a must watch for anyone who wants to know the real history of electronic music. most of the truly important artists/ producers/djs who made the scene what it is today are in it...
This was an amazing time for music. Saw the press screening in NYC, had dinner with Iara lee, the director, after the screening. Dotcoms were flush with cash and DJs were playing every other week at a party for a new, dubious product. It really seemed like technology was a real ally at that point, the future was here and it was benevolent. Post-911, technology has taken a sinister turn with the advent of surveillance and data gathering. We didn't know how good we had it.
GPO lived in NYC where the producers of the film were based so it was more economical likely than anything else and he always gave good quote anyway, even if he wasn't the nuts and bolts behind TG.
that's fair enough i guess!! G PO talks outta his ass about this, he's not an 'electronic' musician or producer!!! cultural engineer, sure!! but chris carter and sleazy were true groundbreakers in this genre!!! anyhoo, great movie!!! thanks for sharing!!
That fella chatting away after everyone got booted out of the Surgeon gig ( D: ) about not doing drugs seemed fucked off his head :D awesome doco, no linearity at all but still awesome to see all these people talking about it
the producers missed the ball with this one!! why interview genesis p-orridge? peter 'sleazy' christopherson should've been interviewed for his pioneering work with computers and samplers in electronic music, in throbbing gristle/ psychic tv/ coil!!! COIL's 'love's secret domain' (1991) was the blueprint for what we all now take for granted!!! also, chris carter should've been given kudos for all the groundbreaking stuff he done with throbbing gristle and chris & cosey!!!
Hello Sir, sorry but the owner of digital rights have suspended the audio soundtracks this night for all vidéo of this documentary on youtube ... If you want come at the forum in few days, i will purpose a streaming version on another popular streaming site. Thank's
Damn, audio's off here, I have found no other streaming source and the worst part is that the torrent has absolutely no seeds and is stuck at 0%. If anyone has a copy please contact me, thank you. I'll still probably end up buying this if I find it.
Who's saying it came directly from hip hop? lol You're right it's ancestry is very electic. And given that those non-hip hop elements all derive from house, its roots are as much in disco, jazz and r&b as straight hip hop. Btw, this is still the best film on this topic, but it is now terribly outdated. You'd probably need to do 3 or 4 films on whats happened since, dance music is so diverse now I don't even know what all the major genres are any more.
Neaaa, Don't get me wrong, most of the breaks used in jungle were used in hiphop as well but I wouldn't really say it came from hiphop. If anything it came from techno, where breaks were used in techno brought us jungle techno then they broke apart. I'd say the only surviving part of jungle techno is happy hardcore, there still using the same breaks, and 4x4 BD. How can race come into it? I think jungle\drum and bass is very multicultural and in the uk so is hiphop
Settle down, dude. I'm just saying that some people seem determined to label Jungle as a direct descendent of Hip-Hop when it was far more diverse than that. I was there at the inception and listened to the pirate stations, they didn't switch from Hip-Hop to Jungle, it developed slowly out of Acid House/Techno and Rave, all of which transcended racial lines. I just think there's a bit of revisionism amongst those who later listened to D&B, as if embarrassed by it's true ancestor...
Update : It seem that copyright owner and RUclips have decided to finally cut the sound of the video. If you want you can find full version with audio : follow link in description.
u can probably all settle a bit..jungle isnt remotely the focus here. from leon theremin thru stockhausen and cage, joe meek, neu..even andy weatherall, its a progression based on what u do or ( more importantly sometimes) dont have access to... good music is just that, if u like it then shout it out, genres are for journalists and trainspotter wannabes.
Why do clueless critics always try and make this retrospective view of Jungle as being born out of Hip-Hop? Is the truth, that it mutated from Rave, Breakbeat and Techno, too 'unstreet' for those that want to see it as exclusively 'black' music?
The Animosity is genuine, and its not nastiness, its honest, truthful annoyance. When i see someone advising someone else from a place of ignorance and i know that statement to not be true it annoys me and I comment, pretty simple really. You are representative of all the idiots who have no clue on a subject yet see themselves arable to advise others on it, clogging up the net with your brain turds.
You need to look at yourself to find where the hate for people you have never met is coming from dude.....Chill out and tell me (politely) where else you have seen live interviews of aphex apart from the hilarious MTV one and the one in russia where he could barely understand the questions that were thrown at him......If there is more i would love to be enlightened..... :)
![ARGENTINA vs. CHILE [3-0] | RESUMEN | ELIMINATORIAS SUDAMERICANAS | FECHA 7](http://i.ytimg.com/vi/De3AWmXzhuA/mqdefault.jpg)
i love how No Doubt is the band that google play picked out of this documentary to sell below the like/dislike meter.
i've been searching for this WITH sound for ages.. thankyou so much :)
a must watch for anyone who wants to know the real history of electronic music. most of the truly important artists/ producers/djs who made the scene what it is today are in it...
Thank's to RUclips and Copyright Owners who have decided to unlock this vidéo after cut the Sound
This was an amazing time for music. Saw the press screening in NYC, had dinner with Iara lee, the director, after the screening. Dotcoms were flush with cash and DJs were playing every other week at a party for a new, dubious product. It really seemed like technology was a real ally at that point, the future was here and it was benevolent. Post-911, technology has taken a sinister turn with the advent of surveillance and data gathering. We didn't know how good we had it.
Omni Trio. This documentary is fucking mental.
There's one with John Peel, where he's interviewing Aphex twin and vibert in Cornwall.
GPO lived in NYC where the producers of the film were based so it was more economical likely than anything else and he always gave good quote anyway, even if he wasn't the nuts and bolts behind TG.
that's fair enough i guess!! G PO talks outta his ass about this, he's not an 'electronic' musician or producer!!! cultural engineer, sure!! but chris carter and sleazy were true groundbreakers in this genre!!! anyhoo, great movie!!! thanks for sharing!!
I love it, the guy from Roland Corp. doesnt explain that only 2 of the 9 sounds on the 909 are samples (the hi-hat and cymbal)
That fella chatting away after everyone got booted out of the Surgeon gig ( D: ) about not doing drugs seemed fucked off his head :D awesome doco, no linearity at all but still awesome to see all these people talking about it
This is so 90's
Re you guys feuding over music? WOW!
the producers missed the ball with this one!! why interview genesis p-orridge? peter 'sleazy' christopherson should've been interviewed for his pioneering work with computers and samplers in electronic music, in throbbing gristle/ psychic tv/ coil!!! COIL's 'love's secret domain' (1991) was the blueprint for what we all now take for granted!!! also, chris carter should've been given kudos for all the groundbreaking stuff he done with throbbing gristle and chris & cosey!!!
Gengen's words to live by: "when in doubt, make no sense."
I love capitalism... Just love it...
Thanks for the link in the description.
Hello Sir, sorry but the owner of digital rights have suspended the audio soundtracks this night for all vidéo of this documentary on youtube ... If you want come at the forum in few days, i will purpose a streaming version on another popular streaming site. Thank's
Really like this! :)
Damn, audio's off here, I have found no other streaming source and the worst part is that the torrent has absolutely no seeds and is stuck at 0%. If anyone has a copy please contact me, thank you. I'll still probably end up buying this if I find it.
I agree that Dubstep is aweful these days. But there are still good producer out there like Mala and Digital Mystikz
No audio.
This is a cool video!
it's "Velocette - Minimum Disco"
3 of the sounds are samples.
Excellent. Well worth watching. Does anyone know the broadcast date?
No sound
21.08 I wonder what track Hardfloor was playing
Aphex has had 2 interview in his life lol
shit I saw the 13'27" robots in a mall in France when I was a child (look the drum kick shows a map of France)
Yes it does, electricity!
Who's saying it came directly from hip hop? lol You're right it's ancestry is very electic. And given that those non-hip hop elements all derive from house, its roots are as much in disco, jazz and r&b as straight hip hop. Btw, this is still the best film on this topic, but it is now terribly outdated. You'd probably need to do 3 or 4 films on whats happened since, dance music is so diverse now I don't even know what all the major genres are any more.
Neaaa, Don't get me wrong, most of the breaks used in jungle were used in hiphop as well but I wouldn't really say it came from hiphop. If anything it came from techno, where breaks were used in techno brought us jungle techno then they broke apart. I'd say the only surviving part of jungle techno is happy hardcore, there still using the same breaks, and 4x4 BD. How can race come into it? I think jungle\drum and bass is very multicultural and in the uk so is hiphop
Velocette - Minimum Disco
movie actually starts at 4:00
a-trak's definitely in this 1:10:44 and 1:12:20
Shadow Boxing. Sick
Go fucking look for them!
There's no mention of trance! Why the hell?
Nope, afraid not. That's Stakka.
Lee Ranaldo of Sonic Youth
I feel that EDM DJs as of now dont seem as hands on as they are on these clips
Link are in description.
34:48 looks like the guy from Little Britain
I'm guessing they couldn't get the rights to any Kraftwerk music ;)
Settle down, dude. I'm just saying that some people seem determined to label Jungle as a direct descendent of Hip-Hop when it was far more diverse than that. I was there at the inception and listened to the pirate stations, they didn't switch from Hip-Hop to Jungle, it developed slowly out of Acid House/Techno and Rave, all of which transcended racial lines. I just think there's a bit of revisionism amongst those who later listened to D&B, as if embarrassed by it's true ancestor...
howdy what's the track by sasha @ 42:17-42:42
55:28 anyone knows that tune ?
Update : It seem that copyright owner and RUclips have decided to finally cut the sound of the video. If you want you can find full version with audio : follow link in description.
thnx man this is good stuff, fuck youtube!
Whats the name of the track @ 42:33?
what's the song at the end credits?
P.L.U.R. !!!!
name of track please at 0:02:28
that sasha tune? what is it?
nice , where can we watch this with audio please?
electronic or synth music is 70's and 80's. Do you even know who autechre is?
u can probably all settle a bit..jungle isnt remotely the focus here. from leon theremin thru stockhausen and cage, joe meek, neu..even andy weatherall, its a progression based on what u do or ( more importantly sometimes) dont have access to... good music is just that, if u like it then shout it out, genres are for journalists and trainspotter wannabes.
^ @ stakker are you thee stakker the dnb producer?
Is that guy at 0:50:36 a dead jedi?
anyone knows the song at 3:30?
what is the video at 9:40
en(DOT)wikipedia(DOT)org/wiki/Modulations
Why do clueless critics always try and make this retrospective view of Jungle as being born out of Hip-Hop? Is the truth, that it mutated from Rave, Breakbeat and Techno, too 'unstreet' for those that want to see it as exclusively 'black' music?
track ID at 10:10 please??
everybody loves my welcome.
track please 52:50
Sounds like a bunch of clicks and whistles
0:46:06 He sounds like Jason Mewes :V
too late, i`m at 5:46.
The Animosity is genuine, and its not nastiness, its honest, truthful annoyance. When i see someone advising someone else from a place of ignorance and i know that statement to not be true it annoys me and I comment, pretty simple really. You are representative of all the idiots who have no clue on a subject yet see themselves arable to advise others on it, clogging up the net with your brain turds.
www.bassexpression.com/viewtopic.php?id=4580
you star xxxxxx
You need to look at yourself to find where the hate for people you have never met is coming from dude.....Chill out and tell me (politely) where else you have seen live interviews of aphex apart from the hilarious MTV one and the one in russia where he could barely understand the questions that were thrown at him......If there is more i would love to be enlightened..... :)
DEPECHE MODE IS THE ONLY GREAT ELECTRONIC BAND
Genesis does my head right in. All of that pretentious living, he's no intellect that's for sure..
fck ytube!
43:39 id please!!
en(DOT)wikipedia(DOT)org/wiki/Modulations