Great review, super concise yet so informative and well spoken - your voice would be so good for a meditation HAHAH 😍 and great shots babe!! Proud of you, your videos just keep getting better!
It's awesome to see new film businesses popping up locally. This reminds me that I have a bunch of cinema film that was respooled sitting in the fridge that I need to try and shoot. Thanks for the video.
Nice one, Hashem. Great to see all of the examples/comparisons and, it all flows well as a review video. Very easy and enjoyable to watch, love when videos like this have the sections listed in the timeline too. I thought all the various locations and times of shooting actually added to the video, removing any chance of that repetitive nature some same time/location videos can have. It was structured really well. Looking forward to the next one.
Niiiiiice man! Love the comparison, I shot 1 true cine film roll, but I've yet to develop it. Also, glad you got to test out some rolls on a more meaningful shoot with that Artist. Shoots came out dope.
Wooow! It looks amazing! Damn, that is a look I've been wanting for a long time. But I don't think this is an option at all in Europe. Silbersalz only does 35mm as far as I know.
All these results are beautiful! The color tones are amazing! Something like this can not be replicated with digital cameras! You may try to get the look but spending time behind the screen is not worth the time! I need to get my hands on these film rolls if it is still available! Great review Hashem! Just when I try my hand at shooting FujiFilm Pro 400H... They discontinue the film! Hahaha! I love the results you came up with Fujifilm Pro 400H (6:48) was that scanned using the Narutsu or Frontier?
That's really awesome. Here in Germany, there is only cinestill in 120. Fortunately, I have nothing against the halations. 😀 Tell me, do they use the tungesten films on the day? In my last video I used 800T a day and really had to correct a lot in the post.
I think they are in high demand which is great, meaning they'll hopefully keep making stuff for a while to come. I have shot tunsgten rolls in the day, especially 35mm. The results were actually pretty nice. If you colour correct them during scanning, there is not much need to use a filter either.
I hear some people said that little hole tends to let the chemicals on film gone faster, due to flow velocity. Don't know the actual science, but just share a opinion.
i find that shooting cinema film in 120 format is better only in 6x6 where the sprocket doesnt protude much into the space. With 645 it eats much into the frame and also the sprocket stains can be annoying. You also have to load and shoot it ASAP cos ive experience 65mm rerolled film to have diferent reactions to diffierent backing papers over time. Some even have the paper info imprinted on the emulsion
Some good points, I guess there are a few extra variables to consider with something like this. Have you tried rolling it yourself, or know of other sources that sell it?
@@pushingfilm Yes ive rolled myself from 65mm film but only as and when needed. i do it like 5-10 rollsat a time then iuse it within a month or two. Where i live it's very humid so i dont keep the film rolled up in backing paper for long knowing the issues with the emulsion and various backing paper types, as well as fungus. The hardest part of doing it is getting the 65mm film stock and cutting it. The rest is just easy.I seen people sell them on ebay and taobao platforms but i dont buy from there cos i dont know how long theyrve been rolled up and if theyre fresh ( important if you shoot 500t and plan to push it)
We have Silbersalz (silbersalz35.com/) here in Europe who do something similar. The purchase includes developing though. So far they only have 35mm as an option.
Great review, super concise yet so informative and well spoken - your voice would be so good for a meditation HAHAH 😍 and great shots babe!! Proud of you, your videos just keep getting better!
I also generally preferred the cinema film images. Pretty cool to see sprockets on medium format, too.
Nice, yeah it certainly gives a special look :-)
Does this film have a remjet layer?
@@ViaOjo it does 🙂
@@pushingfilm thank you!!!
@@ViaOjo it would, thats what stops it from being able to be processed in C41
500T/250D on 120 is 🔥 will plan to get my hands on these! Thanks for sharing as always, 👌🏽
Outstanding review Hasham! A most thorough and comprehensive assessment. I will try the 250 and revert back to you.
Thanks so much.
Aristo
This is so exciting to hear that we now have this right here in Melbourne. I should drop by once we're out of lockdown.
It's awesome to see new film businesses popping up locally. This reminds me that I have a bunch of cinema film that was respooled sitting in the fridge that I need to try and shoot. Thanks for the video.
For sure! Thanks man 🙂
Nice one, Hashem. Great to see all of the examples/comparisons and, it all flows well as a review video. Very easy and enjoyable to watch, love when videos like this have the sections listed in the timeline too. I thought all the various locations and times of shooting actually added to the video, removing any chance of that repetitive nature some same time/location videos can have. It was structured really well. Looking forward to the next one.
I love to see how those tungsten film, react to several lights condition
Great shots, Hashem! Amazing how this film performs on medium format. The portraits at 3:23 were top notch.
Thanks Manuel!
Super keen for these new ISO options for both formats, and equally keen for a cheaper alternative to CS800
Love those shots. Makes me want to give them a try.
Niiiiiice man! Love the comparison, I shot 1 true cine film roll, but I've yet to develop it. Also, glad you got to test out some rolls on a more meaningful shoot with that Artist. Shoots came out dope.
Thanks Jae! Haha be careful, you might fall in love with the stuff. It can often work out much cheaper too when you shoot bulk 35mm.
Thanks for sharing your experience with cinema film. Can you also do a video on how you edit those photos too?
I plan to do eventually do a video on editing film scans!
Very nice Hashem!!!! And thanks for introducing those films!! Would love to try them out
Thanks Ernest! Yeah I think you'll like them 🙂
B2 lets goooo. Great video Hashem!
Thanks man!
As color developer you can use RA-4 which has the same CD4-Component as the ECN-2-Developer
thanks man, finally someone made a video about this
Colors are so good on these films. Wish we have like this in Norway.
For 35mm Kodak cinema film check out Silbersalz35 based in Germany.
I agree it looks really good I must admit I like the side sprocket holes 😎😎😎
Wooow! It looks amazing! Damn, that is a look I've been wanting for a long time. But I don't think this is an option at all in Europe. Silbersalz only does 35mm as far as I know.
All these results are beautiful! The color tones are amazing! Something like this can not be replicated with digital cameras! You may try to get the look but spending time behind the screen is not worth the time! I need to get my hands on these film rolls if it is still available! Great review Hashem! Just when I try my hand at shooting FujiFilm Pro 400H... They discontinue the film! Hahaha! I love the results you came up with Fujifilm Pro 400H (6:48) was that scanned using the Narutsu or Frontier?
7:00 the mayor difference is also that the 200T ist a tungsten film while the 400h is not :)
That's right
Try shooting the tungsten stocks with an 85 filter in daylight.
I have tried this, but not on these 120 rolls.
That's really awesome. Here in Germany, there is only cinestill in 120. Fortunately, I have nothing against the halations. 😀 Tell me, do they use the tungesten films on the day? In my last video I used 800T a day and really had to correct a lot in the post.
I think they are in high demand which is great, meaning they'll hopefully keep making stuff for a while to come. I have shot tunsgten rolls in the day, especially 35mm. The results were actually pretty nice. If you colour correct them during scanning, there is not much need to use a filter either.
Love the saturation
Would be interesting to see this compared to silbersalz35
I have shot Silbersalz35 before, and will compare the two (in 35mm) in an upcoming video
@@pushingfilm oooh that'll be good!!
My understanding is kodak vision 3 is used in motion picture film cameras. In that case, what motion picture camera uses medium format film?
Imax 70mm, Panavision 65mm and probably others
9:14 is beautiful...
Thanks!
I hear some people said that little hole tends to let the chemicals on film gone faster, due to flow velocity. Don't know the actual science, but just share a opinion.
i find that shooting cinema film in 120 format is better only in 6x6 where the sprocket doesnt protude much into the space. With 645 it eats much into the frame and also the sprocket stains can be annoying. You also have to load and shoot it ASAP cos ive experience 65mm rerolled film to have diferent reactions to diffierent backing papers over time. Some even have the paper info imprinted on the emulsion
Some good points, I guess there are a few extra variables to consider with something like this. Have you tried rolling it yourself, or know of other sources that sell it?
@@pushingfilm Yes ive rolled myself from 65mm film but only as and when needed. i do it like 5-10 rollsat a time then iuse it within a month or two. Where i live it's very humid so i dont keep the film rolled up in backing paper for long knowing the issues with the emulsion and various backing paper types, as well as fungus. The hardest part of doing it is getting the 65mm film stock and cutting it. The rest is just easy.I seen people sell them on ebay and taobao platforms but i dont buy from there cos i dont know how long theyrve been rolled up and if theyre fresh ( important if you shoot 500t and plan to push it)
❤❤
Is the film trimmed to fit the 120 spools?
For the 250D are you metering at box speed usually?
Yeah I'd say I meter around 200 or 250 🙂
@@pushingfilm sweet. Always curious to see how other people shoot. Thanks man
@@xinsaneartist93x no probs! I've safely metered at around 100 in some of the many 35mm rolls I've shot, and that also turns out nicely!
As a matter of fact, ecn2 film are widely shot and sold in China for a long time.
Yes, that's right
Jelly😩
I prefer the Fuji shot. The vision 3 was just TOO green. It seems that it wasn't properly adjusted for the fluorescent lighting ergo the green cast
We have Silbersalz (silbersalz35.com/) here in Europe who do something similar. The purchase includes developing though.
So far they only have 35mm as an option.
Is the film trimmed to fit the 120 spools?
Hey! I'm actually not sure of this, or if it even needs to be trimmed to fit the spools.