How Ken Loach Directs a Movie

Ken Loach is known for directing a number of a brilliant films, from Kes to Sorry we Missed You. In this video essay, I examine Ken Loach's socially critical film style.
In a career spanning more than half a century, Ken Loach has achieved both prestigious awards and much-needed social change. But how has he been able to achieve both cinematic excellence and scathing social criticism? In this video, I want to explore Loach’s enduring principles that have allowed him to make films that are both beautiful and hard-hitting.
Contents:
00:00 - Introduction
01:33 - Rejecting Hollywood
05:54 - Exposing Social Issues
10:09 - Mastering Realism
15:21 - Final Thoughts

[@wecas9596]

Thank you for making this video. I want to say more, but I don't know what to say. I'm overwhelmed. This is a great tribute to a great director. It's fitting that it came from someone who understands.
Can you make a video on films by Mike Leigh?

[@robert4724]

A fine director, and a powerful body of work.

[@kelceyfirth]

woukd love to see a video on Shane Meadows if you havent made one already! great work, i an very interested in social realism and would love to learn more about it

[@snorkmaiden4ever]

7:14 Cathy Come Home (1966)

[@mk-ur4cq]

At 10:20 that's the criticism of a tory scumbag, Daniel Blake is 100% authentic and true to life.

[@Adamb87]

Loving it love to all

[@charmaineappiah4070]

It will be great, please do video on Shane meadows and Michaela coel

[@snorkmaiden4ever]

8:36

[@manjunathprasadcv3332]

Loved it...

[@SportsTown-lu2eo]

Please make the Mike liegh

[@ramonaringel6563]

Hey ken ! With your Film with, my Name is Daniel.., suddenly i have this Film on Television ! Wow, 👍🤣 it is in germany, to 👍 we have today the Problem so biggest her in germany ! Because we have the Problem : the Standards for arm you go upstairs more and more and more, because you must Look the german Films : the King from cologne ! WDR ! Show this Films and you laugh or cry 👍ken you are a Best reggiseur 👍 its nice we have people as you 👍👍👍

[@jake_bishop]

Glad to hear Ken’s work is having a big impact in Germany :)

[@persononyoutube461]

Ken Loach is a reformist who supports the imperialist Labour Party. He’s not left of anything.

[@redhippopotamus9144]

Tbf he started a separate party called left unity

[@persononyoutube461]

Ken Loach’s Left Unity is as politically weak and inadequate as that of Owen Jones. This is evident in his latest feature length film, The Spirit of ’45. It fails to convince that ‘we should look to the past for a better future’ because it actually explains so little.
With the use of sombre black and white newsreel clips, the film illustrates the poverty, neglect and despair of large sections of the working class in the 1930s and 1940s when unemployment, slum housing and unaffordable medical care shortened and blighted the lives of millions. Public broadcasting announcements are combined with running commentaries over footage of the end of war in 1945 and the landslide election of a Labour government under Clement Atlee. The post-war implementation of the Beveridge Report (Beveridge himself stood as a Liberal candidate in 1945) laid the foundations for state welfare. The nationalisations of many major industries including coal, steel, railways, electricity, are all illustrated with contemporary footage, much of which represents the joy of ordinary working people and the triumph of a technocratic political tendency which knew that post-war reconstruction could only be achieved by central planning for national purposes.
The Spirit of ’45 then moves to the grim story of the Thatcher governments in the 1980s: the attack on trade union rights, the destruction of the National Union of Mineworkers followed by the closure of most UK mines and the de-nationalisation and privatisation of industries and services like the railways, water and gas. The film’s coverage noticeably fades away when it reaches the New Labour years with the rush to outsource social services, education and health. Instead the film moves to a sentimental mood of reflection at the loss of the spirit of ’45 and class unity compared to today’s individualistic and consumerist society. Contributions from former Labour Cabinet Minister Tony Benn are of no interest. John Rees (Counterfire) generalises about workers’ control while Alan Thornett (Socialist Resistance) adds nothing.
As a support and guide for action today The Spirit of ’45 is seriously limited. There is no international context whatever in the film, no mention of the 1950 British military role in the Korean War (1950-53) which drained the Treasury and doubled defence expenditure. Prime Minister Atlee’s secret decision to produce a British nuclear weapons programme is ignored. There are no black people in the film, no reference to Commonwealth immigration and the arrival of the Windrush in 1948. The ‘Spirit of ’45’ did not extend to Britain’s former colonies and overseas interests where British imperialism, under the management of Labour, brutally crushed all opposition in countries like Kenya, Malaya and Hong Kong. Indeed, there is no history of the world outside of a victorious Britain. This is no use to us at a point in time when the global forces of capitalism in the form of wars and occupation, privatisation and neo-liberal control have stripped working class people everywhere of historic welfare and employment gains.
What is needed for a new movement to defend workers at home is principled opposition to racism and imperialism at home and abroad. A united fight against austerity can only be won by communities in the spirit of international resistance to neo liberalism.

[@salmirza]

Bot lol