My wife and I stopped by your fine art printing operation a few months ago but you were out on a photo project. Your wife warmly showed us your operation, and we had a great time talking about photography and fine art printing. We especially enjoyed the finished prints in your gallery. I hope to get with you soon to make a print for me. Keep up the good work!
Hi, very good and interesting video and a rather cool presentation of this art. Good job. 👍 I do prefer the prints showing the brush strokes and showing that they are original handmade platinum prints. Keep up with your work! Greetings from Luxembourg.
Hello Matt, Happy to have stumbled upon your channel. I entered the platinum Vortex last t year. For now I keep to straight borders. While I thought i loved brushstrokes originally, I ended deeming them too in your face, garish. My current project is all clean edges. Now thinking again, I suspect that print size matters too. On 8x10 I find that distracting and garish. I am about to embark on larger size (20x24) and the question comes up again. The relative size of the border vs the print make the brushstrokes potentially more part of the image and less aggressive. Cheers Patrick
Brush strokes always looks so cool. Such a shame they get covered up. The 3 prints you did with David Brookover where you didn’t cover the whole paper (you used a giant lazy Susan for one of them) are incredible and being able to see the brush strokes definitely adds to their beauty
Thanks Matt for sharing your rationale on this. After thinking of it for a while, I came to a very similar conclusion: you can mat over the brush strokes, but you also have the option of having full strokes showing a very thin black border and anything in between. I also wanted to take this opportunity to ask your advice on the border problems that further contributed to my preference for brushed borders. On some of my clean border prints, emulsion clears fully next to the print edge but leaves fogged line further away (it looks like sensitiser would flood more at the end of brush stroking). Did you experience anything like this, and could it be fog?
I do have a preference for brush strokes, but like Matt mentioned, I can always cover it with a mat board. I never tried the approach of a black border on the negative, but will give it a try. Thanks for this video, Matt!
Really cool there are so many options though and I guess this is what the video is all about. I like the border made with brushstrokes and the white edges covered with matted board but that sounds like a lot of extra aggravation. I should stop being lazy and tape my corners for once.
I like brush strokes better please:-) Here's a question; could the reverse border (I think that's what you called it when the brush strokes don't go right out to the edge of the image) also be a sign that it's Platinum print?
My wife and I stopped by your fine art printing operation a few months ago but you were out on a photo project. Your wife warmly showed us your operation, and we had a great time talking about photography and fine art printing. We especially enjoyed the finished prints in your gallery. I hope to get with you soon to make a print for me. Keep up the good work!
Another great video, Matt. Definitely brush strokes for me.
See you next Tuesday when I pick up the one you made for me.
😎Hippy strokes!
Hi, very good and interesting video and a rather cool presentation of this art. Good job. 👍
I do prefer the prints showing the brush strokes and showing that they are original handmade platinum prints.
Keep up with your work!
Greetings from Luxembourg.
Thank you very much! And personally agree with you!
Thanks for taking the time to make this. Really informative. I'm now off to lick paper!
So so cool! Cheers from Greece! ✌😊
I agree that the brushstrokes give it authenticity!
Such a cool way of displaying work. I don't think there are any places here in Australia that do it 😂
Hello Matt,
Happy to have stumbled upon your channel. I entered the platinum Vortex last t year. For now I keep to straight borders. While I thought i loved brushstrokes originally, I ended deeming them too in your face, garish. My current project is all clean edges.
Now thinking again, I suspect that print size matters too. On 8x10 I find that distracting and garish.
I am about to embark on larger size (20x24) and the question comes up again.
The relative size of the border vs the print make the brushstrokes potentially more part of the image and less aggressive.
Cheers
Patrick
Welcome to the channel! And welcome to the platinum printing journey
Brush strokes always looks so cool. Such a shame they get covered up. The 3 prints you did with David Brookover where you didn’t cover the whole paper (you used a giant lazy Susan for one of them) are incredible and being able to see the brush strokes definitely adds to their beauty
I like the brushstrokes the most. I will stick to your chanel you are a one of a kind 🙏🏻👍👏
Thanks Matt for sharing your rationale on this. After thinking of it for a while, I came to a very similar conclusion: you can mat over the brush strokes, but you also have the option of having full strokes showing a very thin black border and anything in between. I also wanted to take this opportunity to ask your advice on the border problems that further contributed to my preference for brushed borders. On some of my clean border prints, emulsion clears fully next to the print edge but leaves fogged line further away (it looks like sensitiser would flood more at the end of brush stroking). Did you experience anything like this, and could it be fog?
I do have a preference for brush strokes, but like Matt mentioned, I can always cover it with a mat board. I never tried the approach of a black border on the negative, but will give it a try. Thanks for this video, Matt!
I like a clean margin around the image so I can leave 1/4 top and sides, 1/2 on the bottom where I sign underneath.
Really cool there are so many options though and I guess this is what the video is all about. I like the border made with brushstrokes and the white edges covered with matted board but that sounds like a lot of extra aggravation. I should stop being lazy and tape my corners for once.
"French paper, the good stuff" 🇫🇷👍🏻😉
Cocorico !
I like brush strokes better please:-) Here's a question; could the reverse border (I think that's what you called it when the brush strokes don't go right out to the edge of the image) also be a sign that it's Platinum print?
Please talk more about paper. Especially what paper you wouldn't use. Do you ever size your paper?
Thank you!
Hmm, we can totally do a nice and detailed video all about papers.
Is there a benefit to using slightly opaque acetate as opposed to completely transparent? For my cyanotypes I use the completely transparent stuff.
What is the developer you are using??? The second bath is the stopper and container water?...
Brushstrokes 😍
Brush strokes, definitely
I love brush strokes. Then you can mat the print but leave a black line exposed for that extra pop.