Shooting During Day for Night Scenes | Transition | Davinci Resolve Tutorial
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- Опубликовано: 18 окт 2024
- In this Impossible Shot, you’ll learn the secrets of shooting during the day for nighttime scenes from expert cinematographer Rob Ellis. Rob covers correct daylight lighting setup and exposure, and color-correcting the shot in Post using DaVinci Resolve.
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I love these transitions! At 2:56 and 5:44. Really cool, it works so well! Thank u for the info
I'm not a film maker, I just wanted to find out how day for night scenes work (I realized that you can shot "night" shots this way today!), so the tutorial part is not as useful to me, but the way you explained the basics was amazing! I understand the way it works now and it's reallllyyy interesting! Thank you for this video!
This is the best video on the subject!
Excellent tutorial and examples. Thank you!
To say magnificent is an understatement. This is essential from now on! This is science for the ages of cinematography to come!!!
This is very well explained, thanks a ton for making this informative video.
This is such a great video! Ty!
Great video!
I remembered seeing this technique being used for motion pictures in the 70's and 80's when I was growing up.
How often do you see this technique being used for motion pictures lately?
Don't get me wrong. I actually found it safer to shoot a short film during the day.
Excellent breakdown. Thanks!
The other technique I use is an awareness of what artificial lights exist in the scene and cheat them. If a porch light is on during the day we dont even think about it or notice, but at night it generates a LOT of light to the scene, same with house windows, or street lights. Ive often purposely staged my actors near where an artificial light source would be and then light that way. a simple window pane gobo on the yard does wonders. Also, ive always wondered, and I think im about to give it a scientific try. If theres a full moon, and you do a Timelapse of the shadows, will the full sun the next day cast the same shadows? will they be in the same place or follow a similar trajectory? shouldn't be the case but im not sure. and very good video for people wanting day to night. its a very misunderstood process.
“NOPE” - it’s funny that this Jordan Peele movie used “Day for Night” and even had a reference to “Impossible Shots” in the movie.
Excellent observation!
You are amazing
Great stuff
I want to shoot a day scene with my actors running and my drone following from the top at 45 degree angle. If I want to covert this drone shot into a night scene at what time would it be the best to shoot the drone shot? Midday when the sun is directly above or in the evening when the sun is about to set ? Please help
Does this technique work for footage not shot in RAW or LOG?
Try underexposing and shooting in 3200k in camera
Dont forget desaturation. since there is less light colors arent as vibrant.
how to enable raw tab in color page ??
It's only there when there is raw footage/clip. Raw being the sensor data without processing for temperature, iso etc. it's why it is so much easier to make such heavy modification to the media as it essentially changes the camera settings after the shoot.
I feel like I'm taking crazy pills. @3:24, both of those shots are VERY OBVIOUSLY shot in the day. Yes, the shadows are in a different place, so they were shot maybe an hour apart but to claim that the one on the left is moonlit is absolute nonsense. In fact, there is not a shot in this film that is even slightly passable as an actual night shot.
You are amazing