He knows plenty. What you find awesome and what he finds awesome could be different. He also shows his appreciation in the transitional phases because he has got to focus on putting rock-solid talam during the climactic parts, and not disrupt the flow of KRM sir. I agree with your point to an extent, but there are many vocalists who are largely knowledgeable in rhythm aspects (TMK being one of them) and also there are many accompanists who do not know the music that well. So it’s not the best to generalize.
Mr. Karthik Srinivasan, you have no clue what you're talking about. TM Krishna knows plenty.
True
which keerthanam is this?
Sreerajagopala in saveri ragam
Composed by Dixider
28 sick minds disliked this video
TMK's Noise in between is very disturbing. Hope switch offs the mike while he is appreciating the accompanying artist.
agree
He is a Lunatic and A Spoilt Child...A Brat of the Third order...
Singers voice causes interruption.
He is appreciating him sir.
@@vishweshswaminadhan4337 does this appreciation has a name or term? In spanish Flamenco and folk music from around thr world is common to see the rest of musicians actively participaring of the solos and performance in general
@@vishweshswaminadhan4337 the energy and momentum that the singer gives to the performance is incredibly beautiful
@@bebilingualpty we say it Sabhaash or Bale, In fact musicians from Carnatic music industry, consider that very much inspiring on stage than a mere interruption.
The CLAP sound irritate
would if there is no clapping sound which is irritating especially when legend plays mirudangam..vocalist should have controlled himself for not clapping very hard...there is a clapping sound from somewhere also..it's very hard and really irritating..
The singer’s sound in between like baley sabash oo is irritating.
rsoundar Numerous titans encouraged their fellow accompanists by saying 'Bhale" etc. If you find it irritating, I must come to a conclusion that you have no clue about anything in Carnatic music in general
Ganesh Shenoy He does it often. Btw when person like Guru Karaikudi Mani is performing he is overacting. I watched this video to listen mrudangam not his bale, Sabash etc.
@@rsoundar I agree with you, the singer is an overactor. The great Mridangam Vidvaan doesn't need his stupid bale and sabash and nonsense handslaps. The whole episode was annoying. Next time he can get kudos to just shut-up listen.
@@ganeshshenoy4140 thanks so much for this info, do you recommend any reading to know more about it please?
@@rsoundar I think to the person in charge of the Sound is to blame here since as simple as lowering the volume leves would have been more than enough to give a good balanced sound
The applause by the man in brown shirt (T.M. Krishna?) is very much disturbing the essence of the music.
😀😂
Yea lol
It was thrilling to see each n every second of that Dynamic and Power Packed Thaniavarthanam by our great great Guru Sri Karaikudi Mani Sir. Feel blessed to be on this earth with the Living Legend.