ONE WEEK (Masters of Cinema) Buster Keaton Clip

Clip from the Buster Keaton Short Film ONE WEEK which features as part of The Complete BUSTER KEATON Short Films 1917-1923 (Masters of Cinema) (Blu-ray) released in the UK on 18 July 2016.
Available to purchase here amzn.to/1ROtsGQ
Containing thirty-two films - with a running time of over 740 minutes - this collection documents Buster Keaton’s short films between 1917-1923.
Capturing Keaton’s first steps in front of a camera this box set charts his early association with ex-Keystone Kop Roscoe ‘Fatty’ Arbuckle through to starring in, headlining, and directing his own box office smash hits. Using Chaplin’s old Hollywood studios in 1920, Keaton’s sophisticated technical inventiveness coupled with his haunted-yet-handsome ‘Stone Face’ persona, created a succession of the most timeless, classic comedy shorts ever realised. The Masters of Cinema Series is proud to present the following films in luxurious four-disc box set, on Blu-ray for the first time in the UK.
The Butcher Boy (1917), The Rough House (1917), His Wedding Night (1917), Oh, Doctor! (1917), Coney Island(1917), Out West (1918), The Bell Boy (1918), Moonshine (1918), Good Night Nurse (1918), The Cook(1918), Backstage (1919), The Hayseed (1919), The Garage (1919), The “High Sign” (finished 1920, released 1921), One Week (1920), Convict 13 (1920), The Scarecrow (1920), Neighbors (1920), The Haunted House(1921), Hard Luck (1921), The Goat (1921), The Playhouse (1921), The Boat (1921), The Paleface(1922), Cops (1922), My Wife’s Relations (1922), The Blacksmith (1922), The Frozen North (1922), Daydreams(1922), The Electric House (1922), The Balloonatic (1923), The Love Nest (1923)
Blu-ray SPECIAL FEATURES:
1080p presentations from new restorations | Multiple scores on selected shorts | Audio commentaries by Joseph McBride on The ‘High Sign’, One Week, Convict 13, The Playhouse, The Boat, and Cops | Newly discovered version of The Blacksmith containing four minutes of previously unseen footage | Alternate ending for Coney Island | Alternate ending for My Wife’s Relations | That’s Some Buster, a new exclusive video essay by critic and filmmaker David Cairns | An introduction by preservationist Serge Bromberg | The Art of Buster Keaton, actor Pierre Étaix discusses Keaton’s style | Audio recording of Keaton at a party in 1962 | Life with Buster Keaton (1951, excerpt) - Keaton reenacts Roscoe Arbuckle's "Salomé dance", first performed in The Cook | PLUS: A 184-PAGE BOOK containing a roundtable discussion on Keaton by critics Brad Stevens, Jean-Pierre Coursodon, Dan Sallitt; a new essay and detailed notes on each film by Jeffrey Vance, author of Buster Keaton Remembered; a new essay by Serge Bromberg on the two versions of The Blacksmith and other discoveries; the words of Keaton; and archival imagery.

[@billfrankeberger754]

Wow. Super image and G R E A T music... that is even in SYNC with the picture-for a change! Yay!

[@josephcalderon906]

Very impressed with this brand new restoration sample of his greatest short (maybe cops) and detail i've never seen before when i watched this classic. such as the background , and as i mentioned before i watched this for years .kudos to the music score.

[@JoeLibby]

Love the score for this. And what a great image! If you watch carefully at the bottom of the house, you can spot at least one pair of legs of someone who is helping to guide the house while Buster is pulling it with his car.

[@rafaelesteban2877]

excellent

[@emz2992]

wow... this was 2016 i-

[@RisingAssassin]

RIP

[@tonybensley6246]

Actually, I have the 2011 KINO Blu-ray set of "Buster Keaton - The Shorts Collection: 1920- 1923, and this ONE WEEK (1920) clip from the new 2016 Blu-ray Release is much more contrasty!
However, I'll also go out on a limb and strongly suggest that the same print may have been sourced for both versions. I'm going by the vertical line that can be seen in the final 'For Sale' shot for both the 2011 and 2016 Blu-ray versions of ONE WEEK. To my eyes, it appears as though somebody may have simply had the bright/contrast settings wrong when processing the digital transfer for the 2016 KINO release.
It's perhaps an impractical slim hope, but as this issue (And Other issues!) was posted at www.nitrateville.com/viewtopic.php?f=1&t=21962&sid=d57575a7da3d65f6d7e172d97983e651&start=90, and as a result, European Distributor Masters Of Cinema (Eureka) postponed the original June 2016 release to the currently listed 18 July 2016, perhaps the bright/contrast issue was able to be fixed, alongside some issues regarding some of the intertitles?
CHEERS!