Solving The Hardest Technique in Gypsy Jazz
HTML-код
- Опубликовано: 21 авг 2024
- Find the TABS for this on our Patreon! / marbin
Check out Barlow Guitars: barlowguitars....
📷 Follow our Instagram - / marbinofficial
📖 Like our Facebook - / marbinmusic
🎤 Listen to our Podcast - musicrealtalk....
Dani’s Gear:
Dunlop 417P150 Gator Grip Guitar Picks - 1.50mm Green: imp.i114863.net/gb9md0
D'Addario NYXL1046 NYXL Nickel Wound Electric Guitar Strings - .010-.046 Regular Light: imp.i114863.net/0JbgaL
Eventide H9 Max Multi-effects Pedal: imp.i114863.net/BXjNa9
Source Audio Nemesis Delay Pedal: imp.i114863.net/vnX5kA
Source Audio EQ2 Programmable Equalizer Pedal: imp.i114863.net/GjaxyE
Peterson StroboStomp HD Pedal Tuner: imp.i114863.net/oeAxKg
Dunlop DVP5 Volume (X) 8 Pedal: imp.i114863.net/EakL6X
Strymon Ojai 5-output High Current Guitar Pedal Power Supply: imp.i114863.net/YgOXAO
Victory Amplification V30 The Jack MKII 40-watt Tube Guitar Amp Head: imp.i114863.net/3P2B1A
Vertex Effects Steel String Supreme SR Preamp Pedal: imp.i114863.net/P0oeGq
Vertex Effects Ultraphonix MK II Overdrive Pedal: imp.i114863.net/e4D37Z
Vertex Effects Tour Compact 26-inch x 14-inch Pedalboard v2 with TC3 Riser: imp.i114863.net/oeAxdY
Danny’s gear:
Theo Wanne Ambika 3 Soprano Saxophone Mouthpiece - 7 Hard Rubber: imp.i114863.net/9WNmkY
Theo Wanne SH3-TG7S Shiva 3 Tenor Saxophone Mouthpiece - 7* Gold-plated: imp.i114863.net/jWPNbb
D'Addario RHKP5SSX250 - Frederick L. Hemke Soprano Saxophone Reeds - 2.5 (5-pack): imp.i114863.net/5bRWro
D'Addario RRS05TSX2H - Select Jazz Unfiled Tenor Saxophone Reeds - 2 Hard (5-pack): imp.i114863.net/a1ybg
#guitar #gypsyjazz #django #jazz #jimmyrosenberg
this channel needs to go to 100000 subs like today!!! this is a gem among 1000s of bs guitar channels floating around the tube!
Fantastic lessons
You're helping me a lot! Thank you
Hi Dani, this is one of the clearest videos I've seen on right hand technique. You've added a lot of detail -- it's very easy to say "always start each string on a downstroke", but your insights on things like big whip vs small whip are great, and give a clearer picture on what's involved. Talking about technique is always tough, b/c it's hard to capture what's going in, but your extra notes really add clarity and direction. The exercises are focused and logical. And your video production is also super, focusing on the salient points, great angles, good sound ... you've really put a lot of effort into this video, and I really appreciate it. Thank you very much!
I have a few questions, if you have a moment a few words would be great.
- I feel I've been relying too much on my forearm/elbow for the downstroke, which kind of throws the whole mechanism out of whack. You appear to have a loose elbow, but a lot of the motion comes from the wrist. Do you mostly think about wrist motion (when you think about it at all), or is there any kind of "free fall" of the arm?
- Even though you start with the downstrokes to really hit the downbeat clearly, I kind of feel after watching you here and elsewhere that the key is the preparation, in other words, the upstroke! The upstroke looks like it's where all of the effort is, and the downstroke is just letting the hand and pick purposefully fall through the string. Does that sound like it's close to the mark?
- Sometimes in between the double downstrokes I accidentally hit the string on the upstroke. Guess that's just a practice thing.
Thank you again. Cheers and regards!
Those are great questions but would require a private lesson setting to answer since I would need to see what you are doing to correct it
@@marbinmusic Cheers, I'll work with your video for a while first and see where I get to. Thank you!
I believe in law of attraction, I decided few days ago to work on my right hand technique, this kind of string changes are truly struggling, i was convincing myself that wasn't so necessary and then....here you are, the lesson I needed, for free! That's great 😂😂😂 thank you Dani!
Thank you. I’m addicted tot bai technique and am finally flying in it and content in playing slow and doing all the warm ups. I am addicted to it. So happy
Thanks! great lesson.
Nice lesson!
This is awesome. thank you.
Magnifique merci Beaucoup très belle Leçon.de la main Droite.
The big whip, used when going from thin to thick string downstrokes, involves quite a bit of arm motion as opposed to the other to whips which are almost all wrist motion. Is this correct?
I couldn’t follow the final example. Seems important. How about a video dedicated to it?
Dani
Do you do remote lessons? I want to first spend some time working on the gypsy picking technique on my own, during which time I will identify problems I may have, and then get lessons from you if possible.
Yes email me at danihrabin@gmail.com
Dont forget the right hand has to float and not be planted on the bridge!! I know this because 1000 people have commented that on my videos haha
Thanks for the lesson. Quick question. How hard do you pick? If 10 was the hardest you could pick. I feel I’m like an 8/9 sometimes to get the volume but think I’m sacrificing speed?
Thanks
Always 4-6 range
@@marbinmusic thanks 👍🏼
It's always comes natural
Down , Up then pull off
Down , Up , pull off
Down , Up , pull off
So when i play faster. It becomes not double downstroke any more？
For the most part
Dani
You do remote lessons, correct? If so how do I arrange one?
Yes I do danihrabin@gmail.com
Doesnt seem like youve abandoned youre previous technique and fully adopted the gypsy technique.
I use both. Since I still play fusion for a living
👍👍👍
How is that possible to do those double downs in a row?...it´s not! (Unless if your second name is Rosenberg) 😂
Indeed... I've been learning some gypsy jazz lately, and the speed he picks at is just unbelievable