I cannot tell you how much joy and inspiration you have brought to my printing practice! Thank you, thank you, thank you!! Your sharing is very much appreciated!!!
You've done it again, Marta! What a playful, energetic print. That transparent magenta horizon line is yummy - I love how it transformed and gave depth to the phthalo green. Your suggestion of perspex, acetate, Dura-Lar sheets has transformed my printing practice and I pretty much run to my studio to try something new after watching your videos. High five from me to you.
You are welcome thank you for watching. The acrylic paint is only use for the gelli printing and Akua inks for mono printing and collagraph. Hope this helps 🤗
I love your videos. Never underwhelming! Would it be possible to do all these steps with a jelli plate? I don’t have a press. But would love to try something similar. 😊
Quite possibly. You wouldn’t get such crisp edge which the collagraph plate, but you don’t need a press for relief printing using Lino, have you tried that?
Beautiful thank you! I've only used gel plate and was a bit lost. Is this all printed on paper or in a transparency? Or did your use the transparency ie mylar in the same way as use a gel plate? Don't worry if this is too much of a question to answer briefly.
Wonderful videos always amazing work. Please can you tell me how to prevent the acetate from sticking to the paper when printing. I have tried wet paper and wet ink but it is always sticking😢😢😢thanks
@@msdaisybell123 thank you for watching 🤗. I wouldn’t use acrylic with acetate as it dries too quick. How stuck is it? If you use akua you shouldn’t be able to peel it off?
@CollagraphPrinting That's for your reply! It was very stuck destroyed😢. I tried wet and then dry papers, I tried less pressure on the press, I tried various acrylics and akua inks., I tried different papers.... I have ordered Dura Lar from UK because it didn't seem to be available in Ireland. Any suggestions would be greatly appreciated! I love your chanel and I rarely watch you tube and I rarely use social media so it was an amazing find! Thanks for making such wonderful videos. 0:01
@@CollagraphPrinting Hello and thank you! Do you have tips for printing with these techniques without a press? Maybe you have made a video on this topic before. If so, would you please direct me toward it? Thanks again. I am intigued by the collagraph process and your work.
I cannot tell you how much joy and inspiration you have brought to my printing practice! Thank you, thank you, thank you!! Your sharing is very much appreciated!!!
That’s wonderful news I am so glad, happy printing 🤗
So lively and vibrant - gorgeous work, Marta!
@@Ron-Ayres thank you 🙏
That piece is breathtaking! Interesting how the different techniques combine, each adding a specific unique element.
Thank you 🙏 It’s really fun combining these different techniques as you can get quite unexpected results 🤗
Great piece, Marta! I’ve been working on linocut a lot lately but this has made me want to get back to collagraph. Thanks for the ongoing inspiration!
You are welcome Bob! Good to hear from you 🤗
You've done it again, Marta! What a playful, energetic print. That transparent magenta horizon line is yummy - I love how it transformed and gave depth to the phthalo green. Your suggestion of perspex, acetate, Dura-Lar sheets has transformed my printing practice and I pretty much run to my studio to try something new after watching your videos. High five from me to you.
That is so nice hear! Really glad you are feeling excited about work in your studio, such a good feeling 🤗
Particularly like the magenta on the yupo paper.💕
Thank you, it actually gave me a pleasant surprise!
sorprendida como siempre!! gracias por tus tips. todo es hermoso😊
Gracias 🙏
One of my favorites!
😎 thank you 🤗
Very cool piece.
@@maryellenrichards391 thank you 🤗
This is a great video. Thanks for your generosity of techniques. Always inspired by your work. Thank you ❤
You are very welcome and thank you for your kind words 🤗
beautiful print,you are so generous with your information..Thankyou 😊
You’re welcome and thank you for watching 🙏
Stunning results, skillful use of colors! Thanks so much.
You are welcome and thank you 🤗
i love this, so inspiring, thank you!!
Thank you and you are welcome 🤗
Great stuff ❤
Thank you 🙏
Love it 😀
Thank you ☺️
Superschöner Druck, muss die aquafarbe trocknen, bevor man mit Acrylfarbe darüber druckt? Vielen Dank für die tollen Videos.
You are welcome thank you for watching. The acrylic paint is only use for the gelli printing and Akua inks for mono printing and collagraph. Hope this helps 🤗
I love your videos. Never underwhelming! Would it be possible to do all these steps with a jelli plate? I don’t have a press. But would love to try something similar. 😊
Looking fwd to this response
Quite possibly. You wouldn’t get such crisp edge which the collagraph plate, but you don’t need a press for relief printing using Lino, have you tried that?
@@CollagraphPrinting No, but will def look into it. Thanks 😊 so much!
Beautiful thank you! I've only used gel plate and was a bit lost. Is this all printed on paper or in a transparency? Or did your use the transparency ie mylar in the same way as use a gel plate?
Don't worry if this is too much of a question to answer briefly.
Thank you 🙏 That’s right I used the transparency in a simile way to gel plate 🙌
Hmm now I'll watch again and see what effect that mylar print had! Thank you
Are you using Golden open acrylics?
In this case I didn’t as I was working quite quickly but for printmaking it’s a better option for sure
Wonderful videos always amazing work.
Please can you tell me how to prevent the acetate from sticking to the paper when printing. I have tried wet paper and wet ink but it is always sticking😢😢😢thanks
I was using akua inks and I also tried golden acrylics but the acetate still stuck to the paper.
@@msdaisybell123 thank you for watching 🤗. I wouldn’t use acrylic with acetate as it dries too quick. How stuck is it? If you use akua you shouldn’t be able to peel it off?
@CollagraphPrinting That's for your reply! It was very stuck destroyed😢. I tried wet and then dry papers, I tried less pressure on the press, I tried various acrylics and akua inks., I tried different papers.... I have ordered Dura Lar from UK because it didn't seem to be available in Ireland. Any suggestions would be greatly appreciated!
I love your chanel and I rarely watch you tube and I rarely use social media so it was an amazing find! Thanks for making such wonderful videos. 0:01
@@msdaisybell123 maybe try rubbing some washing up liquid on Perspex first?
What type of press do you use?
@@donnasedevie8102 hello! I use Polymetaal h-35 press
@@CollagraphPrinting Hello and thank you! Do you have tips for printing with these techniques without a press? Maybe you have made a video on this topic before. If so, would you please direct me toward it? Thanks again. I am intigued by the collagraph process and your work.
@@donnasedevie8102 I think it would be quite difficult.. etching requires a press but relief printing can be done without
Awesomest awesomeness!
Thank you 🤗