I am a big fan of him , presents everything clear and neat with his melodious voice, never makes a mess on stage, no over action that he is performing 💐💐🙏🙏
I fell at bhoopalam. Rescue me pls. Oh man. Thats true bliss and ecstasy. I beg paramatma to give moksha to my earphones and laptop for letting me listen to this out of the world composition.
With all due respect, your expression of joy is silly. Asking paramatma to give moksha to earphones?😂 What is moksha in your understanding? It's not some award. 😂
His unhurried pace makes each rendition so mellow and beautiful! Sriram Kumar should be so proud of his wonderful pupil and mentee. It seems he is! What an amazing legacy to carry on.
N number of times I heard the song SRI VISWANATHAM BHAJEHAM( CHATHURDASA RAGAMALIKA) sung by SRI RAMAKRISHNAN MOORTHY. But each and every time I feel very happy and blessed. Hats off RKM
You are a genius in music.... Like how we will remember alathur brothers semmangudi maama gnb sir .... Next generation will remember you.... Your music is really mature and melodious ... May all of us be blessed with more and more kritis from you
Its been hours i last listened to this rendition and i am still in tears. A composition in all its grandeur and a rendition that was almost equal to it.
I didnot study karnatic music. Only kelvijnanam. This keerthana carry us to fourteen worlds. Awsome rendition of ragas....... i do not know the exact word to explain..
The style of singling is quite "" GHAM BHI RAM "" LIKE ELDERLY ARTISTS WHO DID IN THE PAST DAYS . great rendition of Muthu Swami is reproduced in your clear voice, supported by accompanying artists . Thanks a lot , it is great lesson / enlightening fact for the young budding artists , and music lovers. Pranamums to one and all of you !!!!!!!!!!!!
Dikshitar's master piece rendered with mastery. Simply brilliant! Hats off Sree Ramakrishnan Murthy for such soulful rendering. Also thank you FEA for such clarity uploads. Keep up the work. We are all listening! :)
Dhanyosmi ….thank you for such a beautiful rendition of one of the most skillfully, and sensitively composed Sanskrit pieces in Carnatic....!!! Loved the way your pronunciation was just perfect......many great performers despite their skill in the technical aspects of the raaga, muddle up pronunciation of the saahityam, but Man, you were just perfect...!!!
All the above,13 comments are not exaggeration but realities and I do happily approve them.The camera and photography and excellent colour are so of good quality and if it continues I am afraid many will sit before the net avoiding the Sanhas.(like me)
Ramakrishnan is surely defacto guru to many a listener because of the genius of his rendition. Even the tone-deaf will learn with repeated listening to his pieces! and also Shri RK Shriramkumar..to both... Namaskaram!!
mind blowing and so meticulous in rendering the Raga bhavaa so accurately combined with the lyrical and vivadi raga combination beauty of ever great Muthuswam Dikshitar in every syllable.... mesmerised in the nectar of Dikshitar served by Ramakrishna Murthy... excellent...SABAASH...
Brilliant !! And so young age ! Wonderful to see such youngsters coming up in Carnatic music. I get goosebumps listening to the rendition. God bless you !
Unbelievably Fantastic performance in the order of Vocal Artist RKM, Mrudangam artist & Violinist, hats off, & my best wishes to all the Artists. Let your performance continue for ever.
Class monumental composition as Chathurdasha Ragamalika by Muthuswamy Dikshithar that describes the lord of the 14 worlds in 14 different ragas. It is interesting to note that name of each raga is interwoven into the lyrics! Very good rendition.
Sri mutthuswamy dekshithar keerthana 14 ragars garland prepare for Kasi Viswanadhm maa Visalakshi ,you're singing like worship with ragas, sriRaakrishnan Murthi hats off. 🙏👏👌⚘🌺🌸
Lovely, soulful, contemplative. Enjoyed much, thanks. Some thoughts : 'Chaturdasa bhuvana rupa ragamalika bharaNa'... Sri Dikshitar clearly had the 14 worlds (ஈரேழு பதினாலு லோகம்) of Hindu Mythology in mind while composing this Magnum Opus. 7 worlds above & 7 below. May be that is why he split the Ragamalika in two parts, the first 7 followed by a recapture at Virinchi then 7 more, ending with a full recapture. Did Dikshitar also select the 14 Ragam to suit the special nature of those 14 worlds ? What are the hidden (as usually done by Dikshitar) connections between the Ragam and each World ? Do the lyrics for each Ragam have any special significance vis a vis these 14 worlds ? Also, contrary to the concert practice now, Dikshitar starts with Sri and ends with BhoopaLam. (MLV had sung Bhagyadha Lakshmi in Sri). Any significance there ? I think this Ragamalika invites a multi faceted study by experts like yourself. Thanks.
Mesmerizing. Sung with so much concentration, understood the intention of the vaggeyakara. Of course a student of RKS sir, you should be like that. May we expect more and more traditional but for now not in practice kritis?
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
I am a big fan of him , presents everything clear and neat with his melodious voice, never makes a mess on stage, no over action that he is performing 💐💐🙏🙏
The way his guru looks at him while playing ! Pure grace ! :)
Guru, so attentive of his pupil watching him all the way!
I fell at bhoopalam. Rescue me pls. Oh man. Thats true bliss and ecstasy. I beg paramatma to give moksha to my earphones and laptop for letting me listen to this out of the world composition.
pretty poetic, agree.
Yes, I heard with tears in my eyes. Kudos
Please let us know what are the ragas in order
@@radhaaanant4284 - Interestingly, the raga names are included in the sahitya itself, you can find all the details here - www.karnatik.com/c1419.shtml
With all due respect, your expression of joy is silly. Asking paramatma to give moksha to earphones?😂 What is moksha in your understanding? It's not some award. 😂
His unhurried pace makes each rendition so mellow and beautiful! Sriram Kumar should be so proud of his wonderful pupil and mentee. It seems he is! What an amazing legacy to carry on.
How he handles the ragams , each swaram delicately with respect and devotion is what sets this apart and takes it to another level, so divine 🙏
Well said...
N number of times I heard the song SRI VISWANATHAM BHAJEHAM( CHATHURDASA RAGAMALIKA) sung by SRI RAMAKRISHNAN MOORTHY. But each and every time I feel very happy and blessed. Hats off RKM
True. The one that we never hates
What a wonderful effort. I keep coming back to this periodically. What a proud teacher on stage, Shri RK Shriramkumar must be.
You are a genius in music.... Like how we will remember alathur brothers semmangudi maama gnb sir .... Next generation will remember you.... Your music is really mature and melodious ... May all of us be blessed with more and more kritis from you
melodious...exactly, meditative...leading with the music, not the personality...
Its been hours i last listened to this rendition and i am still in tears. A composition in all its grandeur and a rendition that was almost equal to it.
I didnot study karnatic music. Only kelvijnanam. This keerthana carry us to fourteen worlds. Awsome rendition of ragas....... i do not know the exact word to explain..
Upaasana,talent, Guruthwa,
Simply prostrations
s to d Divine lineage
The style of singling is quite "" GHAM BHI RAM "" LIKE ELDERLY ARTISTS WHO DID IN THE PAST DAYS . great rendition of Muthu Swami is reproduced in your clear voice, supported by accompanying artists . Thanks a lot , it is great lesson / enlightening fact for the young budding artists , and music lovers. Pranamums to one and all of you !!!!!!!!!!!!
Dikshitar's master piece rendered with mastery. Simply brilliant! Hats off Sree Ramakrishnan Murthy for such soulful rendering. Also thank you FEA for such clarity uploads. Keep up the work. We are all listening! :)
Three months ago I wrote that This rendition is pulling me to Varanasi. 19th November 2018 I did visit Kashi on a
On a karthigai Monday
Dhanyosmi ….thank you for such a beautiful rendition of one of the most skillfully, and sensitively composed Sanskrit pieces in Carnatic....!!! Loved the way your pronunciation was just perfect......many great performers despite their skill in the technical aspects of the raaga, muddle up pronunciation of the saahityam, but Man, you were just perfect...!!!
All the above,13 comments are not exaggeration but realities and I do happily approve them.The camera and photography and excellent colour are so of good quality and if it continues I am afraid many will sit before the net avoiding the Sanhas.(like me)
To me RKM sir is the GOAT .
Could not control my tears in Bhoopalam, just heart melting. Kudos, Salutes.
What a clarity in presentation hats off Ramakrishnamurthy Murthy
Beautiful rendition Ramakrishnan !!! May the Almighty Vishwanatha bless you sumptuously to sing beautifully like this always forever !!!!!
Yes, the glimpse of Bhoopalam in this was amazing! I wish I could find one of his renditions of bhoopalam. Can only imagine!
Ramakrishnan is surely defacto guru to many a listener because of the genius of his rendition. Even the tone-deaf will learn with repeated listening to his pieces! and also Shri RK Shriramkumar..to both... Namaskaram!!
RK Shriramkumar is just brilliant here. Beautiful performance :)
Wow! This is absolutely beautiful. I've been addicted this for a few weeks now. Marvelous and brilliant piece! :)
Wonderful, beautiful rendering of Sri Vishwanatham, scholarly, impressive, divine, god bless you immensely for bringing kashi vishwanath before us.
I keep coming back to this masterpiece of Dikshitar Enthralling me Very smooth changing of Ragas Kudos to the Guru and student 👏 🙌 😊
Splendid. No wonder if he brings the Ramakrishna Murthy Bhaani...what a rendering...That too with this Guru accompanying him....
Guru munnadi pada sishyanukku bhagyam.
Guru kku shishyan padiyadhai ketka santhosham.
Namakku romba santhosham
Sublime composition and sublime performance! Feel blessed 🙏!
So beautiful ❤
this is mind blowing. love the rendition. Thank you First edition arts for the share. Wonder who disliked it
Guru shishya at their brilliance 😀
पल्लवि
1. श्री रागं
श्री विश्व नाथं भजेऽहं
चतुर्दश भुवन रूप -
राग मालिकाभरण धरणान्तःकरणम्
2. आरभि रागं
श्रित जन संसार भीत्यापहं
आध्यात्मिकादि ताप त्रय मनो-भीत्यापहम्
अनुपल्लवि
3. गौरि रागं
श्री विशालाक्षी गौरीशं सकल निष्कळ रूप -
सच्चिदानन्द-मय गौरीशम्
4. नाट रागं
चित्र विश्व नाटक प्रकाशं
जगत्प्रकाशक भास्कर -
शशाङ्क कोटि कोटि प्रकाशम्
5. गौळ रागं
गोविन्दादि विनुत गौळाङ्गं
क्षीर कुन्देन्दु कर्पूरादि
विजय भसितोद्धूळित गौळाङ्गम्
6. मोहन रागं
गुरु गुह सम्मोहन-कर लिङ्गं
पञ्ची-कृत पञ्च महा भूत
प्रपञ्चादि मोहन-कर लिङ्गम्
विलोम - मोहन रागं
विरिञ्चि विष्णु रुद्र मूर्ति-मयम्
विलोम - गौळ रागं
विषय पञ्चक रहितं अभयम्
विलोम - नाट रागं
निरतिशय सुखद निपुण-तरम्
विलोम - गौरि रागं
निगम सारं ईश्वरं अमरम्
विलोम - आरभि रागं
स्मर हरं परम शिवं अतुलम्
विलोम - श्री रागं
सरस सदय हृदय निलयं अनिशम्
चरणम्
7. साम रागं
सदाशिवं साम गान विनुतं
प्रकृत्यादि सप्त रूप साम गान विनुतम्
8. ललित रागं
सन्मात्रं ललित हृदय विदितं
काम क्रोधादि रहित ललित हृदय विदितम्
9. भैरव रागं
चिदाकाश भैरवं पुर हरं
विधि कपाल त्रि-शूल धर भैरवं
पुर हरम्
10. सारङ्ग रागं
चित्सभेश्वरं सारङ्ग धरं
दारुका वन तपो-धन -
कल्पित सारङ्ग धरम्
11. शङ्कराभरण रागं
सदा आश्रयामि शङ्कराभरणं
चिन्तितार्थ वितरण धुरीण-तर
माणिक्य-मय शङ्कराभरणम्
12. काम्भोजि रागं
सद्गति दायकाम्भोज चरणं
धर्मार्थादि निखिल पुरुषार्थ प्रद -
समर्थ-तराम्भोज चरणम्
13. देव क्रिय रागं
वदान्य देव क्रिया खेलनं
सृष्टि स्थिति विलय तिरोधानानुग्रह -
करण क्रिया खेलनम्
14. भूपाळ रागं
वैद्य लिङ्ग भूपाल पालनं
श्री पुर निर्ऋति भाग गर्त तीर -
स्थिर-तर भू-पाल पालनम्
विलोम - भूपाळ रागं
गुरु गुहेश सुर नरेशं अनिशम्
विलोम - देव क्रिय रागं
कुज बुधादि ग्रह गति विहितम्
विलोम - काम्भोजि रागं
वरदं अनल रवि शशि नयनम्
विलोम - शङ्कराभरण रागं
वनज चन्द्र सन्निभ वदनम्
विलोम - सारङ्ग रागं
पर हंसं आनन्द नर्तनम्
विलोम - भैरव रागं
पतित पावन-करणं अघ हरणम्
विलोम - ललिता रागं
पर-तरं परम मनो-लय जयम्
विलोम - साम रागं
परादि वाक्प्रकाश आनन्द-मयम्
मोहन रागं
विरिञ्चि विष्णु रुद्र मूर्ति-मयम्
गौळ रागं
विषय पञ्चक रहितं अभयम्
नाट रागं
निरतिशय सुखद निपुण-तरम्
गौरि रागं
निगम सारं ईश्वरं अमरम्
आरभि रागं
स्मर हरं परम शिवं अतुलम्
श्री रागं
सरस सदय हृदय निलयं अनिशं
pedia.desibantu.com/sri-visvanatham-bhajeham/
(Credits)
pedia.desibantu.com/muthuswami-dikshitar/
Simply amazing rendition. Pranaams to your singing and Dikshitar for this amazing composition.
What a magnificent rendition by Shri Ramakrishnan Murthy. He put me to sleep with this sweet melody.
You sound so mature with both voice and presenting the art. Stay blessed!
Understanding between Teacher and Student is marvelous 🙂😁
Wow, wow. No words to describe my feelings. Amazed at this young talented singer’s full involvement in this masterpiece composition of Dikdhitar.
mind blowing and so meticulous in rendering the Raga bhavaa so accurately combined with the lyrical and vivadi raga combination beauty of ever great Muthuswam Dikshitar in every syllable.... mesmerised in the nectar of Dikshitar served by Ramakrishna Murthy... excellent...SABAASH...
Brilliant !! And so young age ! Wonderful to see such youngsters coming up in Carnatic music. I get goosebumps listening to the rendition. God bless you !
Chaturdasa Raga malika of RKM is OUTSTANDING. Stay Blessed Always RKM
N number of times I heard from Shri RKM 👍 but every time it's a new song for me.. Beautiful Rendering 🙏🙏🙏🙏
Beautiful
Wish my dad had a chance to hear your music.. he was a great fan of Carnatic
So am I although musically illiterate
🙏
You are beyond extraordinary..out of this world..thanks for the experience
It made me spellbound. Versatility at its finest form.
Man you are awesome soaking us in loads of raga ecstasy
What a masterpiece
Enjoyed this krithi sir great stay blessed you and your team Lord Kashi vishwanathar and Goddess Annaporneshwari Blessing always to you and your team
Unbelievably Fantastic performance in the order of Vocal Artist RKM, Mrudangam artist & Violinist, hats off, & my best wishes to all the Artists. Let your performance continue for ever.
Class monumental composition as Chathurdasha Ragamalika by Muthuswamy Dikshithar that describes the lord of the 14 worlds in 14 different ragas. It is interesting to note that name of each raga is interwoven into the lyrics! Very good rendition.
Very serene and meditative and peaceful. I hope he will not be distracted by the gallery and clapping listeners
Awesome, 👌🏻👌🏻🙏🏼🙏🏼
What a beautiful composition! The artiste has done full justice to the krithi.
Soulful music from this future of our Carnatic music..I follow him closely..
Lovely rendering.
Good combination: guru n sishya
one of the best rendition and tuff composition, 🙂🙏🙏
Such a blissful rendition! Very inspiring...
Excellent synchrony of all the artist's🙏
Splendid CHATURDASA RAGAMALIKA BY SRI RKM
On loop
wow!!! 14 ragas..... excellent!!!!!!!
Such a precious recording. Want to listen to this again and again.
🙏🏾🙏🏾🙏🏾 Sri kaashi viswanatham bhaje
Outstanding rendering...
great singing ..
Perfect Classical Voice 🔥🔥
अद्भुतम् 🙏🙏🙏🙏
मम् प्रणामम् स्वीकरोती
Dear Ramakrishna murthy, you are certainly a great arrival at the Carnatic music scenerio.
M
Praveen Srinivasan kausikil
brilliant....makes you feel listen to this again
Sri mutthuswamy dekshithar keerthana 14 ragars garland prepare for Kasi Viswanadhm maa Visalakshi ,you're singing like worship with ragas, sriRaakrishnan Murthi hats off. 🙏👏👌⚘🌺🌸
What a rendition.,.... Very graceful.
Couldn't control my tears.......
Beautiful 👏
அருமை.சுப்பர்.கச்சேரி
Sterling presentation
Amazing performance
beyond words....
What a gifted artist ! God bless
Excellent rendition with full Bakthi
Beautiful rendition 👌🙏😊
Very enjoyable to listen to!
Brilliant Ramakrishnan
Mr. Ramkrisnan Murthy.....
Voice of a Gandharva
pallavI - shrI
shrIvishvanAtham bhajEham
caturdasha-bhuvana-rUpa-rAgamAlikAbharaNa-dharaNANtahkaRaNam
pallavI - ArabhI
shritajanasamsArabhItyApaham
AdhyAtmikAdi tApatraya-manobhItyApaham
anupallavI - gaurI
shrIvishAlAkSI-gaurIsham
sakala-niSkala-rUpa-saccidAnanda-maya-gaurIsham
anupallavI - nATa
citra-vishvanATaka-prakAsham
jagat-prakAshaka-bhAskara-shashAHNka-koTikoTi-prakAsham
anupallavI - gaula
govindAdi-vinuta-gaulANgam
kSIra-kunda-indu-karpurAdi-vijaya-bhasita-uddhULita-gaulANgam
anupallavI - mohana
guruguha-sammohanakara-liHNgam
paHncIkRta-paHncamahAbhUta-prapaHncAdi-mohanakara-liHNgam
viloma - mohana
viriHnci-viSNu-rudra-mUrTi-mayam
viloma - gaula
viSaya-paHncaka-rahitam abhayam
viloma - nATa
niratishayAsukhada-nipuNataram
viloma - gaurI
nigamasAram ishvaram-amaram
viloma - ArabhI
smaraharam paramashivam atulam
viloma - shrI
sarasa-sadaya-hRdayanilayam
caraNa - sAma
sadAshivam sAma-gAna-vinutam
prakRtyAdi-sapta-rUpa-sAma-gAna-vinutam
caraNa - lalita
sanmAtRam lalita-hRdaya-viditam
kAma-krodhAdi-rahita-lalita-hRdaya-viditam
caraNa - bhairava
cidAkasha-bharavam puraharam
vidhi-kapAla-trishUladhara-bhairavam puraharam
caraNa - sAraHNga
citsabheshvaram sAraHNgadharam
dArukAvana-tapodhana-kalpita-sAraHNgadharam
caraNa - shaHNkarAbharaNam
sadA-AshrayAmi-shaHNkarAbharaNam
cintitArtha-vitaraNam dhurINatara-mANikya-maya-shaHNkarAbharaNam
caraNa - kAmbhoji
sadgati-dAyaka-ambhoja-caraNam
dharmArthadi-nikhila-puruSArtha-prada-samarthatara-ambhoja-caraNam
caraNa - devakriyA
vadAnya-devakriyA-khelanam
sRSti-sthiti-vilaya-tirodhAna-anugraha-karaNa-kriyA-khelanam
caraNa - bhUpAla
vaidyaliHNga-bhUpAla-pAlanam
shrIpura-nirRti-bhAga-gart-tIra-sthita-vara-bhUpAla-pAlanam
viloma - bhUpAla
guruguhesha-suranaresham-anisham
viloma - devakriyA
kuja-budhAdigraha-gati-vihitam
viloma - kAmbhoji
varadam anala-ravi-shashi-nayanam
viloma - shaHNkarAbharaNam
vanaja-candra-sannibha-vadanam
viloma - sAraHNga
paramahamsam Anandanartanam
viloma - bhairava
patita-pAvana-kaRaNam madaharaNam
viloma - lalita
parataram parama-manolaya-jayam
viloma - sAma
parAdi-vAk-prakAsha-Anandamayam
Superb!
🙏🙏
🙏👌💐
Blissful❤️
🙏💯
Excellent concurt
Ram oh just wonderful as always but ragadevi seems to be dancing on RKM sir 's tongue 🙏
obsessed
Lovely, soulful, contemplative. Enjoyed much, thanks.
Some thoughts :
'Chaturdasa bhuvana rupa ragamalika bharaNa'...
Sri Dikshitar clearly had the 14 worlds (ஈரேழு பதினாலு லோகம்) of Hindu Mythology in mind while composing this Magnum Opus. 7 worlds above & 7 below. May be that is why he split the Ragamalika in two parts, the first 7 followed by a recapture at Virinchi then 7 more, ending with a full recapture.
Did Dikshitar also select the 14 Ragam to suit the special nature of those 14 worlds ? What are the hidden (as usually done by Dikshitar) connections between the Ragam and each World ? Do the lyrics for each Ragam have any special significance vis a vis these 14 worlds ?
Also, contrary to the concert practice now, Dikshitar starts with Sri and ends with BhoopaLam. (MLV had sung Bhagyadha Lakshmi in Sri). Any significance there ?
I think this Ragamalika invites a multi faceted study by experts like yourself. Thanks.
❤
Mesmerizing. Sung with so much concentration, understood the intention of the vaggeyakara. Of course a student of RKS sir, you should be like that. May we expect more and more traditional but for now not in practice kritis?
thank you. RKS, now makes sense....i saw RKS here in San Diego, 2x....memorable...very.....
1. ஸ்ரீ ராக3ம்
ஸ்ரீ விஸ்1வ நாத2ம் ப4ஜேऽஹம்
சதுர்த3ஸ1 பு4வன ரூப -
ராக3 மாலிகாப4ரண த4ரணாந்த:கரணம்
2. ஆரபி4 ராக3ம்
ஸ்1ரித ஜன ஸம்ஸார பீ4த்யாபஹம்
ஆத்4யாத்மிகாதி3 தாப த்ரய மனோ-பீ4த்யாபஹம்
அனுபல்லவி
3. கௌ3ரி ராக3ம்
ஸ்ரீ விஸா1லாக்ஷீ கௌ3ரீஸ1ம் ஸகல நிஷ்கள ரூப -
ஸச்சிதா3னந்த3-மய கௌ3ரீஸ1ம்
4. நாட ராக3ம்
சித்ர விஸ்1வ நாடக ப்ரகாஸ1ம்
ஜக3த்ப்ரகாஸ1க பா4ஸ்கர -
ஸ1ஸா1ங்க கோடி கோடி ப்ரகாஸ1ம்
5. கௌ3ள ராக3ம்
கோ3விந்தா3தி3 வினுத கௌ3ளாங்க3ம்
க்ஷீர குந்தே3ந்து3 கர்பூராதி3
விஜய ப4ஸிதோத்3தூ4ளித கௌ3ளாங்க3ம்
6. மோஹன ராக3ம்
கு3ரு கு3ஹ ஸம்மோஹன-கர லிங்க3ம்
பஞ்சீ-க்ரு2த பஞ்ச மஹா பூ4த
ப்ரபஞ்சாதி3 மோஹன-கர லிங்க3ம்
விலோம - மோஹன ராக3ம்
விரிஞ்சி விஷ்ணு ருத்3ர மூர்தி-மயம்
விலோம - கௌ3ள ராக3ம்
விஷய பஞ்சக ரஹிதம் அப4யம்
விலோம - நாட ராக3ம்
நிரதிஸ1ய ஸுக2த3 நிபுண-தரம்
விலோம - கௌ3ரி ராக3ம்
நிக3ம ஸாரம் ஈஸ்1வரம் அமரம்
விலோம - ஆரபி4 ராக3ம்
ஸ்மர ஹரம் பரம ஸி1வம் அதுலம்
விலோம - ஸ்ரீ ராக3ம்
ஸரஸ ஸத3ய ஹ்ரு2த3ய நிலயம் அனிஸ1ம்
சரணம்
7. ஸாம ராக3ம்
ஸதா3ஸி1வம் ஸாம கா3ன வினுதம்
ப்ரக்ரு2த்யாதி3 ஸப்த ரூப ஸாம கா3ன வினுதம்
8. லலித ராக3ம்
ஸன்மாத்ரம் லலித ஹ்ரு2த3ய விதி3தம்
காம க்ரோதா4தி3 ரஹித லலித ஹ்ரு2த3ய விதி3தம்
9. பை4ரவ ராக3ம்
சிதா3காஸ1 பை4ரவம் புர ஹரம்
விதி4 கபால த்ரி-ஸூ1ல த4ர பை4ரவம்
புர ஹரம்
10. ஸாரங்க3 ராக3ம்
சித்ஸபே4ஸ்1வரம் ஸாரங்க3 த4ரம்
தா3ருகா வன தபோ-த4ன -
கல்பித ஸாரங்க3 த4ரம்
11. ஸ1ங்கராப4ரண ராக3ம்
ஸதா3 ஆஸ்1ரயாமி ஸ1ங்கராப4ரணம்
சிந்திதார்த2 விதரண து4ரீண-தர
மாணிக்ய-மய ஸ1ங்கராப4ரணம்
12. காம்போ4ஜி ராக3ம்
ஸத்3க3தி தா3யகாம்போ4ஜ சரணம்
த4ர்மார்தா2தி3 நிகி2ல புருஷார்த2 ப்ரத3 -
ஸமர்த2-தராம்போ4ஜ சரணம்
13. தே3வ க்ரிய ராக3ம்
வதா3ன்ய தே3வ க்ரியா கே2லனம்
ஸ்ரு2ஷ்டி ஸ்தி2தி விலய திரோதா4னானுக்3ரஹ -
கரண க்ரியா கே2லனம்
14. பூ4பாள ராக3ம்
வைத்3ய லிங்க3 பூ4பால பாலனம்
ஸ்ரீ புர நிர்ரு2தி பா4க3 க3ர்த தீர -
ஸ்தி2ர-தர பூ4-பால பாலனம்
விலோம - பூ4பாள ராக3ம்
கு3ரு கு3ஹேஸ1 ஸுர நரேஸ1ம் அனிஸ1ம்
விலோம - தே3வ க்ரிய ராக3ம்
குஜ பு3தா4தி3 க்3ரஹ க3தி விஹிதம்
விலோம - காம்போ4ஜி ராக3ம்
வரத3ம் அனல ரவி ஸ1ஸி1 நயனம்
விலோம - ஸ1ங்கராப4ரண ராக3ம்
வனஜ சந்த்3ர ஸன்னிப4 வத3னம்
விலோம - ஸாரங்க3 ராக3ம்
பர ஹம்ஸம் ஆனந்த3 நர்தனம்
விலோம - பை4ரவ ராக3ம்
பதித பாவன-கரணம் அக4 ஹரணம்
விலோம - லலிதா ராக3ம்
பர-தரம் பரம மனோ-லய ஜயம்
விலோம - ஸாம ராக3ம்
பராதி3 வாக்ப்ரகாஸ1 ஆனந்த3-மயம்
மோஹன ராக3ம்
விரிஞ்சி விஷ்ணு ருத்3ர மூர்தி-மயம்
கௌ3ள ராக3ம்
விஷய பஞ்சக ரஹிதம் அப4யம்
நாட ராக3ம்
நிரதிஸ1ய ஸுக2த3 நிபுண-தரம்
கௌ3ரி ராக3ம்
நிக3ம ஸாரம் ஈஸ்1வரம் அமரம்
ஆரபி4 ராக3ம்
ஸ்மர ஹரம் பரம ஸி1வம் அதுலம்
ஸ்ரீ ராக3ம்
ஸரஸ ஸத3ய ஹ்ரு2த3ய நிலயம் அனிஸ1ம்
variations -
நிலயம் அனிஸ1ம் - நிலயம்
ஸதா3 ஆஸ்1ரயாமி - ஸதா3ஸ்1ரயாமி
விதரண - விதரணம்
த4ர்மார்தா2தி3 - த4ர்மாதி3
ஸமர்த2 - ஸமஸ்த
கரண க்ரியா - காரண க்ரியா
ஸ்தி2ர-தர - ஸ்தி2த வர
கு3ரு கு3ஹேஸ1 - கு3ரு க3ணேஸ1
கரணம் - கரண
அக4 ஹரணம் - மத3 ஹரணம்
Rkm....❤
Keep it up sir
Too many advertisements are interrupting.
🙏
👌👌👌
Vanakkam