@macgregoroi wrong. the auto pan will either ping pong the sound from left to right or make the sound completely mono depending on how you use it. Also, using gate with sidechain you can actually customize the rate with any rhythmic figure you want by drawing notes instead of using the arpeggiator.
@HowToAbleton Yes I understand sidechaining. I have use this method before, along with other tricks to get the same effect, and after several months of trying this and that I feel that the autopan is superior. The only benefit of this is programming your own gate pattern and the added benefit of being able to add swing "whitch is great!", but that is not with in the scope of this tut. If that is a requirement for your project, by all means this is a great method.
@macgregoroi I have a rack with a gate and an autopan on separate chains and mapped the chain selector to a macro; there are creative reasons for using both methods but I prefer the autopan. For sidechained gate I usually program my own patterns, hadn't actually thought of using an arpeggiator, doh.
@baconben Right on :) I have a simular rack with a requiency shifter, a drastic fasor, and a auto pan all set up with free modulation. i can make some really wild sounds with that.
@eawitt3 No. You can map the rate in autopan live as well. This method requires more preproduction that autopan. The only thing that this will give you is an inconsistant pattern. Like wanting to gate on the "&" of 1 and 3 and the "a" of 2 and 4. This is the only thing that autopan won't do vs this method.
Excellent! Is it also possible meanwhile singing as live performance? I've tried also to pitch down by 5 and up by 12 to reach a chord but it doesn't work only with existing-pre-recorded material. A quick help would be awesome! :3
@HowToAbleton How ever the gate does not offer a triangle wave, randome wave, wave shape controls, or phase controls "awesome effect by the way". Im opinion the autopan is more expressive and adds more movement then a simple on off effect.
but it can only do straight rhythms - this would be useful if you wanted to perform live with a vocalist and play their vocals (like vocoder, but without the vocoding...)
hi so using this live,how would i capture say one word from the mc and repeat it and speed repeats up/down also the pitch up or down.ive been trying with ping delay then freezing it but it just adds to the delays when u change repeats?
@samuraitheta Exactly what i was going to say, this is stupid!....That and clip based automation of volume or track based automation of a utility is much better anyway.
soo sick :D keeping the community fresh! Represent akaimpk25. dont know if this is possible but if you had a download link for the vocals, (and if you told me the key) i would be...honoured.
@macgregoroi Also, i hate to sound rude, but do yuo actually understand sidechaining? How could a simple LFO offer more control than an entire MIDI pattern n all of its complexity? Its a no brainer.
Ahhhhh this is totally pointless. This is what the auto pan/tremolo is for.... The auto pan is much more capable and WAY les complicated to set up and has more control over the sound with its pase and curve control.
This stutter gate is EXACTLY what I've been looking for!!!
I'm glad this tutorial exist. I've been hearing it all throughout melodic dubstep.
So so so so so so much I don't know, I love it. Possibilities are endless, thanks for the video! :)
@macgregoroi wrong. the auto pan will either ping pong the sound from left to right or make the sound completely mono depending on how you use it. Also, using gate with sidechain you can actually customize the rate with any rhythmic figure you want by drawing notes instead of using the arpeggiator.
Nice one really appreciate it 🙏
Excellent video, going to try this live on stage :)
Very nice. Learn something new every day
Your very good at showing and explaining this was helpful
@HowToAbleton Yes I understand sidechaining. I have use this method before, along with other tricks to get the same effect, and after several months of trying this and that I feel that the autopan is superior. The only benefit of this is programming your own gate pattern and the added benefit of being able to add swing "whitch is great!", but that is not with in the scope of this tut. If that is a requirement for your project, by all means this is a great method.
simple and clear
super awesome thanks for making this video.
that is a great one....best one i heard in a while
mr napela. i love your videos! best ableton tutor out there!
great video
Thanks very mucho...
Good stuff.
and this is exactly what i was looking for. i wanna go to these courses when i get my associates and some money :D
thanks
@macgregoroi I have a rack with a gate and an autopan on separate chains and mapped the chain selector to a macro; there are creative reasons for using both methods but I prefer the autopan. For sidechained gate I usually program my own patterns, hadn't actually thought of using an arpeggiator, doh.
Id like to see a vid on Autopan with tempo sync. good vid none the less. Thank you!
damm you made that sound really good
@baconben Right on :) I have a simular rack with a requiency shifter, a drastic fasor, and a auto pan all set up with free modulation. i can make some really wild sounds with that.
THANKKKK YOU COULDNT MAKE IT ANY SIMPLER !!!!
@eawitt3 I dont know what you mean-autopan works in real time too.
@eawitt3 No. You can map the rate in autopan live as well. This method requires more preproduction that autopan. The only thing that this will give you is an inconsistant pattern. Like wanting to gate on the "&" of 1 and 3 and the "a" of 2 and 4. This is the only thing that autopan won't do vs this method.
it works!
how do i find that reverse reverb tip video? couldn't locate it on your channel
Silvia! Miike Snow (Roboberget Remix), good example
It's the James Zabiela technique that he uses with the Korg Nanopad & the iPad? I think with some noise sound, am I right?
This could be done with one effect. The AutoPan can be used as a tempo sync'ed gate.
@samuraitheta I'm just saying you can essentially make instant changes with this method, wouldn't you need to program the autopan beforehand?
Excellent! Is it also possible meanwhile singing as live performance?
I've tried also to pitch down by 5 and up by 12 to reach a chord but it doesn't work only with existing-pre-recorded material. A quick help would be awesome! :3
@HowToAbleton How ever the gate does not offer a triangle wave, randome wave, wave shape controls, or phase controls "awesome effect by the way". Im opinion the autopan is more expressive and adds more movement then a simple on off effect.
Can you put similar tutorial for Logic?
@bbart318 You can't do that, you can only put midi effects on midi tracks, the arpeggiator is a midi effect so it can't be used on audio tracks.
@macgregoroi I agree with @eatshitgoogle...this is a far better method than using autopan.
embrace the 32nd note!
how do you set up momentary on an akai product...ive been trying forever with my mpd and cant figure it out...any help or tips?
but it can only do straight rhythms - this would be useful if you wanted to perform live with a vocalist and play their vocals (like vocoder, but without the vocoding...)
ive tried that but its not as drastic as this one. I think this works better
lovely hannah kim one of my former slampieces.. ahem students.
hi so using this live,how would i capture say one word from the mc and repeat it and speed repeats up/down also the pitch up or down.ive been trying with ping delay then freezing it but it just adds to the delays when u change repeats?
@samuraitheta That's why the title says "real-time techniques"
whats the track that's playing?
@samuraitheta Exactly what i was going to say, this is stupid!....That and clip based automation of volume or track based automation of a utility is much better anyway.
Why couldn't you just put the gate/arpeggiator on the vocals channel?
This is King shit my good man!
whats the name of the track
we didn't have auto-pan in 2011?
3:47 Jeez do i have to do everything around here?!
soo sick :D keeping the community fresh! Represent akaimpk25.
dont know if this is possible but if you had a download link for the vocals, (and if you told me the key) i would be...honoured.
I can't find the gate effect in ableton
y dont you make any more reason tuorials ;_;
nothing beats Grossbeat...
1. Drop in Auto Pan 2. Change HZ to the "note" 3. Amount=100% Rate= w/e u like Phase=0% Shape=%100 4. Change waveform to triangle
@macgregoroi Also, i hate to sound rude, but do yuo actually understand sidechaining? How could a simple LFO offer more control than an entire MIDI pattern n all of its complexity? Its a no brainer.
lol thank god for cynical nerds, you just saved me a lot of time bro.
where d hell is your reverse reverb video??????
Ahhhhh this is totally pointless. This is what the auto pan/tremolo is for.... The auto pan is much more capable and WAY les complicated to set up and has more control over the sound with its pase and curve control.