I'm a big fan of Matt Palmer and his exceptional virtuosity on A-M-I fingering. And ' Recuerdos', in particular, is supposed to be the piece to have been performed in an unmatched mastery and like no other before at his hands...I believe that Matt Palmer could perform this piece beyond any limitations...
And I was going to have my Taurus flamenco converted to geared tuners from the friction pegs !! Thank you Matt Palmer for this video entering my life in the nick of time !!
I become a big fan by his fast scale technique so I know he can play much faster than this. I love that he choose the speed for musical purpose. Very impressive!
very beautiful. excellent, but this is not the original Tarrega's original fingering. I understand why Matt and other contemporary guitarists have changed the fingering so that the melody lies primarily on the 1st string. it makes sense, but as a study... a tremolo study it makes the piece much easier to play. Tarrega's original version has a lot of tremolo played on the 2nd string (which is much more difficult). I appreciate the fine interpretation here, but John Williams plays it the way Tarrega fingered it and that says a lot. Either way... excellent performance Matt. Technically speaking, I think students should play it as Tarrega intended, since it develops both hand much more becuase it's much more difficult. But I understand there may be a musical reason for making it easier. bravo.
Thank you for your writing-in. I didn't notice that: "tremolo is on 1'st string in some passages, not following the composer's direction". Tremolo on 2'nd string looks no problem for him? (he started on 2'nd string so smoothly) May-be he wants to avoid the sequence of notes by "open & fretted" on the same 3'rd string? He may able to make better expression by that? But beginners like me, are better to follow directions at leasest at primary stage, as your advice. ---an old amateur guitarist
@@MattPalmerGuitar see? I told you a PhD in music and having pieces dedicated to you by great guitar composers were not enough to dare playing this piece LOL.
I'm a big fan of Matt Palmer and his exceptional virtuosity on A-M-I fingering. And ' Recuerdos', in particular, is supposed to be the piece to have been performed in an unmatched mastery and like no other before at his hands...I believe that Matt Palmer could perform this piece beyond any limitations...
WOOW.......WHT A BEAUTIFUL TREMOLO IS THIS.......THERE IS A MAGIC IN IT......YOU ARE ALREADY A BIG STAR....MR. PALMER...!
Bella versión.
Muy cuidada y muy musical.
I love the tempo here....it allows the music to touch the heart.
wonderful !. beautiful music thank you
Amazing... emotionally beautiful!
And I was going to have my Taurus flamenco converted to geared tuners from the friction pegs !!
Thank you Matt Palmer for this video entering my life in the nick of time !!
Fucking super clean tremolo, and great performance!!!!!
Amazing
His tremolo flows so nicely
Brutal Matt Congratulations a Mounster Guitar Bendiciones
Bravo!
Bella esecuzione e ottima voce della chitarra
Solid !!
Nice fingerings, playing the open e on the C#m, who would think of that? MP
I become a big fan by his fast scale technique so I know he can play much faster than this. I love that he choose the speed for musical purpose. Very impressive!
YESSSSSSSSSS...A GIANT YESSSSSSSSSSSSSS...!...MAESTRO...!
Just the right Tempo sir
nice
very beautiful. excellent, but this is not the original Tarrega's original fingering. I understand why Matt and other contemporary guitarists have changed the fingering so that the melody lies primarily on the 1st string. it makes sense, but as a study... a tremolo study it makes the piece much easier to play. Tarrega's original version has a lot of tremolo played on the 2nd string (which is much more difficult). I appreciate the fine interpretation here, but John Williams plays it the way Tarrega fingered it and that says a lot. Either way... excellent performance Matt. Technically speaking, I think students should play it as Tarrega intended, since it develops both hand much more becuase it's much more difficult. But I understand there may be a musical reason for making it easier. bravo.
Thank you for your writing-in. I didn't notice that: "tremolo is on 1'st string in some passages, not following the composer's direction". Tremolo on 2'nd string looks no problem for him? (he started on 2'nd string so smoothly) May-be he wants to avoid the sequence of notes by "open & fretted" on the same 3'rd string? He may able to make better expression by that?
But beginners like me, are better to follow directions at leasest at primary stage, as your advice. ---an old amateur guitarist
A little slow but lovely technique
Perfect tempo - but it stops everywhere and then - which stops the momentum. I like his tone. He will become a master when he has learned more.
robthemobthegreat maybe lol
Nothing can be perfect from the beginning.
@@MattPalmerGuitar see? I told you a PhD in music and having pieces dedicated to you by great guitar composers were not enough to dare playing this piece LOL.
nice but a little bit slow..
Bravo!
Bravo!!