മാപ്പിളപ്പാട്ടിലെ അറബി മലയാളം മെഗാ മിക്സ് ഗാനങ്ങൾ | Selected Hit Songs Of Mappilappattu

Watch: മാപ്പിളപ്പാട്ടിലെ അറബി മലയാളം മെഗാ മിക്സ് ഗാനങ്ങൾ Selected Hit Songs Of Mappilappattu Latest Mappila Songs 2017
00:11 Aanatha Kanneer
06:13 Allahu Akbarenna
11:33 Itthiriponnoru
16:48 Janmam Nalkiyavane
22:35 Kanneer Paadam
29:29 Kasavin Cheru
35:00 Makkadikkil Hakumai
41:00 Manipoovin Ithale
46:51 Misaripponnin Monjallae
52:55 Misaripponnin Patthara
58:08 Monjerum Thatthamme
1:03:11 Monj Choodiya Muthalle
1:08:38 Muhabbatthin Koodudanju
1:14:06 Nee Panden Khalbinte
1:19:34 Njanonn Nokkumbol
1:24:33 Oothuppalli Chottilann
1:29:53 Vellikkolussaninj
1:35:08 Ashrakul Badru
1:40:39 Ayyuhal Ihvan
1:46:18 Beythal Habeebi
1:52:49 Jugdi Jugdi Mera
1:57:31 Kasthoori Manamayi
2:01:34 Muhammad Nabeena
2:06:52 Azhakil Poovalle
2:11:17 Maananchum Mizhiyalle
2:16:30 Manavaatti Varavaayi
2:19:55 Misaripponnazhakalle
2:25:11 Panimathi Vaanil
2:28:07 Panineerin Poovukal
2:33:54 Puthuponnin Manavaatti
2:38:54 Ulu Ulu Dahil
2:42:33 Hakana Konamaral
2:47:52 Akilu Manakkana
2:51:36 Madhuvarnna Poovalle
2:57:23 Anudinamen
3:01:34 Ellamariyunna
3:06:38 Irulokam Jayamani
3:11:20 Kalpana Kett
3:16:44 Mambazhapoo Kavilil
3:21:10 Manivarnna Kuyilinte
3:25:04 Rahmanalla Raheemumalla
3:29:08 Subarggatthe Padachone
Mappila Paattu or Mappila Song is a folklore Muslim song genre rendered to lyrics in colloquial Mappila dialect of Malayalam laced with Arabic, by the Mappilas of Malabar.[1] Mappila songs have a distinct cultural identity, while at the same time, remain closely linked to the cultural practices of Kerala. The songs often used words from Persia, Urdu, Tamil, Hindi apart from Arabic and Malayalam, but the grammatical syntax was always based on Malayalam.[2][3] They deal with themes such as religion, love, satire and heroism, and are often sung at occasions of birth, marriage and death. Mappila Paattu form an integral part of the heritage of Malayalam literature today and is regarded by some as the most popular branch of Malayalam literature, enjoyed by all communities in Kerala
Mappila songs have been in circulation for over seven centuries, with the first dated work Muhyidheen Mala atrributed to Qadi Muhammad in 1607 AD. Thereafter a large number of literary materials was produced in this medium; one authority has calculated that of these more than 1600 items, complete or fragmentary, were known by 1976. Over the centuries, various types of Mappila Pattu were composed, in accordance with the religious and political surroundings in the lives of the Mappilas of Malabar. The early centuries were primarily based on devotional works, while the colonial era was marked by the battle song genre called Padappattu. Various other categories also grew during the centuries with subjects ranging from romantic ballads and marriage songs to philosophical ideas, sea journeys and even flood ordeals
S. M. Koya noted for his genre of Malabar Mappila Pattukal has won the appreciation of and respected by of film music directors like K. Raghavan, M. S. Baburaj, and A. T. Ummer. In 1925, Gul Mohammed, father of veteran singer K.G. Sathar, recorded his voice in gramophone, which became the first gramophone record in Malayalam. The singer and composer V. M. Kutty made significant contribution to popularise the Mappila songs. He is credited with having performed Mappila songs on stage for the first time in 1957.Other respected names who composed Mappila songs are Punnayurkulam V Bapu, O. M. Karuvarakkundu and Mohar Munir. Songs written by P.T. Abdul Rahman and sung by S.V.Peer Muhammad were compiled in a book Pīrmuhammad pāṭiya putiya Māppiḷappāṭṭukaḷ (Songs sung by Pir Muhammad)
Singer,M kunhi moosa,K.G Sathar,vm kuty,Kannur Shareef,Sindhu Premkumar,JABIR KVK,Vilayil Faseela,Peer Muhammed,Eranholi Moosa,V. T. Murali,Ramla Beegum & Aysha Beegum,Azeez Thayineri,H. Mehaboob,A.V.Mohamed,E.P.Shihab,M. P. Ummerkutty,Nasnin (Baby Nasnin),Randathani Hamsa
Poets:Nalakath Kassim,Bappu Vellipparamba,K. T. Moideen,Pakkar Pannoor,Badarudheen parannur{saharbari}
Musicians: ,M.S.Baburaj,k.Raghavan,Chand Pasha,K. V. Abootty